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The children of the convicts are often left alone, stigmatized and living in the streets. 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Now that Hong Kong has been brought into line, Taiwan remains determined to stand up as a vibrant, young democracy. But it won't be easy. Since the Sunflower Movement in 2014 when the young came out to prevent an economic agreement with China, citizen groups have been fighting for the transparency of institutions.",[11],0.2729,"\u002FiwyVT3mOToxUqwz5eEtK2zGuTgv.jpg","2021-07-06",7.4,"\u002Fn2m0FodjTrMi0GWwSBzlw0TsLLZ.jpg","Taïwan, une démocratie à l'ombre de la Chine","fr",{"id":87,"adult":6,"title":88,"video":6,"overview":89,"softcore":6,"genre_ids":90,"popularity":93,"vote_count":8,"poster_path":94,"release_date":95,"vote_average":8,"backdrop_path":96,"original_title":97,"original_language":85},482047,"Tea War: The Adventures of Robert Fortune","In the 19th century, China held the monopoly on tea, which was dear and fashionable in the West, and the British Empire exchanged poppies, produced in its Indian colonies and transformed into opium, for Chinese tea.  Inundated by the drugs, China was forced to open up its market, and the British consolidated their commercial dominance.  In 1839, the Middle Empire introduced prohibition. The Opium War was declared… Great Britain emerged as the winner, but the warning was heeded: it could no longer depend on Chinese tea. The only alternative possible was to produce its own tea. The East India Company therefore entrusted one man with finding the secrets of the precious beverage.  His mission was to develop the first plantations in Britain’s Indian colonies. This latter-day James Bond was called Robert Fortune – a botanist. 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Filmed in Peking, on a rural commune in central China, and in the industrial northeast region, Jack Reynolds interviews Vice Premier Fang Yi and the president of Peking University, as well as students, workers, and peasants.",[11],0.3323,"\u002F17TTp8J0rCW4ZMwCynqboAqJUiF.jpg","1979-01-01","\u002FycsZ98d09X2LevhfH4LJqB4sXgN.jpg",{"id":108,"adult":6,"title":109,"video":6,"overview":110,"softcore":6,"genre_ids":111,"popularity":112,"vote_count":32,"poster_path":113,"release_date":114,"vote_average":54,"backdrop_path":27,"original_title":109,"original_language":45},306309,"Abrigos… Até Quando?","This documentary is a sad sight of the reality of child abuse victims who now live in public shelters in Brazil, with stories told by themselves. Children and adolescents who are now in shelters were victims of violence. Most were the victim of the own family and others never knew theirs. 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However, many are worried that Huawei is incorporating backdoors that allow vast amounts of data to be collected and then used by China for espionage.",[11],0.1939,"\u002FnOAcdfBk07uuOIIUM8rXbVtFxBF.jpg","2020-01-14",8,"\u002FbuCwF532rM4gfSzjQ11hBxzCtVW.jpg","Qui a peur de Huawei ?",{"id":127,"adult":6,"title":128,"video":6,"overview":29,"softcore":6,"genre_ids":129,"popularity":130,"vote_count":8,"poster_path":27,"release_date":131,"vote_average":8,"backdrop_path":27,"original_title":128,"original_language":85},486674,"Aux Origines de l'Empire du Milieu",[11],0.1605,"2014-09-29",{"id":133,"adult":6,"title":134,"video":6,"overview":29,"softcore":6,"genre_ids":135,"popularity":136,"vote_count":8,"poster_path":27,"release_date":137,"vote_average":8,"backdrop_path":27,"original_title":134,"original_language":85},486677,"Les Artisans de la China Eternelle",[11],0.156,"2014-09-30",{"id":139,"adult":6,"title":140,"video":6,"overview":29,"softcore":6,"genre_ids":141,"popularity":142,"vote_count":8,"poster_path":27,"release_date":143,"vote_average":8,"backdrop_path":27,"original_title":140,"original_language":85},486679,"Les Sentiers de la Memoire Chinoise",[11],0.1722,"2014-10-01",{"id":145,"adult":6,"title":146,"video":6,"overview":147,"softcore":6,"genre_ids":148,"popularity":149,"vote_count":23,"poster_path":150,"release_date":151,"vote_average":152,"backdrop_path":27,"original_title":146,"original_language":45},654052,"Rebellion","As the 'one country two systems' policy in Hong Kong has slowly eroded, resentment among the territory's citizens has steadily grown. What began as a series of spontaneous protests against an extradition law in March 2019 has now escalated in to a full-blown popular uprising that shows no signs of abating. ABC Four Corners reports from the frontline of the action, capturing extraordinary footage of the growing tension and violence.",[11],0.7388,"\u002F7RW6dIm98wTfSalMFGNRdkN11BU.jpg","2019-09-10",7,{"id":154,"adult":6,"title":155,"video":6,"overview":29,"softcore":6,"genre_ids":156,"popularity":157,"vote_count":32,"poster_path":158,"release_date":159,"vote_average":160,"backdrop_path":27,"original_title":161,"original_language":162},654095,"Mr. Deng Goes to Washington",[11,91],0.5023,"\u002F4PnevxKx9mrFQe2NE0kjHz5qsUu.jpg","2015-05-15",4,"旋风九日","zh",{"id":164,"adult":6,"title":165,"video":6,"overview":166,"softcore":6,"genre_ids":167,"popularity":169,"vote_count":170,"poster_path":27,"release_date":171,"vote_average":40,"backdrop_path":27,"original_title":165,"original_language":45},291777,"I Am Here","It's a story about post-90 generation in China and how they chasing their dreams through a talent show. The summer of 2013 saw a group of young boys enter a Chinese TV talent show called Super Boy, hoping to be catapulted to fame. The film documents how the young boys coped with their new challenging lives. While under unthinkable pressure, they proved themselves by trying to make the right choices during live shows. Talent shows create a new type of entertainer, but can they still keep their true selves? Can they adjust themselves and balance the ups and downs? What have the ten years of Chinese talent shows given us? What is urging us to grow up?",[168,11],10402,0.4361,3,"2014-07-18",{"id":173,"adult":6,"title":174,"video":6,"overview":175,"softcore":6,"genre_ids":176,"popularity":177,"vote_count":32,"poster_path":178,"release_date":179,"vote_average":123,"backdrop_path":180,"original_title":181,"original_language":162},1412021,"Fruit Farm","Nana Xu travels to the place built by her father as a prisoner during the Cultural Revolution: first a work camp, later a prison, fruit farm and treatment centre. Conversations with last remaining witnesses, where home is still shaped by a repressed past.",[11],0.5454,"\u002FtrfxSPDa7KrRpPynPS1ixvwObNu.jpg","2025-02-20","\u002FsDckfViDbKDUJjIQUU7SkqN3l1p.jpg","果场",{"id":183,"adult":6,"title":184,"video":6,"overview":185,"softcore":6,"genre_ids":186,"popularity":188,"vote_count":30,"poster_path":189,"release_date":190,"vote_average":191,"backdrop_path":192,"original_title":193,"original_language":162},45576,"Last Train Home","A family embarks on an annual tormenting journey along with 130 million other peasant workers to reunite with their distant family, and to revive their love and dignity as China soars as the world's next super power.",[11,187],18,1.1943,"\u002FeFcySm0GE2JGw6524aSS0tRtJes.jpg","2009-06-06",7.429,"\u002FonZ2SsbobHVl1HNqrW3iJQdCanL.jpg","归途列车",{"id":195,"adult":6,"title":196,"video":6,"overview":197,"softcore":6,"genre_ids":198,"popularity":199,"vote_count":170,"poster_path":200,"release_date":201,"vote_average":202,"backdrop_path":27,"original_title":203,"original_language":204},295400,"Cain's Children","Three boys, they all committed murder. After discovering their haunting faces and disturbing stories in a banned prison documentary from 1984, the filmmaker goes out to find them and discovers untold secrets and a Hungary he has never known.",[11],5.6759,"\u002F323VM2EWo6ZtRA1EhKj3Z4hy6iV.jpg","2014-09-23",9.3,"Káin gyermekei","hu",{"id":206,"adult":6,"title":207,"video":6,"overview":208,"softcore":6,"genre_ids":209,"popularity":210,"vote_count":211,"poster_path":212,"release_date":213,"vote_average":214,"backdrop_path":215,"original_title":216,"original_language":217},299751,"Jia Zhangke, A Guy from Fenyang","Chinese filmmaker Jia Zhangke returns to the shooting locations of his films, along with his actors, friends and close collaborators. Jia recalls the inspiration sources for his movies, such as Platform, Still Life and A Touch of Sin. The film is the memory of a filmmaker and of a country in convulsion, China, which reveals itself little by little.",[11],0.6201,13,"\u002FdwqQNXIDs59sQPWPB6H98rGMyrQ.jpg","2016-05-27",6.9,"\u002F39tybGGdvzdQiwrASAiCNdFMj3.jpg","Jia Zhangke, Um Homem de Fenyang","pt",{"id":219,"adult":6,"title":220,"video":221,"overview":29,"softcore":6,"genre_ids":222,"popularity":223,"vote_count":8,"poster_path":224,"release_date":225,"vote_average":8,"backdrop_path":226,"original_title":220,"original_language":227},849058,"Jackie Chan Edition: Seine spektakulärsten Kämpfe",true,[11],1.0303,"\u002Fo6ngB3tSD9aSsxI2mjNnKeZfjRz.jpg","2009-07-30","\u002FaIEpBIYrXDF19iLJqcOh03V3jDy.jpg","de",11656,233112,"A Rebel Without a Cause for a new generation, and one of the most defiant children to ever grace the big screen, 14-year-old Hai is a teenage terror, a high school dropout and an all-around badass. He is also entirely irresistible. You cannot take your eyes off this kid, complete with a motorbike and an everpresent cigarette butt drooping from the corner of his mouth.  (Dorothy Woodend, DOXA Documentary Film Festival)",0.1449,"\u002Fqi5mscbkW0UkZclPYQNjyqJyCSb.jpg","2012-01-01",[235],"CN","我无处安放的青春",{"results":238},{},[240],{"name":241,"iso_639_1":162,"english_name":242},"普通话","Mandarin",[],[245],{"name":246,"iso_3166_1":235},"China",45,"A documentary story that tends to land well.",[]]