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Hildegard Behrens brings deep empathy to Brünnhilde, the favorite daughter of the god Wotan (James Morris) who nevertheless defies him. Morris’s portrayal of Wotan is deservedly legendary, as is Christa Ludwig, as Fricka. Jessye Norman and Gary Lakes are Sieglinde and Siegmund, and Kurt Moll is the threatening Hunding. James Levine and the Met orchestra provide astonishing color and drama. 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However, their relationship is complicated by her arranged marriage to the high-ranking Sir Joseph Porter. A secret about the characters' true identities revealed by Little Buttercup, which leads to a farcical resolution.",[11,203,204],35,10770,0.1702,"\u002Fh6XKGmF60EetKBwrGTp3OSOJFpF.jpg","1970-12-26","da",{"id":210,"adult":6,"title":211,"video":6,"overview":212,"softcore":6,"genre_ids":213,"popularity":214,"vote_count":30,"poster_path":215,"release_date":216,"vote_average":95,"backdrop_path":217,"original_title":211,"original_language":218},282807,"The Ghosts of Versailles","What happened to Figaro and his friends after the events told in Rossini’s and Mozart’s operas? One possible sequel is told in John Corigliano’s “grand opera buffa” The Ghosts of Versailles—an uproariously funny and deeply moving work inspired by Beaumarchais’s third Figaro play, La Mère Coupable, and commissioned by the Met to celebrate its 100th anniversary.  This telecast captures its world premiere run, conducted by James Levine. Håkan Hagegård is Beaumarchais, Figaro’s creator, who is deeply in love with Marie Antoinette (Teresa Stratas in a heart-searing performance) and determined to rewrite history and save her from the guillotine. A young Renée Fleming, at the beginning of her international career, sings the unfaithful Rosina. Gino Quilico is the wily Figaro who tries to take matters in his own hands, and Marilyn Horne stops the show as the exotic entertainer Samira.",[11],0.1834,"\u002FuwNMgZP9MaqVPOoaKBJUsbqAZAy.jpg","1992-01-10","\u002F3PF5g3zFDOrntf1nzBnraIfqLod.jpg","en",{"id":220,"adult":6,"title":221,"video":6,"overview":222,"softcore":6,"genre_ids":223,"popularity":224,"vote_count":38,"poster_path":225,"release_date":226,"vote_average":95,"backdrop_path":227,"original_title":221,"original_language":218},285285,"The Mikado","In a small Japanese town, Ko-Ko is appointed to the unenviable position of executioner. Knowing he must successfully perform before the appearance of the Mikado in a month's time, Ko-Ko finds a suitable victim in Nanki-Poo, who is distraught over his unrequited love for the maiden Yum-Yum. Nanki-Poo agrees to sacrifice his life if he is allowed to spend his remaining days with Yum-Yum, who is betrothed to Ko-Ko. Filmed live from the 1982 Stratford Festival in Ontario.",[11,203],0.1914,"\u002F1v86v7MsftIkWcNKQbO4yRRNu1G.jpg","1983-01-02","\u002FnLVRVb2GAFuXFvX154cDsO16btW.jpg",{"id":229,"adult":6,"title":230,"video":6,"overview":231,"softcore":6,"genre_ids":232,"popularity":233,"vote_count":63,"poster_path":234,"release_date":235,"vote_average":236,"backdrop_path":42,"original_title":230,"original_language":188},48555,"Die Fledermaus","Most opera houses ring in the New Year with Johann Strauss Jr.'s most popular operetta--the festiveness of which is appropriate for the occasion--and this December 31, 1983, Covent Garden performance follows suit. An exceptional cast--led by Hermann Prey and Kiri Te Kanawa as the couple whose marriage survives the comic indiscretions of three long acts--obviously has as much fun as the audience. Plácido Domingo leads the Orchestra of the Royal Opera House through its paces with panache. Prince Orlofsky's Act II party is always a splendid opportunity to pull out all the stops with surprise \"guests,\" and this performance makes the most of its chance: entering the proceedings to sing one of his tailor-made chansons, \"She,\" is French crooner Charles Aznavour, who is followed by dancers Merle Park and Wayne Eagling, their delightful pas de deux flashily choreographed by Sir Frederick Ashton.",[203,11],0.4629,"\u002Fs8l9EsqlUx3TKXT5BCWuRzZodpa.jpg","1984-01-01",8.2,{"id":238,"adult":6,"title":239,"video":6,"overview":240,"softcore":6,"genre_ids":241,"popularity":242,"vote_count":63,"poster_path":243,"release_date":244,"vote_average":245,"backdrop_path":246,"original_title":239,"original_language":247},54219,"Turandot","The Franco Zeffirelli production of Puccini's \"Turandot\", recorded live at the Metropolitan Opera in April, 1987. Éva Marton stars as Turandot, with Plácido Domingo as Calaf, Leona Mitchell as Liù, Paul Plishka as Timur, and Hugues Cuenod as L'Imperatore Altoum. James Levine conducts.",[11],0.3876,"\u002Fi73ym8GGFZCgi7m5mddV1dp0Lr4.jpg","1987-04-01",7.1,"\u002FoqIAW508Cg1WQyN14UyLpSke0Nj.jpg","it",{"id":249,"adult":6,"title":250,"video":6,"overview":251,"softcore":6,"genre_ids":252,"popularity":253,"vote_count":38,"poster_path":254,"release_date":255,"vote_average":196,"backdrop_path":42,"original_title":250,"original_language":247},303643,"Il Trovatore","José Cura, Dmitri Hvorostovsky, Verónica Villarroel and Yvonne Naef lead the star cast of Verdi's blazingly passionate opera IL TROVATORE, in Elijah Moshinsky's new Royal Opera House production co-produced with Teatro Real Madrid, with sets by the noted film designer Dante Ferretti and costumes by Anne Tilby.",[182,11],0.2769,"\u002Fw0AeiCXNI0de8JyeTzHHle4TRqV.jpg","2002-04-22",{"id":257,"adult":6,"title":258,"video":179,"overview":259,"softcore":6,"genre_ids":260,"popularity":261,"vote_count":8,"poster_path":262,"release_date":263,"vote_average":8,"backdrop_path":264,"original_title":258,"original_language":247},288590,"Händel: Rodelinda","Renée Fleming stars in the title role of one of Handel’s greatest dramas, seen in Stephen Wadsworth’s 2004 Met premiere production. Rodelinda is faced with an impossible dilemma: With her husband Bertarido believed dead, she either has to marry the despised Grimoaldo (the elegant Joseph Kaiser), who has usurped her husband’s throne, or see him murder her son. But Bertarido (leading countertenor Andreas Scholl) is alive and eventually reclaims both throne and wife—and makes peace with his enemies. Stephanie Blythe is marvelous as Eduige, Bertarido’s sister, who is betrothed to Grimoaldo but turns against him. Baroque authority Harry Bicket conducts.",[11],0.3684,"\u002FlImgYUQQN78oMyW1qUYK3zATIZk.jpg","2011-12-03","\u002FwRIJnU1wt45mF1a3pPxmHGwOqgH.jpg",{"id":266,"adult":6,"title":267,"video":6,"overview":268,"softcore":6,"genre_ids":269,"popularity":271,"vote_count":30,"poster_path":272,"release_date":273,"vote_average":79,"backdrop_path":274,"original_title":275,"original_language":276},1399143,"The Tales of Hoffman - National Opera Company (INBAL)","Opera in three acts, a prologue and an epilogue, by Jacques Offenbach (1819-1880), with a libretto in French by Jules Barbier (1825-1901), based on a work that Barbier himself and Michel Carré (1821-1872) had written based on stories by E.T.A. Hoffmann (1776-1822).  Approximate duration: 2 h 45 min  Recommended for those over 15 years old.  The young poet Hoffmann, accompanied by Nicklausse, his alter ego and confidant, is in a tavern next to the theatre where Mozart's Don Giovanni is being performed. During the opera's intermission, some diners arrive at the bar who, upon seeing the poet, encourage him to sing and tell them the story of his famous love affairs. Hoffmann finally gives in and shares with them the stories of Olympia, Antonia and Giulietta. They, absorbed in the poet's stories, remain in the tavern, forgetting about the opera performance.",[182,203,11,270],10749,0.1576,"\u002Fhwb997VgO9UYODFLcBex6LApFIY.jpg","2021-02-21","\u002FuvZtqbr8wzHuBr0QOPyVo4wqJuq.jpg","Los Cuentos de Hoffman - Compañía Nacional de Ópera (INBAL)","fr",{"id":278,"adult":6,"title":279,"video":179,"overview":280,"softcore":6,"genre_ids":281,"popularity":282,"vote_count":30,"poster_path":283,"release_date":284,"vote_average":87,"backdrop_path":285,"original_title":279,"original_language":247},300678,"Donizetti: Anna Bolena","Gaetano Donizetti and his librettist Felice Romani kept the focus of their opera ANNA BOLENA on the personal rather than the political in this fictionalized Tudor tale: Henry VIII of England wants to get rid of his second wife, Anne Boleyn, so that he can marry her lady-in-waiting, Jane Seymour. He brings Lord Richard Percy, Anne's first love, back from exile so that he can find an excuse to accuse her of adultery. With the unwitting aid of Smeaton, a court musician, and Lord Rochefort, Anne's brother, the trap is easily sprung.  This 2011 live recording from the Wiener Staatsoper showcases Anna Netrebko as she \"scored a personal triumph\" in her debut as the hapless Tudor Queen, while her stage partners - notably Elīna Garanča as Jane Seymour and Ildebrando D'Arcangelo as Henry VIII - were likewise showered with critical acclaim.",[11],0.2865,"\u002FlHXy9ufGvWwfWKKCxdhsY9YtXah.jpg","2011-04-05","\u002FgKC3PbBEhCQmiHBrf3MF0fPcVM2.jpg",{"id":287,"adult":6,"title":288,"video":179,"overview":289,"softcore":6,"genre_ids":290,"popularity":291,"vote_count":30,"poster_path":292,"release_date":293,"vote_average":87,"backdrop_path":294,"original_title":288,"original_language":276},301902,"Hoffmanns Erzählungen","Live performance, Bayerische Staatsoper, 2011.  The Tales of Hoffmann (French: LES CONTES D'HOFFMANN) is an opéra fantastique by Jacques Offenbach that combines  three short stories by E.T.A. Hoffmann into a haunting whole: a melancholy poet reflects on three women he loved and lost in the past: a mechanical performing doll, a Venetian courtesan, and the consumptive daughter of a celebrated composer. One of the questions this opera poses for any director is how to link the 'tales' of Hoffmann's three lost loves together and knit them satisfactorily into the Prologue and Epilogue. In this production, Richard Jones solves the puzzle by turning it into an autobiographical journey which ends with a grand meet-up of all the characters Hoffmann has encountered: for once, Hoffmann is not presented as a rollicking kind of drunken story-spinner, but rather a sad-eyed, sobered-up depressive, who reaches for the bottle only because his disastrous love life has gone wrong yet again.",[182,80,11],0.293,"\u002Fk84LPQkVTZuhdpF2vRro1JdeeId.jpg","2011-10-30","\u002FlFi0bZ5m7vI44VUjYoEJHFxlgfL.jpg",{"id":296,"adult":6,"title":297,"video":179,"overview":298,"softcore":6,"genre_ids":299,"popularity":300,"vote_count":30,"poster_path":301,"release_date":302,"vote_average":79,"backdrop_path":303,"original_title":297,"original_language":247},301908,"Verdi: Nabucco","‘Nabucco’, or ‘Nebuchadnezzar’ (Italian: Nabucco), is an opera by Giuseppe Verdi with a libretto by T. Solera, based on events described in the Bible. (Nabucco is a shortened Italian rendering of the name of King Nebuchadnezzar II). It was this opera, the third in Verdi’s oeuvre, that brought him true fame. It tells of the tribulations of the Jews, their captivity by the Babylonians, and their subsequent release to their homeland by Nebuchadnezzar, King of Babylon.\r Giuseppe Verdi’s opera ‘Nabucco’, is a monumental work that tells the story of the enslavement of the Hebrew people by the Babylonian king Nebuchadnezzar (Nabucco) and their journey towards redemption. The premiere took place on 9 March 1842 at La Scala in Milan. The first performance of the final version was held at the Teatro San Giacomo in Corfu in September 1844. From the box set of 27 Verdi operas, ‘Tutto Verdi’. Recorded live at the Teatro Regio in Parma, 12–14 October 2009.",[11],0.3891,"\u002FfXuHbMonMmGSD5wnI0rUFZf05yZ.jpg","2009-10-12","\u002Fmd1VGM8Vf7qfMLV2EX7WUJ2tRVX.jpg",{"id":305,"adult":6,"title":306,"video":6,"overview":307,"softcore":6,"genre_ids":308,"popularity":309,"vote_count":8,"poster_path":310,"release_date":311,"vote_average":8,"backdrop_path":42,"original_title":306,"original_language":276},287251,"Tosca","Tosca is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro Costanzi in Rome on 14 January 1900. This version is conducted by Riccardo Muti at La Scala, Milan.",[11],0.3241,"\u002Fc8AK6lKdoPwZ2Eaq1rVvnJLEGc1.jpg","2000-03-17",{"id":313,"adult":6,"title":314,"video":179,"overview":315,"softcore":6,"genre_ids":316,"popularity":317,"vote_count":8,"poster_path":318,"release_date":319,"vote_average":8,"backdrop_path":320,"original_title":314,"original_language":276},297933,"Bizet: Carmen","Georgian mezzo-soprano Anita Rachvelishvili gives a dynamic performance as Bizet’s iconic gypsy, the woman who lives by her own rules. Aleksandrs Antonenko is Don José, the soldier who falls under her spell, and Ildar Abdrazakov plays Escamillo, the swaggering bullfighter who takes Carmen away from Don José—an action that seals Carmen’s tragic fate. Anita Hartig is Micaëla, and Pablo Heras-Casado conducts Richard Eyre’s hit production, set in 1930s Spain.",[11],0.1795,"\u002FdpMOGJEK7B7R21NIvaezHIg4t0U.jpg","2014-11-01","\u002FAw5B9GwLfRKV4HGuBNPVbSMP6qy.jpg",{"id":322,"adult":6,"title":323,"video":6,"overview":324,"softcore":6,"genre_ids":325,"popularity":326,"vote_count":38,"poster_path":327,"release_date":328,"vote_average":329,"backdrop_path":42,"original_title":323,"original_language":218},299343,"Die Entführung aus dem Serail","Mozart's famous Singspiel after Christoph Friedrich Bretzner's work \"Belmonte und Konstanze\", DIE ENTFÜHRUNG AUS DEM SERAIL comes to life in the sumptuous setting of Topkapi, the Ottoman sultans' own Istanbul seraglio (palace harem). Belmonte finds his fiancée Konstanze and her English maid Blondchen, who were captured and sold by pirates, in the Mediterranean seraglio of the Ottoman pasha Selim. Belmonte's servant Pedrillo gets him engaged as builder. After Selim tried to enforce himself upon Konstanze, Pedrillo and Blondchen, his own sweetheart, prepare their flight, managing to get Osmin, the pasha's overseer, drunk. Yet Osmin and Selim's guard still capture them, already in the garden; however the touching display of true love melts the pasha's heart, so he lets them go.",[11],0.3332,"\u002Fg2BsZyxtBaXvcJqALrJ7XD1Denk.jpg","1987-11-27",5.833,{"id":331,"adult":6,"title":332,"video":179,"overview":333,"softcore":6,"genre_ids":334,"popularity":335,"vote_count":38,"poster_path":336,"release_date":337,"vote_average":338,"backdrop_path":339,"original_title":332,"original_language":218},455824,"The Metropolitan Opera: The Exterminating Angel","After the acclaimed Met premiere of Thomas Adès's \"The Tempest\" in 2012, the composer returned with another masterpiece, this time inspired by filmmaker Luis Buñuel's seminal surrealist classic \"El Ángel Exterminador\", during the 2017–18 season. As the opera opens, a group of elegant socialites gather for a lavish dinner party, but when it is time to leave for the night, no one is able to escape. Soon, their behavior becomes increasingly erratic and savage. The large ensemble cast tackles both the vocal and dramatic demands of Adès's opera with one riveting performance after another. Tom Cairns, who also penned the work's libretto, directs an engrossing and inventive production, using a towering wooden archway to trap the characters onstage. And Adès himself takes the podium to conduct the frenzied score, which features a host of unconventional instruments, including the eerie electronic ondes Martenot.",[80,11],0.3282,"\u002F956Ut2rWRUCp0fOLwleh8ZE2m4q.jpg","2017-11-18",7.7,"\u002FmVZASS7IzCWmwEZRvawI3JgjBh0.jpg",{"id":341,"adult":6,"title":342,"video":179,"overview":343,"softcore":6,"genre_ids":344,"popularity":345,"vote_count":30,"poster_path":346,"release_date":347,"vote_average":87,"backdrop_path":348,"original_title":342,"original_language":247},455825,"The Metropolitan Opera: Tosca","Sir David McVicar’s bold new staging of Tosca, Puccini’s operatic thriller of Napoleonic Rome, thrilled Met audiences when it rang in the New Year in 2018. Only weeks later, the production was seen by opera lovers worldwide as part of the Met’s Live in HD series of cinema presentations. In this performance, Bulgarian soprano Sonya Yoncheva is the passionate title diva, opposite charismatic tenor Vittorio Grigolo as her lover, the idealistic painter Mario Cavaradossi. Baritone Željko Lučić is the menacing Baron Scarpia, the evil chief of police who employs brutal tactics to ensnare both criminals and sexual conquests. On the podium, Emmanuel Villaume conducts the electrifying score, which features some of Puccini’s most memorable melodies.",[182,11],0.4058,"\u002Fk7clZS6Pqn9kXj33jdyOKUkFzpG.jpg","2018-01-27","\u002FlrilS8O2aaZzzrmIQYjNvh5fEO7.jpg",{"id":350,"adult":6,"title":351,"video":179,"overview":352,"softcore":6,"genre_ids":353,"popularity":354,"vote_count":21,"poster_path":355,"release_date":356,"vote_average":46,"backdrop_path":357,"original_title":351,"original_language":247},455833,"The Metropolitan Opera: Luisa Miller","Premiered immediately before the enduring masterpieces Rigoletto, Il Trovatore, and La Traviata, Luisa Miller incorporates the youthful vitality that had made Verdi an international sensation while also looking forward to the dramaturgical discipline and sophistication of those later works. In this Live in HD performance, soprano Sonya Yoncheva takes on the riveting title role, capping off a season in which she starred in three cinema transmissions. As her father, Miller, the legendary Plácido Domingo adds another baritone role to his extensive repertoire. Tenor Piotr Beczała as Rodolfo, Alexander Vinogradov as Count Walter, and Dmitry Belosselskiy as Wurm round out the illustrious cast, and Bertrand de Billy conducts.",[11],0.272,"\u002F5495NuTgR0Erh2zJaS4ekIq9a5i.jpg","2018-04-14","\u002FtnpHrBk5kvCBQVGIenW90ciMVC8.jpg",{"id":359,"adult":6,"title":360,"video":179,"overview":361,"softcore":6,"genre_ids":362,"popularity":363,"vote_count":79,"poster_path":364,"release_date":365,"vote_average":366,"backdrop_path":42,"original_title":360,"original_language":188},290030,"Götterdämmerung","The stupendous climax to Wagner’s four-part Ring cycle is brilliantly realized by the Otto Schenk\u002FGünther Schneider-Siemssen production and byJames Levine’s monumental conducting. The Met orchestra, chorus, and an all-star cast make this Götterdämmerung one that truly rises to the occasion. Hildegard Behrens’s Brünnhilde must be experienced to be believed, as does Matti Salminen’s richly sung, domineering Hagen. At the center of the drama is Siegfried Jerusalem as Siegfried, who does not realize he has been drawn into a plot of betrayal until it is too late. Christa Ludwig is magnetic as Waltraute and Ekkehard Wlaschiha is a compelling Alberich.",[11],0.2275,"\u002FA4qmBpN4szs0Rw7t9S5LOnUIVHP.jpg","1990-05-05",8.286,3229,64580,"","Stage director Emilio Sagi's production of the legendary Barber of Seville is enriched by a bright distribution. Maria Bayo returns to one of her signature role as Rosina, opposite Juan Diego Florez, the Rossini expert tenor. The title role is embodied by the Italian baritone Pietro Spagnoli, while Ruggero Raimondi and Bruno Pratico reconcile the audience with Don Basilio and Don Bartolo.",0.2081,"\u002Ff8YMGFrUmwE0mNXXcJmScPRo6ha.jpg","2005-11-07",7.5,"\u002F1caULXdjkPZUN3br1cIMxYn4tmg.jpg",[377],"IT",{"results":379},{"ES":380},{"link":381,"flatrate":382},"https:\u002F\u002Fwww.themoviedb.org\u002Fmovie\u002F267861-il-barbiere-di-siviglia\u002Fwatch?locale=ES",[383],{"logo_path":384,"provider_id":385,"provider_name":386,"display_priority":79},"\u002FkO2SWXvDCHAquaUuTJBuZkTBAuU.jpg",63,"Filmin",[388],{"name":389,"iso_639_1":247,"english_name":390},"Italiano","Italian",[392,396],{"id":393,"name":394,"logo_path":42,"origin_country":395},71999,"Teatro Real de Madrid","ES",{"id":397,"name":398,"logo_path":399,"origin_country":400},18872,"Decca","\u002F9PNdO6L1bh8ZVjIwOKjveRia3Ku.png","GB",[402,404],{"name":403,"iso_3166_1":395},"Spain",{"name":405,"iso_3166_1":400},"United Kingdom",45,"A music story that tends to land well.",[]]