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This artistic technique, often used in the 16th- and 17th centuries, utilizes a method of visual distortion with which paintings, when viewed from different angles, mischievously revealed hidden symbols.",[188,11,189],16,36,0.3341,24,"\u002FuUHlL1Wo4gPJxaYriuwUx9re0v3.jpg","1993-04-09",6.6,"\u002FaVFSOsDd58xBHNPcWVmwwJoKmJZ.jpg",{"id":197,"adult":6,"title":198,"video":6,"overview":199,"softcore":6,"genre_ids":200,"popularity":201,"vote_count":202,"poster_path":203,"release_date":204,"vote_average":205,"backdrop_path":49,"original_title":198,"original_language":68},280613,"Canadian Pacific I","Canadian Pacific I is made up of a series of slowly dissolved shots done from the same framing over several months. The camera frames a window with a railway yard in the foreground, a bay in the space behind it, and misty mountains in the extreme distance. Trains occasionally pass by in the foreground. Huge ships move across the bay. 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Widely eclectic lensing and looks in various media and in color and black-and-white flow nicely from one section to the next, aided by gifted editor Mark Karbusicky.' ~ Robert Koehler, Variety - Part 7 of 7-part bio-feature Public Lighting (2004).",1.5268,"\u002FdUJ126bifvrxJqqYWrTleQFwXTn.jpg","2004-08-31",[214],"CA",{"results":216},{},[218],{"name":219,"iso_639_1":68,"english_name":219},"English",[],[222],{"name":223,"iso_3166_1":214},"Canada",45,"A documentary story that tends to land well.",[]]