[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-271945-en-US":3},{"detail":4,"match":263,"insight":264,"providers":265,"providerLink":7,"trailer":7},{"adult":5,"backdrop_path":6,"belongs_to_collection":7,"budget":8,"genres":9,"homepage":13,"id":14,"imdb_id":15,"origin_country":16,"original_language":18,"original_title":19,"overview":20,"popularity":21,"poster_path":22,"production_companies":23,"production_countries":24,"release_date":27,"revenue":8,"runtime":28,"softcore":5,"spoken_languages":29,"status":33,"tagline":13,"title":34,"video":5,"vote_average":35,"vote_count":36,"credits":37,"similar":56,"watch\u002Fproviders":259,"videos":261},false,"\u002FmaYcSBG4ISZpl6bqUe2YdWGJm7C.jpg",null,0,[10],{"id":11,"name":12},99,"Documentary","",271945,"tt3749888",[17],"FR","fr","Khan Khanne, sélection naturelle","Rather than writing a simple letter to explain his absence from the press conference for his latest Cannes entry, \"Goodbye to Language,\" at the Cannes Film Festival, instead, legendary filmmaker Jean-Luc Godard created a video \"Letter in motion to (Cannes president) Gilles Jacob and (artistic director) Thierry Fremaux.\" The video intercuts from Godard speaking cryptically about his \"path\" to key scenes from Godard classics such as \"Alphaville\" and \"King Lear\" with Burgess Meredith and Molly Ringwald, and quotes poet Jacques Prevert and philosopher Hannah Arendt.",0.1211,"\u002F1PDRFTDucTrz66N7CT7SLbjQiFf.jpg",[],[25],{"iso_3166_1":17,"name":26},"France","2014-05-21",9,[30],{"english_name":31,"iso_639_1":18,"name":32},"French","Français","Released","Letter in Motion to Gilles Jacob and Thierry Fremaux",6.9,7,{"cast":38,"crew":48},[39],{"adult":5,"gender":40,"id":41,"known_for_department":42,"name":43,"original_name":43,"popularity":44,"profile_path":45,"cast_id":40,"character":46,"credit_id":47,"order":8},2,3776,"Directing","Jean-Luc Godard",1.0877,"\u002FzP5EDY5MstfkdBmPXNCj8Y6v5KR.jpg","Narrator (voice)","5382856ec3a36805a40073b8",[49,52],{"adult":5,"gender":40,"id":41,"known_for_department":42,"name":43,"original_name":43,"popularity":44,"profile_path":45,"credit_id":50,"department":42,"job":51},"5382854ec3a368059e007933","Director",{"adult":5,"gender":40,"id":41,"known_for_department":42,"name":43,"original_name":43,"popularity":44,"profile_path":45,"credit_id":53,"department":54,"job":55},"5382855bc3a36805a80074a2","Writing","Writer",{"page":57,"results":58,"total_pages":257,"total_results":258},1,[59,67,77,88,98,106,114,126,135,144,157,166,176,187,197,208,217,226,234,244],{"adult":5,"backdrop_path":7,"genre_ids":60,"id":61,"title":62,"original_language":63,"original_title":62,"overview":64,"popularity":65,"poster_path":7,"release_date":66,"softcore":5,"video":5,"vote_average":36,"vote_count":28},[11],795534,"Wè","en","As Black and LGBTQ+ History Month begin this February, material science clothing brand PANGAIA leads celebrations with a poetic film that honors these two communities. Following a year of isolation, and with it a deeper understanding of the importance of outdoor spaces and the environment, Wè is a portrait of the self-love and acceptance we have learned to show others and gift to ourselves.",0.2756,"2021-02-03",{"adult":5,"backdrop_path":7,"genre_ids":68,"id":69,"title":70,"original_language":63,"original_title":70,"overview":71,"popularity":72,"poster_path":73,"release_date":74,"softcore":5,"video":5,"vote_average":75,"vote_count":76},[11],435857,"Somniloquies","Works with sound recordings of Dion McGregor, who became famous for talking in his sleep.",0.4524,"\u002F29u8ahjwZfXdcORb7EE1zBYqMEu.jpg","2017-02-12",7.6,5,{"adult":5,"backdrop_path":7,"genre_ids":78,"id":79,"title":80,"original_language":63,"original_title":81,"overview":82,"popularity":83,"poster_path":84,"release_date":85,"softcore":5,"video":5,"vote_average":86,"vote_count":87},[11],258500,"Chinese Ping-Pong","Kinesisk bordtennis","An experimental sports film made partly during the Scandinavian Open Championships in Halmstad in 1970, partly during the Chinese players' exhibition tour in Denmark immediately after the SOC. First of all, it is a film about their style, about the artistic culmination that is ping-pong at its best, it records China's comeback into the international sports world.",0.1819,"\u002F5hNwbpkj24ByMfzHiO7A7hhRT4T.jpg","1972-03-22",6.5,4,{"adult":5,"backdrop_path":7,"genre_ids":89,"id":90,"title":91,"original_language":92,"original_title":93,"overview":94,"popularity":95,"poster_path":7,"release_date":96,"softcore":5,"video":5,"vote_average":97,"vote_count":40},[11],434304,"Duration-Landscape: Road","gl","Paisaje-Duración: Carretera","The project studies the relationship between observer and landscape in the contemplative experience. A sensory approach to landscape from introspective perception. We start with the external factors of space and time in the environment to go deeper in the temporal and spatial consciousness experiences.",0.1604,"2012-08-14",8,{"adult":5,"backdrop_path":7,"genre_ids":99,"id":100,"title":101,"original_language":92,"original_title":102,"overview":103,"popularity":104,"poster_path":7,"release_date":105,"softcore":5,"video":5,"vote_average":97,"vote_count":40},[11],434311,"Distance-Landscape: Football Field","Paisaje-Distancia: Campo de fútbol","Study of the relationship between observer and landscape in the contemplative experience. The view building the landscape from the necessary distance. The delimitation of its borders against the total continuum of nature. The observer immersed in the path of his gaze across the landscape. Resting the gaze in the details that make the globallity. The view selecting the space included as a landscape.",0.1588,"2011-02-18",{"adult":5,"backdrop_path":7,"genre_ids":107,"id":108,"title":109,"original_language":92,"original_title":110,"overview":111,"popularity":112,"poster_path":7,"release_date":113,"softcore":5,"video":5,"vote_average":97,"vote_count":40},[11],434319,"Distance-Landscape: Meeting Between Men","Paisaje-Distancia: Encuentro entre hombres","We approach to invisible details for our eyes, figures disappearing as we move away from them, diluted in space. Parts that are integrated into the whole landscape. The remoteness as disappearance. The human figure betrays us here negligible small in the vastness of the territory, the voracity of the active vacuum that surrounds him. Images captured in the Atlas region in Morocco.",0.1395,"2010-09-03",{"adult":5,"backdrop_path":115,"genre_ids":116,"id":118,"title":119,"original_language":120,"original_title":121,"overview":122,"popularity":123,"poster_path":124,"release_date":125,"softcore":5,"video":5,"vote_average":8,"vote_count":8},"\u002F7BE9Ybm8uDbyqweK6FYXFiiv9yW.jpg",[11,117],10752,1168000,"My Dear Theo","uk","З любов'ю з фронту","In a series of letters to her young son, a mother, soldier and filmmaker documents her thoughts from the Ukrainian frontline.",0.5635,"\u002FgvXhgcdgNorwAu0TSOJorQQEM1S.jpg","2025-03-23",{"adult":5,"backdrop_path":7,"genre_ids":127,"id":128,"title":129,"original_language":130,"original_title":129,"overview":131,"popularity":132,"poster_path":133,"release_date":134,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],445810,"Tenement Films","xx","A series of portraits, made for Television, of four diverse individuals brought together through shared residence. These short films were filmed in the tenement where I lived for eight years. The first is shot in our bedroom, which doubled up as my former partner's office, the three others were shot in architecturally identitical spaces owned by my then neighbours. Shot and edited on a single 16mm bolex camera using available light throughout, the films invoke reflections on the four individuals, how they occupy these particular spaces together.",0.18,"\u002Fg3ySjS8DCplRTfUWIFAc3LU32GX.jpg","2009-03-15",{"adult":5,"backdrop_path":7,"genre_ids":136,"id":137,"title":138,"original_language":63,"original_title":139,"overview":140,"popularity":141,"poster_path":142,"release_date":143,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],1371743,"Letters to my Grandma","Cartas a mi abuela","A young filmmaker maintains an epistolary conversation with his deceased grandmother while he rediscovers the space they both inhabited for more than a decade.",0.2631,"\u002F7iZZpwqr8vf2UOqfd8Yy3hiVpvo.jpg","2024-11-01",{"adult":5,"backdrop_path":145,"genre_ids":146,"id":147,"title":148,"original_language":149,"original_title":150,"overview":151,"popularity":152,"poster_path":153,"release_date":154,"softcore":5,"video":5,"vote_average":155,"vote_count":156},"\u002FbyRNEm1QwfQC1Mn0K4gLM2fIfWO.jpg",[11],26317,"Man with a Movie Camera","ru","Человек с киноаппаратом","A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.",1.6952,"\u002FvJgAdgJWX54v0oXfIvhwjlZnmgn.jpg","1929-05-12",7.846,802,{"adult":5,"backdrop_path":7,"genre_ids":158,"id":159,"title":160,"original_language":63,"original_title":160,"overview":161,"popularity":162,"poster_path":163,"release_date":164,"softcore":5,"video":5,"vote_average":165,"vote_count":57},[11],453166,"Machete Gillette... Mama","\"With characteristic wit and rigor, experimental filmmaker Larry Gottheim here applies his impressionistic editing style to footage collected during his travels in the Dominican Republic. Gottheim’s formal emphasis on repetition and fissures between sound and image resonates here as a mode of sociological reflection (with the fragmentary montage mirroring elements of ritual while also destabilizing the ethnographic gaze). A largely overlooked antecedent to the contemporary blending of avant-garde and ethnographic filmmaking, MACHETTE GILLETTE… MAMA still poses a potent challenge to documentary convention.\" - Max Goldberg",0.1958,"\u002FlGxDUwlsmTywbnTXWmTbE0PlEoc.jpg","1989-01-01",6,{"adult":5,"backdrop_path":7,"genre_ids":167,"id":168,"title":169,"original_language":170,"original_title":171,"overview":172,"popularity":173,"poster_path":7,"release_date":174,"softcore":5,"video":5,"vote_average":175,"vote_count":87},[11],283870,"Photodiary","ja","写真記","\"The majority of my 8-mm works were made for the three-minute \"Personal Focus\" film special put on in Fukuoka. This film is an animation of photographs I had taken on a regular basis as a sort of diary, and was made to have a rough feel to it.\" - Takashi Ito",0.2072,"1986-07-26",4.8,{"adult":5,"backdrop_path":177,"genre_ids":178,"id":179,"title":180,"original_language":63,"original_title":180,"overview":181,"popularity":182,"poster_path":183,"release_date":184,"softcore":5,"video":5,"vote_average":185,"vote_count":186},"\u002F1AhLvUSyaioO3SpNvJKZD3WHxnf.jpg",[11],455322,"6-18-67","Filmed during the production of the Columbia Pictures western \"Mackenna’s Gold,\" this short work presents a non-narrative visual study of the Arizona desert. Rather than documenting the film set itself, \"6-18-67\" assembles landscape images, time-lapse photography, and ambient sound into an abstract record of place and duration.",0.3251,"\u002FlazQWN6hVh1vfRnEp6oHBkuSUJu.jpg","1967-07-07",5.9,10,{"adult":5,"backdrop_path":188,"genre_ids":189,"id":190,"title":191,"original_language":149,"original_title":192,"overview":193,"popularity":194,"poster_path":195,"release_date":196,"softcore":5,"video":5,"vote_average":8,"vote_count":8},"\u002FiuUXxcqDmPtThzav81FpxpXzjuh.jpg",[11],455435,"Russia as a dream","Россия как сон","In the small town of Kansk, the Krasnoyarsk Territory many years in a row there is an international festival of short experimental films, which has a strong reputation throughout the world. \"Russia as a dream\" is an international project, shot by a team of authors and united directors, artists, poets. Each of the guests of the 14th International Kan Video Festival held in 2015 was invited to participate in the creation of a general film, the theme of which was the relationship of man and landscape, civilization and nature, reality and sleep.",0.2179,"\u002FvXQgBDYePWXp7N7EJJpJOoL71yU.jpg","2017-06-22",{"adult":5,"backdrop_path":198,"genre_ids":199,"id":200,"title":201,"original_language":170,"original_title":202,"overview":203,"popularity":204,"poster_path":205,"release_date":206,"softcore":5,"video":5,"vote_average":207,"vote_count":87},"\u002FsqO0IIw9XVkQWZ3K2UaR8BNwLmk.jpg",[11],284254,"December Hide-and-Go-Seek","１２月のかくれんぼ","\"Ryuta is 5 years old. Even though he is my son, I sometimes wonder what this small person is to me. Even though I see his joys and sadnesses and know the feel of his warmth on my skin when I hold him, there are moments when my feelings for him become vague and blank.\" - Takashi Ito",0.1927,"\u002F5Vljlhq0TePsGVAaZkXJjryECeY.jpg","1993-07-29",5.2,{"adult":5,"backdrop_path":7,"genre_ids":209,"id":211,"title":212,"original_language":213,"original_title":212,"overview":214,"popularity":215,"poster_path":7,"release_date":216,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11,210],16,466528,"Adrift","no","\"Adrift\" is shot on the arctic island of Spitzbergen and in Norway. It combines time-lapse photography with stop-motion animation of the landscape. Through camera-angles and framing the film gradually dislocates the viewer from a stable base where one loses the sense of scale and grounding.",0.5165,"2004-01-01",{"adult":5,"backdrop_path":7,"genre_ids":218,"id":219,"title":220,"original_language":221,"original_title":220,"overview":222,"popularity":223,"poster_path":224,"release_date":225,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],835814,"Movimento Intrínseco","pt","Experimental projects carried out during scientific initiation - 2002 \u002F UFRJ",0.1731,"\u002Fakn621WpCP0kZ4X8gJk6TteH269.jpg","2002-02-02",{"adult":5,"backdrop_path":7,"genre_ids":227,"id":228,"title":229,"original_language":63,"original_title":229,"overview":230,"popularity":231,"poster_path":232,"release_date":233,"softcore":5,"video":5,"vote_average":97,"vote_count":57},[11],466809,"Transitions","A look at the various modes of transportation made for the Expo '86 World Fair in Vancouver, Canada.",0.2258,"\u002Fs4XeToT8FdK3z4QnaeRVUNv5yyP.jpg","1986-05-02",{"adult":5,"backdrop_path":235,"genre_ids":236,"id":237,"title":238,"original_language":63,"original_title":238,"overview":239,"popularity":240,"poster_path":241,"release_date":242,"softcore":5,"video":5,"vote_average":36,"vote_count":243},"\u002Fvm40HXBMPQmTXTSnYV1r1mO9DQA.jpg",[11,210],440917,"The Bomb","Filmmakers use archival footage and animation to explore the culture surrounding nuclear weapons, the fascination they inspire and the perverse appeal they still exert.",0.2201,"\u002F42tKG16xOL6yB4S2Vzp8IzBgktv.jpg","2017-06-10",15,{"adult":5,"backdrop_path":245,"genre_ids":246,"id":247,"title":248,"original_language":249,"original_title":250,"overview":251,"popularity":252,"poster_path":253,"release_date":254,"softcore":5,"video":5,"vote_average":255,"vote_count":256},"\u002FcP31o6Ta11t4PFo7PYvtCOTJJhs.jpg",[11],12456,"The Five Obstructions","da","De fem benspænd","In 1967, experimental filmmaker Jorgen Leth created a striking short film, The Perfect Human, starring a man and women sitting in a box while a narrator poses questions about their relationship and humanity. Years later, Danish director Lars von Trier made a deal with Leth to remake his film five times, each under a different set of circumstances and with von Trier's strictly prescribed rules. As Leth completes each challenge, von Trier creates increasingly further elaborate stipulations.",0.6387,"\u002FxMcCmIdos88yd44xqCXj4NUWph3.jpg","2003-11-07",6.95,179,11449,228971,{"results":260},{},{"results":262},[],45,"A documentary story that tends to land well.",[]]