[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-205704-en-US":3},{"detail":4,"match":276,"insight":277,"providers":278,"providerLink":6,"trailer":6},{"adult":5,"backdrop_path":6,"belongs_to_collection":6,"budget":7,"genres":8,"homepage":12,"id":13,"imdb_id":14,"origin_country":15,"original_language":17,"original_title":18,"overview":19,"popularity":20,"poster_path":21,"production_companies":22,"production_countries":26,"release_date":29,"revenue":7,"runtime":30,"softcore":5,"spoken_languages":31,"status":35,"tagline":12,"title":18,"video":5,"vote_average":36,"vote_count":37,"credits":38,"similar":73,"watch\u002Fproviders":272,"videos":274},false,null,0,[9],{"id":10,"name":11},16,"Animation","",205704,"tt0061421",[16],"US","en","The Box","An old bearded man wearing a raincoat walks into a bar and sits down, placing a mysterious box next to him. The other patrons try, with varying success, to find out what's inside.  Preserved by the Academy Film Archive in 2003.",1.3445,"\u002Fr2AmDUiQOiSEdM3juKVflJiZqKu.jpg",[23],{"id":24,"logo_path":6,"name":25,"origin_country":16},5648,"Murakami-Wolf Productions",[27],{"iso_3166_1":16,"name":28},"United States of America","1967-02-23",8,[32],{"english_name":33,"iso_639_1":34,"name":33},"No Language","xx","Released",6.5,22,{"cast":39,"crew":40},[],[41,50,59,66],{"adult":5,"gender":42,"id":43,"known_for_department":44,"name":45,"original_name":45,"popularity":46,"profile_path":47,"credit_id":48,"department":44,"job":49},2,90302,"Directing","Fred Wolf",0.9587,"\u002FouM3BPiH1iX7pKncz8rF57yBShZ.jpg","54d219a29251411b5f00255a","Director",{"adult":5,"gender":42,"id":51,"known_for_department":52,"name":53,"original_name":53,"popularity":54,"profile_path":55,"credit_id":56,"department":57,"job":58},153697,"Acting","Shelly Manne",0.7726,"\u002FsbILujt1E3wxSwyB1dr8QsHYGFs.jpg","68fdeed48aec7a0bb193894b","Sound","Music",{"adult":5,"gender":42,"id":60,"known_for_department":61,"name":62,"original_name":62,"popularity":63,"profile_path":6,"credit_id":64,"department":61,"job":65},1662269,"Editing","Rich Harrison",0.5912,"68fdeef3b9804d36a99389fa","Editor",{"adult":5,"gender":7,"id":67,"known_for_department":68,"name":69,"original_name":69,"popularity":70,"profile_path":6,"credit_id":71,"department":68,"job":72},3186800,"Camera","Wally Bulloch",0.3796,"68fdef0fc6728d5ffc92709c","Camera Operator",{"page":74,"results":75,"total_pages":270,"total_results":271},1,[76,84,95,104,114,123,138,149,160,169,180,188,196,204,212,222,233,241,251,260],{"adult":5,"backdrop_path":6,"genre_ids":77,"id":78,"title":79,"original_language":17,"original_title":79,"overview":80,"popularity":81,"poster_path":82,"release_date":83,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],654251,"Things to Come","A vibrant animation by Patricia Marx.  Preserved by the Academy Film Archive in 2000.",0.9466,"\u002F25C2UURUH9iMIgsySCIvyfKWAdJ.jpg","1953-03-03",{"adult":5,"backdrop_path":6,"genre_ids":85,"id":86,"title":87,"original_language":34,"original_title":88,"overview":89,"popularity":90,"poster_path":91,"release_date":92,"softcore":5,"video":5,"vote_average":93,"vote_count":94},[10],263875,"Study No. 6","Studie Nr. 6","The first Studies were synchronized with records (Fischinger made a total of 13 Studies all without sound). It was only with the introduction of sound, beginning with Study No 6 that the films did full justice to this musical principle. The play of the white lines, the arcs, and the upside-down U’s running hither and thither like ballet dancers was brought into perfect synchronization with the music, and thus the films offered an abstract illustration of the melodies. Study No 6 is certainly the best of his films in terms of forms. - Hans Scheugl and Ernst Schmidt, Jr.  Preserved by the Academy Film Archive in 2001.",0.8048,"\u002FtQPcAfWShDfOQUthcUELTkjzirM.jpg","1930-10-01",6.6,14,{"adult":5,"backdrop_path":96,"genre_ids":97,"id":98,"title":99,"original_language":17,"original_title":99,"overview":100,"popularity":101,"poster_path":102,"release_date":103,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002Fj2iKOCNVcn7DnP8sGorPjIY0oc9.jpg",[10],649532,"Bowl, Garden, Theatre, Marble Game","An animated short consisting of 4 segments: bowl, garden, theatre, marble game.  Preserved by the Academy Film Archive in partnership with Harvard Film Archive in 2015.",0.5043,"\u002FqekbozfWPd38oBhMVyJzSo1XXRD.jpg","1970-01-01",{"adult":5,"backdrop_path":105,"genre_ids":106,"id":107,"title":108,"original_language":17,"original_title":108,"overview":109,"popularity":110,"poster_path":111,"release_date":112,"softcore":5,"video":5,"vote_average":113,"vote_count":42},"\u002FuOSYvfkymq4W3XvPqPFDVMz8gjk.jpg",[10],467958,"Babobilicons","Krumins’ fantasy sets the world of flora and fauna on its ear. At one moment grotesque greenish mushrooms grow, wither and reverse their life-cycle, at another, strange crustacean-like animals speed around on a bed of feathers, next a room is inundated with giant ladybugs…  Preserved by the Academy Film Archive in 2009.",0.7343,"\u002F2It2TGERksKnla8y3a2D36AYG1A.jpg","1982-10-01",7.5,{"adult":5,"backdrop_path":6,"genre_ids":115,"id":116,"title":117,"original_language":17,"original_title":117,"overview":118,"popularity":119,"poster_path":120,"release_date":121,"softcore":5,"video":5,"vote_average":122,"vote_count":74},[10],269427,"Mountain Music","Mountain Music illustrates what happens when technology gets too advanced too soon.  Preserved by the Academy Film Archive in 2012.",1.1427,"\u002FvUoKm2ko6cxs1SsgISlIGdJyqph.jpg","1976-01-01",5,{"adult":5,"backdrop_path":124,"genre_ids":125,"id":130,"title":131,"original_language":17,"original_title":131,"overview":132,"popularity":133,"poster_path":134,"release_date":135,"softcore":5,"video":5,"vote_average":136,"vote_count":137},"\u002FbWpk3hGj95bDxDVk4pvU2K7tN0H.jpg",[126,10,127,128,129],10751,35,878,12,530,"A Grand Day Out","Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese.",4.2505,"\u002Fh5e3r12VwfUotN36fBr1DNeCD4n.jpg","1990-05-18",7.488,1049,{"adult":5,"backdrop_path":139,"genre_ids":140,"id":141,"title":142,"original_language":17,"original_title":142,"overview":143,"popularity":144,"poster_path":145,"release_date":146,"softcore":5,"video":5,"vote_average":147,"vote_count":148},"\u002F9AbessEz2YKjmPtYKATDeYRW3Px.jpg",[10,127,126],531,"The Wrong Trousers","Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno trousers created by Wallace. However, Gromit later learns that the penguin is a wanted criminal.",4.2211,"\u002FmV8SDTjkxrDxu0a0egvFz1lRPU7.jpg","1993-12-17",7.839,1210,{"adult":5,"backdrop_path":150,"genre_ids":151,"id":152,"title":153,"original_language":17,"original_title":153,"overview":154,"popularity":155,"poster_path":156,"release_date":157,"softcore":5,"video":5,"vote_average":158,"vote_count":159},"\u002FaD8ZhhrlJ6PXDiyyIvaMltxfbSz.jpg",[126,10,127],532,"A Close Shave","Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.",4.1913,"\u002FqdIR27trLyrlJ5nmkbcG3Bomah6.jpg","1996-03-07",7.598,978,{"adult":5,"backdrop_path":6,"genre_ids":161,"id":162,"title":163,"original_language":17,"original_title":163,"overview":164,"popularity":165,"poster_path":166,"release_date":167,"softcore":5,"video":5,"vote_average":168,"vote_count":74},[10],637564,"Mutoscope Reels","An mutoscope motion picture installation commissioned for the 86th anniversary of the Guggenheim museum. Later preserved and turned into a short film.  Preserved by the Academy Film Archive in 2000.",1.0383,"\u002FAjbc58eqSavlmoQvYpnkoc8Ko5B.jpg","1945-01-01",6,{"adult":5,"backdrop_path":6,"genre_ids":170,"id":171,"title":172,"original_language":34,"original_title":173,"overview":174,"popularity":175,"poster_path":176,"release_date":177,"softcore":5,"video":5,"vote_average":178,"vote_count":179},[10],279051,"Andrey Svislotskiy","Андрей Свислоцкий","This animated short focuses on the lives of three eccentric people living on a farm in the Ukrainian countryside. Told in a non-linear, stream of consciousness style, the film depicts the deceitful relationship between a master and his two servants.",1.043,"\u002FyBQcEwPHBCRCx60WGUPPvheLC8e.jpg","1991-01-01",6.3,9,{"adult":5,"backdrop_path":6,"genre_ids":181,"id":182,"title":183,"original_language":17,"original_title":183,"overview":184,"popularity":185,"poster_path":186,"release_date":187,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],473662,"Dear Janice","Beckett cycles through a limited number of drawings, but adds new information to each drawing every time we see it, giving the sense of a world that is infinitely rich and also obviously contained tightly within the edges of the paper.  Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2007.",0.5907,"\u002F3HMbPLCzP3aXSQRhmqSNblEaqIK.jpg","1972-09-01",{"adult":5,"backdrop_path":6,"genre_ids":189,"id":190,"title":191,"original_language":17,"original_title":191,"overview":192,"popularity":193,"poster_path":194,"release_date":195,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],473664,"Flesh Flows","In Flesh Flows we see a balance of Beckett’s keen drawing ability, in the probing erotic forms, and his technical acuity, which transforms the carnal images into a compelling, transcendent experience. Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2007.",1.4515,"\u002FrNCkWIwNxQapL1EMeft14CTjtBy.jpg","1974-09-01",{"adult":5,"backdrop_path":6,"genre_ids":197,"id":198,"title":199,"original_language":17,"original_title":199,"overview":200,"popularity":201,"poster_path":202,"release_date":203,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],634714,"Sonoma","\"I relocated to the Redwoods of Sonoma County upon graduation and in that relocation process the animation for Sonoma began. The design was built around the concept of the long wide horizontal 'pan' shot to express the concept of a dynamic landscape that passes across the screen like a traditional Chinese Scroll Painting. The deep personal meaning relates to the 'relocation' that was occurring within my own being after having done 2½ terms of active combat in the jungle as a carrier enlisted with the 82nd Airborne Division of the Army\" -D. Pies.  Preserved by the Academy Film Archive in 2012.",0.4619,"\u002Fbvhs5gikXDISUD1XxWDk5LhFFwi.jpg","1977-01-01",{"adult":5,"backdrop_path":6,"genre_ids":205,"id":206,"title":207,"original_language":17,"original_title":207,"overview":208,"popularity":209,"poster_path":210,"release_date":211,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],455183,"Kitsch in Synch","The animation, music, and optical printing of Kitsch in Synch was produced by Beckett and the students in two classes he was teaching at CalArts. Although a group project, it is clear that Beckett was the director. The playful, catchy soundtrack is used to create a cycle of building tension and release. The brightly colored shapes create approximate symmetrical formations and become more densely layered, with glimpses of iconographic objects and even live footage near the end. Preserved by the Academy Film Archive, in partnership with the iotaCenter, in 2007.",0.7575,"\u002FxtJEqvajspa6KSnYkjWUcYttzes.jpg","1975-01-01",{"adult":5,"backdrop_path":213,"genre_ids":214,"id":215,"title":216,"original_language":17,"original_title":216,"overview":217,"popularity":218,"poster_path":219,"release_date":220,"softcore":5,"video":5,"vote_average":36,"vote_count":221},"\u002Ftv7spvonDUQoIBoUCiGOIigqidW.jpg",[127,10],3171,"Bambi Meets Godzilla","A deer, disillusioned by the consumerism that defines his life. A lizard, ostracized from society, forever wandering. A chance meeting in the middle of a field. Who will survive? And who will transcend existence? Preserved by the Academy Film Archive in 2009.",0.9139,"\u002FlJazOe53J7FPC2H2d6i64jFGNGC.jpg","1969-07-10",182,{"adult":5,"backdrop_path":223,"genre_ids":224,"id":226,"title":227,"original_language":17,"original_title":227,"overview":228,"popularity":229,"poster_path":230,"release_date":231,"softcore":5,"video":5,"vote_average":232,"vote_count":74},"\u002FkbiAyuEudtbInBG7PRvF7jh9dwg.jpg",[10,225],36,450651,"The Divine Miracle","A surrealist translation of Catholic devotional postcard imagery set into unsettling motion.  Preserved by the Academy Film Archive in 2008.",0.6126,"\u002F4zA8WYIGClVSloBmegPkOV9GU8g.jpg","1973-03-17",4.5,{"adult":5,"backdrop_path":6,"genre_ids":234,"id":235,"title":236,"original_language":17,"original_title":236,"overview":237,"popularity":238,"poster_path":239,"release_date":240,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10,225],831082,"Legacy: A Very Short History of Natural Resources","Legacy takes the audience on a rapid-fire journey through the evolution of the world, starting with a cosmic bang, evolving through billions of years of plants, animals and the creation of natural resources, ending with man and his bounty – “sitting on his world contemplating his coconut”.  Preserved by the Academy Film Archive in 2012.",0.8008,"\u002FmNMNLb51Vj1PhwzHE8y0cXDnWxz.jpg","1979-12-17",{"adult":5,"backdrop_path":6,"genre_ids":242,"id":244,"title":245,"original_language":17,"original_title":245,"overview":246,"popularity":247,"poster_path":248,"release_date":249,"softcore":5,"video":5,"vote_average":250,"vote_count":42},[10,243],10402,281635,"Sing Beast Sing","Animated short film.  Preserved by the Academy Film Archive in 2009.",0.7695,"\u002F2jiA1jjsjWwyceMYkD5cnakUQo4.jpg","1980-01-01",5.5,{"adult":5,"backdrop_path":6,"genre_ids":252,"id":254,"title":255,"original_language":17,"original_title":255,"overview":256,"popularity":257,"poster_path":6,"release_date":258,"softcore":5,"video":5,"vote_average":259,"vote_count":74},[10,253],10752,657665,"How to Bridge a Gorge","An instructional video that teaches, through stop-motion animation, how to build a bridge over a gorge that can hold heavy military equipment.  Preserved by the Academy Film Archive in 2004.",1.1067,"1942-01-02",10,{"adult":5,"backdrop_path":261,"genre_ids":262,"id":264,"title":265,"original_language":17,"original_title":265,"overview":266,"popularity":267,"poster_path":268,"release_date":269,"softcore":5,"video":5,"vote_average":168,"vote_count":74},"\u002FvS6rtjbvYsMYJWyFeTef2orbW13.jpg",[263,10],99,283593,"Pasadena Freeway Stills","Possibly the most lucid, vivid, and awesome demonstration of the building up of still images to create moving ones, Pasadena Freeway Stills simply, gracefully and powerfully shows us the process by which we are fooled by the movies. By doing so, Gary Beydler mines a very rich vein of associations and metaphor, without the slightest ostentation.  Constructed as a thrilling arc of realization and, in a quite moving way, disappointment, the film is a beautiful articulation of our emotional entanglement with moving images, while simultaneously creating a form in which the illusion of cinema is brought into incredible relief as the film we're watching gradually catches up to the film Gary is holding up to the camera with his hands, one frame at a time. (Mark Toscano)  Preserved by the Academy Film Archive in 2008.",0.5038,"\u002Fyrbg6gyKIwJEraL8hrVNsQ83SBt.jpg","1974-01-01",1001,20001,{"results":273},{},{"results":275},[],45,"A animation story that tends to land well.",[]]