[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-255639-en-US":3},{"detail":4,"match":292,"insight":293,"providers":294,"providerLink":7,"trailer":295},{"adult":5,"backdrop_path":6,"belongs_to_collection":7,"budget":8,"genres":9,"homepage":13,"id":14,"imdb_id":15,"origin_country":16,"original_language":18,"original_title":19,"overview":20,"popularity":21,"poster_path":22,"production_companies":23,"production_countries":24,"release_date":27,"revenue":8,"runtime":28,"softcore":5,"spoken_languages":29,"status":32,"tagline":33,"title":19,"video":5,"vote_average":34,"vote_count":35,"credits":36,"similar":84,"watch\u002Fproviders":280,"videos":282},false,"\u002FckJEMNQz4Y34ERtmzH8to1Fgds5.jpg",null,0,[10],{"id":11,"name":12},99,"Documentary","http:\u002F\u002Fwww.othercinemadvd.com\u002Fac.html",255639,"tt1606593",[17],"US","en","Animal Charm: Golden Digest","Animal Charm makes videos from other people's videos. By compositing TV and reducing it to a kind of tic-ridden babble, they force television to not make sense. While this disruption is playful, it also reveals an overall 'essence' of mass culture that would not be apprehended otherwise. Videos such as Stuffing, Ashley, and Lightfoot Fever upset the hypnotic spectacle of TV viewing, revealing how advertising creates anxiety, how culture constructs \"nature\" and how conventional morality is dictated through seemingly neutral images. By forcing television to convulse like a raving lunatic, we might finally hear what it is actually saying.",0.121,"\u002FdEWmcTZPGjUPSvN8voK6gxYUVKV.jpg",[],[25],{"iso_3166_1":17,"name":26},"United States of America","1996-01-01",86,[30],{"english_name":31,"iso_639_1":18,"name":31},"English","Released","",4.4,5,{"cast":37,"crew":57},[38,48],{"adult":5,"gender":39,"id":40,"known_for_department":41,"name":42,"original_name":42,"popularity":43,"profile_path":44,"cast_id":45,"character":46,"credit_id":47,"order":8},2,33181,"Acting","Jimmy Smits",2.5175,"\u002FdD04JlfW5N8bVrx7Cawn4A6g1xp.jpg",7,"Himself (Archival Footage)","52fea98fc3a3680f1e02732b",{"adult":5,"gender":39,"id":49,"known_for_department":41,"name":50,"original_name":50,"popularity":51,"profile_path":52,"cast_id":53,"character":54,"credit_id":55,"order":56},73959,"Gordon Lightfoot",0.2239,"\u002FdhMIcT2Kaj2YdITPQOdTQUEPGXh.jpg",8,"Himself (archival footage)","58171f75c3a36875f6018d92",1,[58,66,73,76,78,82],{"adult":5,"gender":8,"id":59,"known_for_department":60,"name":61,"original_name":61,"popularity":62,"profile_path":7,"credit_id":63,"department":64,"job":65},1292734,"Writing","Jim Fetterley",0.0973,"52fea922c3a3680ef30189aa","Directing","Director",{"adult":5,"gender":8,"id":67,"known_for_department":60,"name":68,"original_name":68,"popularity":69,"profile_path":7,"credit_id":70,"department":71,"job":72},1292733,"Rich Bott",0.0071,"52fea8e8c3a3680f2501b283","Editing","Editor",{"adult":5,"gender":8,"id":59,"known_for_department":60,"name":61,"original_name":61,"popularity":62,"profile_path":7,"credit_id":74,"department":60,"job":75},"52fea946c3a3680f17037fea","Writer",{"adult":5,"gender":8,"id":59,"known_for_department":60,"name":61,"original_name":61,"popularity":62,"profile_path":7,"credit_id":77,"department":71,"job":72},"52fea8fbc3a3680f010209a3",{"adult":5,"gender":8,"id":79,"known_for_department":64,"name":68,"original_name":68,"popularity":80,"profile_path":7,"credit_id":81,"department":64,"job":65},1292735,0.0393,"52fea915c3a3680f01020c33",{"adult":5,"gender":8,"id":79,"known_for_department":64,"name":68,"original_name":68,"popularity":80,"profile_path":7,"credit_id":83,"department":60,"job":75},"5ce62e870e0a265cdecd974f",{"page":56,"results":85,"total_pages":278,"total_results":279},[86,99,107,120,130,139,149,159,165,174,181,191,199,206,216,225,237,249,258,266],{"adult":5,"backdrop_path":87,"genre_ids":88,"id":91,"title":92,"original_language":18,"original_title":92,"overview":93,"popularity":94,"poster_path":95,"release_date":96,"softcore":5,"video":5,"vote_average":97,"vote_count":98},"\u002Fe7XOjSdHJuuG2CxffmrgnrWxaCE.jpg",[89,11,90],35,878,19459,"Tribulation 99: Alien Anomalies Under America","Baldwin’s “pseudo-pseudo-documentary” presents a factual chronicle of US intervention in Latin America in the form of the ultimate conspiracy theory, combining covert action, environmental catastrophe, space aliens, cattle mutilations, killer bees, religious prophecy, doomsday diatribes, and just about every other crackpot theory broadcast through the dentures of the modern paranoiac.",0.2951,"\u002F7aP35sdBMPDxPk2BqgNHKacG429.jpg","1991-12-07",5.214,14,{"adult":5,"backdrop_path":7,"genre_ids":100,"id":101,"title":102,"original_language":18,"original_title":102,"overview":103,"popularity":104,"poster_path":105,"release_date":106,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],1206269,"good boy","The author's erotic imagination is mixed between desire and magazine clippings, and the trade of collage becomes a ship that travels from outer space to the city itself.",0.3029,"\u002FiH3HTm81NjQPj2ftOiaHTcwssbx.jpg","2023-12-07",{"adult":5,"backdrop_path":108,"genre_ids":109,"id":112,"title":113,"original_language":18,"original_title":113,"overview":114,"popularity":115,"poster_path":116,"release_date":117,"softcore":5,"video":5,"vote_average":118,"vote_count":119},"\u002FaVFSOsDd58xBHNPcWVmwwJoKmJZ.jpg",[110,11,111],16,36,59361,"Anamorphosis","The Quays' interest in esoteric illusions finds its perfect realization in this fascinating animated lecture on the art of anamorphosis. This artistic technique, often used in the 16th- and 17th centuries, utilizes a method of visual distortion with which paintings, when viewed from different angles, mischievously revealed hidden symbols.",0.1041,"\u002FuUHlL1Wo4gPJxaYriuwUx9re0v3.jpg","1993-04-09",6.587,23,{"adult":5,"backdrop_path":7,"genre_ids":121,"id":122,"title":123,"original_language":124,"original_title":123,"overview":125,"popularity":126,"poster_path":127,"release_date":128,"softcore":5,"video":5,"vote_average":129,"vote_count":56},[11],825754,"Collage","fr","Considerations on collage as a cognitive act in artists’ cinema. A pedagogical film adrift: 35mm photographs and other materials collected over the last fifteen years by artist Stefano Miraglia meet a text written by Baptiste Jopeck and the voice of Margaux Guillemard.",0.4072,"\u002F3ZV71YQGCJb67eJwSuIA7oOslzY.jpg","2021-05-05",10,{"adult":5,"backdrop_path":7,"genre_ids":131,"id":132,"title":133,"original_language":134,"original_title":135,"overview":136,"popularity":137,"poster_path":7,"release_date":138,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],279440,"Photooxidation","es","Fotooxidación","De-electronation of a molecular entity as a result of photoexcitation. Light increases its oxidation state, at the same time it releases free radical electrons. Light goes through human work as a natural photodegradation. It mutates within its own limits, from a solar irradiation to its impossible perception in an absent retina.",0.1803,"2013-10-04",{"adult":5,"backdrop_path":7,"genre_ids":140,"id":142,"title":143,"original_language":18,"original_title":143,"overview":144,"popularity":145,"poster_path":146,"release_date":147,"softcore":5,"video":5,"vote_average":148,"vote_count":39},[141,11],10402,255643,"Negativland: No Other Possibility","In an effort to cure her smoking habit a middle-aged woman discovers that she can communicate with her long lost son while watching a Halloween safety program on TV. After suffering a nervous breakdown, her husband, a used car salesman, is revitalized when he travels back in time to drive the first car he ever sold. Seventeen years later a powerful canned food manufacturer crashes the same car into a toaster truck while endorsing a brand of yams on live TV. At the funeral his clergyman experiences a crisis of faith when he and a lifelike Mexican continue their search for a married couple who have befriended an insect who enjoys drinking lime soda. They later meet a young man whose bizarre murder scheme involves four innocent members of an experimental rock band who have all given up smoking.",0.1436,"\u002Fqegz1NSQXiFcyATzl8eQEadKyyi.jpg","1989-01-01",7.5,{"adult":5,"backdrop_path":150,"genre_ids":151,"id":152,"title":153,"original_language":18,"original_title":153,"overview":154,"popularity":155,"poster_path":156,"release_date":157,"softcore":5,"video":5,"vote_average":158,"vote_count":39},"\u002FjFfBuciqRgvZKcl2AQgnOqnJsM0.jpg",[141,110,11],255644,"Between Science and Garbage","A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.",0.2302,"\u002FakGYL4pmPEte4EuWMmjO7e83mpG.jpg","2004-04-27",5.2,{"adult":5,"backdrop_path":7,"genre_ids":160,"id":161,"title":162,"original_language":18,"original_title":162,"overview":33,"popularity":163,"poster_path":7,"release_date":164,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],3514,"Selbstportrait 1",0.2733,"2005-01-01",{"adult":5,"backdrop_path":7,"genre_ids":166,"id":167,"title":168,"original_language":124,"original_title":168,"overview":169,"popularity":170,"poster_path":171,"release_date":172,"softcore":5,"video":5,"vote_average":45,"vote_count":173},[11],262790,"Urgent ou à quoi bon exécuter des projets puisque le projet est en lui-même une jouissance suffisante","Gérard Courant applies the Lettrist editing techniques of Isidore Isou to footage of late 70's pop culture. Courant posits that his cinema offers an aggressive détournement to the French mainstream, reifying a Duchampian view of film: \"I believe in impossible movies and works without meaning... I believe in the anti-movie. I believe in the non-movie. I believe in Urgent... My first full length movie that is so anti-everything that I sometimes wonder if it really does exist!\"",0.4934,"\u002FxtmODLQ7GdeZkM764T4UgaFlpRn.jpg","1977-08-01",3,{"adult":5,"backdrop_path":7,"genre_ids":175,"id":176,"title":177,"original_language":18,"original_title":177,"overview":178,"popularity":179,"poster_path":7,"release_date":180,"softcore":5,"video":5,"vote_average":129,"vote_count":56},[11],263020,"Black Hole Radio","Black Hole Radio is an installation that consists of taped confessions of callers of the New York City Phone Confession Line and video images. The Phone Confession Line is based on anonymous callers ringing to confess on things they had done or thought like adultery, theft, murder or regrets. Thereafter anybody could call and listen to the confessions. Although making a confession was free, listening to a confession costs money. After Cohen got his hands on the confessions, he used them as an audio heartbeat to accompany video-images of every day life in New York City he had taken over the years. This installation is a portrait of the city with its dark secrets, hushed voices and nocturnal images. In this way Cohen tries to bring across an experience to the viewer that relies on absence, waiting and the effort to hear something in the dark.",0.275,"1992-09-26",{"adult":5,"backdrop_path":182,"genre_ids":183,"id":184,"title":185,"original_language":124,"original_title":186,"overview":187,"popularity":188,"poster_path":189,"release_date":190,"softcore":5,"video":5,"vote_average":129,"vote_count":56},"\u002FgrvRjpSQ1HcBLvI7pVM8mwizfho.jpg",[11],263277,"Selva. A Portrait of Parvaneh Navaï","Selva. Un portrait de Parvaneh Navaï","Trance dances and out of body projection. In front of the camera, Parvaneh Navaï becomes a mediator who enters in contact with and immerses into the energies of Nature, while her own energy radiates and echos in the forest (\"selva\"). The camera amplifies and expands her presence, transforming the forest into an imaginary space. The camera becomes a painter's brush.",0.2609,"\u002FncI1bFYFtTVrRKRojoiNcbc3Bb.jpg","1982-01-21",{"adult":5,"backdrop_path":7,"genre_ids":192,"id":193,"title":194,"original_language":18,"original_title":194,"overview":195,"popularity":196,"poster_path":197,"release_date":198,"softcore":5,"video":5,"vote_average":53,"vote_count":39},[11],255854,"King of the Jews","King of the Jews is a film about anti-Semitism and transcendence. Utilizing Hollywood movies, 1950's educational films, personal home movies and religious films, the filmmaker depicts his childhood fear of Jesus Christ. These childhood recollections are a point of departure for larger issues such as the roots of Christian anti-Semitism.",0.2166,"\u002Fe3HopGpy0w4VR05Q0hcwnyqaq2N.jpg","2000-03-14",{"adult":5,"backdrop_path":7,"genre_ids":200,"id":201,"title":202,"original_language":18,"original_title":202,"overview":203,"popularity":204,"poster_path":7,"release_date":205,"softcore":5,"video":5,"vote_average":53,"vote_count":56},[11],256323,"Sylvia Kristel – Paris","Sylvia Kristel – Paris is a portrait of Sylvia Kristel , best known for her role in the 1970’s erotic cult classic Emmanuelle, as well as a film about the impossibility of memory in relation to biography. Between November 2000 and June 2002 Manon de Boer recorded the stories and memories of Kristel. At each recording session she asked her to speak about a city where Kristel has lived: Paris, Los Angeles, Brussels or Amsterdam; over the two years she spoke on several occasions about the same city. At first glance the collection of stories appears to make up a sort of biography, but over time it shows the impossibility of biography: the impossibility of ‘plotting’ somebody’s life as a coherent narrative.",0.2568,"2003-02-19",{"adult":5,"backdrop_path":7,"genre_ids":207,"id":208,"title":209,"original_language":210,"original_title":209,"overview":211,"popularity":212,"poster_path":213,"release_date":214,"softcore":5,"video":5,"vote_average":215,"vote_count":173},[11],701688,"Switzerlanders","de","A cinematic time capsule with over 1,400 hours of submitted material from all regions of Switzerland gives unknown insights about the life of Swiss people in the politically and socially turbulent summer of 2019.",0.3341,"\u002F3PCZwhXdIJzYCRvYMfYeUfAcCKY.jpg","2020-05-21",3.7,{"adult":5,"backdrop_path":7,"genre_ids":217,"id":218,"title":219,"original_language":18,"original_title":219,"overview":220,"popularity":221,"poster_path":7,"release_date":222,"softcore":5,"video":5,"vote_average":223,"vote_count":224},[11],134789,"The Darkness of Day","The Darkness of Day is a haunting meditation on suicide. It is comprised entirely of found 16mm footage that had been discarded. The sadness, the isolation, and the desire to escape are recorded on film in various contexts. Voice-over readings from the journal kept by a brother of the filmmaker’s friend who committed suicide in 1990 intermix with a range of compelling stories, from the poignant double suicide of an elderly American couple to a Japanese teenager who jumped into a volcano, spawning over a thousand imitations. While this is a serious exploration of a cultural taboo, its lyrical qualities invite the viewer to approach the subject with understanding and compassion.",0.12,"2009-11-19",6.7,9,{"adult":5,"backdrop_path":226,"genre_ids":227,"id":230,"title":231,"original_language":134,"original_title":232,"overview":233,"popularity":234,"poster_path":235,"release_date":236,"softcore":5,"video":5,"vote_average":129,"vote_count":56},"\u002F8lCFlF8kRP9WjL40l39FC1nI6K9.jpg",[11,228,229],18,10749,1064488,"Silent Witnesses","Mudos testigos","Mudos testigos is a cinematographic collage made from all the surviving material of Colombian silent films, re-editing the images in such a way as to create a single imaginary film: the impossible love story of Efraín and Alicia that traces the convulsive first half of the twentieth century in Colombia.  Compiled by the late Luis Ospina and finished posthumously by Jeronimo Atehortúa.",0.3172,"\u002F9i5x16L5lv1tw1vs8JXnjrrfhvM.jpg","2023-03-02",{"adult":5,"backdrop_path":238,"genre_ids":239,"id":240,"title":241,"original_language":242,"original_title":243,"overview":244,"popularity":245,"poster_path":246,"release_date":247,"softcore":5,"video":5,"vote_average":224,"vote_count":248},"\u002Fvd1DIwkM9FyqUBZM2v59e4HOuaK.jpg",[11],1058950,"The Long Voyage of the Yellow Bus","pt","A Longa Viagem do Ônibus Amarelo","For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!",0.3484,"\u002F8eQxaah7vUX2WSkWWnTovXy4tZE.jpg","2023-01-30",4,{"adult":5,"backdrop_path":7,"genre_ids":250,"id":251,"title":252,"original_language":18,"original_title":252,"overview":253,"popularity":254,"poster_path":255,"release_date":256,"softcore":5,"video":5,"vote_average":257,"vote_count":173},[11],172754,"What The Future Sounded Like","From Dr Who to The Dark Side of the Moon to modern day dance music, the pioneering members of the Electronic Music Studios radically changed the sound-scape of the 20th Century. What the Future Sounded Like tells this fascinating story of British electronic music. What The Future Sounded Like mixes experimental visual and sonic techniques with animation and never-seen-since archival footage. A sonic and visual collage, this documentary colors in a lost chapter in music history, uncovering a group of composers and music engineers who harnessed technology and new ideas to re-imagine the boundaries of music and sound.",0.2263,"\u002F8eii825BvPJE56oK19hXdrGjumJ.jpg","2007-03-03",5.3,{"adult":5,"backdrop_path":259,"genre_ids":260,"id":261,"title":262,"original_language":18,"original_title":262,"overview":263,"popularity":264,"poster_path":7,"release_date":265,"softcore":5,"video":5,"vote_average":8,"vote_count":8},"\u002F8DqB7jzYoWuwZzD6doA7ROCrsZg.jpg",[11],733972,"Unboxing Eden","Unboxing Eden is a YouTube collage about snake breeders and their animals. The video documents the arrival, the breeding and the handling of snakes in all shapes and sizes.",0.1201,"2013-06-01",{"adult":5,"backdrop_path":267,"genre_ids":268,"id":271,"title":272,"original_language":18,"original_title":272,"overview":273,"popularity":274,"poster_path":275,"release_date":276,"softcore":5,"video":5,"vote_average":277,"vote_count":228},"\u002Fb9A7Asxi6QVumVD1vVpnDsKsWVQ.jpg",[269,11,270],9648,27,364426,"Fear Itself","A girl haunted by traumatic events takes us on a mesmerising journey through 100 years of horror cinema to explore how filmmakers scare us – and why we let them.",0.2088,"\u002F78tju8bj08V8F0Wg0YDYznOWjHA.jpg","2015-10-18",6,11381,227615,{"results":281},{},{"results":283},[284],{"iso_639_1":18,"iso_3166_1":17,"name":285,"key":286,"site":287,"size":288,"type":289,"official":5,"id":290,"published_at":291},"Animal Charm's Golden Digest","nyANlcd76d8","YouTube",360,"Trailer","533ec72bc3a368544800bd9a","2011-03-29T23:15:58.000Z",45,"A documentary story that tends to land well.",[],{"iso_639_1":18,"iso_3166_1":17,"name":285,"key":286,"site":287,"size":288,"type":289,"official":5,"id":290,"published_at":291}]