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This example by Sussex film pioneer George Albert Smith illustrates why. The train's rush towards the audience brings movement and visual drama. The flurry of human activity offers plenty for the audience to engage with - who are these people and where are they going? And the time pressure exerted by the fact that the train must soon depart adds narrative tension - will everyone get on and off in time?",[11,119],36,0.182,"\u002FcrxkN8LaM3pQlEvBOMJli7FXz7Z.jpg","1897-09-22",5,"\u002Ft72Aj8XpOXFbvgrRVrxYTNpAEtQ.jpg",{"id":126,"adult":6,"title":127,"video":6,"overview":128,"softcore":6,"genre_ids":129,"popularity":130,"vote_count":131,"poster_path":132,"release_date":133,"vote_average":134,"backdrop_path":135,"original_title":127,"original_language":136},33229,"Dickson Greeting","William K.L. Dickson brings his hat from his one hand to the other and moves his head slightly, as a small nod toward the audience. This was the first film produced by the Edison Manufacturing Company to be shown to public audiences and the press.",[11],0.1762,70,"\u002Fas6wboEEpqJXFzGNXT0poGR7BM3.jpg","1891-05-20",4.979,"\u002F3GfFgKfmVxllucTw7YkixTNKEkU.jpg","xx",{"id":138,"adult":6,"title":139,"video":6,"overview":140,"softcore":6,"genre_ids":141,"popularity":142,"vote_count":143,"poster_path":144,"release_date":145,"vote_average":146,"backdrop_path":19,"original_title":139,"original_language":51},465805,"Tossing a Nigger in a Blanket","A method soldier boys have for amusing themselves in their leisure moments. New comrades are frequently initiated by the old-fashioned sport of tossing in a blanket. 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In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.",[11],0.4234,78,"\u002FsDbM3NnfnsEZYEJMt4O06Vb8Z9k.jpg","1894-03-14",5.2,"\u002Fpm9G1rfVvtBP32hNy4EwDEJpVtL.jpg",{"id":181,"adult":6,"title":182,"video":6,"overview":183,"softcore":6,"genre_ids":184,"popularity":185,"vote_count":20,"poster_path":186,"release_date":187,"vote_average":188,"backdrop_path":189,"original_title":182,"original_language":51},275120,"Days of Thrills and Laughter","An appreciative, uncritical look at silent film comedies and thrillers from early in the century through the 1920s.",[11],0.2919,"\u002FucSy3EVpYrtImJM6lLl3OI0DQZK.jpg","1961-03-21",6,"\u002FiF3fywaMzhtBe4ZBLcNd8K5M8GR.jpg",{"id":191,"adult":6,"title":192,"video":6,"overview":193,"softcore":6,"genre_ids":194,"popularity":195,"vote_count":196,"poster_path":197,"release_date":198,"vote_average":199,"backdrop_path":200,"original_title":201,"original_language":42},26317,"Man with a Movie Camera","A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.",[11],1.4101,804,"\u002FvJgAdgJWX54v0oXfIvhwjlZnmgn.jpg","1929-05-12",7.8,"\u002FbyRNEm1QwfQC1Mn0K4gLM2fIfWO.jpg","Человек с киноаппаратом",{"id":203,"adult":6,"title":204,"video":6,"overview":205,"softcore":6,"genre_ids":206,"popularity":207,"vote_count":208,"poster_path":209,"release_date":210,"vote_average":211,"backdrop_path":19,"original_title":204,"original_language":212},257156,"Aidez l'Espagne","The Colegio de Arquitectos de Catalunya commissioned Pere Portabella to make this film for the Joan Miró retrospective exhibit in 1969. There were heated discussions on whether it would be prudent to screen the film during the exhibit. Portabella took the following stance: \"either both films are screened or they don't screen any\" and, finally, both Miro l'Altre and Aidez l'Espagne were shown. The film was made by combining newsreels and film material from the Spanish Civil War with prints by Miró from the series \"Barcelona\" (1939-1944). The film ends with the painter's \"pochoir\" known as Aidez l'Espagne.",[11],0.2086,8,"\u002FoBaPHEP8vIWRxc3tnqi880ZTQQ1.jpg","1969-01-01",6.375,"ca",{"id":214,"adult":6,"title":215,"video":6,"overview":216,"softcore":6,"genre_ids":217,"popularity":218,"vote_count":123,"poster_path":19,"release_date":219,"vote_average":94,"backdrop_path":19,"original_title":215,"original_language":51},262493,"The Dawn of Sound: How Movies Learned to Talk","Film historians, and survivors from the nearly 30-year struggle to bring sound to motion pictures take the audience from the early failed attempts by scientists and inventors, to the triumph of the talkies.",[11,119],0.2184,"2007-09-02",{"id":221,"adult":6,"title":222,"video":6,"overview":223,"softcore":6,"genre_ids":224,"popularity":225,"vote_count":22,"poster_path":226,"release_date":227,"vote_average":94,"backdrop_path":19,"original_title":222,"original_language":33},988617,"Cordobés 65","A brief portrait of famous and brave bullfighter Manuel Benítez el Corbobés; an account on still photos of his triumphs and failures.",[11],0.1861,"\u002F21ona42zfPtqVwWVWXqVrHVhhuG.jpg","1965-01-01",11638,232746,"The remains of the Baltic Violence have been eroded away by the large steam excavator. There is a man standing at the railway cutting as trains pass. He throws something into the railway cutting. This person is seen in several of the recordings from 1913. It may be journalist Anker Kirkeby.",0.1347,"1913-08-08",[234,235],"US","DK",{"results":237},{},[],[240],{"id":241,"name":242,"logo_path":19,"origin_country":89},27463,"Politiken",[244],{"name":245,"iso_3166_1":235},"Denmark",45,"A documentary story that tends to land well.",[]]