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Not only in France but all over the world, Truffaut's Hitchcock interview developed over the years into a standard bible of film literature. In 1983, three years after Hitchcock's death, Truffaut decided to expand his by now legendary book to include a concluding chapter and have it published as the \"Edition définitive\". This film describes the genesis of the \"Hitchbook\" and throws light on the strange friendship between two completely different men. The centrepieces are the extracts from the original sound recordings of the interview with the voices of Alfred Hitchcock, Francois Truffaut, and Helen Scott – recordings which have never been heard in public before.",[11],0.5585,5,"\u002Fy4vF1vFBicCSX4qw9m6eQ6sB0Bj.jpg","1999-08-05",6.8,"en",{"id":147,"adult":6,"title":148,"video":149,"overview":150,"softcore":6,"genre_ids":151,"popularity":152,"vote_count":30,"poster_path":153,"release_date":154,"vote_average":155,"backdrop_path":156,"original_title":148,"original_language":145},435718,"Afro Promo",true,"Co-curated by Jenni Olson and the late Black gay activist Karl Knapper, this entertaining showcase of vintage movie trailers traces the evolution of African American cinema through its most crucial period, 1952-1976. Filled with insights on race and social dynamics, this fascinating compendium of coming attractions explores an extensive range of stylistic approaches—Blaxploitation, Comedy, Music Bio, Plantation Drama and more—offering an outrageous joyride through motion picture history. Beyond mere camp, these marvelously condensed gems crystallize a range of African American identities and personalities, tracking the meteoric careers of Sidney Poitier, James Earl Jones, Billy Dee Williams, Richard Pryor, Pam Grier and others through their bold performances in movies both hugely popular and practically forgotten. Afro Promo provides a compact glimpse at the representation of African Americans through twenty-five dynamic years of American cinema history.",[11],0.3902,"\u002Fe8ttG5nKtd4qgsjpAIUej22s2bE.jpg","1997-01-31",8,"\u002Fz8ibcERcZdd9b6q1OHJQ0R5fI88.jpg",{"id":158,"adult":6,"title":159,"video":6,"overview":160,"softcore":6,"genre_ids":161,"popularity":163,"vote_count":164,"poster_path":165,"release_date":166,"vote_average":167,"backdrop_path":168,"original_title":169,"original_language":170},774,"Workers Leaving the Lumière Factory","Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years.  Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. 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It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.",[11],2.1216,243,"\u002FqI9eTP3NpJlxTk3oMBvfz8Awwkw.jpg","1888-10-14",6.432,"\u002FvwT0XdVPH8KHeotGYqQ7oG9LJS9.jpg",{"id":194,"adult":6,"title":195,"video":6,"overview":196,"softcore":6,"genre_ids":197,"popularity":198,"vote_count":199,"poster_path":200,"release_date":201,"vote_average":202,"backdrop_path":203,"original_title":204,"original_language":170},26298,"Here and Elsewhere","Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.",[11],0.4089,29,"\u002FyxdBS1jF7HF1GryHwCZSvLPukpL.jpg","1976-09-15",6.534,"\u002FysDodI3uMTo8K1ghlUU3kNFHkMr.jpg","Ici et Ailleurs",{"id":206,"adult":6,"title":207,"video":6,"overview":208,"softcore":6,"genre_ids":209,"popularity":210,"vote_count":30,"poster_path":211,"release_date":212,"vote_average":213,"backdrop_path":214,"original_title":207,"original_language":215},466238,"Impromptu","A journey to the origins of cinema, starting with its forgotten fathers: the pioneers who achieved moving images before 1895, the official year of the Lumière cinematograph. Through five studies by Frédéric Chopin, 'Impromptu' is also a tribute to the end of the 19th century, to its immortal muses, and to the fascination with movement itself.",[11,56],0.1525,"\u002FxGRNrcqUhIGR7e5cZV7CQZCl5tr.jpg","2017-01-01",10,"\u002FiSixNegenmTUqCA2j8MWXxD6pBq.jpg","xx",{"id":217,"adult":6,"title":218,"video":6,"overview":219,"softcore":6,"genre_ids":220,"popularity":221,"vote_count":47,"poster_path":222,"release_date":223,"vote_average":224,"backdrop_path":225,"original_title":218,"original_language":145},445669,"The Latino List","Documentary film interviews leading Latinos on race, identity, and achievement.",[11],0.4041,"\u002Fohddw0sCiRSupRqoAK5dsPk5cKd.jpg","2011-09-29",7,"\u002FoLv68WHi1e3Qgz2ykpKjSjnkvGJ.jpg",{"id":227,"adult":6,"title":228,"video":6,"overview":229,"softcore":6,"genre_ids":230,"popularity":231,"vote_count":21,"poster_path":232,"release_date":233,"vote_average":234,"backdrop_path":59,"original_title":228,"original_language":235},451026,"Rif 1921, una historia olvidada","Manuel Horrillo has visited for 7 years the fields where the clashes between the Spanish troops and the rebels of the protectorate took place during the so-called Rif War, a forgotten war of the Spanish collective imaginary.",[11],0.1261,"\u002FamvZY0ykMcp1xsx4Lxgmr0hiVFs.jpg","2008-07-24",8.5,"es",{"id":237,"adult":6,"title":238,"video":6,"overview":239,"softcore":6,"genre_ids":240,"popularity":241,"vote_count":242,"poster_path":243,"release_date":244,"vote_average":245,"backdrop_path":59,"original_title":246,"original_language":145},37621,"The Jodorowsky Constellation","This documentary depicts the filmmaker Alejandro Jodorowsky talking about his life, his loves, his career as a filmmaker, graphic novelist, and workshop leader, and his eccentricities including tarot reader and theatrical director during The Panic Movement. Directed by Louis Mouchet, La Constellation Jodorowsky includes a lengthy on-camera interview with Jodorowsky in Spanish with subtitles. Marcel Marceau, Fernando Arrabal, Peter Gabriel, Jean \"Moebius\" Giraud, and Jean Pierre Vignau make appearances discussing their various projects with the director. In addition to the interview and film clips, Mouchet features some bizarre footage from Jodorowsky’s absurdist plays in which topless women splattered with paint writhe around the stage in a theatrical production meant to represent The Panic Movement, i.e., an artistic expression in which reason cannot fully express the human experience.",[11],0.1609,20,"\u002FeJzhDcMZ1ahtxf69T9Nnhvw8hqH.jpg","1994-10-07",6.325,"La Constellation Jodorowsky",{"id":248,"adult":6,"title":249,"video":6,"overview":250,"softcore":6,"genre_ids":251,"popularity":252,"vote_count":8,"poster_path":59,"release_date":253,"vote_average":8,"backdrop_path":59,"original_title":249,"original_language":145},293308,"Ballad of Imprisonment: Making Blanche","A documentary about the making of Walerian Borowczyk's 'Blanche'.",[11],0.1313,"2014-09-08",{"id":255,"adult":6,"title":256,"video":6,"overview":257,"softcore":6,"genre_ids":258,"popularity":259,"vote_count":224,"poster_path":260,"release_date":261,"vote_average":262,"backdrop_path":263,"original_title":256,"original_language":145},269802,"Montgomery Clift","A documentary incorporating footage of Montgomery Clift’s most memorable films; interviews with family and friends, and rare archival material stretching back to his childhood. What develops is the story of an intense young boy who yearned for stardom, achieved notable success in such classic films as From Here to Eternity and I Confess, only to be ruined by alcohol addiction and his inability to face his own fears and homosexual desires. Montgomery Clift, as this film portrays him, may not have been a happy man but he never compromised his acting talents for Hollywood.",[11],0.6216,"\u002FfkMyo3wumQooGbjCBl0jnaxj0br.jpg","1983-01-01",4.286,"\u002FyI9djl4rKZ1uE85a8vPWIVK37gT.jpg",{"id":265,"adult":6,"title":266,"video":6,"overview":267,"softcore":6,"genre_ids":268,"popularity":269,"vote_count":270,"poster_path":271,"release_date":272,"vote_average":144,"backdrop_path":273,"original_title":266,"original_language":145},14277,"Loose Change","2nd Edition of Loose Change documentary. What if...September 11th was not a surprise attack on America, but rather, a cold and calculated genocide by our own government?We were told that the twin towers were hit by commercial jetliners and subsequently brought down by jet fuel. We were told that the Pentagon was hit by a Boeing 757. We were told that flight 93 crashed in Shanksville, Pennsylvania. We were told that nineteen Arabs from halfway across the globe, acting under orders from Osama Bin Laden, were responsible. What you will see here will prove without a shadow of a doubt that everything you know about 9\u002F11 is a complete fabrication. Conspiracy theory? It's not a theory if you can prove it.Written and narrated by Dylan Avery, this film presents a rebuttal to the official version of the September 11, 2001 terrorist attacks and the 9\u002F11 Commission Report.",[11],0.2773,55,"\u002FqrXbySlCrL5ODrLckuOBBabh2AA.jpg","2005-12-11","\u002F5IoSxJRrpQUgIXLTev6MET3R5fd.jpg",{"id":275,"adult":6,"title":276,"video":6,"overview":277,"softcore":6,"genre_ids":278,"popularity":279,"vote_count":188,"poster_path":280,"release_date":281,"vote_average":282,"backdrop_path":283,"original_title":276,"original_language":145},15302,"The Pixar Story","A look at the first years of Pixar Animation Studios - from the success of \"Toy Story\" and Pixar's promotion of talented people, to the building of its East Bay campus, the company's relationship with Disney, and its remarkable initial string of eight hits. The contributions of John Lasseter, Ed Catmull and Steve Jobs are profiled. The decline of two-dimensional animation is chronicled as three-dimensional animation rises. Hard work and creativity seem to share the screen in equal proportions.",[11],2.0238,"\u002FvhK51wJybwZTRCPVUOkGpSI4auN.jpg","2007-08-28",7.553,"\u002FjbdvzJvNu0swWURJp71Fxwd54Fm.jpg",{"id":285,"adult":6,"title":286,"video":6,"overview":287,"softcore":6,"genre_ids":288,"popularity":289,"vote_count":47,"poster_path":59,"release_date":290,"vote_average":291,"backdrop_path":292,"original_title":286,"original_language":293},10902,"Auge in Auge - Eine deutsche Filmgeschichte","This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.",[11],0.6616,"2008-07-03",6.3,"\u002Fz0Yx9vzKOZxp8l3h0Kydm1HegAD.jpg","de",{"id":295,"adult":6,"title":296,"video":6,"overview":297,"softcore":6,"genre_ids":298,"popularity":299,"vote_count":300,"poster_path":301,"release_date":302,"vote_average":303,"backdrop_path":304,"original_title":296,"original_language":145},285888,"Bald: The Making of 'THX 1138'","The film features a conversation between Lucas and Francis Ford Coppola, producer of THX 1138. They discuss Lucas' vision for the film, including his ideas about science fiction in general and in particular his concept of the \"used future\" which would famously feature in his film Star Wars. Intercut with this discussion is footage shot prior to the start of production of THX 1138 showing several of its actors having their heads shaved, a requirement for appearing in the film. In several cases the actors are shown being shaved in a public location. For example, Maggie McOmie is shaved outside the Palace of Fine Arts in San Francisco, while Robert Duvall watches a sporting event as his hair is cut off. Another actor, Marshall Efron, who would later play an insane man in the film, cut off his own hair and was filmed doing so in a bathtub.",[11],0.4271,9,"\u002FubqE8fvILtl0L26RQXmA767VVfi.jpg","1971-03-01",6.722,"\u002FenGt4SSPjOanKUkwiGQ5o0wztO7.jpg",{"id":306,"adult":6,"title":307,"video":6,"overview":308,"softcore":6,"genre_ids":309,"popularity":310,"vote_count":21,"poster_path":59,"release_date":311,"vote_average":55,"backdrop_path":59,"original_title":312,"original_language":145},286014,"The Human Eye","A 55-minute film by director Xavier Giannoli that analyses 'À nos amours'. The film features former Cahiers du cinéma editorial director Jean-Michel Frodon, actors Jacques Fieschi and Sandrine Bonnaire, and other members of the cast",[11],0.1273,"1999-01-01","L'œil humain",{"id":314,"adult":6,"title":315,"video":6,"overview":316,"softcore":6,"genre_ids":317,"popularity":318,"vote_count":21,"poster_path":59,"release_date":319,"vote_average":320,"backdrop_path":59,"original_title":321,"original_language":322},286243,"Memories of «Sayat Nova»","A short documentary by Levon Grigoryan about the making of Parajanov's «Sayat-Nova», or «The Colour of Pomegranates».",[11],0.325,"2006-10-15",6,"Воспоминания о «Саят-Нове»","hy",{"id":324,"adult":6,"title":325,"video":6,"overview":326,"softcore":6,"genre_ids":327,"popularity":328,"vote_count":8,"poster_path":329,"release_date":330,"vote_average":8,"backdrop_path":59,"original_title":331,"original_language":145},285928,"Walking with Pasolini","A documentary about Pier Paolo Pasolini and his film 'Salò o le 120 giornate di Sodoma'.",[11],0.2291,"\u002F2XDCIienLf11vpCn1xmMITopSLd.jpg","2008-09-29","Ai passi con Pasolini",{"id":333,"adult":6,"title":334,"video":6,"overview":335,"softcore":6,"genre_ids":336,"popularity":337,"vote_count":8,"poster_path":59,"release_date":338,"vote_average":8,"backdrop_path":339,"original_title":334,"original_language":145},286241,"The World Is a Window: Making The Colour of Pomegranates","A documentary by writer and filmmaker Daniel Bird about the making of Sergei Parajanov's 'The Colour of Pomegranates'.",[11],0.189,"2011-08-29","\u002FwPPxNIgQJX0QGmcSPfhRSsZje8V.jpg",11389,227765,"","A short documentary exploring the ongoing relevance and power of 'Salò o le 120 giornate di Sodoma'.",0.1211,"2001-01-01",[347,348],"US","GB",{"results":350},{},[352],{"name":353,"iso_639_1":145,"english_name":353},"English",[355],{"id":356,"name":357,"logo_path":358,"origin_country":347},236,"October Films","\u002FdomFRGExvHcf0IoK5vdOfY9aTvf.png",[360],{"name":361,"iso_3166_1":348},"United Kingdom",45,"A documentary story that tends to land well.",[]]