[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-255643-en-US":3},{"detail":4,"match":280,"insight":281,"providers":282,"providerLink":25},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":16,"credits":17,"imdb_id":58,"revenue":8,"runtime":59,"similar":60,"tagline":74,"homepage":74,"overview":264,"softcore":6,"popularity":265,"vote_count":36,"poster_path":266,"release_date":267,"vote_average":268,"backdrop_path":25,"origin_country":269,"original_title":7,"watch\u002Fproviders":271,"spoken_languages":273,"original_language":78,"production_companies":276,"production_countries":277,"belongs_to_collection":25},255643,false,"Negativland: No Other Possibility",0,[10,13],{"id":11,"name":12},10402,"Music",{"id":14,"name":15},99,"Documentary","Released",{"cast":18,"crew":51},[19,27,33,39,45],{"id":20,"name":21,"adult":6,"order":8,"gender":8,"cast_id":8,"character":22,"credit_id":23,"popularity":24,"profile_path":25,"original_name":21,"known_for_department":26},1292738,"Chris Grigg","Himself","52feb17e9251417cd303e9b6",0.0357,null,"Acting",{"id":28,"name":29,"adult":6,"order":30,"gender":8,"cast_id":30,"character":22,"credit_id":31,"popularity":32,"profile_path":25,"original_name":29,"known_for_department":26},1292739,"Mark Hosler",1,"52feb18e9251417ce5027bdd",0.0509,{"id":34,"name":35,"adult":6,"order":36,"gender":8,"cast_id":36,"character":22,"credit_id":37,"popularity":38,"profile_path":25,"original_name":35,"known_for_department":26},1292740,"Don Joyce",2,"52feb19f9251417cea024ff1",0.0327,{"id":40,"name":41,"adult":6,"order":42,"gender":8,"cast_id":42,"character":22,"credit_id":43,"popularity":44,"profile_path":25,"original_name":41,"known_for_department":26},1292741,"Richard Lyons",3,"52feb1c29251417cea02508a",0.0733,{"id":46,"name":47,"adult":6,"order":48,"gender":36,"cast_id":48,"character":22,"credit_id":49,"popularity":50,"profile_path":25,"original_name":47,"known_for_department":26},1292742,"David 'Weatherman' Wills",4,"52feb2099251417ce803120c",0.0143,[52],{"id":53,"job":54,"name":55,"adult":6,"gender":8,"credit_id":56,"department":57,"popularity":8,"profile_path":25,"original_name":55,"known_for_department":57},1292743,"Producer","Landon Spearman","52feb489c3a3680ef302d2ac","Production","tt0380587",60,{"page":30,"results":61,"total_pages":262,"total_results":263},[62,71,79,92,100,110,120,128,139,150,161,169,177,189,199,212,224,232,242,251],{"id":63,"adult":6,"title":64,"video":6,"overview":65,"softcore":6,"genre_ids":66,"popularity":67,"vote_count":8,"poster_path":25,"release_date":68,"vote_average":8,"backdrop_path":25,"original_title":69,"original_language":70},262209,"Under a Bridge","In this tape, Ko Nakajima and Video Earth Tokyo interview a homeless man. The subject is initially angry and frustrated, but gradually opens up and shares stories about his life. Under A Bridge was later broadcast on cable television.",[14],0.1889,"1974-03-31","橋の下から","ja",{"id":72,"adult":6,"title":73,"video":6,"overview":74,"softcore":6,"genre_ids":75,"popularity":76,"vote_count":8,"poster_path":25,"release_date":77,"vote_average":8,"backdrop_path":25,"original_title":73,"original_language":78},3514,"Selbstportrait 1","",[14],0.2521,"2005-01-01","en",{"id":80,"adult":6,"title":81,"video":6,"overview":82,"softcore":6,"genre_ids":83,"popularity":86,"vote_count":87,"poster_path":88,"release_date":89,"vote_average":90,"backdrop_path":91,"original_title":81,"original_language":78},19459,"Tribulation 99: Alien Anomalies Under America","Baldwin’s “pseudo-pseudo-documentary” presents a factual chronicle of US intervention in Latin America in the form of the ultimate conspiracy theory, combining covert action, environmental catastrophe, space aliens, cattle mutilations, killer bees, religious prophecy, doomsday diatribes, and just about every other crackpot theory broadcast through the dentures of the modern paranoiac.",[84,14,85],35,878,0.3777,14,"\u002F7aP35sdBMPDxPk2BqgNHKacG429.jpg","1991-12-07",5.214,"\u002Fe7XOjSdHJuuG2CxffmrgnrWxaCE.jpg",{"id":93,"adult":6,"title":94,"video":6,"overview":95,"softcore":6,"genre_ids":96,"popularity":97,"vote_count":30,"poster_path":25,"release_date":98,"vote_average":99,"backdrop_path":25,"original_title":94,"original_language":78},263020,"Black Hole Radio","Black Hole Radio is an installation that consists of taped confessions of callers of the New York City Phone Confession Line and video images. The Phone Confession Line is based on anonymous callers ringing to confess on things they had done or thought like adultery, theft, murder or regrets. Thereafter anybody could call and listen to the confessions. Although making a confession was free, listening to a confession costs money. After Cohen got his hands on the confessions, he used them as an audio heartbeat to accompany video-images of every day life in New York City he had taken over the years. This installation is a portrait of the city with its dark secrets, hushed voices and nocturnal images. In this way Cohen tries to bring across an experience to the viewer that relies on absence, waiting and the effort to hear something in the dark.",[14],0.1915,"1992-09-26",10,{"id":101,"adult":6,"title":102,"video":6,"overview":103,"softcore":6,"genre_ids":104,"popularity":105,"vote_count":42,"poster_path":106,"release_date":107,"vote_average":108,"backdrop_path":25,"original_title":102,"original_language":109},262790,"Urgent ou à quoi bon exécuter des projets puisque le projet est en lui-même une jouissance suffisante","Gérard Courant applies the Lettrist editing techniques of Isidore Isou to footage of late 70's pop culture. Courant posits that his cinema offers an aggressive détournement to the French mainstream, reifying a Duchampian view of film: \"I believe in impossible movies and works without meaning... I believe in the anti-movie. I believe in the non-movie. I believe in Urgent... My first full length movie that is so anti-everything that I sometimes wonder if it really does exist!\"",[14],0.4234,"\u002FxtmODLQ7GdeZkM764T4UgaFlpRn.jpg","1977-08-01",7,"fr",{"id":111,"adult":6,"title":112,"video":6,"overview":113,"softcore":6,"genre_ids":114,"popularity":115,"vote_count":30,"poster_path":116,"release_date":117,"vote_average":99,"backdrop_path":118,"original_title":119,"original_language":109},263277,"Selva. A Portrait of Parvaneh Navaï","Trance dances and out of body projection. In front of the camera, Parvaneh Navaï becomes a mediator who enters in contact with and immerses into the energies of Nature, while her own energy radiates and echos in the forest (\"selva\"). The camera amplifies and expands her presence, transforming the forest into an imaginary space. The camera becomes a painter's brush.",[14],0.1681,"\u002FncI1bFYFtTVrRKRojoiNcbc3Bb.jpg","1982-01-21","\u002FgrvRjpSQ1HcBLvI7pVM8mwizfho.jpg","Selva. Un portrait de Parvaneh Navaï",{"id":121,"adult":6,"title":122,"video":6,"overview":123,"softcore":6,"genre_ids":124,"popularity":125,"vote_count":30,"poster_path":25,"release_date":126,"vote_average":127,"backdrop_path":25,"original_title":122,"original_language":78},256323,"Sylvia Kristel – Paris","Sylvia Kristel – Paris is a portrait of Sylvia Kristel , best known for her role in the 1970’s erotic cult classic Emmanuelle, as well as a film about the impossibility of memory in relation to biography. Between November 2000 and June 2002 Manon de Boer recorded the stories and memories of Kristel. At each recording session she asked her to speak about a city where Kristel has lived: Paris, Los Angeles, Brussels or Amsterdam; over the two years she spoke on several occasions about the same city. At first glance the collection of stories appears to make up a sort of biography, but over time it shows the impossibility of biography: the impossibility of ‘plotting’ somebody’s life as a coherent narrative.",[14],0.1997,"2003-02-19",8,{"id":129,"adult":6,"title":130,"video":6,"overview":131,"softcore":6,"genre_ids":132,"popularity":133,"vote_count":134,"poster_path":135,"release_date":136,"vote_average":137,"backdrop_path":138,"original_title":130,"original_language":78},255639,"Animal Charm: Golden Digest","Animal Charm makes videos from other people's videos. By compositing TV and reducing it to a kind of tic-ridden babble, they force television to not make sense. While this disruption is playful, it also reveals an overall 'essence' of mass culture that would not be apprehended otherwise. Videos such as Stuffing, Ashley, and Lightfoot Fever upset the hypnotic spectacle of TV viewing, revealing how advertising creates anxiety, how culture constructs \"nature\" and how conventional morality is dictated through seemingly neutral images. By forcing television to convulse like a raving lunatic, we might finally hear what it is actually saying.",[14],0.2225,5,"\u002FdEWmcTZPGjUPSvN8voK6gxYUVKV.jpg","1996-01-01",4.4,"\u002FckJEMNQz4Y34ERtmzH8to1Fgds5.jpg",{"id":140,"adult":6,"title":141,"video":6,"overview":142,"softcore":6,"genre_ids":143,"popularity":145,"vote_count":36,"poster_path":146,"release_date":147,"vote_average":148,"backdrop_path":149,"original_title":141,"original_language":78},255644,"Between Science and Garbage","A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.",[11,144,14],16,0.1833,"\u002FakGYL4pmPEte4EuWMmjO7e83mpG.jpg","2004-04-27",5.2,"\u002FjFfBuciqRgvZKcl2AQgnOqnJsM0.jpg",{"id":151,"adult":6,"title":152,"video":6,"overview":153,"softcore":6,"genre_ids":154,"popularity":156,"vote_count":36,"poster_path":157,"release_date":158,"vote_average":159,"backdrop_path":25,"original_title":160,"original_language":78},291437,"Naked Rose","Among the millions of victims of the Nazi madness during the Second World War, Pierre Seel was charged with homosexuality and imprisoned in the Schirmeck concentration camp. He survived this terrifying experience of torture and humiliation, and after the war he married, had three children, and tried to live a normal life. In 1982, however, he came to terms with his past and his true nature and decided to publicly reveal what he and thousands of other homosexuals branded with the Pink Triangle had undergone during the Nazi regime. Il Rosa Nudo (Naked Rose), inspired by the true story of Pierre Seel, depicts in a theatrical and evocative way the Homocaust, focusing on the scientific theories of SS Physician Carl Peter Værnet for the treatment of homosexuality, which paved the way for the Nazi persecution of gay men.",[14,155],18,0.1498,"\u002FzFQwOskttaojDvvl5i1fKdaPv25.jpg","2013-04-24",4.2,"Il Rosa Nudo",{"id":162,"adult":6,"title":163,"video":6,"overview":164,"softcore":6,"genre_ids":165,"popularity":166,"vote_count":30,"poster_path":167,"release_date":168,"vote_average":99,"backdrop_path":25,"original_title":163,"original_language":109},825754,"Collage","Considerations on collage as a cognitive act in artists’ cinema. A pedagogical film adrift: 35mm photographs and other materials collected over the last fifteen years by artist Stefano Miraglia meet a text written by Baptiste Jopeck and the voice of Margaux Guillemard.",[14],0.5157,"\u002F3ZV71YQGCJb67eJwSuIA7oOslzY.jpg","2021-05-05",{"id":170,"adult":6,"title":171,"video":6,"overview":172,"softcore":6,"genre_ids":173,"popularity":174,"vote_count":8,"poster_path":175,"release_date":176,"vote_average":8,"backdrop_path":25,"original_title":171,"original_language":78},1206269,"good boy","The author's erotic imagination is mixed between desire and magazine clippings, and the trade of collage becomes a ship that travels from outer space to the city itself.",[14],0.2176,"\u002FiH3HTm81NjQPj2ftOiaHTcwssbx.jpg","2023-12-07",{"id":178,"adult":6,"title":179,"video":6,"overview":180,"softcore":6,"genre_ids":181,"popularity":183,"vote_count":184,"poster_path":185,"release_date":186,"vote_average":187,"backdrop_path":188,"original_title":179,"original_language":78},59361,"Anamorphosis","The Quays' interest in esoteric illusions finds its perfect realization in this fascinating animated lecture on the art of anamorphosis. This artistic technique, often used in the 16th- and 17th centuries, utilizes a method of visual distortion with which paintings, when viewed from different angles, mischievously revealed hidden symbols.",[144,14,182],36,0.1811,23,"\u002FuUHlL1Wo4gPJxaYriuwUx9re0v3.jpg","1993-04-09",6.587,"\u002FaVFSOsDd58xBHNPcWVmwwJoKmJZ.jpg",{"id":190,"adult":6,"title":191,"video":6,"overview":192,"softcore":6,"genre_ids":193,"popularity":194,"vote_count":42,"poster_path":195,"release_date":196,"vote_average":197,"backdrop_path":25,"original_title":191,"original_language":198},701688,"Switzerlanders","A cinematic time capsule with over 1,400 hours of submitted material from all regions of Switzerland gives unknown insights about the life of Swiss people in the politically and socially turbulent summer of 2019.",[14],0.4884,"\u002F3PCZwhXdIJzYCRvYMfYeUfAcCKY.jpg","2020-05-21",3.7,"de",{"id":200,"adult":6,"title":201,"video":6,"overview":202,"softcore":6,"genre_ids":203,"popularity":205,"vote_count":206,"poster_path":207,"release_date":208,"vote_average":209,"backdrop_path":210,"original_title":211,"original_language":109},336134,"200,000 Phantoms","In 1914, the Czech architect Jan Letzel designed in the Japanese city of Hiroshima Center for the World Expo, which has turned into ruins after the atomic bombing in August 1945. “Atomic Dome” – all that remains of the destroyed palace of the exhibition – has become part of the Hiroshima memorial. In 2007, French sculptor, painter and film director Jean-Gabriel Périot assembled this cinematic collage from hundreds of multi-format, color and black and white photographs of different years’ of “Genbaku Dome”.",[14,182,204],10752,0.1585,11,"\u002F4O270a13QFzV3esWdjm858q6tWg.jpg","2007-07-11",7.364,"\u002F7BoVku5UsEMoegaSMKsX8tMVSks.jpg","200 000 Fantômes",{"id":213,"adult":6,"title":214,"video":6,"overview":215,"softcore":6,"genre_ids":216,"popularity":217,"vote_count":48,"poster_path":218,"release_date":219,"vote_average":220,"backdrop_path":221,"original_title":222,"original_language":223},1058950,"The Long Voyage of the Yellow Bus","For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!",[14],0.5663,"\u002F8eQxaah7vUX2WSkWWnTovXy4tZE.jpg","2023-01-30",9,"\u002Fvd1DIwkM9FyqUBZM2v59e4HOuaK.jpg","A Longa Viagem do Ônibus Amarelo","pt",{"id":225,"adult":6,"title":226,"video":6,"overview":227,"softcore":6,"genre_ids":228,"popularity":229,"vote_count":8,"poster_path":230,"release_date":231,"vote_average":8,"backdrop_path":25,"original_title":226,"original_language":78},730360,"plant portals: breath","\"plant portals: breath\" is an experimental meditation on the unspoken history many queer and trans people of colour carry daily, connecting bumblebees, colonial trauma, alternate universes and the complicated concept of \"rest\" to ask: Can nature heal us?  Shot entirely on an iPhone, the film is intentional in imagining what is possible, and manifests a reality rooted in mindfulness.“",[14],0.1393,"\u002FhfeOnMeDGL3vMRjTC4oI8KmqMYg.jpg","2020-08-01",{"id":233,"adult":6,"title":234,"video":6,"overview":235,"softcore":6,"genre_ids":236,"popularity":237,"vote_count":30,"poster_path":238,"release_date":239,"vote_average":127,"backdrop_path":240,"original_title":241,"original_language":109},146715,"The Memories of Angels","Documentary, poetry and essay rolled into one, this compilation of stockshots and clips sourced from NFB productions of the '50s and '60s offers a singular lesson in Montreal history - its famous figures, symbolic places, and ordinary citizens. Without commentary, the film moves from the red light district to Jean Drapeau, the Jacques-Cartier market, department stores downtown, textile factories, and the construction of Place Ville-Marie. We meet Geneviève Bujold, Oscar Peterson, Monique Mercure, and Igor Stravinsky. We hear Raymond Lévesque, Jean Drapeau, and René Lecavalier.",[14],0.3033,"\u002FusnAsesA8ObulZsj00GRjF7ylnO.jpg","2008-09-05","\u002FhWo3KlviFmBlAbvuJDXeKIl2kFj.jpg","La mémoire des anges",{"id":243,"adult":6,"title":244,"video":6,"overview":245,"softcore":6,"genre_ids":246,"popularity":247,"vote_count":134,"poster_path":248,"release_date":249,"vote_average":250,"backdrop_path":25,"original_title":244,"original_language":78},180244,"We Don't Care About Music Anyway","From radical turntablism (Otomo Yoshihide) to laptop music innovation (Numb), via classical instrument hijacking (Sakamoto Hiromichi), Tokyo's avant-garde music scene is internationally known for its boldness.  While introducing some of the greatest musicians of this scene, \"We Don't Care About Music Anyway...\" offers a kaleidoscopic view of Tokyo, confronting music and noise, sound and image, reality and representation, documentary and fiction.",[11,14],0.13,"\u002FbF6w7MzsW1vlPsi0eHMlz8ASsYf.jpg","2011-01-15",6.3,{"id":252,"adult":6,"title":253,"video":6,"overview":254,"softcore":6,"genre_ids":255,"popularity":256,"vote_count":257,"poster_path":258,"release_date":259,"vote_average":260,"backdrop_path":261,"original_title":253,"original_language":78},182099,"21-87","This short film from Arthur Lipsett is an abstract collage of snippets from discarded footage found by Lipsett in the editing room of the National Film Board (where he worked as an animator), combined with his own black and white 16mm footage shot on the streets of Montreal and New York City, among other locations. A commentary on a machine-dominated society, it is often cited as an influence on George Lucas's Star Wars and his conceptualization of \"The Force.\"",[14],0.6647,30,"\u002Fz9wqODhsxDkN8YpLSrRph8C9UKU.jpg","1963-04-24",6.8,"\u002F7rzQA3o42h80iHW1gw0YIeL4oce.jpg",13911,278215,"In an effort to cure her smoking habit a middle-aged woman discovers that she can communicate with her long lost son while watching a Halloween safety program on TV. After suffering a nervous breakdown, her husband, a used car salesman, is revitalized when he travels back in time to drive the first car he ever sold. Seventeen years later a powerful canned food manufacturer crashes the same car into a toaster truck while endorsing a brand of yams on live TV. At the funeral his clergyman experiences a crisis of faith when he and a lifelike Mexican continue their search for a married couple who have befriended an insect who enjoys drinking lime soda. They later meet a young man whose bizarre murder scheme involves four innocent members of an experimental rock band who have all given up smoking.",0.0992,"\u002Fqegz1NSQXiFcyATzl8eQEadKyyi.jpg","1989-01-01",7.5,[270],"US",{"results":272},{},[274],{"name":275,"iso_639_1":78,"english_name":275},"English",[],[278],{"name":279,"iso_3166_1":270},"United States of America",45,"A music story that tends to land well.",[]]