[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-277624-en-US":3},{"detail":4,"match":248,"insight":249,"providers":250,"providerLink":26,"trailer":26},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":27,"revenue":8,"runtime":28,"similar":29,"tagline":62,"homepage":62,"overview":236,"softcore":6,"popularity":237,"vote_count":30,"poster_path":238,"release_date":239,"vote_average":189,"backdrop_path":240,"origin_country":241,"original_title":7,"watch\u002Fproviders":243,"spoken_languages":245,"original_language":233,"production_companies":246,"production_countries":247,"belongs_to_collection":26},277624,false,"Algeria: Drink, Smoke and Love",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":18},[],[19],{"id":20,"job":21,"name":22,"adult":6,"gender":8,"credit_id":23,"department":24,"popularity":25,"profile_path":26,"original_name":22,"known_for_department":24},1183409,"Director","Agnieszka Lukasiak","5f5cbb6a1cc4ff0034b0eb4c","Directing",0.1774,null,"tt0335844",85,{"page":30,"results":31,"total_pages":234,"total_results":235},1,[32,47,59,68,78,85,94,103,112,122,131,140,149,158,171,181,190,202,213,225],{"id":33,"adult":6,"title":34,"video":6,"overview":35,"softcore":6,"genre_ids":36,"popularity":39,"vote_count":40,"poster_path":41,"release_date":42,"vote_average":43,"backdrop_path":44,"original_title":45,"original_language":46},283013,"Dawn of the Damned","This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.",[11,37,38],36,18,1.0825,7,"\u002FlofBqYj9p4eefPAQlzrQ5d9SgHk.jpg","1965-07-05",7.429,"\u002FuXPBBQlKDXVx8apISYh9KdrTEoa.jpg","L'Aube des Damnés","fr",{"id":48,"adult":6,"title":49,"video":6,"overview":50,"softcore":6,"genre_ids":51,"popularity":52,"vote_count":30,"poster_path":53,"release_date":54,"vote_average":55,"backdrop_path":56,"original_title":57,"original_language":58},644369,"How Much I Love You","Beginning with a promotional reel encouraging farming investments in Algeria and ending with the secret 1950s nuclear tests that France conducted using Algerian prisoners, How Much I Love You appropriates archival footage produced by the French colonial powers in Algeria. Meddour’s approach is disarmingly simple and yet awe-inspiring—his caustic undoing of colonial discourse is underscored by a liberating release of humor.",[11],0.6726,"\u002FhVS69fnRMUrcp0Zrr1rsP16bvxc.jpg","1985-05-05",10,"\u002FtcUdvCChXJApLTcc7sgEyFCYt7M.jpg","Combien Je Vous Aime","ar",{"id":60,"adult":6,"title":61,"video":6,"overview":62,"softcore":6,"genre_ids":63,"popularity":64,"vote_count":30,"poster_path":65,"release_date":66,"vote_average":55,"backdrop_path":67,"original_title":61,"original_language":46},285832,"Algérie 1988-2000 : Autopsie d'une tragédie","",[11],2.1483,"\u002Fd6oYOMNpdJoNoLwyu7Hc0EY0MZY.jpg","2005-09-26","\u002FbAyMSyE9vDcPfzppVufB7h5fXxE.jpg",{"id":69,"adult":6,"title":70,"video":6,"overview":71,"softcore":6,"genre_ids":72,"popularity":73,"vote_count":30,"poster_path":74,"release_date":75,"vote_average":55,"backdrop_path":76,"original_title":77,"original_language":46},1209496,"Algeria 1954, The Revolt Of A Colonized","This film presents the point of view of an Arab from Algeria who rebels against colonization. He analyzes the process of awareness, the transition to revolt, to armed insurrection. Algeria and the settlers are seen through this lens and not the way a Frenchman saw the country. He gives voice to the Arabs at a time when this word was not heard: sometimes it was not even produced, at least publicly. The testimonies are based on real propositions, most of them were made to the author during his stay in Algeria from 1948 to 1956, then in 1958 and 1959. The comments are borrowed from the texts of Arab theorists of the revolution Algerian. This film thus completely evacuates the point of view of those who are not insurgents; he does not give the opinion of the colonists. It is the direct expression of what was the revolt of a colonized person: it thus constitutes the very type of the historical document.",[11,37],0.372,"\u002FefoQlCXQpq0uc2y3fJP0G61R0YK.jpg","1974-01-01","\u002F5jDgsDQxye1l04Y7cuhH8yUc1az.jpg","Algérie 1954, La Révolte D'un Colonisé",{"id":79,"adult":6,"title":80,"video":6,"overview":81,"softcore":6,"genre_ids":82,"popularity":83,"vote_count":8,"poster_path":26,"release_date":84,"vote_average":8,"backdrop_path":26,"original_title":80,"original_language":46},1396592,"Un bain en hiver","“Our memories are marked by smells. Bound together by their olfactory sensitivity, a daughter leads her father to question his family heritage: together they go through their double mourning, that of a grandmother and a childhood in Algeria. How do you face up to the fear of vanishing ghosts?”",[11],0.5266,"2024-06-05",{"id":86,"adult":6,"title":87,"video":6,"overview":88,"softcore":6,"genre_ids":89,"popularity":90,"vote_count":30,"poster_path":91,"release_date":92,"vote_average":55,"backdrop_path":93,"original_title":87,"original_language":46},1203696,"L'Algérie de Gustave Guillaumet (1840-1887)","Born on March 25, 1840, Gustave Guillaumet discovered Algeria by chance when he was about to embark for Italy. Over the course of his ten or eleven trips and extended stays, he established a familiarity with this space. Traveling through the different regions from north to south, he never ceases to note the differences. He is also the first artist, apart from Delacroix's Women of Algiers, to penetrate into female interiors and reveal the reality, far removed from the harem fantasies that reigned in his time. Fascinated by the country, its deserts and its inhabitants , going so far as to live like the Algerians, Gustave Guillaumet devoted his life and his painting to this country, breaking with the colorful and exotic representations of the time. The painting The Famine in Algeria, restored thanks to exceptional fundraising, was dictated by the events of the years 1865-1868, and well illustrates his knowledge of the country, in a manner that is at once demanding, sensitive and serious.",[11],0.8296,"\u002Fe7tTC97VWXUFNw4E8hMZeIEEiqW.jpg","2018-10-17","\u002F1w9pkOvkuxi9Idspym3vrhI4HRd.jpg",{"id":95,"adult":6,"title":96,"video":6,"overview":97,"softcore":6,"genre_ids":98,"popularity":99,"vote_count":30,"poster_path":100,"release_date":101,"vote_average":55,"backdrop_path":102,"original_title":96,"original_language":46},1203614,"L'Orientalisme","Orientalism is a literary and artistic movement born in Western Europe in the 18th century. Through its scale and popularity, throughout the 19th century, it marked the interest and curiosity of artists and writers for the countries of the West (the Maghreb) or the Levant (the Middle East). Orientalism was born from the fascination of the Ottoman Empire and followed its slow disintegration and the progression of European colonizations. This exotic trend is associated with all the artistic movements of the 19th century, academic, romantic, realistic or even impressionist. It is present in architecture, music, painting, literature, poetry... Picturesque aesthetics, confusing styles, civilizations and eras, orientalism has created numerous clichés and clichés that we still find today in literature or cinema.",[11],1.1443,"\u002Fp2tjlERPCwo3d9ry5lTM6iKypPE.jpg","2019-08-27","\u002FeG3zbmRv2AE23LO84ueTkdw1TR8.jpg",{"id":104,"adult":6,"title":105,"video":6,"overview":106,"softcore":6,"genre_ids":107,"popularity":108,"vote_count":8,"poster_path":109,"release_date":110,"vote_average":8,"backdrop_path":111,"original_title":105,"original_language":46},1380521,"One, Two, Three – Viva l’Algérie !","“One, Two, Three, Viva l’Algérie!” is the main theme of our film. But it is first a slogan, a link that acts in space and time: a few words scanded, inseparable from the history of Algerian football and therefore the relationship between France and Algeria. These encouragements born with the FLN team during the Revolutionary War and later repeated in the Algerian epic at the 2010 World Cup were taken out of the stadiums in 2019 to call for change.",[11,37],0.7857,"\u002F9Eq8d2Nzk9arqi4n0DeRdcE2bZa.jpg","2022-10-25","\u002F8t3OkI5aqqpqXfT67KKrtiCrzmb.jpg",{"id":113,"adult":6,"title":114,"video":6,"overview":115,"softcore":6,"genre_ids":116,"popularity":117,"vote_count":30,"poster_path":118,"release_date":119,"vote_average":55,"backdrop_path":120,"original_title":121,"original_language":46},1220211,"Zinet, Algiers, Happiness","Who remembers Mohamed Zinet? In the eyes of French spectators who reserve his face and his frail silhouette, he is simply the “Arab actor” of French films of the 1970s, from Yves Boisset to Claude Lelouch. In Algeria, he's a completely different character... A child of the Casbah, he is the brilliant author of a film shot in the streets of Algiers in 1970, Tahya Ya Didou. Through this unique work, Zinet invents a new cinema, tells another story, shows the Algerians like never before. In the footsteps of his elder, in the alleys of the Casbah or on the port of Algiers, Mohammed Latrèche will retrace the story of Tahya Ya Didou and its director.",[11],0.8903,"\u002FfbXpJslcaldUuyXa0NDlhSZzoN7.jpg","2023-12-15","\u002FuVuQf1UA9IengxLyOYavR4qnAlK.jpg","زينات، الجزائر، السعادة",{"id":123,"adult":6,"title":124,"video":6,"overview":125,"softcore":6,"genre_ids":126,"popularity":127,"vote_count":30,"poster_path":128,"release_date":129,"vote_average":55,"backdrop_path":130,"original_title":124,"original_language":46},1187775,"Alger Et Ses Environs","The film, shot in 1938, is part of a series entitled “The true face of Algeria”. The film highlights the proximity of Algiers to Paris and promotes air travel. The commentary supporting the images highlights the urban dynamism (“Every day, a new skyscraper replaces a wasteland”) and the comparison with Paris (“Algiers is often nicknamed the Paris of North Africa because of its elegance become proverbial). Contemporary architectural achievements are described as the sign of “grandiose modernism”: “we love the new, the bold”. But the point does not forget the buildings illustrating “the Moorish, classic and attractive style”. The description of the Casbah also attempts to understand the architectural organization but also the diversity and even the atmosphere.",[11],0.7507,"\u002FhDJzfnwlRQxqI3nU94zmOu3mvk5.jpg","1945-01-01","\u002Fm8MkqnULBeyuZo2F18KRe1YSKG8.jpg",{"id":132,"adult":6,"title":133,"video":6,"overview":134,"softcore":6,"genre_ids":135,"popularity":136,"vote_count":30,"poster_path":137,"release_date":138,"vote_average":55,"backdrop_path":139,"original_title":133,"original_language":46},1021584,"Twïza, L'Aventure Algérienne","In Tamazight culture, \"Twïza\" symbolizes a gathering for sharing and mutual support. This is precisely what Thibault Dion's film explores – January 2019 – as five French climbers land at Constantine airport. While they initially thought they would simply be opening climbing routes in eastern Algeria, this group of climbers from Grenoble discovers much more. Their initial apprehension about exploring this isolated region, coupled with the warm welcome, good humor, and rich culture, transforms their journey into an unexpected human adventure. Fabulous landscapes, thrilling experiences, unforgettable moments, smiles – beyond borders, in the land of friendship and hospitality... Algeria.",[11],0.5122,"\u002FAk6ExFAiYAghf5EsGZGrZLqjnUu.jpg","2019-06-21","\u002FhqqmZdCE590l0VZznPpNDAbEDZe.jpg",{"id":141,"adult":6,"title":142,"video":6,"overview":143,"softcore":6,"genre_ids":144,"popularity":145,"vote_count":30,"poster_path":146,"release_date":147,"vote_average":55,"backdrop_path":148,"original_title":142,"original_language":46},827535,"Les Mains Libres","In 1964, Algeria, just two years after the end of the war of independence, found itself catapulted into new contradictions, a still rural territory which responded to the modernity brought by the revolution. Filmed during the winter of 1964-1965 by the young director Ennio Lorenzini, it is the first international Algerian production which paints a rare portrait in color of a multifaceted nation, far from the simplistic vision created by the press and the French army. Produced by Casbah Film, Les Mains Libres (initially titled Tronc De Figuier) bears witness to the stigmata of colonization and the future of free Algeria throughout the Algerian territory and reveals the richness of its landscapes and the diversity of its traditions . The documentary, using the aesthetics of militant cinema of the time, is made up of four scenes: Sea and Desert, The Struggle, The Earth, Freedom.",[11,37],1.0986,"\u002Fcmz5Sv63zAJDtIUizhlZ8HWTCk1.jpg","1965-08-14","\u002Fu99vQyIe5zYV2esFauFEbzuTN8A.jpg",{"id":150,"adult":6,"title":151,"video":6,"overview":152,"softcore":6,"genre_ids":153,"popularity":154,"vote_count":30,"poster_path":155,"release_date":156,"vote_average":55,"backdrop_path":157,"original_title":151,"original_language":46},1186724,"Qui êtes vous Mr. Iguerbouchène ?","Mohamed Iguerbouchène was born on February 7, 1907 in Aït-Ouchen in Algeria. He left for England in 1923 where he studied music and harmony. Subsequently, he went to Vienna, Austria, to learn piano techniques where he won 1st prize in harmony and piano. Mohamed Iguerbouchen became a composer, he composed four symphonies and several film scores including the famous “Pépé le Moko” (1937) with Jean Gabin. Mohamed Iguerbouchène bowed out on August 21, 1966 following a long illness.",[11],0.8014,"\u002Ft9Wo7HooCUJuk1UIJwhysXHwAeG.jpg","2014-01-01","\u002FaE9u2m6SVSu8bPJwPIeZStDe7NC.jpg",{"id":159,"adult":6,"title":160,"video":6,"overview":161,"softcore":6,"genre_ids":162,"popularity":164,"vote_count":165,"poster_path":166,"release_date":167,"vote_average":168,"backdrop_path":169,"original_title":170,"original_language":58},261007,"The Pan-african Festival in Algiers","Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.",[11,163],10402,1.2086,2,"\u002F7XEfX46KiuqTbdlYcdxBWuUo8oC.jpg","1969-01-01",6,"\u002FlTtfjmpEnHYqAphGeYfGDd4NNgb.jpg","Festival Panafricain d'Alger",{"id":172,"adult":6,"title":173,"video":6,"overview":174,"softcore":6,"genre_ids":175,"popularity":176,"vote_count":30,"poster_path":177,"release_date":178,"vote_average":55,"backdrop_path":179,"original_title":180,"original_language":46},620972,"Algeria, Year Zero","Documentary on the beginnings of Algerian independence filmed during the summer of 1962 in Algiers. The film was banned in France and Algeria but won the Grand Prize at the Leipzig International Film Festival in 1965. Out of friendship, the production company Images de France sent an operator, Bruno Muel, who later declared: \"For those who were called to Algeria (for me, 1956-58), participating in a film on independence was a victory over horror, lies and absurdity. It was also the beginning of my commitment to the cinema.\"",[11],0.8243,"\u002FcFUGQ2pG8yWwhp0B8AD2eWC3mjg.jpg","1965-10-01","\u002Fy98zc24lFqPjWhzxcqOvJQHZirw.jpg","Algérie, année zéro",{"id":182,"adult":6,"title":183,"video":6,"overview":184,"softcore":6,"genre_ids":185,"popularity":186,"vote_count":30,"poster_path":187,"release_date":188,"vote_average":189,"backdrop_path":26,"original_title":183,"original_language":46},820274,"Des femmes","As the peaceful and determined Hirak movement gathers momentum and hopes for profound political change sweep across Algeria, women are combining femininity and feminism in the past, present, and future.",[11],1.5149,"\u002FyXWG3ZomsdqizRplrh0YkrIxJRR.jpg","2020-05-12",8,{"id":191,"adult":6,"title":192,"video":6,"overview":193,"softcore":6,"genre_ids":194,"popularity":196,"vote_count":165,"poster_path":197,"release_date":198,"vote_average":199,"backdrop_path":200,"original_title":201,"original_language":58},273112,"Algeria in Flames","These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.",[11,195],10752,0.5241,"\u002Fvo4od9ntoAQMbpdunrXoSojYbsJ.jpg","1958-01-02",8.5,"\u002FwNl3mPa5aTBEvxQYxWUDWdbGGci.jpg","Algérie en flammes",{"id":203,"adult":6,"title":204,"video":6,"overview":205,"softcore":6,"genre_ids":206,"popularity":207,"vote_count":30,"poster_path":208,"release_date":209,"vote_average":55,"backdrop_path":210,"original_title":211,"original_language":212},1191532,"El Ouafi Boughera, The marathon runner of history","On August 5, 1928, after 2 hours and 32 minutes of racing, the 71st rooster wearing the bib entered the Olympic stadium in Amsterdam. Ahmed El Ouafi Bouguéra wins the gold medal and becomes the first Olympic champion from the African continent. He achieved his feat under the tricolor flag. The start of his real marathon is underway. The history of sport extends to the history of Algeria and France. This documentary retraces the different stages of the life of this great champion, not only the history of sport but also the great story. Archival photographs and interviews mingle with the painted paintings. The series thus once again gives voice to this forgotten hero, one of the great heroes of immigration who defended France for more than a century.",[11],0.5921,"\u002F4YkAS2NZfH7QJezkowGM7Ej2FZC.jpg","2018-11-11","\u002FgfoDBPzoBGQyzfGxyBq2nserKK8.jpg","El Ouafi Boughera, Le marathonien de L'histoire","cn",{"id":214,"adult":6,"title":215,"video":6,"overview":216,"softcore":6,"genre_ids":217,"popularity":218,"vote_count":219,"poster_path":220,"release_date":221,"vote_average":222,"backdrop_path":223,"original_title":215,"original_language":224},812942,"Aleph","Structured as a labyrinth-like game and inspired by Jorge Luis Borges, Aleph is a travelogue of experience, a dreamer's journey through the lives, experiences, stories and musings of protagonists spanning ten countries and five continents.",[11],0.5189,4,"\u002Fd3wL7lkSTz5UFJLKCXLQkxJqjdb.jpg","2021-04-30",7.25,"\u002FrodcCMleXFHPP6uVLxFRujGuIoF.jpg","es",{"id":226,"adult":6,"title":227,"video":6,"overview":228,"softcore":6,"genre_ids":229,"popularity":230,"vote_count":8,"poster_path":231,"release_date":232,"vote_average":8,"backdrop_path":26,"original_title":227,"original_language":233},453531,"Vote off","Fayçal Hammoum recounts the 2014 presidential election through non-voting inhabitants of Algiers who, like him, are in their thirties. Be it Bilel, a grocer by default exposed to his customers’ political babbling, or the more politically-charged comments of Younes, a militant FM radio journalist opposed to President Bouteflika’s fourth term, the variety of conversational scenes in no way changes the determination not to vote for an old man who has been invisible for almost two years. The rappers Omar and Brahim are as bereft of hope and voter’s cards as the Tellek webradio DJ, since “the match is fixed”. Moving away from his focus on this subject to film their daily life, the filmmaker draws the portrait of a generation who, as Bilal says with poignant simplicity, “just wants to live",[11],0.5568,"\u002Fm2DoXNoLdFCsBEroKjllPyhd5fM.jpg","2017-03-24","en",11678,233542,"Agnieszka Lukasiak travels to Algeria to capture it's conflict on camera. When she arrives, she's immediately sidetracked by romance with her host, Habib. She turns the camera on herself as she falls in love with him. the atmosphere quickly diminishes when Habib's family steps in and kicks her out. Not to be deterred, on her second visite to Algeria to seek Habib's love, she begins her real journey to expose the underside of the country.",0.3668,"\u002FgOmoapouHa3uMtEIfjBzq46sEd1.jpg","2002-01-01","\u002FspgoV39umQQSfjU7Tf6kj2pTD0q.jpg",[242],"US",{"results":244},{},[],[],[],45,"A documentary story that tends to land well.",[]]