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The best of these films attempted to counter the demeaning stereotypes of black Americans prevalent in the popular culture of the day. About 500 films were produced, yet only about 100 still exist. Filmmaking pioneers like Oscar Micheaux, the Noble brothers, and Spencer Williams, Jr. left a lasting influence on black filmmakers, and inspired generations of audiences who finally saw their own lives reflected on the silver screen.",[11],0.4997,4,"\u002F6kMsQZqhnLEJscqvqbDBHXOpDLu.jpg","2007-09-15",6.5,{"id":136,"adult":6,"title":137,"video":6,"overview":138,"softcore":6,"genre_ids":139,"popularity":140,"vote_count":37,"poster_path":57,"release_date":141,"vote_average":142,"backdrop_path":143,"original_title":137,"original_language":144},10902,"Auge in Auge - Eine deutsche Filmgeschichte","This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. 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It beautifully captures the worlds of outsider filmmaker communities that existed in California in the ’70s, and the weird ways they intersected with Hollywood mainstream and union indies. On Adamson shoots, regular Orson Welles crew and cinematographers like Gary Graver, Vilmos Szigmond and Lazlo Kovaks worked alongside Bud Cardos — and at one point, Charles Manson! Director David Gregory (founder of Severin Films, director of LOST SOUL: THE DOOMED JOURNEY OF RICHARD STANLEY’S ISLAND OF DR. MOREAU) spent years making this film, speaking to everyone down to the cops who investigated Adamson’s murder, vividly encapsulating both a bold life and tragic demise, with alien conspiracies, go-go dancers and Colonel Sanders coming in along the way. If you’ve got even a passing interest in cinema, you want to see this",[11],0.3483,25,"\u002FqmuTjCSdCP1T6Ka5WvCZO7HJoQZ.jpg","2019-08-23",6.8,"\u002FcIimi5O9iqdhChJvQD6WV3ctF5q.jpg",{"id":215,"adult":6,"title":216,"video":217,"overview":218,"softcore":6,"genre_ids":219,"popularity":220,"vote_count":20,"poster_path":221,"release_date":222,"vote_average":105,"backdrop_path":223,"original_title":216,"original_language":85},435718,"Afro Promo",true,"Co-curated by Jenni Olson and the late Black gay activist Karl Knapper, this entertaining showcase of vintage movie trailers traces the evolution of African American cinema through its most crucial period, 1952-1976. Filled with insights on race and social dynamics, this fascinating compendium of coming attractions explores an extensive range of stylistic approaches—Blaxploitation, Comedy, Music Bio, Plantation Drama and more—offering an outrageous joyride through motion picture history. Beyond mere camp, these marvelously condensed gems crystallize a range of African American identities and personalities, tracking the meteoric careers of Sidney Poitier, James Earl Jones, Billy Dee Williams, Richard Pryor, Pam Grier and others through their bold performances in movies both hugely popular and practically forgotten. 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Basically a remake of Devil Worship: The Rise of Satanism (1989) using the same footage.",[11],0.4838,"\u002Fx9lUbx7K7Ekr5GYDEy9eK41yeaO.jpg","1991-01-01",10,"\u002FiNWtk10Suh4gOmvMkSti4OxScuK.jpg",{"id":246,"adult":6,"title":247,"video":6,"overview":248,"softcore":6,"genre_ids":249,"popularity":250,"vote_count":251,"poster_path":252,"release_date":253,"vote_average":254,"backdrop_path":255,"original_title":256,"original_language":257},257147,"Boundless","As Hong Kong's foremost filmmaker, Johnnie To himself becomes the protagonist of this painstaking documentary exploring him and his Boundless world of film. A film student from Beijing and avid Johnnie To fan, Ferris Lin boldly approached To with a proposal to document the master director for his graduation thesis. To agreed immediately and Lin's camera closely followed him for over two years, capturing the man behind the movies and the myths. 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