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La Scala productions telling tragic tales of jealousy. Mascagni's Cavalleria Rusticana features performances by Elena Obraztsova, Plácido Domingo, and Renato Bruson. Leoncavallo's  I Pagliacci  stars Teresa Stratas, Plácido Domingo, and Juan Pons. Both are conducted by George Pretre. This production of Pagliacci earned director Franco Zeffirelli the coveted Emmy as Best Director in the category of Classical Music Programming.",[136,12],10770,0.3712,"\u002FxTifbBJMytJS2GxE7D2EcFRxGHZ.jpg","1982-06-15",8.5,"\u002Fhp6fq32L4ckvWfYKW3Kc8PEzIwi.jpg","it",{"id":144,"adult":6,"title":145,"video":6,"overview":146,"softcore":6,"genre_ids":147,"popularity":149,"vote_count":9,"poster_path":150,"release_date":151,"vote_average":9,"backdrop_path":152,"original_title":145,"original_language":142},621390,"Royal Opera House: Don Pasquale","Royal Opera favourite Bryn Terfel heads the cast for this new production of Donizetti’s comedy of domestic drama across two generations. The witty story of a middle-aged man whose supposed young wife runs rings around him – with her own ulterior romantic purpose in mind – has long delighted and surprised audiences, not least as presented with the sparkle of its music and the virtuoso skill of its performers. Damiano Michieletto’s exhilarating production shows how contemporary the characters still are and how immediate and touching the story remains.",[12,148],35,0.1654,"\u002F59fx6SlrWHaDqQNRN9OffzjpVWy.jpg","2019-10-24","\u002FyOff508t7gYIN2mw8ROoYLzuAXX.jpg",{"id":154,"adult":6,"title":155,"video":6,"overview":156,"softcore":6,"genre_ids":157,"popularity":160,"vote_count":161,"poster_path":162,"release_date":163,"vote_average":164,"backdrop_path":165,"original_title":155,"original_language":166},10954,"Farinelli","The life and career of Italian opera singer Farinelli, considered one of the greatest castrato singers of all time.",[158,159,12],36,18,1.3884,192,"\u002Fi5h0ZjYobco5HRPaAU6QTlrMYw0.jpg","1994-12-01",6.563,"\u002FmYWxd7i6qsFK6TyDjMquSGwjo69.jpg","fr",{"id":168,"adult":6,"title":169,"video":6,"overview":170,"softcore":6,"genre_ids":171,"popularity":172,"vote_count":9,"poster_path":173,"release_date":174,"vote_average":9,"backdrop_path":175,"original_title":169,"original_language":142},439460,"Verdi La Traviata","This DVD of a live 2005 performance from the Zürich Opera under the musical direction of Franz Welser-Möst has many things to recommend it -- the young tenor Piotr Beczala as Alfredo, the marvelous Thomas Hampson as Giorgio Germont, the playing of the Zurich Opera orchestra, the simple but effective sets by by Erich Wonder, the uncluttered stage direction by Jürgen Flimm. It also has some flaws: strangely variable volume level of the recorded sound sometimes coming on so loud as to make one reach for the volume control, and the uneven performance of the Violetta, Eva Mei who, for all her merits, gives a dramatically effective performance marred by occasional difficulties with vocal production. Still, overall I felt this was a moving production, one that I would recommend, although perhaps not as an only DVD of one of Verdi's most popular operas.",[12],0.1571,"\u002Feq2Bsh2DWh2ujN6kWybB0jJUzIv.jpg","2005-02-04","\u002Fy9htcVSHnBdW9yzEFQPlebSeUDF.jpg",{"id":177,"adult":6,"title":178,"video":6,"overview":179,"softcore":6,"genre_ids":180,"popularity":181,"vote_count":9,"poster_path":24,"release_date":182,"vote_average":9,"backdrop_path":24,"original_title":178,"original_language":183},1168018,"Lazebník sevillský","A popular production from 2021, straight from the historic building of the National Theatre. This star-studded title is directed by experienced director Magdalena Švecová, with soloists, the National Theatre Orchestra and Choir, and conducted by Jaroslav Kyzlink. The Barber of Seville was composed by the then 23-year-old Gioachino Rossini in just three weeks, resulting in a witty and dynamic work that perfectly captures the genre of Italian opera buffa. Rossini based his work on the 1772 play The Barber of Seville, or The Misguided Precaution by French dramatist Pierre-Augustin Caron de Beaumarchais. The two-act opera tells the story of the young love between Rosina and Count Almaviva. However, her guardian Don Bartolo also has his eye on her. Almaviva does not give up and asks the local barber Figaro for help, who comes up with a daring plan to bring the couple to their dream wedding.",[12],0.193,"2023-03-06","cs",{"id":185,"adult":6,"title":186,"video":8,"overview":187,"softcore":6,"genre_ids":188,"popularity":189,"vote_count":9,"poster_path":190,"release_date":191,"vote_average":9,"backdrop_path":24,"original_title":186,"original_language":166},28241,"Les Contes d'Hoffmann","Giancarlo Del Monaco's passionate and intelligent production of Jacques Offenbach's magnum opus creates a climactic kaleidoscope of deep and convincing emotions. A highly credible incarnation of the pitiable Kleinzach he sings about, Aquiles Machado is the poet who loses his romantic idealism, his reflection and finally his soul to a 'trio of charming enchantresses'.",[12],0.1775,"\u002Far7D5HnLg6sn4QFV9YusaBw0rP3.jpg","2006-05-15",{"id":193,"adult":6,"title":194,"video":8,"overview":195,"softcore":6,"genre_ids":196,"popularity":197,"vote_count":9,"poster_path":198,"release_date":199,"vote_average":9,"backdrop_path":200,"original_title":194,"original_language":201},444451,"The Metropolitan Opera: Eugene Onegin","Tchaikovsky’s setting of Pushkin’s timeless verse novel is presented on the Met stage in Deborah Warner’s moving production, starring Anna Netrebko as Tatiana and Mariusz Kwiecien and Peter Mattei sharing the title role. Alexey Dolgov sings the role of Lenski, and Robin Ticciati conducts.",[12],0.2313,"\u002F5VpQ0JRs0SQLGMcahan8FLzjedN.jpg","2017-04-22","\u002FzzLN5oL1yhLDJUxYB79fOxDRXBw.jpg","en",{"id":203,"adult":6,"title":204,"video":8,"overview":205,"softcore":6,"genre_ids":206,"popularity":207,"vote_count":21,"poster_path":208,"release_date":209,"vote_average":76,"backdrop_path":210,"original_title":204,"original_language":211},444455,"Der Rosenkavalier","In his new production, Robert Carsen places the action at the end of the Habsburg Empire, underscoring the opera’s subtext of class and conflict against a rich backdrop of gilt and red damask",[12],0.1936,"\u002F1m5cc6c5FM9W8dKsLe3slQUqKz3.jpg","2017-05-13","\u002FiJb4pT0BsxOd9EHqWdbAiAjm4Sm.jpg","de",{"id":213,"adult":6,"title":214,"video":8,"overview":215,"softcore":6,"genre_ids":216,"popularity":217,"vote_count":21,"poster_path":218,"release_date":219,"vote_average":29,"backdrop_path":24,"original_title":214,"original_language":142},444446,"The Metropolitan Opera: Idomeneo","Mozart’s early masterpiece returned to the Met for the first time in more than a decade with Music Director Emeritus James Levine, who led the work’s company premiere in 1982, again on the podium. Tenor Matthew Polenzani brings both steely resolve and compassionate warmth to the title king of Crete, who is faced with an impossible decision. With her rich mezzo-soprano, Alice Coote sings the trouser role of Idomeneo’s son Idamante, who loves the Trojan princess Ilia, sung with delicate lyricism by Nadine Sierra. Elza van den Heever gives a thrillingly unhinged portrayal of the jealous Elettra. Jean Pierre-Ponnelle’s timeless production blends the grandeur of ancient myth with the elegance of Enlightenment ideals.",[12],0.2166,"\u002Fylbzst4509J2E3tGA7JNLVRBB8X.jpg","2017-03-25",{"id":221,"adult":6,"title":222,"video":6,"overview":223,"softcore":6,"genre_ids":224,"popularity":226,"vote_count":21,"poster_path":24,"release_date":227,"vote_average":76,"backdrop_path":24,"original_title":222,"original_language":211},444970,"Die Zauberflöte","Wolfgang Amadeus Mozart's Magic Flute is undoubtedly one of the most multi-layered, profound, complicated, and therefore also most difficult to stage works in the entire opera repertoire. In terms of genre, it can only be understood if it is seen as a mixture of four things: a philosophically profound drama of ideas with countless encryptions, a naïve fairy tale, a bawdy comedy, and a crude Punch and Judy show. It is based on the intersection of the traditions of Baroque magic opera, Italian buffa, and Viennese Singspiel, where all manner of wonders are conceivable and permissible. Peter Ustinov's production appeals to all those who love a primarily fairy-tale-like interpretation; the atmosphere is traditional and conventional. An outstanding ensemble of singers has been assembled.",[225,148,12],10751,0.1352,"1971-12-01",{"id":229,"adult":6,"title":230,"video":6,"overview":231,"softcore":6,"genre_ids":232,"popularity":233,"vote_count":29,"poster_path":234,"release_date":235,"vote_average":236,"backdrop_path":237,"original_title":230,"original_language":142},444999,"Tosca","Non-musical account of Puccini's opera: Tosca and Cavaradossi are in love, but the tyrant Scarpia desires Tosca and oppresses Cavaradossi who is fighting for freedom.",[159,12],1.3858,"\u002FwUkgVZb52rD5HjqMxxbB2i6Ud6X.jpg","1941-01-31",6.25,"\u002FgXvECVuMoFtpBQqqezrHh44FdCK.jpg",{"id":239,"adult":6,"title":240,"video":6,"overview":241,"softcore":6,"genre_ids":242,"popularity":243,"vote_count":9,"poster_path":244,"release_date":245,"vote_average":9,"backdrop_path":246,"original_title":240,"original_language":142},987694,"The Metropolitan Opera: Medea","Having triumphed at the Met in some of the repertory’s fiercest soprano roles, Sondra Radvanovsky stars as the mythic sorceress who will stop at nothing in her quest for vengeance. Joining Radvanovsky in the Met-premiere production of Cherubini’s rarely performed masterpiece is tenor Matthew Polenzani as Medea’s Argonaut husband, Giasone; soprano Janai Brugger as her rival for his love, Glauce; bass Michele Pertusi as Glauce’s father, Creonte, the King of Corinth; and mezzo-soprano Ekaterina Gubanova as Medea’s confidante, Neris. Carlo Rizzi conducts.",[12],0.1339,"\u002Fcbenh8FHQlqQtBEDeaaN7w1oSuU.jpg","2022-10-22","\u002FxM9AdrUGnzQiMB8hG3wjykB8wNz.jpg",{"id":248,"adult":6,"title":249,"video":6,"overview":250,"softcore":6,"genre_ids":251,"popularity":252,"vote_count":9,"poster_path":24,"release_date":253,"vote_average":9,"backdrop_path":24,"original_title":249,"original_language":201},447406,"Rigoletto","Rigoletto is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the play Le roi s'amuse by Victor Hugo. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851.  This 1994 recording, directed by Riccardo Muti, stars Roberto Alagna, Renato Bruson and Andrea Rost.",[12],0.4328,"1994-01-01",{"id":255,"adult":6,"title":256,"video":6,"overview":257,"softcore":6,"genre_ids":258,"popularity":259,"vote_count":9,"poster_path":260,"release_date":261,"vote_average":9,"backdrop_path":262,"original_title":256,"original_language":166},447466,"The Metropolitan Opera: L’Amour de Loin","Robert Lepage’s dreamlike production, with its thousands of twinkling LED lights stretching across the stage to represent the sea, encapsulates the mystic feeling of L’Amour de Loin, Saariaho’s haunting opera of distant love. Eric Owens is Jaufré Rudel, a troubadour in 12th century France who has become tired of his hedonistic life and longs for an idealized love. Enter the Pilgrim (Tamara Mumford) who tells him his perfect love does, in fact, exist, far across the sea. She is Clémence, Countess of Tripoli (Susanna Phillips). The magic of the characters’ inner lives as they explore the meaning of love, longing, life, and death is heightened by Saariaho’s hypnotic and bewitching score, conducted by Susanna Mälkki.",[12],0.1405,"\u002F3RGyOu77m4G5a3v27nV89vacFfa.jpg","2016-12-10","\u002FzNRcRcJOvCNNS8MnUvxb77dQfmh.jpg",{"id":264,"adult":6,"title":265,"video":6,"overview":266,"softcore":6,"genre_ids":267,"popularity":268,"vote_count":44,"poster_path":269,"release_date":270,"vote_average":271,"backdrop_path":24,"original_title":265,"original_language":201},267757,"La Traviata","La traviata (Italian: [la traˈviaːta], \"The Fallen Woman\"[1][2]) is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias (1852), a play adapted from the novel by Alexandre Dumas, fils. The opera was originally entitled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice.  Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, \"c. 1700\". It was not until the 1880s that the composer and librettist's original wishes were carried out and \"realistic\" productions were staged.[3]",[12],0.2521,"\u002FsfQlLJVUeKWVJdXmcZrXPulXkbn.jpg","2001-03-04",7.333,{"id":273,"adult":6,"title":274,"video":8,"overview":275,"softcore":6,"genre_ids":276,"popularity":277,"vote_count":9,"poster_path":278,"release_date":279,"vote_average":9,"backdrop_path":24,"original_title":274,"original_language":211},267760,"Die Walküre","Die Walküre (The Valkyrie), WWV 86B, is an opera in three acts by Richard Wagner with a German libretto by the composer. It is the second of the four operas that form Wagner's cycle Der Ring des Nibelungen (The Ring of the Nibelung).  The story of the opera is based on the Norse mythology told in the Volsunga Saga and the Poetic Edda.[1][2] In Norse mythology, a valkyrie is one in a group of female figures who decide which soldiers die in battle and which live. Die Walküre's best-known excerpt is the \"Ride of the Valkyries\". DVD release June 2009.",[12],0.1547,"\u002F3H2FfQoZNYF4VmxOndxVlKepLYl.jpg","2006-05-31",{"id":281,"adult":6,"title":282,"video":6,"overview":283,"softcore":6,"genre_ids":284,"popularity":285,"vote_count":20,"poster_path":286,"release_date":287,"vote_average":288,"backdrop_path":289,"original_title":282,"original_language":142},267861,"Il Barbiere di Siviglia","Stage director Emilio Sagi's production of the legendary Barber of Seville is enriched by a bright distribution. Maria Bayo returns to one of her signature role as Rosina, opposite Juan Diego Florez, the Rossini expert tenor. The title role is embodied by the Italian baritone Pietro Spagnoli, while Ruggero Raimondi and Bruno Pratico reconcile the audience with Don Basilio and Don Bartolo.",[12],0.1666,"\u002Ff8YMGFrUmwE0mNXXcJmScPRo6ha.jpg","2005-11-07",7.5,"\u002F1caULXdjkPZUN3br1cIMxYn4tmg.jpg",{"id":291,"adult":6,"title":292,"video":6,"overview":293,"softcore":6,"genre_ids":294,"popularity":296,"vote_count":20,"poster_path":297,"release_date":298,"vote_average":288,"backdrop_path":24,"original_title":299,"original_language":142},625842,"Andrea Chenier","Although Domingo was younger and Banackova looked more like the sweet and innocent young Madalena than the one played by Tomowa-Sintow in the ROH production, this production was not as good. It was not as tight and neat. The tempo set was far too slow for the time-period of the story. The stage setting was distracting. The lighting was too dark. Except Domingo, a natural actor who was always into his role and sings and acts with passion, none of the other performers came up with a convincing portrayal of the role he\u002Fshe played.",[12,295],99,0.1841,"\u002F54dZVAm2Ho5OtESVHylAkKdfEOr.jpg","1981-12-31","Andrea Chénier",{"id":301,"adult":6,"title":302,"video":6,"overview":303,"softcore":6,"genre_ids":304,"popularity":305,"vote_count":9,"poster_path":306,"release_date":307,"vote_average":9,"backdrop_path":308,"original_title":302,"original_language":142},1379872,"Le convenienze ed inconvenienze teatrali - Wexford Festival Opera","Le convenienze ed inconvenienze teatrali (Conventions and Inconveniences of the Stage) is a two-act opera that shines an exaggerated spotlight on the behind-the-scenes working of a theatre and the rehearsal process, showing what can go wrong when the egos of the performers get in the way of putting on a good show.  A regional (and mediocre) operatic troupe is rehearsing a new work and faces numerous obstacles. The prima donna acts every bit the diva, refusing to rehearse. The Tenor finds himself in the wrong production and quite out of his depth. The Seconda Donna’s mother (played by a baritone) demands that her daughter be given a more prominent role, before deciding to take on several roles herself. Not be outshone, the Prima Donna’s husband takes to the stage too.  When the show eventually collapses and the company tries to flee under cover of night, rather than pay back all the investors (whose money has already been spent), the Impresario has other plans…",[12],0.1456,"\u002Fcekg9qOiAJTRoqq3JjKM0D9m0Jo.jpg","2024-10-26","\u002FtCxkX9tMqHrenFjDB0qQc7eEgQE.jpg",{"id":310,"adult":6,"title":311,"video":6,"overview":312,"softcore":6,"genre_ids":313,"popularity":314,"vote_count":9,"poster_path":315,"release_date":316,"vote_average":9,"backdrop_path":317,"original_title":311,"original_language":201},642223,"Cosi Fan Tutte","An excellent performance of this delightful opera. The principals are superb, especially the sisters. Bruscantini as Don Alfonso is past his prime, but he knows and understands the role inside out, so one does not even notice his vocal limitations. Araiza is in top form as Ferrando, and Morris makes virile Guglielmo. The only disappointment is Battle as Despina. Unlike her partners, she does not have feel for the Mozart ensemble, and her vocal mannerisms are totally unbecoming. How the producers allowed that to happen is a mystery. Muti's conducting is terrific, much better than on his La Scala video, where he is uninvolved.",[12],0.2391,"\u002Fo36KwQmJQPxjPuIU9hGNLoYhgiw.jpg","1983-01-01","\u002FqNYgpDghcKApYXWNtXkMcpjmQO.jpg",3237,64727,"Siegfried is the third of the four operas that constitute Der Ring des Nibelungen (The Ring of the Nibelung), by Richard Wagner.",0.1802,"\u002FaI0zLGuSzFILSecoxWwzXqtNjmF.jpg","1990-02-23",7.667,"\u002Fo1aKKynkXsy6V6lmY8BD6yZY7Ck.jpg",[327],"DE",{"results":329},{},[331],{"name":332,"iso_639_1":211,"english_name":333},"Deutsch","German",[335],{"id":336,"name":337,"logo_path":338,"origin_country":327},10707,"Deutsche Grammophon","\u002FcxWvdB6JoV1YVNno4VCg3yceoXG.png",[340],{"name":341,"iso_3166_1":342},"United States of America","US",45,"A music story that tends to land well.",[]]