[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-21738-en-US":3},{"detail":4,"match":310,"insight":311,"providers":312,"providerLink":39,"trailer":39},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":16,"videos":17,"credits":19,"imdb_id":63,"revenue":8,"runtime":64,"similar":65,"tagline":80,"homepage":80,"overview":80,"softcore":6,"popularity":274,"vote_count":25,"poster_path":39,"release_date":228,"vote_average":275,"backdrop_path":39,"origin_country":276,"original_title":7,"watch\u002Fproviders":278,"spoken_languages":303,"original_language":76,"production_companies":306,"production_countries":307,"belongs_to_collection":39},21738,false,"The Great American West",0,[10,13],{"id":11,"name":12},99,"Documentary",{"id":14,"name":15},36,"History","Released",{"results":18},[],{"cast":20,"crew":48},[21,31,41],{"id":22,"name":23,"adult":6,"order":8,"gender":24,"cast_id":25,"character":26,"credit_id":27,"popularity":28,"profile_path":29,"original_name":23,"known_for_department":30},4765,"Jason Robards",2,3,"Narrator (voice)","52fe4425c3a368484e012073",2.2689,"\u002F9y0HAtWWBkB02gVzh8QDdz6UYZH.jpg","Acting",{"id":32,"name":33,"adult":6,"order":34,"gender":24,"cast_id":35,"character":36,"credit_id":37,"popularity":38,"profile_path":39,"original_name":33,"known_for_department":40},587079,"Christopher Ivins",1,4,"Captain Meriwether Lewis","52fe4425c3a368484e012077",0.3868,null,"Camera",{"id":42,"name":43,"adult":6,"order":24,"gender":8,"cast_id":44,"character":45,"credit_id":46,"popularity":47,"profile_path":39,"original_name":43,"known_for_department":30},587080,"Tyson Stephenson",5,"Capt. 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The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.",[11],0.5373,"1969-12-19",{"id":118,"adult":6,"title":119,"video":6,"overview":120,"softcore":6,"genre_ids":121,"popularity":122,"vote_count":35,"poster_path":123,"release_date":124,"vote_average":125,"backdrop_path":39,"original_title":119,"original_language":126},264765,"Film-Tract n° 1968","In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard Fromanger. Starting with the shot identifying its title written in red paint on the Le Monde for 31 July 1968, the film shows the process of making Fromanger’s poster image, which is thick red paint flows over a tri-color French flag. —Hye Young Min",[11],0.4007,"\u002FrUPCbgXwcRAOpk9FanxUJOqLFrE.jpg","1968-06-01",6.5,"fr",{"id":128,"adult":6,"title":129,"video":6,"overview":130,"softcore":6,"genre_ids":131,"popularity":132,"vote_count":133,"poster_path":134,"release_date":135,"vote_average":136,"backdrop_path":137,"original_title":129,"original_language":76},18493,"Chronos","Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.",[11],1.1794,90,"\u002FciGeeT92K7wMu8wAJntoizImwvG.jpg","1985-05-10",7.494,"\u002Fvmqc6VqNknAjoHYJ1Hen1g9qtq2.jpg",{"id":139,"adult":6,"title":140,"video":6,"overview":141,"softcore":6,"genre_ids":142,"popularity":143,"vote_count":25,"poster_path":144,"release_date":145,"vote_average":146,"backdrop_path":39,"original_title":140,"original_language":76},260403,"New York Portrait, Chapter III","\"[Hutton’s] latest urban film, New York Portrait, Chapter III, takes on a unique tone in relation to Hutton’s ongoing exploration of rural landscape. The very fact that Hutton is dealing with older footage, with archives of memory more than immediacy, gives it a different texture than his earlier New York films. Hutton always found the presence of nature in the city, not only in his many shots of sky and vegetation, but also in the geometry and texture of the city itself, which seemed to project an independence from the human.\" (Tom Gunning)",[11],0.2501,"\u002Fo6LHFlah0QF6ZZRVO9dyTrhTBgl.jpg","1990-03-21",7.7,{"id":148,"adult":6,"title":149,"video":6,"overview":150,"softcore":6,"genre_ids":151,"popularity":152,"vote_count":153,"poster_path":39,"release_date":154,"vote_average":155,"backdrop_path":39,"original_title":156,"original_language":157},268617,"1\u002F57: Experiment with Synthetic Sound (Test)","Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a cactus. 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