[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-263202-en-US":3},{"detail":4,"match":283,"insight":284,"providers":285,"providerLink":270,"trailer":46},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":10,"videos":11,"credits":13,"imdb_id":33,"revenue":8,"runtime":34,"similar":35,"tagline":251,"homepage":252,"overview":253,"softcore":6,"popularity":254,"vote_count":255,"poster_path":46,"release_date":256,"vote_average":257,"backdrop_path":46,"origin_country":258,"original_title":7,"watch\u002Fproviders":261,"spoken_languages":273,"original_language":47,"production_companies":276,"production_countries":277,"belongs_to_collection":280},263202,false,"Trypps #5 (Dubai)",0,[],"Released",{"results":12},[],{"cast":14,"crew":15},[],[16,25,29],{"id":17,"job":18,"name":19,"adult":6,"gender":20,"credit_id":21,"department":22,"popularity":23,"profile_path":24,"original_name":19,"known_for_department":22},1070225,"Director","Ben Russell",2,"5340864b0e0a26799e0009c2","Directing",0.5271,"\u002Fcbd0BcJbmA8zRIDxk3fZkb27XJZ.jpg",{"id":17,"job":26,"name":19,"adult":6,"gender":20,"credit_id":27,"department":28,"popularity":23,"profile_path":24,"original_name":19,"known_for_department":22},"Editor","5881a34a925141303e007d24","Editing",{"id":17,"job":30,"name":19,"adult":6,"gender":20,"credit_id":31,"department":32,"popularity":23,"profile_path":24,"original_name":19,"known_for_department":22},"Cinematography","5881a354925141303700819b","Crew","tt4145896",3,{"page":36,"results":37,"total_pages":249,"total_results":250},1,[38,48,58,67,77,90,103,116,126,133,146,156,167,175,188,200,209,219,230,239],{"id":39,"adult":6,"title":40,"video":6,"overview":41,"softcore":6,"genre_ids":42,"popularity":43,"vote_count":8,"poster_path":44,"release_date":45,"vote_average":8,"backdrop_path":46,"original_title":40,"original_language":47},454845,"Étude 1a: Release (I)","Exploring the musical concept of \"release,\" this film is a haunting found-footage study in the plurality of visual and auditory meanings of the term. A series of collaborative works pairing artists working in visual and auditory mediums, the Études meditate on individual musical concepts through experiments with sound and film. Étude 1a: Release (I) is the first in this series and is directed by filmmaker Russell Sheaffer and composer Aaron Michael Smith.",[],0.856,"\u002FAuh9APcaqS3rHjp3VjEHTI4uqiH.jpg","2017-04-22",null,"en",{"id":49,"adult":6,"title":50,"video":6,"overview":51,"softcore":6,"genre_ids":52,"popularity":54,"vote_count":8,"poster_path":55,"release_date":56,"vote_average":8,"backdrop_path":46,"original_title":50,"original_language":57},639386,"Threshold","Science fiction is a rare genre in the otherwise rich and diverse history of Egyptian mainstream cinema. One exception is the film \"The Master of Time\", directed by Kamal El Sheikh in 1987. In this film, the main character, a scientist named Mr. Kamel, is obsessed with the idea of immortality. Through radical editing, Lebanese artist and filmmaker Rania Stephan captures the quintessence of this obsession. In her film, she eliminates all fictional elements from the original and retains only the transition shots featuring doors, gates, and all forms of crossing and passing through.",[53],878,0.7177,"\u002F2ZMtdaR284Nfg3vsyBUC31mJefD.jpg","2018-01-01","ar",{"id":59,"adult":6,"title":60,"video":6,"overview":61,"softcore":6,"genre_ids":62,"popularity":64,"vote_count":8,"poster_path":65,"release_date":66,"vote_average":8,"backdrop_path":46,"original_title":60,"original_language":47},830819,"Light by Chance","Experimental short film playing with light and how it appears through reflections, lenses, and distortions",[63],99,0.5885,"\u002FrnSdhIg0lQPa5B9BYqyv8zAgCNG.jpg","2021-05-21",{"id":68,"adult":6,"title":69,"video":6,"overview":70,"softcore":6,"genre_ids":71,"popularity":72,"vote_count":8,"poster_path":73,"release_date":74,"vote_average":8,"backdrop_path":46,"original_title":75,"original_language":76},456194,"Old Courtyard","Experimental 8mm film.",[63],1.0721,"\u002F6ElygKrpRMiILcZkX93JgfQFoe6.jpg","1967-01-01","Staro dvorišče","sl",{"id":78,"adult":6,"title":79,"video":6,"overview":80,"softcore":6,"genre_ids":81,"popularity":85,"vote_count":36,"poster_path":86,"release_date":87,"vote_average":88,"backdrop_path":89,"original_title":79,"original_language":47},832310,"Verrückt","Procedurally-generated frames slowly expand in density to visually explore the mind of a psychopathic, narcissistic teenager, up until the demise of the subject.",[82,83,84],27,18,53,0.8527,"\u002F4WOjTb4xLdJFwdAQtPsQsJc1KlW.jpg","2021-03-29",10,"\u002FsIvmClCNxbSw4fdaOv2QRgBWu0W.jpg",{"id":91,"adult":6,"title":92,"video":6,"overview":93,"softcore":6,"genre_ids":94,"popularity":95,"vote_count":96,"poster_path":97,"release_date":98,"vote_average":99,"backdrop_path":100,"original_title":101,"original_language":102},271945,"Letter in Motion to Gilles Jacob and Thierry Fremaux","Rather than writing a simple letter to explain his absence from the press conference for his latest Cannes entry, \"Goodbye to Language,\" at the Cannes Film Festival, instead, legendary filmmaker Jean-Luc Godard created a video \"Letter in motion to (Cannes president) Gilles Jacob and (artistic director) Thierry Fremaux.\" The video intercuts from Godard speaking cryptically about his \"path\" to key scenes from Godard classics such as \"Alphaville\" and \"King Lear\" with Burgess Meredith and Molly Ringwald, and quotes poet Jacques Prevert and philosopher Hannah Arendt.",[63],1.4388,7,"\u002F1PDRFTDucTrz66N7CT7SLbjQiFf.jpg","2014-05-21",6.9,"\u002FmaYcSBG4ISZpl6bqUe2YdWGJm7C.jpg","Khan Khanne, sélection naturelle","fr",{"id":104,"adult":6,"title":105,"video":6,"overview":106,"softcore":6,"genre_ids":107,"popularity":109,"vote_count":20,"poster_path":110,"release_date":111,"vote_average":112,"backdrop_path":113,"original_title":114,"original_language":115},271906,"A Woman","Within a single space, the director treats the sorrows of two people married to each other.",[108],9648,1.4894,"\u002Fe6uZyalVD2gjrFWLes3bx5rhG99.jpg","1962-01-01",5.5,"\u002Fjzxpg0zJ5ceP9H8q4dJMFXxpJ2y.jpg","Bir Kadın","tr",{"id":117,"adult":6,"title":118,"video":6,"overview":119,"softcore":6,"genre_ids":120,"popularity":122,"vote_count":20,"poster_path":123,"release_date":124,"vote_average":112,"backdrop_path":46,"original_title":125,"original_language":115},271908,"Dawn","Heper's 7-minute short \"Dawn\" follows, in a single space between two windows, a triangular love relationship of three people.",[121],10749,1.4064,"\u002FpvhUV7GP55MKr6sKqMU92aOVLQn.jpg","1963-01-01","Şafak",{"id":127,"adult":6,"title":128,"video":6,"overview":129,"softcore":6,"genre_ids":130,"popularity":131,"vote_count":8,"poster_path":46,"release_date":132,"vote_average":8,"backdrop_path":46,"original_title":128,"original_language":47},271473,"A Heretic's Primer on Love and Exertion","Identically dressed and with sibling-like resemblance, performance artists Trevor Martin and Kym Olsen shift between spoken word and athletic dance choreography in a collection of 29 scenes. Set in various locations - including a gymnasium, an abandoned hospital, and a trailer park circus - Martin and Olsen slip between a ventriloquist and his dummy, a seducer and his surrogate, a doctor and his patient, and synchronized dance partners. The film examines a complex social psychology - questioning the colonization of the human body for various political, medical and religious agendas.",[],0.5642,"2007-01-01",{"id":134,"adult":6,"title":135,"video":6,"overview":136,"softcore":6,"genre_ids":137,"popularity":139,"vote_count":140,"poster_path":141,"release_date":142,"vote_average":143,"backdrop_path":144,"original_title":135,"original_language":145},23986,"Cremaster 3","CREMASTER 3 is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect...",[83,138],14,1.2321,35,"\u002FAa4k3iHCFT0iwVENcfe3M3QAlen.jpg","2002-05-15",6.6,"\u002F3v9I1MzEWXjkwvRdjhQc38iPOQl.jpg","xx",{"id":147,"adult":6,"title":148,"video":6,"overview":149,"softcore":6,"genre_ids":150,"popularity":151,"vote_count":82,"poster_path":152,"release_date":153,"vote_average":154,"backdrop_path":155,"original_title":148,"original_language":145},23987,"Cremaster 4","CREMASTER 4 adheres most closely to the project's biological model. This penultimate episode describes the system's onward rush toward descension despite its resistance to division. The logo for this chapter is the Manx triskelion - three identical armored legs revolving around a central axis. Set on the Isle of Man, the film absorbs the island's folklore...",[138],0.6401,"\u002F89GirHIVsbdQu1T5OqiTNyDsLN1.jpg","1995-10-06",6,"\u002FtdbT7OTcEUAr4w329tW6ts5dlz8.jpg",{"id":157,"adult":6,"title":158,"video":6,"overview":159,"softcore":6,"genre_ids":160,"popularity":161,"vote_count":162,"poster_path":163,"release_date":164,"vote_average":165,"backdrop_path":166,"original_title":158,"original_language":47},24018,"Glen or Glenda","Glen doesn't dare tell his fiancée Barbara that he is a transvestite known as Glenda; in addition, Alan is undergoing medical treatment to become a woman named Anne; both stories are told by a psychiatrist.",[83],1.6138,162,"\u002FuZir2hA6VOmVNS6JdKb6RiYghTA.jpg","1953-04-01",4.7,"\u002Fi3amNNQD4X0KHG241kuJ3s5wYbG.jpg",{"id":168,"adult":6,"title":169,"video":6,"overview":170,"softcore":6,"genre_ids":171,"popularity":172,"vote_count":8,"poster_path":173,"release_date":174,"vote_average":8,"backdrop_path":46,"original_title":169,"original_language":47},474100,"We Hold These","Part 2 of Trilogy. Dedicated to Phil Solomon.  The \"Truths\" of this film, which the title prompts, are slightly recognizable patterns of fish and animal biology, plant and flower shapes, and human anatomy which are interwoven with pastel cubes and other geometries - pastels as if \"hung\" in a white light interwoven with straight and diagonally bent black lines, eventually clear architectural forms. The recognizable patterns are literally etched on black leader (primarily) and interspersed with very organic painted forms on white. There is often an intended sense of hair and mucous membrane amidst these forms and interwoven with the electric \"x-ray\" sense of bones. The interplay between black-and-white sections and multi-colored sections increases until there is some sense of merging the two toward the end.",[],0.4843,"\u002F4XYbbMG3S84f4CnRzZhayEdZCEA.jpg","1995-10-13",{"id":176,"adult":6,"title":177,"video":6,"overview":178,"softcore":6,"genre_ids":179,"popularity":180,"vote_count":181,"poster_path":182,"release_date":183,"vote_average":184,"backdrop_path":185,"original_title":186,"original_language":187},284804,"Triptych on Matter and Death","A young woman, injured and alone, desperately seeks refuge in an empty house before finding an abandoned train car. Haunted by surreal visions, she repeatedly collapses. At dawn, her motionless form draws the curiosity of local children, leaving her fate uncertain.",[83],0.674,13,"\u002FlJ95ck5NZ0uCr0aWVwR6FyeNMAk.jpg","1960-01-01",5.7,"\u002Fiyxo0Fasg6LMxnkU7WxSEpGpNgx.jpg","Triptih o materiji i smrti","sh",{"id":189,"adult":6,"title":190,"video":6,"overview":191,"softcore":6,"genre_ids":192,"popularity":194,"vote_count":195,"poster_path":196,"release_date":197,"vote_average":198,"backdrop_path":199,"original_title":190,"original_language":47},28881,"Wind","In 1983, yacht sailor Will Parker leads an American crew financed by millionaire Morgan Weld to defeat during the America's Cup race against an Australian crew. Determined to get the prize back, Will convinces Morgan to finance an experimental boat designed by his ex-girlfriend Kate's new beau, Joe Heisler. When the boat is completed, the Americans head to Australia to reclaim the cup.",[193,83],28,2.1307,43,"\u002Fqj7RAiqrLVp3TCzDnhQlONm9In4.jpg","1992-09-11",6.2,"\u002FcSbcBpduXYQ6XfdoSQaTo23jF1u.jpg",{"id":201,"adult":6,"title":202,"video":6,"overview":203,"softcore":6,"genre_ids":204,"popularity":205,"vote_count":8,"poster_path":206,"release_date":74,"vote_average":8,"backdrop_path":207,"original_title":208,"original_language":187},285167,"The Game of Love","A young woman and man are riding bikes through nature, having a good time. When she speeds up, he loses her, and after a while he stumbles across her bike without any trace of her. He stumbles through the forest looking for her, imagining how she kisses him. No dialogue, just \"audio credits\" instead of titles, saying the name of the film, actors and director.",[63],1.0994,"\u002FxSBQ3vgLcmhRCpQC82te5jkDWQX.jpg","\u002F9PH5TjD2fm5a3IbTTC6wV1633wf.jpg","Igra ljubavi",{"id":210,"adult":6,"title":211,"video":6,"overview":212,"softcore":6,"genre_ids":213,"popularity":214,"vote_count":36,"poster_path":215,"release_date":216,"vote_average":34,"backdrop_path":217,"original_title":218,"original_language":187},285186,"The Raven","Experimental short film from Yugoslavia.",[63],0.4649,"\u002Fk9oVDM5z9iluEcbTOkf6pXy2LiJ.jpg","1973-01-01","\u002FnnuzsbNpID5ZxWopYrh4bVuZJiI.jpg","Gavran",{"id":220,"adult":6,"title":221,"video":6,"overview":222,"softcore":6,"genre_ids":223,"popularity":224,"vote_count":225,"poster_path":226,"release_date":227,"vote_average":228,"backdrop_path":46,"original_title":229,"original_language":187},285193,"23 (Animation Pastime)","A cartoon with a very loose form, mostly following the very creation of images with the author's hand often in the shot.",[83],0.5284,8,"\u002FyLN2uFSumIqV4bCI1X8icStzz3n.jpg","1975-01-01",6.8,"23 (Animacija zanimacija)",{"id":231,"adult":6,"title":232,"video":6,"overview":233,"softcore":6,"genre_ids":234,"popularity":235,"vote_count":36,"poster_path":236,"release_date":237,"vote_average":154,"backdrop_path":46,"original_title":232,"original_language":238},658158,"On Nation (and other dogmas)","From the re-appropriation of archive images with various contents (war images, soccer matches, social celebrations, religious rites, historical characters, etc.) and from different sources (including films by Chris Marker, Alain Resnais, Leni Riefenstahl or Gianikian and Ricci Lucchi, as well as images from ads and news...), together with reflections of Pierre Bourdieu, Zygmunt Bauman, Bertolt Brecht, Hannah Arendt, Stanley Milgram, Eric Hobsbawn, Amin Maalouf, Josep Fontana, etc., Zavan Films producer develops this complex and kaleidoscopic work on (national, religious, commercial...) identities and their relation with war, economic profit and \"legal crimes\".",[63],0.4326,"\u002FbpA9wAz44de8dMGG5JLqhQaEJKS.jpg","2015-06-05","es",{"id":240,"adult":6,"title":241,"video":6,"overview":242,"softcore":6,"genre_ids":243,"popularity":244,"vote_count":8,"poster_path":245,"release_date":246,"vote_average":8,"backdrop_path":247,"original_title":248,"original_language":187},285161,"Spring Came to My Brother Charlie's Flat","Experimental short film from Yugoslavia. A woman and a man are making out on a bed, when suddenly an odd fellow with a chandelier enters the room. Suspense grows as they have a drink together...",[83],0.7167,"\u002F8S96CrzkRNKxp8HmD7FQi8gq0pm.jpg","1966-01-01","\u002FcREPNwyHslHk09DFehWTzzVhTZx.jpg","Proleće je došlo u stan moga brata Čarlija",110,2186,"","http:\u002F\u002Fdimeshow.com\u002FTRYPPS-1-7","A short treatise on the semiotics of capital, happiness, and phenomenology under the flickering neon of global capitalism.",0.4695,4,"2008-06-20",4.8,[259,260],"US","AE",{"results":262},{"FR":263},{"buy":264,"link":270,"rent":271},[265],{"logo_path":266,"provider_id":267,"provider_name":268,"display_priority":269},"\u002Fa9ZXOebUSXGUFxTi3N36sA8wSSh.png",389,"Sooner",21,"https:\u002F\u002Fwww.themoviedb.org\u002Fmovie\u002F263202-trypps-5-dubai\u002Fwatch?locale=FR",[272],{"logo_path":266,"provider_id":267,"provider_name":268,"display_priority":269},[274],{"name":275,"iso_639_1":145,"english_name":275},"No Language",[],[278],{"name":279,"iso_3166_1":260},"United Arab Emirates",{"id":281,"name":282,"poster_path":46,"backdrop_path":46},1193512,"TRYPPS #1-7",45,"Trypps #5 (Dubai) sits in the sweet spot of what works for tonight.",[286],{"logo_path":266,"provider_id":267,"provider_name":268,"display_priority":269,"status":287,"label":288},"paid","Buy"]