[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-265313-en-US":3},{"detail":4,"match":249,"insight":250,"providers":251,"providerLink":26,"trailer":26},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":26,"revenue":8,"runtime":43,"similar":44,"tagline":23,"homepage":231,"overview":232,"softcore":6,"popularity":233,"vote_count":8,"poster_path":26,"release_date":234,"vote_average":8,"backdrop_path":26,"origin_country":235,"original_title":7,"watch\u002Fproviders":237,"spoken_languages":239,"original_language":61,"production_companies":242,"production_countries":246,"belongs_to_collection":26},265313,false,"General Motors",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":39},[18,28,33],{"id":19,"name":20,"adult":6,"order":8,"gender":21,"cast_id":22,"character":23,"credit_id":24,"popularity":25,"profile_path":26,"original_name":20,"known_for_department":27},1188802,"Phil Morton",2,1,"","64bfac8505822401303b2add",0.2862,null,"Directing",{"id":29,"name":30,"adult":6,"order":22,"gender":8,"cast_id":21,"character":23,"credit_id":31,"popularity":32,"profile_path":26,"original_name":30,"known_for_department":27},1312675,"Dan Sandin","64bfac918ee49c0fcb67494a",0.3921,{"id":34,"name":35,"adult":6,"order":21,"gender":8,"cast_id":36,"character":23,"credit_id":37,"popularity":38,"profile_path":26,"original_name":35,"known_for_department":27},1188798,"Tom DeFanti",3,"64bfac9f6ee3d701054ef84f",0.295,[40],{"id":19,"job":41,"name":20,"adult":6,"gender":21,"credit_id":42,"department":27,"popularity":25,"profile_path":26,"original_name":20,"known_for_department":27},"Director","53507d24c3a3681d8700054f",62,{"page":22,"results":45,"total_pages":229,"total_results":230},[46,54,62,71,78,90,97,108,117,126,133,143,150,158,169,176,188,198,211,220],{"id":47,"adult":6,"title":48,"video":6,"overview":49,"softcore":6,"genre_ids":50,"popularity":51,"vote_count":8,"poster_path":26,"release_date":52,"vote_average":8,"backdrop_path":26,"original_title":48,"original_language":53},264496,"Cairo Chorus","\"Filmed in Cairo, in Al-Azhar Park, sunset during Isha'a praying time. The city becomes a Chorus.  Dedicated to the people of Cairo. With love and hope.\"  Part of the Azan series & the Cairo fieldworks.",[11],0.9101,"2010-04-13","es",{"id":55,"adult":6,"title":56,"video":6,"overview":57,"softcore":6,"genre_ids":58,"popularity":59,"vote_count":8,"poster_path":26,"release_date":60,"vote_average":8,"backdrop_path":26,"original_title":56,"original_language":61},264522,"Zamboanga","Images and sound captured in Zamboanga city Mindanao, Philippines. During sunset. Part of the Azan series &amp; the Philippines fieldworks.",[11],0.5443,"2011-04-13","en",{"id":63,"adult":6,"title":64,"video":6,"overview":65,"softcore":6,"genre_ids":66,"popularity":67,"vote_count":21,"poster_path":68,"release_date":69,"vote_average":70,"backdrop_path":26,"original_title":64,"original_language":61},264487,"CNN Concatenated","An 18-minute long single-channel video which uses CNN footage cut so that each word is spoken by a different newsperson. The pieces literally asks the viewers questions about media authenticity and give CNN a distinct voice",[11],0.8668,"\u002F8vMAsczyxZalJMzLnvJtuZxsAen.jpg","2002-01-01",4,{"id":72,"adult":6,"title":73,"video":6,"overview":74,"softcore":6,"genre_ids":75,"popularity":76,"vote_count":8,"poster_path":26,"release_date":77,"vote_average":8,"backdrop_path":26,"original_title":73,"original_language":61},265653,"Openland","Openland is an art film guided by issues surrounding micro states and its derivative definitions. Through intertwining interviews, meta-narratives, and digital landscapes, Openland unfurls a dialogue between consciousness, individuality and collectivity.",[11],1.2543,"2009-10-01",{"id":79,"adult":6,"title":80,"video":6,"overview":81,"softcore":6,"genre_ids":82,"popularity":83,"vote_count":22,"poster_path":84,"release_date":85,"vote_average":86,"backdrop_path":87,"original_title":88,"original_language":89},263277,"Selva. A Portrait of Parvaneh Navaï","Trance dances and out of body projection. In front of the camera, Parvaneh Navaï becomes a mediator who enters in contact with and immerses into the energies of Nature, while her own energy radiates and echos in the forest (\"selva\"). The camera amplifies and expands her presence, transforming the forest into an imaginary space. The camera becomes a painter's brush.",[11],1.5356,"\u002FncI1bFYFtTVrRKRojoiNcbc3Bb.jpg","1982-01-21",10,"\u002FgrvRjpSQ1HcBLvI7pVM8mwizfho.jpg","Selva. Un portrait de Parvaneh Navaï","fr",{"id":91,"adult":6,"title":92,"video":6,"overview":93,"softcore":6,"genre_ids":94,"popularity":95,"vote_count":8,"poster_path":26,"release_date":96,"vote_average":8,"backdrop_path":26,"original_title":92,"original_language":61},266773,"Kiss 25 Goodbye","Outrage kiss-in at Bow Street police station in London, with a demonstration against homophobic government bills clause 25\u002F28.",[11],0.7599,"1991-01-01",{"id":98,"adult":6,"title":99,"video":6,"overview":100,"softcore":6,"genre_ids":101,"popularity":102,"vote_count":103,"poster_path":26,"release_date":104,"vote_average":105,"backdrop_path":26,"original_title":106,"original_language":107},275598,"Dawn","Szirtes's masterful experimental work is a dazzling composition of several years of filming within an industrial macro\u002Fmicrocosm, an abstract model of revolution and the beauty of daybreak.",[11],1.0974,7,"1979-01-01",6.1,"Hajnal","hu",{"id":109,"adult":6,"title":110,"video":6,"overview":111,"softcore":6,"genre_ids":112,"popularity":113,"vote_count":70,"poster_path":114,"release_date":115,"vote_average":116,"backdrop_path":26,"original_title":110,"original_language":61},280613,"Canadian Pacific I","Canadian Pacific I is made up of a series of slowly dissolved shots done from the same framing over several months. The camera frames a window with a railway yard in the foreground, a bay in the space behind it, and misty mountains in the extreme distance. Trains occasionally pass by in the foreground. Huge ships move across the bay. Blue mists hover over the mountain heads.",[11],0.6654,"\u002FpWcFNFeyFzaabonf2UrahxTzohx.jpg","1974-07-06",4.5,{"id":118,"adult":6,"title":119,"video":6,"overview":120,"softcore":6,"genre_ids":121,"popularity":122,"vote_count":22,"poster_path":123,"release_date":124,"vote_average":125,"backdrop_path":26,"original_title":119,"original_language":61},280614,"Canadian Pacific II","Canadian Pacific II is designed as a companion piece to Canadian Pacific I.  Shot from a window two storeys higher and in the building adjacent to the artists’s studio of the previous year, one enters into a dream state… an involvement with a vocabulary of seeing and feeling by subtle transitions of the passage of time",[11],0.7557,"\u002FiTdLUGVVNEnHXRohvVhiwWCooUl.jpg","1975-07-06",5,{"id":127,"adult":6,"title":128,"video":6,"overview":129,"softcore":6,"genre_ids":130,"popularity":131,"vote_count":8,"poster_path":26,"release_date":132,"vote_average":8,"backdrop_path":26,"original_title":128,"original_language":61},277420,"The Trick Brain","A dark and magical visit to the fabled Parisian address Rue Fontaine 42. This was the residence of André Breton, the mastermind of surrealism, who surrounded himself with an impressive collection of modern, Western art and ethnographic objects from Oceania and North America. The collection was sold and divided up in 2003 at a controversial auction. 'The Trick Brain' is a delirious montage and a trip back in time to Breton's private art collection, where Atkins has been scouring the archives and come up with a possessing interior film of the place that once was, complete with surrealistic paintings, scores of Indian figures and hundreds of other displayed rarities. The film's soundtrack is provided by an observant narrator, who reveals to us that the objects shown are not necessarily what they claim to be - but instead are catalysts for some kind of wonderful linguistic virus which reveals the real identity of things.",[11],0.5507,"2013-01-01",{"id":134,"adult":6,"title":135,"video":6,"overview":136,"softcore":6,"genre_ids":137,"popularity":138,"vote_count":36,"poster_path":139,"release_date":140,"vote_average":141,"backdrop_path":26,"original_title":135,"original_language":142},277459,"Ludwig van","An odyssey through Beethoven’s lasting presence and influence in our modern world – viewed through the eyes of the composer himself.",[11],1.6187,"\u002Funqjxx2zyvnHRhQul6m3AAqkGqG.jpg","1970-06-01",5.7,"de",{"id":144,"adult":6,"title":145,"video":6,"overview":146,"softcore":6,"genre_ids":147,"popularity":148,"vote_count":8,"poster_path":26,"release_date":149,"vote_average":8,"backdrop_path":26,"original_title":145,"original_language":61},278080,"Vezdekhod","Image by Carlos Casas.  Double screen projection with live soundtrack.  Images and sound captured on location.  Somewhere in the tundra,  Chukotka Region,  Northeastern Siberia,  Russian Federation.  Music by Prurient.  Published by Von Archives.  N 66° 37’ 916,  W 172° 40’ 353,  Sept 2006.",[11],0.8622,"2012-06-22",{"id":151,"adult":6,"title":152,"video":6,"overview":153,"softcore":6,"genre_ids":154,"popularity":155,"vote_count":8,"poster_path":26,"release_date":156,"vote_average":8,"backdrop_path":26,"original_title":157,"original_language":53},279440,"Photooxidation","De-electronation of a molecular entity as a result of photoexcitation. Light increases its oxidation state, at the same time it releases free radical electrons. Light goes through human work as a natural photodegradation. It mutates within its own limits, from a solar irradiation to its impossible perception in an absent retina.",[11],1.0552,"2013-10-04","Fotooxidación",{"id":159,"adult":6,"title":160,"video":6,"overview":161,"softcore":6,"genre_ids":162,"popularity":164,"vote_count":21,"poster_path":165,"release_date":166,"vote_average":167,"backdrop_path":26,"original_title":168,"original_language":61},291437,"Naked Rose","Among the millions of victims of the Nazi madness during the Second World War, Pierre Seel was charged with homosexuality and imprisoned in the Schirmeck concentration camp. He survived this terrifying experience of torture and humiliation, and after the war he married, had three children, and tried to live a normal life. In 1982, however, he came to terms with his past and his true nature and decided to publicly reveal what he and thousands of other homosexuals branded with the Pink Triangle had undergone during the Nazi regime. Il Rosa Nudo (Naked Rose), inspired by the true story of Pierre Seel, depicts in a theatrical and evocative way the Homocaust, focusing on the scientific theories of SS Physician Carl Peter Værnet for the treatment of homosexuality, which paved the way for the Nazi persecution of gay men.",[11,163],18,0.7646,"\u002FzFQwOskttaojDvvl5i1fKdaPv25.jpg","2013-04-24",4.2,"Il Rosa Nudo",{"id":170,"adult":6,"title":171,"video":6,"overview":172,"softcore":6,"genre_ids":173,"popularity":174,"vote_count":21,"poster_path":26,"release_date":175,"vote_average":70,"backdrop_path":26,"original_title":171,"original_language":61},286224,"The House That Eye Live In","Migrating by sea from Holland as an eight-year-old, Dirk de Bruyn went on to be a doyen of Australian experimental cinema. But as this intimate film reveals, his work is suffused with the trauma of migration, and the struggle to recognise himself as a ‘new Australian'. In conversation with documentarian Steven McIntyre, Dirk guides us through more than 40 years of his filmmaking: the early years exploring technique and technology, a subsequent phase of unflinching self-examination brought on by upheaval and overseas travel, and more recent projects where he attempts a fusion of personal, cultural, and historical identity. What emerges is an inspiring, rugged, and at times poignant portrait of an artist committed to self-expression and self-discovery through the medium of film.",[11],0.5675,"2014-08-12",{"id":177,"adult":6,"title":178,"video":6,"overview":179,"softcore":6,"genre_ids":180,"popularity":182,"vote_count":70,"poster_path":183,"release_date":184,"vote_average":185,"backdrop_path":186,"original_title":187,"original_language":142},74935,"Helicopter String Quartet","One morning, the late Karlheinz Stockhausen awoke from a dream that told him to take to the sky. Stockhausen envisioned four helicopters swirling in the clouds, with each of a quartet’s members tucked inside his own chopper, communicating through headsets, stringing away in sync to the rotor-blade motors. He immediately set forth to make that dream a reality. In 1995, Dutch film director Scheffer followed Stockhausen in the days leading up to the premiere performance of his Helicopter String Quartet in Amsterdam. The resulting film offers a rare glimpse of Stockhausen as he patiently dictates every agonizingly detailed measure to the Arditti Quartet.",[11,181],10402,1.543,"\u002FsWTML4oZ7XWIyKpohNj9n02SAV5.jpg","1996-10-17",6,"\u002Fgz9nx21J2du76fT5gJFmPtlDpdN.jpg","Helikopter Streichquartett",{"id":189,"adult":6,"title":190,"video":6,"overview":191,"softcore":6,"genre_ids":192,"popularity":193,"vote_count":125,"poster_path":194,"release_date":195,"vote_average":185,"backdrop_path":196,"original_title":197,"original_language":142},288108,"Film Is. 7-12","The second half of Gustav Deutsch's experimental Film ist. series, constructing new narratives and moods out of existing footage, mostly from early silent era films.",[11],0.7545,"\u002Fqalg1aeH7XRQpVNhSvbcNKXUjWn.jpg","2002-10-10","\u002FkYUlUzsC9RawMeEYRTH1DElISB9.jpg","Film ist. 7-12",{"id":199,"adult":6,"title":200,"video":6,"overview":201,"softcore":6,"genre_ids":202,"popularity":205,"vote_count":206,"poster_path":207,"release_date":208,"vote_average":209,"backdrop_path":210,"original_title":200,"original_language":61},59361,"Anamorphosis","The Quays' interest in esoteric illusions finds its perfect realization in this fascinating animated lecture on the art of anamorphosis. This artistic technique, often used in the 16th- and 17th centuries, utilizes a method of visual distortion with which paintings, when viewed from different angles, mischievously revealed hidden symbols.",[203,11,204],16,36,0.7085,24,"\u002FuUHlL1Wo4gPJxaYriuwUx9re0v3.jpg","1993-04-09",6.6,"\u002FaVFSOsDd58xBHNPcWVmwwJoKmJZ.jpg",{"id":212,"adult":6,"title":213,"video":6,"overview":214,"softcore":6,"genre_ids":215,"popularity":216,"vote_count":185,"poster_path":26,"release_date":217,"vote_average":218,"backdrop_path":219,"original_title":213,"original_language":142},150256,"Mein Papi","A short documentary about Jörg Buttgereit's father.",[11],1.6466,"1988-01-01",6.2,"\u002F5O7DwYMnneKdH2O9PyCMxOYr3HR.jpg",{"id":221,"adult":6,"title":222,"video":6,"overview":223,"softcore":6,"genre_ids":224,"popularity":225,"vote_count":125,"poster_path":226,"release_date":227,"vote_average":228,"backdrop_path":26,"original_title":222,"original_language":61},180244,"We Don't Care About Music Anyway","From radical turntablism (Otomo Yoshihide) to laptop music innovation (Numb), via classical instrument hijacking (Sakamoto Hiromichi), Tokyo's avant-garde music scene is internationally known for its boldness.  While introducing some of the greatest musicians of this scene, \"We Don't Care About Music Anyway...\" offers a kaleidoscopic view of Tokyo, confronting music and noise, sound and image, reality and representation, documentary and fiction.",[181,11],0.8076,"\u002FbF6w7MzsW1vlPsi0eHMlz8ASsYf.jpg","2011-01-15",6.3,1001,20001,"http:\u002F\u002Fcopyitright.wordpress.com\u002F2008\u002F07\u002F04\u002Fgeneral-motors-phil-morton-1976\u002F","Phil Morton's General Motors was created in 1976. Then based in Chicago, the late Phil Morton created this project as a playful and critical video response in conversation with a local General Motors dealership from whom he had purchased a van. Segments 'Colorful Colorado' and 'RYRAL' begin after the video-complaints cease. Produced at the School of the Art Institute of Chicago (where Morton founded the Video Area), this work includes Dan Sandin and Tom DeFanti who collaboratively developed the early Video Art scene in Chicago.",0.6587,"1976-04-18",[236],"US",{"results":238},{},[240],{"name":241,"iso_639_1":61,"english_name":241},"English",[243],{"id":244,"name":245,"logo_path":26,"origin_country":23},21936,"Copy-It-Right",[247],{"name":248,"iso_3166_1":236},"United States of America",45,"A documentary story that tends to land well.",[]]