[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-283593-en-US":3},{"detail":4,"match":241,"insight":242,"providers":243,"providerLink":7,"trailer":7},{"adult":5,"backdrop_path":6,"belongs_to_collection":7,"budget":8,"genres":9,"homepage":16,"id":17,"imdb_id":7,"origin_country":18,"original_language":20,"original_title":21,"overview":22,"popularity":23,"poster_path":24,"production_companies":25,"production_countries":26,"release_date":29,"revenue":8,"runtime":30,"softcore":5,"spoken_languages":31,"status":32,"tagline":16,"title":21,"video":5,"vote_average":30,"vote_count":33,"credits":34,"similar":46,"watch\u002Fproviders":237,"videos":239},false,"\u002FvS6rtjbvYsMYJWyFeTef2orbW13.jpg",null,0,[10,13],{"id":11,"name":12},99,"Documentary",{"id":14,"name":15},16,"Animation","",283593,[19],"US","en","Pasadena Freeway Stills","Possibly the most lucid, vivid, and awesome demonstration of the building up of still images to create moving ones, Pasadena Freeway Stills simply, gracefully and powerfully shows us the process by which we are fooled by the movies. By doing so, Gary Beydler mines a very rich vein of associations and metaphor, without the slightest ostentation.  Constructed as a thrilling arc of realization and, in a quite moving way, disappointment, the film is a beautiful articulation of our emotional entanglement with moving images, while simultaneously creating a form in which the illusion of cinema is brought into incredible relief as the film we're watching gradually catches up to the film Gary is holding up to the camera with his hands, one frame at a time. (Mark Toscano)  Preserved by the Academy Film Archive in 2008.",0.6009,"\u002Fyrbg6gyKIwJEraL8hrVNsQ83SBt.jpg",[],[27],{"iso_3166_1":19,"name":28},"United States of America","1974-01-01",6,[],"Released",1,{"cast":35,"crew":36},[],[37],{"adult":5,"gender":38,"id":39,"known_for_department":40,"name":41,"original_name":41,"popularity":42,"profile_path":43,"credit_id":44,"department":40,"job":45},2,1345969,"Directing","Gary Beydler",0.2588,"\u002FvoKZPePCVkWIgCxqMxkIOoFVa1C.jpg","53d16e630e0a265df300d42a","Director",{"page":33,"results":47,"total_pages":235,"total_results":236},[48,56,64,76,87,96,107,116,126,135,144,152,161,170,180,189,200,208,216,225],{"adult":5,"backdrop_path":7,"genre_ids":49,"id":50,"title":51,"original_language":20,"original_title":51,"overview":52,"popularity":53,"poster_path":54,"release_date":55,"softcore":5,"video":5,"vote_average":30,"vote_count":33},[14],637564,"Mutoscope Reels","An mutoscope motion picture installation commissioned for the 86th anniversary of the Guggenheim museum. Later preserved and turned into a short film.  Preserved by the Academy Film Archive in 2000.",1.0546,"\u002FAjbc58eqSavlmoQvYpnkoc8Ko5B.jpg","1945-01-01",{"adult":5,"backdrop_path":7,"genre_ids":57,"id":58,"title":59,"original_language":20,"original_title":59,"overview":60,"popularity":61,"poster_path":62,"release_date":63,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[14],634714,"Sonoma","\"I relocated to the Redwoods of Sonoma County upon graduation and in that relocation process the animation for Sonoma began. The design was built around the concept of the long wide horizontal 'pan' shot to express the concept of a dynamic landscape that passes across the screen like a traditional Chinese Scroll Painting. The deep personal meaning relates to the 'relocation' that was occurring within my own being after having done 2½ terms of active combat in the jungle as a carrier enlisted with the 82nd Airborne Division of the Army\" -D. Pies.  Preserved by the Academy Film Archive in 2012.",0.542,"\u002Fbvhs5gikXDISUD1XxWDk5LhFFwi.jpg","1977-01-01",{"adult":5,"backdrop_path":65,"genre_ids":66,"id":68,"title":69,"original_language":20,"original_title":69,"overview":70,"popularity":71,"poster_path":72,"release_date":73,"softcore":5,"video":5,"vote_average":74,"vote_count":75},"\u002Ftv7spvonDUQoIBoUCiGOIigqidW.jpg",[67,14],35,3171,"Bambi Meets Godzilla","A deer, disillusioned by the consumerism that defines his life. A lizard, ostracized from society, forever wandering. A chance meeting in the middle of a field. Who will survive? And who will transcend existence? Preserved by the Academy Film Archive in 2009.",1.2841,"\u002FlJazOe53J7FPC2H2d6i64jFGNGC.jpg","1969-07-10",6.484,182,{"adult":5,"backdrop_path":77,"genre_ids":78,"id":79,"title":80,"original_language":20,"original_title":80,"overview":81,"popularity":82,"poster_path":83,"release_date":84,"softcore":5,"video":5,"vote_average":85,"vote_count":86},"\u002Fw3dOhwSPOZcZXTzsWURiPyLHfyX.jpg",[11],266697,"God Respects Us When We Work, But Loves Us When We Dance","Les Blank's poetic documentation of 1967's Los Angeles Easter Sunday Love-In.  Preserved by the Academy Film Archive in 2002.",0.8527,"\u002Fws1vAuhGUpZ294RCTfoDsJWDVOL.jpg","1968-10-01",5.7,14,{"adult":5,"backdrop_path":7,"genre_ids":88,"id":89,"title":90,"original_language":20,"original_title":90,"overview":91,"popularity":92,"poster_path":93,"release_date":94,"softcore":5,"video":5,"vote_average":30,"vote_count":95},[11],266491,"The Town","The Town was a short propaganda film produced by the Office of War Information in 1945. It presents an idealized vision of American life, shown in microcosm by Madison, Indiana. It was created primarily for exhibition abroad, to provide international audiences a more well-rounded view of America, and was therefore produced in more than 20 translations.  Preserved by the Academy Film Archive in 2012.",1.6992,"\u002FnwLRMuQzdAGVgTwY0kDvDyUXYu7.jpg","1944-01-01",3,{"adult":5,"backdrop_path":7,"genre_ids":97,"id":98,"title":99,"original_language":100,"original_title":101,"overview":102,"popularity":103,"poster_path":104,"release_date":105,"softcore":5,"video":5,"vote_average":106,"vote_count":86},[14],263875,"Study No. 6","xx","Studie Nr. 6","The first Studies were synchronized with records (Fischinger made a total of 13 Studies all without sound). It was only with the introduction of sound, beginning with Study No 6 that the films did full justice to this musical principle. The play of the white lines, the arcs, and the upside-down U’s running hither and thither like ballet dancers was brought into perfect synchronization with the music, and thus the films offered an abstract illustration of the melodies. Study No 6 is certainly the best of his films in terms of forms. - Hans Scheugl and Ernst Schmidt, Jr.  Preserved by the Academy Film Archive in 2001.",0.8177,"\u002FtQPcAfWShDfOQUthcUELTkjzirM.jpg","1930-10-01",6.643,{"adult":5,"backdrop_path":7,"genre_ids":108,"id":109,"title":110,"original_language":20,"original_title":111,"overview":112,"popularity":113,"poster_path":114,"release_date":115,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],447284,"Hunting Keys","Chasse des Touches","A film by Hy Hirsh.  Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2000.",0.6357,"\u002FmNGX8nHrsbAibY0FEjDLyubY6Yr.jpg","1959-01-01",{"adult":5,"backdrop_path":117,"genre_ids":118,"id":119,"title":120,"original_language":20,"original_title":120,"overview":121,"popularity":122,"poster_path":123,"release_date":124,"softcore":5,"video":5,"vote_average":125,"vote_count":95},"\u002FkEbYIWjBF2CpaI9Z1GFByltBeDy.jpg",[11],265631,"Sikkim","Satyajit Ray's poetic documentary was commissioned by the Chogyal (King) of Sikkim at a time when he felt the sovereignty of Sikkim was under threat from both China and India. Ray's documentary is about the sovereignty of Sikkim. The film was banned by the government of India when Sikkim merged with India in 1975. The ban was finally lifted by the Ministry of External Affairs in September 2010.  Preserved by the Academy Film Archive in 2007.",1.0925,"\u002F3BgBI2eLjq5avQhQE2s9cR1prQo.jpg","1971-04-01",6.667,{"adult":5,"backdrop_path":7,"genre_ids":127,"id":128,"title":129,"original_language":20,"original_title":129,"overview":130,"popularity":131,"poster_path":132,"release_date":133,"softcore":5,"video":5,"vote_average":134,"vote_count":38},[11],449277,"Manzanar","Short film about the Manzanar Japanese American internment camp.  Preserved by the Academy Film Archive in 2011.",1.6822,"\u002FpB9O0vnVmCj7tobVRG8hVfZr2o3.jpg","1972-01-01",6.5,{"adult":5,"backdrop_path":7,"genre_ids":136,"id":138,"title":139,"original_language":20,"original_title":139,"overview":140,"popularity":141,"poster_path":142,"release_date":143,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[14,137],36,831082,"Legacy: A Very Short History of Natural Resources","Legacy takes the audience on a rapid-fire journey through the evolution of the world, starting with a cosmic bang, evolving through billions of years of plants, animals and the creation of natural resources, ending with man and his bounty – “sitting on his world contemplating his coconut”.  Preserved by the Academy Film Archive in 2012.",0.7292,"\u002FmNMNLb51Vj1PhwzHE8y0cXDnWxz.jpg","1979-12-17",{"adult":5,"backdrop_path":7,"genre_ids":145,"id":146,"title":147,"original_language":20,"original_title":147,"overview":148,"popularity":149,"poster_path":150,"release_date":151,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[14],455183,"Kitsch in Synch","The animation, music, and optical printing of Kitsch in Synch was produced by Beckett and the students in two classes he was teaching at CalArts. Although a group project, it is clear that Beckett was the director. The playful, catchy soundtrack is used to create a cycle of building tension and release. The brightly colored shapes create approximate symmetrical formations and become more densely layered, with glimpses of iconographic objects and even live footage near the end. Preserved by the Academy Film Archive, in partnership with the iotaCenter, in 2007.",0.8775,"\u002FxtJEqvajspa6KSnYkjWUcYttzes.jpg","1975-01-01",{"adult":5,"backdrop_path":7,"genre_ids":153,"id":154,"title":155,"original_language":20,"original_title":155,"overview":156,"popularity":157,"poster_path":158,"release_date":159,"softcore":5,"video":5,"vote_average":160,"vote_count":33},[14],269427,"Mountain Music","Mountain Music illustrates what happens when technology gets too advanced too soon.  Preserved by the Academy Film Archive in 2012.",1.5573,"\u002FvUoKm2ko6cxs1SsgISlIGdJyqph.jpg","1976-01-01",5,{"adult":5,"backdrop_path":7,"genre_ids":162,"id":163,"title":164,"original_language":20,"original_title":164,"overview":165,"popularity":166,"poster_path":167,"release_date":168,"softcore":5,"video":5,"vote_average":169,"vote_count":95},[11],270251,"Showman","Albert and David Maysles (Gimme Shelter) directed this 53-minute documentary about movie tycoon Joseph E. Levine (1963).",0.7087,"\u002FsF5OBUYv9mOnjyukh8XRoCJc9L0.jpg","1963-01-02",6.7,{"adult":5,"backdrop_path":7,"genre_ids":171,"id":172,"title":173,"original_language":100,"original_title":173,"overview":174,"popularity":175,"poster_path":176,"release_date":177,"softcore":5,"video":5,"vote_average":178,"vote_count":179},[14],283688,"Five Film Exercises: Film 4","The entire film is divided into four consecutive chosen approaches—the fourth  section devoted to a reiteration and extension of the original material.  Preserved by the Academy Film Archive in 1999.",0.8057,"\u002FfqYkvEGo1m2bObPEVrQln0qv3cS.jpg","1944-05-15",4.6,8,{"adult":5,"backdrop_path":7,"genre_ids":181,"id":182,"title":183,"original_language":20,"original_title":183,"overview":184,"popularity":185,"poster_path":186,"release_date":187,"softcore":5,"video":5,"vote_average":188,"vote_count":33},[11],461798,"California's Golden Beginning","A description and enactment of the discovery of gold by James Marshall, and the role played by John Sutter.  Preserved by the Academy Film Archive.",1.2053,"\u002FivmDZ2jrXYU7Yj531VvHwxBFUCP.jpg","1948-01-01",9,{"adult":5,"backdrop_path":190,"genre_ids":191,"id":192,"title":193,"original_language":20,"original_title":193,"overview":194,"popularity":195,"poster_path":196,"release_date":197,"softcore":5,"video":5,"vote_average":198,"vote_count":199},"\u002FpYeiEm55NySzK9ksKlQGlFQNapz.jpg",[11],14275,"Hoop Dreams","Every school day, African-American teenagers William Gates and Arthur Agee travel 90 minutes each way from inner-city Chicago to St. Joseph High School in Westchester, Illinois, a predominately white suburban school well-known for the excellence of its basketball program. Gates and Agee dream of NBA stardom, and with the support of their close-knit families, they battle the social and physical obstacles that stand in their way. This acclaimed documentary was shot over the course of five years.",1.8802,"\u002FgLzHl2XBtVwycl8DxdOXRHPm8G3.jpg","1994-09-12",7.597,345,{"adult":5,"backdrop_path":7,"genre_ids":201,"id":202,"title":203,"original_language":20,"original_title":203,"overview":204,"popularity":205,"poster_path":206,"release_date":207,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[14],654251,"Things to Come","A vibrant animation by Patricia Marx.  Preserved by the Academy Film Archive in 2000.",0.7026,"\u002F25C2UURUH9iMIgsySCIvyfKWAdJ.jpg","1953-03-03",{"adult":5,"backdrop_path":7,"genre_ids":209,"id":210,"title":211,"original_language":20,"original_title":211,"overview":212,"popularity":213,"poster_path":214,"release_date":215,"softcore":5,"video":5,"vote_average":125,"vote_count":95},[11],277664,"The Art Director","A film's art director is in charge of the set, from conception to construction to furnishing. This short film walks the viewer through art directors' responsibilities and the demands on their talents. They read a script carefully and design a set to capture the time and place, the social strata, and the mood. They must be scholars of the history of architecture, furnishings, and fashion. They choose the colors on a set in anticipation of the lighting and the mood. Their work also sets styles, from Art Deco in the 20's to 30s modernism. Then it's on to the next project.  Preserved by the Academy Film Archive in 2012.",1.5409,"\u002F57b5sX4bRqKvkaVBXYL627R2Mpp.jpg","1949-11-12",{"adult":5,"backdrop_path":217,"genre_ids":218,"id":219,"title":220,"original_language":20,"original_title":220,"overview":221,"popularity":222,"poster_path":223,"release_date":224,"softcore":5,"video":5,"vote_average":8,"vote_count":8},"\u002Fj2iKOCNVcn7DnP8sGorPjIY0oc9.jpg",[14],649532,"Bowl, Garden, Theatre, Marble Game","An animated short consisting of 4 segments: bowl, garden, theatre, marble game.  Preserved by the Academy Film Archive in partnership with Harvard Film Archive in 2015.",0.653,"\u002FqekbozfWPd38oBhMVyJzSo1XXRD.jpg","1970-01-01",{"adult":5,"backdrop_path":226,"genre_ids":227,"id":228,"title":229,"original_language":20,"original_title":229,"overview":230,"popularity":231,"poster_path":232,"release_date":233,"softcore":5,"video":5,"vote_average":234,"vote_count":179},"\u002FmYGvIV4D8QJBWrLryzMLxHgP0ul.jpg",[14,67],284569,"The Cow Who Wanted To Be a Hamburger","A children's fable about the power of advertising, the meaning of life and ultimately the test of a mother's love.  Preserved by the Academy Film Archive in 2016.",0.8638,"\u002Fsvsimwb0q4XQVTrzcyWQDk9ilk8.jpg","2010-03-12",5.4,1001,20001,{"results":238},{},{"id":17,"results":240},[],45,"A documentary story that tends to land well.",[]]