[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-285977-en-US":3},{"detail":4,"match":279,"insight":280,"providers":281,"providerLink":42,"trailer":42},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":57,"revenue":8,"runtime":8,"similar":58,"tagline":109,"homepage":109,"overview":257,"softcore":6,"popularity":258,"vote_count":31,"poster_path":259,"release_date":260,"vote_average":261,"backdrop_path":262,"origin_country":263,"original_title":7,"watch\u002Fproviders":265,"spoken_languages":267,"original_language":68,"production_companies":271,"production_countries":276,"belongs_to_collection":42},285977,false,"Quand tu disais, Valéry",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":18},[],[19,28,35,43,50],{"id":20,"job":21,"name":22,"adult":6,"gender":23,"credit_id":24,"department":25,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":25},1351471,"Director","Nicole Le Garrec",1,"53e62e4c0e0a2628c4001cb1","Directing",0.7101,"\u002F408PIaP0a6LMlvNB0WUSjTJ9lfk.jpg",{"id":29,"job":21,"name":30,"adult":6,"gender":31,"credit_id":32,"department":25,"popularity":33,"profile_path":34,"original_name":30,"known_for_department":25},231413,"René Vautier",2,"53e62e570e0a2628d8001bd3",0.7678,"\u002FaN9ghcXiG4z0OtF8QKfbLzPwd3v.jpg",{"id":36,"job":37,"name":38,"adult":6,"gender":23,"credit_id":39,"department":40,"popularity":41,"profile_path":42,"original_name":38,"known_for_department":40},999532,"Editor","Simone Nedjma Scialom","66691e6f081ce24260ea20ae","Editing",0.4863,null,{"id":44,"job":45,"name":46,"adult":6,"gender":8,"credit_id":47,"department":45,"popularity":48,"profile_path":42,"original_name":46,"known_for_department":49},4715860,"Sound","Alain Vautier","66691eb04e3938456aea2b95",0.3421,"Acting",{"id":51,"job":52,"name":53,"adult":6,"gender":8,"credit_id":54,"department":55,"popularity":56,"profile_path":42,"original_name":53,"known_for_department":55},4770509,"Cinematography","Jean-Marie Dagoneau","66691ecc0a4e0068a1d0540b","Crew",0.3432,"tt0323747",{"page":23,"results":59,"total_pages":255,"total_results":256},[60,69,81,90,103,110,119,129,140,150,157,168,178,187,195,207,215,222,232,243],{"id":61,"adult":6,"title":62,"video":6,"overview":63,"softcore":6,"genre_ids":64,"popularity":65,"vote_count":8,"poster_path":66,"release_date":67,"vote_average":8,"backdrop_path":42,"original_title":62,"original_language":68},1243070,"De Quoi J'Me Mêle ! Banlieues, Guerre Et Paix","From the “integration model” to the “Islamist fanatic”, France fantasizes about these children of immigrants who grew up with it. Like every month “What I’m Meddling With!” presents portraits, the result of an in-depth investigation, to give a face to today's questions. The program, broadcast in the thematic evening of the Franco-German channel Arte, is made up of 2 ambivalent documentaries: \"Les Lumières De La Zone\" and \"Les Soldats De Dieu\" followed by debates.",[11],0.7441,"\u002FmFjhfT5D3U0C0mJKBxhdyFqfDn8.jpg","1995-03-30","fr",{"id":70,"adult":6,"title":71,"video":6,"overview":72,"softcore":6,"genre_ids":73,"popularity":76,"vote_count":8,"poster_path":77,"release_date":78,"vote_average":8,"backdrop_path":79,"original_title":80,"original_language":68},1227429,"An Island and One Night","Around the fire, travellers and pirates recount their memories, their dreams, their battles. From one language to another, from story to story, we hear the roar of the storm and the rustle of the leaves, the menacing sirens and the wild dances, the clash of the swords and the song of the birds. Until dawn, a thousand and one paths take shape on this imaginary yet real island.",[74,75,11],14,12,0.4879,"\u002FevVbdnCKKBT7bu8TDPlHdEHo9bK.jpg","2023-05-23","\u002FgsDf1XDCsUwRnK9XTj1ZLBeBLgM.jpg","Une île et une nuit",{"id":82,"adult":6,"title":83,"video":6,"overview":84,"softcore":6,"genre_ids":85,"popularity":86,"vote_count":8,"poster_path":87,"release_date":88,"vote_average":8,"backdrop_path":42,"original_title":83,"original_language":89},1039276,"La historia es nuestra: Pascual, lucha obrera y cooperativismo","History is Ours narrates the struggle of the workers of the Refrescos Pascual soft-drink company against its owner, Rafael Jiménez, the official trade unionism of the CTM and the labor authorities of the governments of José López Portillo and Miguel de la Madrid, between 1982 and 1985. It documents the workers' difficult struggle to take over the company, when justice, which had been elusive, finally proved them right, and opened the possibility that these brave, tenacious workers would  become collective owners of the company. Today, these soft-drink fighters resist a system that hits Mexican companies in favor of the monopolistic transnationals.  The film is an account of one of the most brilliant episodes of the contemporary Mexican labor movement, an example of unity and class consciousness, embodied by men and women who make their struggle a tribute to comrades Concepción Jacobo García and Alvaro Hernández García, tragically fallen at the beginning of this historic event.",[11],0.5523,"\u002F6ibQtVKQ5vOEthx20tP1WehmkB5.jpg","2019-06-23","es",{"id":91,"adult":6,"title":92,"video":6,"overview":93,"softcore":6,"genre_ids":94,"popularity":95,"vote_count":96,"poster_path":97,"release_date":98,"vote_average":99,"backdrop_path":100,"original_title":101,"original_language":102},471575,"The Antifascists","A low-intensity war is being fought on the streets of Europe and the aim is on fascism. This critically acclaimed documentary takes us behind the masks of the militants called antifascists. In 2013 a group of armed nazis attacks a peaceful demonstration in Stockholm where several people are injured. In Greece the neo-nazi party Golden Dawn becomes the third largest in the election and in Malmö the activist Showan Shattak and his friends are attacked by a group of nazis with knives and he ends up in a coma. In this portrait of the antifascists in Greece and Sweden we get to meet key figures that explain their view on their radical politics but also to question the level their own violence and militancy.",[11],1.0551,9,"\u002FlFe66b9arUdQ9KBjbDAlHb8fU8n.jpg","2017-03-09",7,"\u002FtVQ5tlMyJAd8rJNpJ0rSsxh8lZh.jpg","Antifascisterna","sv",{"id":104,"adult":6,"title":105,"video":6,"overview":106,"softcore":6,"genre_ids":107,"popularity":108,"vote_count":8,"poster_path":42,"release_date":109,"vote_average":8,"backdrop_path":42,"original_title":105,"original_language":89},1441267,"Vivir de la madera (Kuxtal Ti' Che')","In Mexico, the lack of jobs in villages and communities forces people to migrate to cities in search of opportunities and better income. This is the case of Justino, originally from the village of Muchucuxcáh, in the Yucatán Peninsula, who after traveling to Cancun and encountering problems and suffering there, decided to return to his village and learn to work with wood. Justino demonstrates how humans can interact with nature and their surroundings to have a dignified job.",[11],0.5307,"",{"id":111,"adult":6,"title":112,"video":6,"overview":113,"softcore":6,"genre_ids":114,"popularity":115,"vote_count":8,"poster_path":116,"release_date":117,"vote_average":8,"backdrop_path":42,"original_title":112,"original_language":118},891113,"Madame Pipi","Madame Pipi follows the personal journeys of female Haitian bathroom attendants in Miami’s hottest nightclubs and their support to Haiti through their tips.",[11],0.4413,"\u002FlSJIe8KUVmchL6qiWSpXKyCs2Wr.jpg","2021-11-12","ht",{"id":120,"adult":6,"title":121,"video":6,"overview":109,"softcore":6,"genre_ids":122,"popularity":124,"vote_count":31,"poster_path":125,"release_date":126,"vote_average":127,"backdrop_path":128,"original_title":121,"original_language":68},1267522,"Le Siècle des couturières",[11,123],36,1.211,"\u002FAc9ho6Jfz2rBiKcIflfpcnZS8tE.jpg","2022-03-07",7.5,"\u002FwNEPZX0eOnkXDOHKmG0bXreT3IJ.jpg",{"id":130,"adult":6,"title":131,"video":6,"overview":132,"softcore":6,"genre_ids":133,"popularity":134,"vote_count":23,"poster_path":135,"release_date":136,"vote_average":137,"backdrop_path":138,"original_title":139,"original_language":89},713083,"Love, Women and Flowers","Women workers stand up to the toxic flower industry in Colombia.",[11],1.0458,"\u002Fp99EVllkynlCLAvfDZvI9W3HVZL.jpg","1988-01-01",10,"\u002FuF71dKTu5ADfYmjQmBtHJL7P84U.jpg","Amor, mujeres y flores",{"id":141,"adult":6,"title":142,"video":6,"overview":143,"softcore":6,"genre_ids":144,"popularity":145,"vote_count":8,"poster_path":146,"release_date":147,"vote_average":137,"backdrop_path":148,"original_title":142,"original_language":149},1493375,"SUR FACIE","This is a reflection of & on class consciousness",[11],0.5579,"\u002F16dDcpwRR5dLe92zrKSyzT5mZKD.jpg","2025-06-02","\u002F1Tc5ADz27eQken1wAFbWJkdhqEr.jpg","en",{"id":151,"adult":6,"title":152,"video":6,"overview":109,"softcore":6,"genre_ids":153,"popularity":154,"vote_count":8,"poster_path":42,"release_date":155,"vote_average":8,"backdrop_path":42,"original_title":152,"original_language":156},1732405,"Lotta partigiana",[11],1.7462,"1975-01-01","it",{"id":158,"adult":6,"title":159,"video":6,"overview":160,"softcore":6,"genre_ids":161,"popularity":162,"vote_count":31,"poster_path":163,"release_date":164,"vote_average":99,"backdrop_path":165,"original_title":166,"original_language":167},1137254,"Donna: Women in Revolt","The story of those Italian women who, for eighty years, have fought against power in all its forms.",[11,123],1.1954,"\u002Fp4L31qmTCRlTtSW6f7ioQCWNfCF.jpg","1980-01-01","\u002Fte3g4Z85YdXvgVUCjjFOlUrNB3h.jpg","Donna: vrouwen in verzet","nl",{"id":169,"adult":6,"title":170,"video":6,"overview":171,"softcore":6,"genre_ids":172,"popularity":173,"vote_count":174,"poster_path":175,"release_date":176,"vote_average":127,"backdrop_path":177,"original_title":170,"original_language":68},372812,"Les Anneaux d'Or","At the time of Tunisian independence, owners of large boats decide to sell, while many small fishermen soon find themselves without work. Their wives then decide to pool their gold rings to sell them and thus buy boats.",[11,123],1.3379,4,"\u002F5GRFKnrrkGO4uy5rQWp5aH9r8Xv.jpg","1956-01-01","\u002FedjQr8UTPBmAdS5G3kWJahD8XnG.jpg",{"id":179,"adult":6,"title":180,"video":6,"overview":181,"softcore":6,"genre_ids":182,"popularity":183,"vote_count":8,"poster_path":184,"release_date":185,"vote_average":8,"backdrop_path":42,"original_title":186,"original_language":156},1739832,"Middle Class","Set in a former train factory turned art gallery in Milan, Italy, Classe Media explores the contradictions of being a working class artist. This documentary short follows the filmmaker as they question their class position as an unemployed artist in residence in this former working class space.",[11],1.5726,"\u002F8wLvy9TUloHVJYCTVRqa1OyLmoL.jpg","2026-08-05","Classe Media",{"id":188,"adult":6,"title":189,"video":6,"overview":190,"softcore":6,"genre_ids":191,"popularity":192,"vote_count":8,"poster_path":193,"release_date":194,"vote_average":8,"backdrop_path":42,"original_title":189,"original_language":156},1755421,"Giu Le Mani","On March 7, 2008, the management of Swiss Federal Railways announced the privatisation of its freight train maintenance and relocation of its locomotive maintenance. The 430 workers at the factories of SBB Cargo in Bellinzona went on strike. Within a few days an extensive protest movement was not only initiated, but also supported by the entire region. The workshop designated for the varnishing of the trains became the center and symbol of the fight. The ensuing struggle between the strikers and the SBB management lasted thirty days, a struggle whose scope rapidly exceeded the safeguarding of jobs and the destiny of hundreds of families and also encompassed a debate on the role of the individual in an ever-increasing global economy, human beings and their values. An intense month during which the entire political community was mobilised.",[11],0.6795,"\u002F13H7NeZZbqJtVvoM2k29yVskCy1.jpg","2008-08-01",{"id":196,"adult":6,"title":197,"video":6,"overview":198,"softcore":6,"genre_ids":199,"popularity":200,"vote_count":201,"poster_path":202,"release_date":203,"vote_average":204,"backdrop_path":205,"original_title":206,"original_language":68},597099,"Blow It to Bits","A mix of Rock and Roll and Blues are the secret for successful rebellion. When I took my camera to the middle of France where the GM&S factory was threatened by a permanent shut down, I felt like something extraordinary was about to take place. And it did. The lyrics were written by workers who have had enough! The tune was composed by people not afraid to go against even the rules of revolt! The volume was loud enough to attract the media. Their working-class concert spread across France like wild fire. I sat out of sight, camera in hand, filming like catching fish in a barrel.",[11],1.1928,6,"\u002FbD3oEnDFxsweA1h81VlBHYfncCP.jpg","2019-10-09",6.9,"\u002FsfVoPbi0FOO6IjUGXBlUNEDD5aB.jpg","On va tout péter",{"id":208,"adult":6,"title":209,"video":6,"overview":109,"softcore":6,"genre_ids":210,"popularity":211,"vote_count":23,"poster_path":212,"release_date":213,"vote_average":214,"backdrop_path":42,"original_title":209,"original_language":68},1367753,"La Ballade des sans-papiers",[11],0.7776,"\u002Fa55udyd2iSZztIxdozv5PDn7vpc.jpg","1997-06-12",8,{"id":216,"adult":6,"title":217,"video":6,"overview":109,"softcore":6,"genre_ids":218,"popularity":219,"vote_count":31,"poster_path":42,"release_date":220,"vote_average":221,"backdrop_path":42,"original_title":217,"original_language":68},259406,"Semences : les gardiens de la biodiversité",[11],0.7002,"2014-03-14",4.2,{"id":223,"adult":6,"title":224,"video":6,"overview":225,"softcore":6,"genre_ids":226,"popularity":229,"vote_count":8,"poster_path":230,"release_date":231,"vote_average":8,"backdrop_path":42,"original_title":224,"original_language":149},1029256,"Hostile Architecture","Kirsty must survive an afternoon in the city centre until her accomodation can be arranged at a homeless shelter.",[227,228],18,53,1.5554,"\u002FgqyNxHjsERvHlDXwwPsz9woIKlt.jpg","2021-08-20",{"id":233,"adult":6,"title":234,"video":6,"overview":235,"softcore":6,"genre_ids":236,"popularity":238,"vote_count":239,"poster_path":240,"release_date":241,"vote_average":99,"backdrop_path":242,"original_title":234,"original_language":68},1629,"La Chinoise","A small group of French students are studying Mao, trying to find out their position in the world and how to change the world to a Maoistic community using terrorism.",[227,237],35,2.6046,248,"\u002FhfGzYErvwi8hB38kCsSNy6OjdPv.jpg","1967-08-30","\u002F5xKuOSej5ZmcDzrXIg6gqHask3o.jpg",{"id":244,"adult":6,"title":245,"video":6,"overview":246,"softcore":6,"genre_ids":247,"popularity":249,"vote_count":31,"poster_path":250,"release_date":251,"vote_average":252,"backdrop_path":253,"original_title":245,"original_language":254},274155,"Noua","In Algeria in 1954, in a village in the Aurès region, poverty reigns over peasants enslaved by colonial administrators and Algerian landowners. Noua, in love with the son of a peasant dispossessed of his land, must be sold to a wealthy landowner.",[227,123,248],10752,0.9633,"\u002FicvsBh5XmO3uvfYAZkwfV3uPEJ2.jpg","1972-01-02",8.5,"\u002Fd95KMAxEtLTnKr54GT285aXZY5P.jpg","ar",1001,20001,"Divided into five parts, this film traces the long strike by workers at the Caravelair caravan factory in Trigniac, near Saint-Nazaire, led by the C.G.T. and C.F.D.T. unions. Shot in 1975, the film achieved the strange feat of being produced entirely by workers' producers - 15,000 of them paid in advance for their tickets - and of being amortized, and even made profitable, by being shown outside the commercial circuit alone.",0.8602,"\u002FuxwAn4Zdnp5pKweNUAkJ9p2MRMy.jpg","1976-05-15",9.5,"\u002F2fv4nryAlsn2JmSLFl8gKVnA0AO.jpg",[264],"FR",{"results":266},{},[268],{"name":269,"iso_639_1":68,"english_name":270},"Français","French",[272],{"id":273,"name":274,"logo_path":275,"origin_country":264},171898,"Union de Production Cinématographique Bretonne (UPCB)","\u002F2WyAQVOqTX4c3j0JJA2JvQJzCCF.png",[277],{"name":278,"iso_3166_1":264},"France",45,"A documentary story that tends to land well.",[]]