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Adding in new footage of Raymond Burr, this 16th Godzilla film ignores all previous sequels and serves as a direct follow-up to the 1956 \"Godzilla King of the Monsters\", which also featured scenes with Burr edited into 1954's \"Godzilla\". This film restores the darker tone of the original, as we witness the nuclear destruction of giant lizard terrorizing Japan.",[17,20,516],1.3724,199,"\u002FblKtf1L6LA3mFW8aVJzxnaI8CLn.jpg","1985-08-23",6.817,"\u002FfYUudDnPjCKzxnsQKv1PJJA3W6j.jpg",{"id":579,"adult":6,"title":580,"video":6,"overview":581,"softcore":6,"genre_ids":582,"popularity":583,"vote_count":584,"poster_path":585,"release_date":586,"vote_average":587,"backdrop_path":588,"original_title":589,"original_language":445},39264,"Godzilla vs. Megalon","Inventor Goro Ibuki creates a humanoid robot named Jet Jaguar. It is soon seized by an undersea race of people called the Seatopians. 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The Undead have been re-released, and a new trio of Kamen Riders—Glaive, Larc and Lance—have emerged from BOARD, now led by Tachibana. After recapturing two of the Category Aces, Kenzaki and Mutsuki join with the new Riders. When all the Undead are sealed once more, Glaive reveals himself to be the Albino Joker, a white version of the original Joker, and captures Kotarō's niece to obtain the ultimate power, sealing her in the Vanity Card. 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