[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-263125-en-US":3},{"detail":4,"match":242,"insight":243,"providers":244,"providerLink":6,"trailer":6},{"adult":5,"backdrop_path":6,"belongs_to_collection":7,"budget":10,"genres":11,"homepage":15,"id":16,"imdb_id":17,"origin_country":18,"original_language":20,"original_title":21,"overview":22,"popularity":23,"poster_path":6,"production_companies":24,"production_countries":25,"release_date":28,"revenue":10,"runtime":29,"softcore":5,"spoken_languages":30,"status":34,"tagline":15,"title":21,"video":5,"vote_average":35,"vote_count":36,"credits":37,"similar":49,"watch\u002Fproviders":238,"videos":240},false,null,{"id":8,"name":9,"poster_path":6,"backdrop_path":6},1193519,"The Pittsburgh Documents",0,[12],{"id":13,"name":14},99,"Documentary","",263125,"tt0140951",[19],"US","en","Deus Ex","I have been many times very ill in hospitals; and I drew on all that experience while making DEUX EX.",0.5966,[],[26],{"iso_3166_1":19,"name":27},"United States of America","1971-09-19",35,[31],{"english_name":32,"iso_639_1":33,"name":32},"No Language","xx","Released",5.3,11,{"cast":38,"crew":39},[],[40],{"adult":5,"gender":41,"id":42,"known_for_department":43,"name":44,"original_name":44,"popularity":45,"profile_path":46,"credit_id":47,"department":43,"job":48},2,563461,"Directing","Stan Brakhage",0.8352,"\u002FjqpZxCtg17kcJl51zDDzCjFUPGj.jpg","54135dce0e0a264f3d000994","Director",{"page":50,"results":51,"total_pages":236,"total_results":237},1,[52,63,74,85,94,105,113,122,130,141,151,159,167,177,186,194,202,210,219,226],{"adult":5,"backdrop_path":53,"genre_ids":54,"id":55,"title":56,"original_language":20,"original_title":56,"overview":57,"popularity":58,"poster_path":59,"release_date":60,"softcore":5,"video":5,"vote_average":61,"vote_count":62},"\u002Fw3dOhwSPOZcZXTzsWURiPyLHfyX.jpg",[13],266697,"God Respects Us When We Work, But Loves Us When We Dance","Les Blank's poetic documentation of 1967's Los Angeles Easter Sunday Love-In.  Preserved by the Academy Film Archive in 2002.",0.7132,"\u002Fws1vAuhGUpZ294RCTfoDsJWDVOL.jpg","1968-10-01",5.7,14,{"adult":5,"backdrop_path":64,"genre_ids":65,"id":66,"title":67,"original_language":20,"original_title":67,"overview":68,"popularity":69,"poster_path":70,"release_date":71,"softcore":5,"video":5,"vote_average":72,"vote_count":73},"\u002FkEbYIWjBF2CpaI9Z1GFByltBeDy.jpg",[13],265631,"Sikkim","Satyajit Ray's poetic documentary was commissioned by the Chogyal (King) of Sikkim at a time when he felt the sovereignty of Sikkim was under threat from both China and India. Ray's documentary is about the sovereignty of Sikkim. The film was banned by the government of India when Sikkim merged with India in 1975. The ban was finally lifted by the Ministry of External Affairs in September 2010.  Preserved by the Academy Film Archive in 2007.",1.1864,"\u002F3BgBI2eLjq5avQhQE2s9cR1prQo.jpg","1971-04-01",6.7,3,{"adult":5,"backdrop_path":6,"genre_ids":75,"id":77,"title":78,"original_language":20,"original_title":78,"overview":79,"popularity":80,"poster_path":81,"release_date":82,"softcore":5,"video":5,"vote_average":83,"vote_count":84},[13,76],10402,267616,"The Sun's Gonna Shine","A lyrical recreation of Lightnin’ Hopkins’ decision at age eight to stop chopping cotton and start singing for a living.  Preserved by the Academy Film Archive in 2013.",0.9191,"\u002FeDKUNWVQNpSin7aLS9oMmeWbyC9.jpg","1969-01-02",6.9,8,{"adult":5,"backdrop_path":6,"genre_ids":86,"id":87,"title":88,"original_language":20,"original_title":88,"overview":89,"popularity":90,"poster_path":91,"release_date":92,"softcore":5,"video":5,"vote_average":93,"vote_count":73},[13],266491,"The Town","The Town was a short propaganda film produced by the Office of War Information in 1945. It presents an idealized vision of American life, shown in microcosm by Madison, Indiana. It was created primarily for exhibition abroad, to provide international audiences a more well-rounded view of America, and was therefore produced in more than 20 translations.  Preserved by the Academy Film Archive in 2012.",1.7615,"\u002FnwLRMuQzdAGVgTwY0kDvDyUXYu7.jpg","1944-01-01",6,{"adult":5,"backdrop_path":95,"genre_ids":96,"id":97,"title":98,"original_language":20,"original_title":98,"overview":99,"popularity":100,"poster_path":101,"release_date":102,"softcore":5,"video":5,"vote_average":103,"vote_count":104},"\u002Fe6IPjjDzZDkgdkvxQtCjaVCMYJF.jpg",[13],133,"Primary","Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occurring.  Preserved by the Academy Film Archive in partnership with The Film Foundation in 1998.",1.3929,"\u002FgVloWsthHRlw719vzRWRpBqDM20.jpg","1960-11-08",6.5,42,{"adult":5,"backdrop_path":6,"genre_ids":106,"id":107,"title":108,"original_language":20,"original_title":108,"overview":109,"popularity":110,"poster_path":111,"release_date":112,"softcore":5,"video":5,"vote_average":10,"vote_count":10},[13],630817,"Shoppers Market","UCLA Student Color Film. \"a documentary film of marked lyrical and experimental tendency which was photographed and recorded in a L.A. supermarket. It consists of five sequences: 1) description of people 2) Comedy 3) choreographing natural movements 4) transformation fo visual reality 5) empathy\".  Preserved by the Academy Film Archive in 2011. Filmed at Shopper's Market, Santa Monica, CA.",0.6928,"\u002FixVDPhOuNeRJklept9B4O2POMK2.jpg","1963-12-25",{"adult":5,"backdrop_path":6,"genre_ids":114,"id":115,"title":116,"original_language":20,"original_title":117,"overview":118,"popularity":119,"poster_path":120,"release_date":121,"softcore":5,"video":5,"vote_average":10,"vote_count":10},[13],447284,"Hunting Keys","Chasse des Touches","A film by Hy Hirsh.  Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2000.",0.6994,"\u002FmNGX8nHrsbAibY0FEjDLyubY6Yr.jpg","1959-01-01",{"adult":5,"backdrop_path":6,"genre_ids":123,"id":124,"title":125,"original_language":20,"original_title":125,"overview":126,"popularity":127,"poster_path":128,"release_date":129,"softcore":5,"video":5,"vote_average":103,"vote_count":41},[13],449277,"Manzanar","Short film about the Manzanar Japanese American internment camp.  Preserved by the Academy Film Archive in 2011.",1.3016,"\u002FpB9O0vnVmCj7tobVRG8hVfZr2o3.jpg","1972-01-01",{"adult":5,"backdrop_path":131,"genre_ids":132,"id":133,"title":134,"original_language":20,"original_title":134,"overview":135,"popularity":136,"poster_path":137,"release_date":138,"softcore":5,"video":5,"vote_average":139,"vote_count":140},"\u002FpYeiEm55NySzK9ksKlQGlFQNapz.jpg",[13],14275,"Hoop Dreams","Every school day, African-American teenagers William Gates and Arthur Agee travel 90 minutes each way from inner-city Chicago to St. Joseph High School in Westchester, Illinois, a predominately white suburban school well-known for the excellence of its basketball program. Gates and Agee dream of NBA stardom, and with the support of their close-knit families, they battle the social and physical obstacles that stand in their way. This acclaimed documentary was shot over the course of five years.",1.767,"\u002FgLzHl2XBtVwycl8DxdOXRHPm8G3.jpg","1994-09-12",7.6,345,{"adult":5,"backdrop_path":6,"genre_ids":142,"id":144,"title":145,"original_language":20,"original_title":145,"overview":146,"popularity":147,"poster_path":148,"release_date":149,"softcore":5,"video":5,"vote_average":150,"vote_count":93},[143,13,62],10752,485532,"Food and Magic","A sideshow barker uses magic and visual aids to alert the public that proper food management is both a resource and a weapon that could be to America's advantage if conserved properly in winning the then current World War.  Preserved by the Academy Film Archive, Academy War Film Collection, in 2008.",0.9098,"\u002FgmZ70JypYxSPRb5JcaeAmbPLLQV.jpg","1943-11-18",5.8,{"adult":5,"backdrop_path":6,"genre_ids":152,"id":153,"title":154,"original_language":33,"original_title":154,"overview":155,"popularity":156,"poster_path":157,"release_date":158,"softcore":5,"video":5,"vote_average":35,"vote_count":93},[13],279200,"Gyromorphosis","According to the director, \"Gyromorphosis strives to bring into actuality the inherent kinetic qualities seen in the construction-sculpture of Constant Nieuwenhuys of Amsterdam. To realize this aim I have put into motion, one by one, pieces of this sculpture and, with colored lighting, filmed them in various detail, overlaying the images on the film as they appear and disappear. In this way, I have hoped to produce sensations of acceleration and suspension which are suggested to me by the sculpture itself.\"",1.0185,"\u002F5MJAImSRuKiCfh4osc4j4UBya9e.jpg","1954-12-01",{"adult":5,"backdrop_path":6,"genre_ids":160,"id":161,"title":162,"original_language":20,"original_title":162,"overview":163,"popularity":164,"poster_path":165,"release_date":166,"softcore":5,"video":5,"vote_average":93,"vote_count":50},[13],473603,"Migration","\"Whereas SQUARE INCH FIELD was composed largely in the camera, Rimmer's next film, MIGRATION, made full use of rear-projection rephotography, stop-framing, and slow motion. The migration of the title is interpreted as the flight of a ghost bird through aeons of space\u002Ftime, through the micro-macro universe, through a myriad of complex realities. A seagull is seen flying gracefully in slow motion against a grainy green sky; suddenly the frame stops, warps and burns, as though caught in the gate of the projector. Now begins an alternation of fast and slow sequences in which the bird flies through time-lapse clouds and fog and, in a stroboscopic crescendo, hurtles into the sun's corona. Successive movements of the film develop rhythmic, organic counterpoints in which cosmic transformations send jelly fish into the sky and ocean waves into the sun.\" - Gene Youngblood.  Preserved by the Academy Film Archive in 2014.",1.143,"\u002FiHQw8OFIaIB9KetJLtT0MxVdQzU.jpg","1969-01-01",{"adult":5,"backdrop_path":168,"genre_ids":169,"id":170,"title":171,"original_language":20,"original_title":171,"overview":172,"popularity":173,"poster_path":174,"release_date":175,"softcore":5,"video":5,"vote_average":139,"vote_count":176},"\u002FpVspyFNl8uE8jAoY3C973XkjTgB.jpg",[13],33324,"Harlan County U.S.A.","A heartbreaking record of the thirteen-month struggle between a community fighting to survive and a corporation dedicated to the bottom line.",2.2854,"\u002F4TQwyqULcE87BHCOIt7NvCEzfQi.jpg","1976-10-15",124,{"adult":5,"backdrop_path":6,"genre_ids":178,"id":179,"title":180,"original_language":20,"original_title":180,"overview":181,"popularity":182,"poster_path":183,"release_date":184,"softcore":5,"video":5,"vote_average":185,"vote_count":41},[13],278457,"Chicken Real","One of Les Blank's industrial films, which follows a Holly Farms \"broiler\" chicken from factory incubation to the county fair barbecue pit. A hilarious, disturbing and surreal look at a large-scale chicken farm producing 156 million chickens a year! Film includes lots of chicken songs and music recorded live in the Blue Ridge Mountains of North Carolina.  Preserved by the Academy Film Archive in 2013.",1.3345,"\u002FvMS5ligzpZmrpkSdYGp7HpqZo39.jpg","1970-01-01",7,{"adult":5,"backdrop_path":6,"genre_ids":187,"id":188,"title":189,"original_language":20,"original_title":189,"overview":190,"popularity":191,"poster_path":6,"release_date":192,"softcore":5,"video":5,"vote_average":193,"vote_count":50},[13],655309,"Seeing Them Through","Documentary short film reporting on the activities of the American Red Cross and the useage made of contributed funds for the previous year.  Preserved by the Academy Film Archive in 2012.",0.5628,"1945-02-01",10,{"adult":5,"backdrop_path":6,"genre_ids":195,"id":196,"title":197,"original_language":20,"original_title":197,"overview":198,"popularity":199,"poster_path":200,"release_date":201,"softcore":5,"video":5,"vote_average":84,"vote_count":50},[13],480940,"City Streaming","This is a film made in Toronto, in memoriam, so to speak - a memory piece, a \"piecing-together\" of the experience of living there. The consciousness of the maker comes to sharply focused visual music - not to arrive at snapshots, as such, but rather to \"sing\" the city as remembered from daily living...complementary, then, to an earlier film, \"Unconscious London Strata.\"  Preserved by the Academy Film Archive in 2015.",0.5506,"\u002F1tsFUknjImnAaMoJnDzYDGUNNu9.jpg","1990-01-01",{"adult":5,"backdrop_path":6,"genre_ids":203,"id":204,"title":205,"original_language":20,"original_title":205,"overview":206,"popularity":207,"poster_path":208,"release_date":209,"softcore":5,"video":5,"vote_average":193,"vote_count":50},[13],283174,"The Costume Designer","This short focuses on the job of the costume designer in the production of motion pictures. The costume designer must design clothing that is correct for the film historically and geographically, and must be appropriate for the mood of the individual scene. We see famed costume designer Edith Head at work on a production. The Costume Designer was part of The Industry Film Project, a twelve-part series produced by the film studios and the Academy. Each series episode was produced to inform the public on a specific facet of the motion picture industry.  Preserved by the Academy Film Archive in 2012.",2.1929,"\u002FeDzjPJrrnggpTwHKZvTlEOUCf94.jpg","1950-07-13",{"adult":5,"backdrop_path":211,"genre_ids":212,"id":213,"title":214,"original_language":20,"original_title":214,"overview":215,"popularity":216,"poster_path":217,"release_date":218,"softcore":5,"video":5,"vote_average":139,"vote_count":29},"\u002FpkqLvkkRJOPVE1hadZJOvBFtweC.jpg",[13],38616,"Marjoe","Part documentary, part expose, this film follows one-time child evangelist Marjoe Gortner on the \"church tent\" Revivalist circuit, commenting on the showmanship of Evangelism and \"the religion business\", prior to the start of \"televangelism\".  Preserved by the Academy Film Archive in 2005.",1.6565,"\u002FfVSNmaflCEso1i9JAlJmQdJvUnf.jpg","1972-07-24",{"adult":5,"backdrop_path":6,"genre_ids":220,"id":221,"title":222,"original_language":20,"original_title":222,"overview":223,"popularity":224,"poster_path":6,"release_date":225,"softcore":5,"video":5,"vote_average":10,"vote_count":10},[13],651086,"Atol","A documentary abstraction recorded at night in Los Angeles backed by the music of Stockhausen. It is a preliminary effort to organise camera and audio images through a cybernetic editing model and a digital computer.  Preserved by the Academy Film Archive in 2013.",0.4655,"1966-01-01",{"adult":5,"backdrop_path":227,"genre_ids":228,"id":230,"title":231,"original_language":20,"original_title":231,"overview":232,"popularity":233,"poster_path":234,"release_date":235,"softcore":5,"video":5,"vote_average":93,"vote_count":50},"\u002FvS6rtjbvYsMYJWyFeTef2orbW13.jpg",[13,229],16,283593,"Pasadena Freeway Stills","Possibly the most lucid, vivid, and awesome demonstration of the building up of still images to create moving ones, Pasadena Freeway Stills simply, gracefully and powerfully shows us the process by which we are fooled by the movies. By doing so, Gary Beydler mines a very rich vein of associations and metaphor, without the slightest ostentation.  Constructed as a thrilling arc of realization and, in a quite moving way, disappointment, the film is a beautiful articulation of our emotional entanglement with moving images, while simultaneously creating a form in which the illusion of cinema is brought into incredible relief as the film we're watching gradually catches up to the film Gary is holding up to the camera with his hands, one frame at a time. (Mark Toscano)  Preserved by the Academy Film Archive in 2008.",0.4823,"\u002Fyrbg6gyKIwJEraL8hrVNsQ83SBt.jpg","1974-01-01",1001,20001,{"results":239},{},{"results":241},[],45,"A documentary story that tends to land well.",[]]