[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-274385-en-US":3},{"detail":4,"match":232,"insight":233,"providers":234,"providerLink":26,"trailer":26},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":26,"revenue":8,"runtime":27,"similar":28,"tagline":67,"homepage":218,"overview":219,"softcore":6,"popularity":220,"vote_count":8,"poster_path":221,"release_date":222,"vote_average":8,"backdrop_path":26,"origin_country":223,"original_title":7,"watch\u002Fproviders":225,"spoken_languages":227,"original_language":43,"production_companies":228,"production_countries":229,"belongs_to_collection":26},274385,false,"In Light, In!",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"id":5,"results":15},[],{"cast":17,"crew":18},[],[19],{"id":20,"job":21,"name":22,"adult":6,"gender":8,"credit_id":23,"department":24,"popularity":25,"profile_path":26,"original_name":22,"known_for_department":24},1328312,"Director","Ken Paul Rosenthal","5392596cc3a368641500074e","Directing",0.2541,null,12,{"page":29,"results":30,"total_pages":216,"total_results":217},1,[31,44,52,60,70,80,91,100,108,118,127,135,148,156,165,174,182,191,201,209],{"id":32,"adult":6,"title":33,"video":6,"overview":34,"softcore":6,"genre_ids":35,"popularity":37,"vote_count":38,"poster_path":39,"release_date":40,"vote_average":41,"backdrop_path":42,"original_title":33,"original_language":43},636474,"Going Attractions: The Definitive Story of the Movie Palace","Celebrating the splendor and grandeur of the great cinemas of the United States, built when movies were the acme of entertainment and the stories were larger than life, as were the venues designed to show them. The film also tracks the eventual decline of the palaces, through to today’s current preservation efforts. A tribute to America’s great art form and the great monuments created for audiences to enjoy them in.",[11,36],36,1.1829,6,"\u002FfkBuSxWXc54u2Obhl064Qkuz0dS.jpg","2019-10-25",6.333,"\u002FgYg0j3zZYAD1SKEuJLhs5vhKaTV.jpg","en",{"id":45,"adult":6,"title":46,"video":6,"overview":47,"softcore":6,"genre_ids":48,"popularity":49,"vote_count":8,"poster_path":50,"release_date":51,"vote_average":8,"backdrop_path":26,"original_title":46,"original_language":43},1018358,"The Maine Frontier: Through the Lens of Isaac Walton Simpson","The Maine Frontier: Through The Lens of Isaac Walton Simpson, combines the scarcely seen turn-of-the-century photography of Isaac Simpson with both archived and current films, oral histories, and a compelling musical soundtrack performed live.",[11,36],0.6253,"\u002Fi9K0BFMe63lqRApN83CQWGzc5Xg.jpg","2014-02-12",{"id":53,"adult":6,"title":54,"video":6,"overview":55,"softcore":6,"genre_ids":56,"popularity":57,"vote_count":8,"poster_path":58,"release_date":59,"vote_average":8,"backdrop_path":26,"original_title":54,"original_language":43},274810,"The Broken Altar","[19:30 | 35mm (1.85) | Stereo Sound | 2013] The Broken Altar is a portrait of open-air theaters documented under the strange light of day, emptied of the once present hum of human voices, radioed-in soundtracks and tires on gravel. Scripting the landscape and exploring the residue of a cinematic history, The Broken Altar forms a sculptural treatment of the architectural artifacts of these abandoned and barren spaces: speaker boxes rise from tall grass like grave markers and the screens themselves are monumental, sepulchral in their peeling whiteness.",[11],0.4736,"\u002Fe5k9ALLQkBwtf8Jkbs2x5FkkvZA.jpg","2013-03-10",{"id":61,"adult":6,"title":62,"video":6,"overview":63,"softcore":6,"genre_ids":64,"popularity":65,"vote_count":29,"poster_path":66,"release_date":67,"vote_average":68,"backdrop_path":69,"original_title":62,"original_language":43},1401136,"We Exist Triply","A sock puppet explores a family history told from the perspective of a mother and father.",[11],0.7483,"\u002F4kpxUDuTHGcQfWPLCkVl1wHEtTp.jpg","",7,"\u002FdKIYA1Y9YqcafLOAnCWpx3ereSh.jpg",{"id":71,"adult":6,"title":72,"video":6,"overview":73,"softcore":6,"genre_ids":74,"popularity":76,"vote_count":8,"poster_path":77,"release_date":78,"vote_average":8,"backdrop_path":79,"original_title":72,"original_language":43},1419725,"Time Keeps Marching On","An undocumented immigrant explores his and his family's immigration trauma while grasping hope through a voicemail.",[11,75],10751,1.4004,"\u002Fe18GmAcxmqpVvzS10r1yDeTxRDl.jpg","2026-05-03","\u002F4Vb8LQzj1tcMwL74eedL30vcbCa.jpg",{"id":81,"adult":6,"title":82,"video":6,"overview":83,"softcore":6,"genre_ids":84,"popularity":85,"vote_count":86,"poster_path":87,"release_date":88,"vote_average":89,"backdrop_path":90,"original_title":82,"original_language":43},476171,"Trailer Camp","Film archivist and former director of the San Francisco Lesbian and Gay Film Festival Jenni Olson created this fast-paced and often funny, campy 75-minute film comprised entirely of spliced together movie trailers. Some of the segments have themes such as a breezy look back at John Travolta's career that includes trailers from such films as Saturday Night Fever, Staying Alive, Grease, Perfect, and Moment by Moment. Other trailers include Mae West in Sextette, the disco camper Thank God It's Friday, Raquel Welch in Kansas City Bomber, Pier Paolo Pasolini's The Gospel According to St. Matthew and the rarely seen Chastity, the serious acting debut of Cher.",[11],2.2903,3,"\u002Fb9w1mWAfzulXWwhQjIdspMTKzKd.jpg","1995-09-11",3.7,"\u002F3cUWRmH6ieej2tJB3lGufr9ikqF.jpg",{"id":92,"adult":6,"title":93,"video":6,"overview":94,"softcore":6,"genre_ids":95,"popularity":96,"vote_count":29,"poster_path":97,"release_date":98,"vote_average":68,"backdrop_path":99,"original_title":93,"original_language":43},1228464,"Trailers Schmailers","From the Marx Brothers to Schindler's List, this compilation of Jewish film trailers offers a glimpse at the history of Jews in American cinema. A mixture of humor, social commentary, and drama, these original coming attractions trailers offer insight into the relationship between Hollywood's studio marketing departments and the growing visibility of Jews in American life. Trailers Schmailers includes spotlights on Woody Allen and Barbra Streisand, an overview of films about New York Jewish life, a look at the evolution of films about the holocaust, and more.",[11],1.4498,"\u002FgeClBbkx3OwGdqPe0ECE396G5lG.jpg","2002-03-03","\u002FfS6htKiCT08Vf69rgJhNs2FTSrF.jpg",{"id":101,"adult":6,"title":102,"video":6,"overview":103,"softcore":6,"genre_ids":104,"popularity":105,"vote_count":8,"poster_path":106,"release_date":107,"vote_average":8,"backdrop_path":26,"original_title":102,"original_language":43},1614292,"Hot Splice","Hot Splice is a semi-serious short documentary that highlights how destructive film repairs leave behind raw materials to experiment and play with. In a mixture of archival video, 16mm film scans, inexplicable French narration, and Atlanta trap history, this short takes bits and pieces collected during my time as an archival assistant to make something nouveau.",[11],0.8204,"\u002F6VUTd2thB8jXXqJb5Ng03qxLTVb.jpg","2025-07-01",{"id":109,"adult":6,"title":110,"video":6,"overview":111,"softcore":6,"genre_ids":112,"popularity":113,"vote_count":8,"poster_path":114,"release_date":115,"vote_average":8,"backdrop_path":26,"original_title":116,"original_language":117},492951,"300 Ton Trailer","A short documentary about a trailer weighing over 300 tons that carries material for the construction of a dam toward Tokyo.",[11],1.137,"\u002FaUwDM3lPSDQCtRmCsAFpraSpgDA.jpg","1959-07-15","300トントレーラー","ja",{"id":119,"adult":6,"title":120,"video":6,"overview":121,"softcore":6,"genre_ids":122,"popularity":123,"vote_count":8,"poster_path":124,"release_date":125,"vote_average":8,"backdrop_path":26,"original_title":126,"original_language":117},492955,"Security Treaty","An early experimental film by Toshio Matsumoto. Produced as part of the student riots in Japan at the start of the 1960s, Matsumoto uses collage, archival footage, and impassioned narration to create an expressive, visceral criticism of the US-Japan Security Treaty.",[11],0.7825,"\u002F9QYLjEwf1hMXXcnmAtDnGp65oFq.jpg","1959-09-01","安保条約",{"id":128,"adult":6,"title":129,"video":6,"overview":130,"softcore":6,"genre_ids":131,"popularity":132,"vote_count":8,"poster_path":133,"release_date":134,"vote_average":8,"backdrop_path":26,"original_title":129,"original_language":43},1639380,"Under Quabbin","Beneath the millions of gallons of water that flow into homes across eastern Massachusetts is a story of buried history, scientific discovery, & individual hopes & dreams destroyed in the name of progress. Edward Klekowski, a UMass biology professor with a passion for scuba diving, chronicles an unprecedented search for the remains of four lost towns under the Quabbin Reservoir in Belchertown, MA",[11],0.4854,"\u002Fk7n7NXeISqZbmvj42djJpAP692a.jpg","2001-08-21",{"id":136,"adult":6,"title":137,"video":6,"overview":138,"softcore":6,"genre_ids":139,"popularity":143,"vote_count":29,"poster_path":144,"release_date":145,"vote_average":146,"backdrop_path":26,"original_title":137,"original_language":147},1253062,"Phantasia","X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity.  The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.",[11,140,141,142],16,18,27,1.8804,"\u002Fi5t3DM6ReBKGdjWECTEGMFGUcaO.jpg","2024-03-13",8,"xx",{"id":149,"adult":6,"title":150,"video":6,"overview":151,"softcore":6,"genre_ids":152,"popularity":153,"vote_count":8,"poster_path":154,"release_date":155,"vote_average":8,"backdrop_path":26,"original_title":150,"original_language":43},1649570,"The Time Step","A portrait of the filmmakers grandmother made from self scanned 8mm footage from 1940's-1960's. 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Interspersing this observation with archival materials, the film explores the relationships between archaeology and museography, as well as the different ways in which these two practices produce the displacement of objects.",[11],0.9223,"\u002FnQyZ3CaHkmERoDSuVghq52f6Unz.jpg","2024-11-16","Harria eta Poltsa",{"id":175,"adult":6,"title":176,"video":6,"overview":177,"softcore":6,"genre_ids":178,"popularity":179,"vote_count":8,"poster_path":180,"release_date":181,"vote_average":8,"backdrop_path":26,"original_title":176,"original_language":43},1436679,"Let Me Do No Harm","A short documentary and character study about a woman's complex relationship with religion and family.",[11],1.1258,"\u002FhHceb5UIxDGhnLJnD4tONo7rhcD.jpg","2024-04-10",{"id":183,"adult":6,"title":184,"video":6,"overview":185,"softcore":6,"genre_ids":186,"popularity":187,"vote_count":8,"poster_path":188,"release_date":189,"vote_average":8,"backdrop_path":190,"original_title":184,"original_language":43},1620188,"Looking Back","Filmmaker Erin Hobden travels back to her home town to explore her father's documenting of her childhood.",[11,75,141],0.6372,"\u002FdIs0bamZqcBvqzImavX0K8mk3GB.jpg","2025-12-09","\u002Fzrx0rRfxZ4DbvmvWxgoL8mrOoDY.jpg",{"id":192,"adult":6,"title":193,"video":6,"overview":67,"softcore":6,"genre_ids":194,"popularity":196,"vote_count":8,"poster_path":197,"release_date":198,"vote_average":8,"backdrop_path":199,"original_title":193,"original_language":200},1485064,"Crônica de uma casa vazia",[11,75,195],10770,0.492,"\u002FvnqxVTpFM9ViRmnjqrDz04SSkgC.jpg","2025-06-25","\u002F482JI0c11VqjleKfKmGiHuI1qY3.jpg","pt",{"id":202,"adult":6,"title":203,"video":6,"overview":204,"softcore":6,"genre_ids":205,"popularity":206,"vote_count":8,"poster_path":207,"release_date":67,"vote_average":8,"backdrop_path":208,"original_title":203,"original_language":43},1485085,"Homo Promo","This spectacular showcase of vintage movie trailers offers a crash course in lesbian, gay, bi and transgender (LGBT) movie history and a colorful look at nearly every major mainstream queer-themed film produced between 1953 and 1977! Archivist Jenni Olson is one of the world’s leading experts on LGBT film history — curated from her private collection of rare original 35mm coming attractions trailers, Homo Promo has entertained audiences at LGBT film festivals around the world offering a campy cavalcade of coming attractions. Please note: The condition of these original 35mm archival prints varies — enjoy the wear and tear and rest assured that they have now all been donated to the Outfest\u002FUCLA Legacy Project for LGBT Film Preservation where they are now being properly cared for.",[11],0.9007,"\u002FcpbL1zypKLoWDUBdfhAoEuQ9Uff.jpg","\u002FnnfUYax2QMZvoUZoXdWAAkLaDt9.jpg",{"id":210,"adult":6,"title":211,"video":6,"overview":212,"softcore":6,"genre_ids":213,"popularity":214,"vote_count":8,"poster_path":26,"release_date":215,"vote_average":8,"backdrop_path":26,"original_title":211,"original_language":43},1485119,"Bride of Trailer Camp","A compilation of \"coming attractions\" from bad '50s melodrama through the greatest disaster movies of the '70s. Features a chain of your divas including Bette Davis in What Ever Happened to Baby Jane?, Jeanne Moreau in Mademoiselle, Elizabeth Taylor in Butterfield 8 and Boom, Kim Novak in The Legend of Lylah Clare, Susan Hayward in I'll Cry Tomorrow, and Judy Garland in I Could Go On Singing. One clips is a young Rock Hudson promoting Christmas Seals. Bride of Trailer Camp includes specimens of movie trailer artistry.",[11],1.3144,"2001-06-21",1001,20001,"http:\u002F\u002Fwww.maddancementalhealthfilmtrilogy.com\u002F","A darkly beautiful visual essay that explores human emotion in response to societal standards. With a lone cello providing the soundtrack, this collage of archival footage from 1950’s-era films is a superb example of manipulation via sound and image (Dorothy Woodend, DOXA Documentary Film Festival)",0.4336,"\u002F4ed4FsV0amNijQmIPIpPcwhTzao.jpg","2014-05-03",[224],"US",{"results":226},{},[],[],[230],{"name":231,"iso_3166_1":224},"United States of America",45,"A documentary story that tends to land well.",[]]