[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-287756-en-US":3},{"detail":4,"match":333,"insight":334,"providers":335,"providerLink":36,"trailer":336},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":26,"imdb_id":113,"revenue":8,"runtime":114,"similar":115,"tagline":292,"homepage":304,"overview":305,"softcore":6,"popularity":306,"vote_count":274,"poster_path":307,"release_date":308,"vote_average":309,"backdrop_path":36,"origin_country":310,"original_title":312,"watch\u002Fproviders":313,"spoken_languages":315,"original_language":256,"production_companies":325,"production_countries":329,"belongs_to_collection":36},287756,false,"Metropolis Refound",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[16],{"id":17,"key":18,"name":19,"site":20,"size":21,"type":22,"official":6,"iso_639_1":23,"iso_3166_1":24,"published_at":25},"5ab09cb80e0a2676d8005f74","-wMlrB2BQwU","Trailer Metropolis Refundada (versión español)","YouTube",720,"Trailer","en","US","2010-02-11T10:32:10.000Z",{"cast":27,"crew":68},[28,38,45,52,61],{"id":29,"name":30,"adult":6,"order":8,"gender":31,"cast_id":32,"character":33,"credit_id":34,"popularity":35,"profile_path":36,"original_name":30,"known_for_department":37},222850,"Enno Patalas",2,4,"Self","5ab09937c3a368619e00536b",0.19,null,"Acting",{"id":39,"name":40,"adult":6,"order":41,"gender":31,"cast_id":31,"character":33,"credit_id":42,"popularity":43,"profile_path":44,"original_name":40,"known_for_department":37},1816728,"Fernando Martín Peña",1,"5ab0982892514111c4005633",0.379,"\u002Fs7ip5zNRLAFLsOyx1cHETWlRGGL.jpg",{"id":46,"name":47,"adult":6,"order":31,"gender":8,"cast_id":48,"character":33,"credit_id":49,"popularity":50,"profile_path":51,"original_name":47,"known_for_department":37},2002906,"Paula Félix-Didier",3,"5ab098430e0a2676d5005e1b",0.0861,"\u002FyPm5FZ6gdjE40ZIedORQuxMKFuy.jpg",{"id":53,"name":54,"adult":6,"order":48,"gender":31,"cast_id":55,"character":56,"credit_id":57,"popularity":58,"profile_path":59,"original_name":54,"known_for_department":60},11435,"Howard Hawks",6,"Self (archive footage)","5ab099730e0a2676d0005f2a",0.9583,"\u002FhG2oF9wZlqwGqP6EhG0qaN9Afg7.jpg","Directing",{"id":62,"name":63,"adult":6,"order":32,"gender":31,"cast_id":64,"character":56,"credit_id":65,"popularity":66,"profile_path":67,"original_name":63,"known_for_department":37},2638,"Cary Grant",5,"5ab099650e0a2676d0005f1c",1.8265,"\u002FlcNAirMFcyM7WIiCmaabjbNZVOJ.jpg",[69,75,80,85,90,94,96,100,102,109],{"id":70,"job":71,"name":72,"adult":6,"gender":8,"credit_id":73,"department":60,"popularity":74,"profile_path":36,"original_name":72,"known_for_department":60},1354994,"Director","Evangelina Loguercio","53f4a8f8c3a3683400001a31",0.5106,{"id":76,"job":71,"name":77,"adult":6,"gender":8,"credit_id":78,"department":60,"popularity":79,"profile_path":36,"original_name":77,"known_for_department":60},2002907,"Diego Panich","5ab099d30e0a2676c9005b15",0.357,{"id":81,"job":71,"name":82,"adult":6,"gender":8,"credit_id":83,"department":60,"popularity":84,"profile_path":36,"original_name":82,"known_for_department":60},2002908,"Laura Tusi","5ab099e90e0a2676db0055c7",0.0404,{"id":86,"job":71,"name":87,"adult":6,"gender":8,"credit_id":88,"department":60,"popularity":89,"profile_path":36,"original_name":87,"known_for_department":60},2002909,"Sebastián Yablón","5ab099fec3a36861a8005a50",0.0398,{"id":81,"job":91,"name":82,"adult":6,"gender":8,"credit_id":92,"department":93,"popularity":84,"profile_path":36,"original_name":82,"known_for_department":60},"Writer","5ab09a2a0e0a2676d8005d4d","Writing",{"id":86,"job":91,"name":87,"adult":6,"gender":8,"credit_id":95,"department":93,"popularity":89,"profile_path":36,"original_name":87,"known_for_department":60},"5ab09a3e92514111cd005673",{"id":70,"job":97,"name":72,"adult":6,"gender":8,"credit_id":98,"department":99,"popularity":74,"profile_path":36,"original_name":72,"known_for_department":60},"Producer","5ab09a5892514111ca005762","Production",{"id":81,"job":97,"name":82,"adult":6,"gender":8,"credit_id":101,"department":99,"popularity":84,"profile_path":36,"original_name":82,"known_for_department":60},"5ab09a6992514111be0057fb",{"id":103,"job":104,"name":105,"adult":6,"gender":8,"credit_id":106,"department":107,"popularity":108,"profile_path":36,"original_name":105,"known_for_department":107},2002910,"Music","Carlos Abriola","5ab09a8792514111be005817","Sound",0.0071,{"id":76,"job":110,"name":77,"adult":6,"gender":8,"credit_id":111,"department":112,"popularity":79,"profile_path":36,"original_name":77,"known_for_department":60},"Cinematography","5ab09aa2c3a36861b50063fd","Crew","tt1637702",47,{"page":41,"results":116,"total_pages":302,"total_results":303},[117,127,138,145,151,157,163,173,184,193,204,213,224,235,247,257,266,275,285,294],{"id":118,"adult":6,"title":119,"video":6,"overview":120,"softcore":6,"genre_ids":121,"popularity":122,"vote_count":48,"poster_path":123,"release_date":124,"vote_average":125,"backdrop_path":126,"original_title":119,"original_language":23},1185436,"Against the Grain","A glimpse at how genre film-focused home video companies have taken the charge in preserving, restoring, and releasing so many works which otherwise might have been lost to time.",[11],0.5475,"\u002F7FyqYunKPIn4GyT12hev642XyEj.jpg","2023-11-24",6.333,"\u002Fdf0dsIgLIwZ0ofoTP611o5MgTY5.jpg",{"id":128,"adult":6,"title":129,"video":6,"overview":130,"softcore":6,"genre_ids":131,"popularity":132,"vote_count":133,"poster_path":134,"release_date":135,"vote_average":136,"backdrop_path":137,"original_title":129,"original_language":23},269779,"Chaplin Today: City Lights","In 1928, as the talkies threw the film industry and film language into turmoil, Chaplin decided that his Tramp character would not be heard. City Lights would not be a talking picture, but it would have a soundtrack. Chaplin personally composed a musical score and sound effects for the picture. With Peter Lord, the famous co-creator of Chicken Run and Wallace & Gromit, we see how Chaplin became the king of slapstick comedy and the superstar of the movies.",[11],0.3155,17,"\u002FgMUsktYnHz4Sy6ahU0UuO4GPnZ7.jpg","2003-05-14",6.7,"\u002Fs1FcG5iNToN4ozrSyM5i23jb3y4.jpg",{"id":139,"adult":6,"title":140,"video":6,"overview":141,"softcore":6,"genre_ids":142,"popularity":143,"vote_count":8,"poster_path":36,"release_date":144,"vote_average":8,"backdrop_path":36,"original_title":140,"original_language":23},1212414,"Hard Luck: The Last Short to Be Found","Documentary about the Buster Keaton short Hard Luck (1921).",[11],0.1581,"2011-07-12",{"id":146,"adult":6,"title":147,"video":6,"overview":148,"softcore":6,"genre_ids":149,"popularity":150,"vote_count":8,"poster_path":36,"release_date":144,"vote_average":8,"backdrop_path":36,"original_title":147,"original_language":23},1212422,"The Paleface... And Other Titles","A discussion on restoring title cards to English from foreign source prints.",[11],0.1599,{"id":152,"adult":6,"title":153,"video":6,"overview":154,"softcore":6,"genre_ids":155,"popularity":156,"vote_count":8,"poster_path":36,"release_date":144,"vote_average":8,"backdrop_path":36,"original_title":153,"original_language":23},1212426,"On Scoring Cops and Helping Silent Films Live Again","Ben Model discusses scoring music for silent movies.",[11],0.1905,{"id":158,"adult":6,"title":159,"video":6,"overview":160,"softcore":6,"genre_ids":161,"popularity":162,"vote_count":8,"poster_path":36,"release_date":144,"vote_average":8,"backdrop_path":36,"original_title":159,"original_language":23},1212455,"Day Dreams and the Problems of Missing Film","Documentary on Day Dreams (1922), a Buster Keaton silent comedy.",[11],0.1448,{"id":164,"adult":6,"title":165,"video":6,"overview":166,"softcore":6,"genre_ids":167,"popularity":169,"vote_count":31,"poster_path":170,"release_date":171,"vote_average":172,"backdrop_path":36,"original_title":165,"original_language":23},500669,"The Film That Was Lost","In this John Nesbitt's Passing Parade short, a look is taken at the problems of film preservation efforts in the 1930s and early 1940s.",[11,168],36,0.167,"\u002FfIMf6KyvgQCqj7HzFAjqhAbzaS3.jpg","1942-10-31",7.5,{"id":174,"adult":6,"title":175,"video":6,"overview":176,"softcore":6,"genre_ids":177,"popularity":178,"vote_count":179,"poster_path":180,"release_date":181,"vote_average":182,"backdrop_path":183,"original_title":175,"original_language":23},80337,"These Amazing Shadows","Tells the history and importance of The National Film Registry, a roll call of American cinema treasures that reflects the diversity of film, and indeed the American experience itself.",[11],2.3585,72,"\u002Fjiby8Ilxlmbhv6elIf0qRMuaDdd.jpg","2011-01-22",7.382,"\u002FpuznYtHv2zsZfRKWZbdqb9GrbgT.jpg",{"id":185,"adult":6,"title":186,"video":6,"overview":187,"softcore":6,"genre_ids":188,"popularity":189,"vote_count":48,"poster_path":190,"release_date":191,"vote_average":192,"backdrop_path":36,"original_title":186,"original_language":23},502434,"Forgotten Treasure","This John Nesbitt's Passing Parade series short highlights the film preservation efforts of the Museum of Modern Art in New York. Several scenes from early newsreels are shown.",[11,168],0.3153,"\u002FM8miy4qZvpXJPg0ImAArpybKUw.jpg","1943-07-24",7.3,{"id":194,"adult":6,"title":195,"video":6,"overview":196,"softcore":6,"genre_ids":197,"popularity":198,"vote_count":199,"poster_path":200,"release_date":201,"vote_average":202,"backdrop_path":203,"original_title":195,"original_language":23},882844,"Film: The Living Record of Our Memory","Why are we still able, today, to view images that were captured over 125 years ago? As we enter the digital age, audiovisual heritage seems to be a sure and obvious fact. However, much of cinema and our filmed history has been lost forever. Archivists, technicians and filmmakers from different parts of the world explain what audiovisual preservation is and why it is necessary. The documentary is a tribute to all these professionals and their important work.",[11,168],0.7987,10,"\u002FqYNYmKHsxIRLL1dggyDoFaaprTn.jpg","2022-08-12",7.8,"\u002F6FgtGeK3ma3POGB38zQJwbB2s2u.jpg",{"id":205,"adult":6,"title":206,"video":6,"overview":207,"softcore":6,"genre_ids":208,"popularity":209,"vote_count":8,"poster_path":210,"release_date":211,"vote_average":8,"backdrop_path":212,"original_title":206,"original_language":23},1265861,"Archive of Life","This documentary short-film follows the story of The White Bus Cinema based in Southend-on-Sea. They keep the process of projecting real celluloid film alive by showing films from their archive of over 3,000 films, ranging from Super 8, 16mm, and 35mm prints.  The film argues why it's important to continue the shooting and projection process of film in our current age of digital shooting and projection in modern Hollywood, amidst the chaos of studios removing films from their streaming services.",[11],0.4425,"\u002FhGn6e0RYPh0kRdP75HEnGwfNhJj.jpg","2024-06-06","\u002F5wr09m86beD7Ctc4OGas8iIwcT8.jpg",{"id":214,"adult":6,"title":215,"video":6,"overview":216,"softcore":6,"genre_ids":217,"popularity":219,"vote_count":41,"poster_path":220,"release_date":221,"vote_average":222,"backdrop_path":223,"original_title":215,"original_language":23},313757,"Fragments: Surviving Pieces of Lost Films","Among the pieces featured in Fragments are the final reel of John Ford's The Village Blacksmith (1922) and a glimpse at Emil Jannings in The Way of All Flesh (1927), the only Oscar®-winning performance in a lost film. Fragments also features clips from such lost films as Cleopatra (1917), starring Theda Bara; The Miracle Man (1919), with Lon Chaney; He Comes Up Smiling (1918), starring Douglas Fairbanks; an early lost sound film, Gold Diggers of Broadway (1929), filmed in early Technicolor, and the only color footage of silent star Clara Bow, Red Hair (1928). The program is rounded out with interviews of film preservationists involved in identifying and restoring these films. Also featured is a new interview with Diana Serra Cary, best known as \"Baby Peggy\", one of the major American child stars of the silent era, who discusses one of the featured fragments, Darling of New York (1923).",[11,218],10770,0.3655,"\u002Fb6BcUkJQqTX16r5BUCBwtd2cO9P.jpg","2011-04-03",9,"\u002F5O0i4yoMtuEd5aw86XQbdLTgD4y.jpg",{"id":225,"adult":6,"title":226,"video":6,"overview":227,"softcore":6,"genre_ids":228,"popularity":231,"vote_count":8,"poster_path":232,"release_date":233,"vote_average":8,"backdrop_path":234,"original_title":226,"original_language":23},508336,"Camera Threat","Somewhere in the dreary zones of Mumbai's film industry, stuck between star-cult, superstition and the daily gridlock, Camera Threat explores the ambivalent, and sometimes paranoid relationship that this film city has with the moving image itself. Seated on a casting couch, two actors are getting trapped in their impromptu conversations on the unwanted side effects of a world that no longer bothers to tell facts from fiction.  An expanded multi-genre film within the constraints of the so-called Masala Formula popularly known from Indian cinema.",[229,11,230],35,18,0.1774,"\u002F8qQxaFD2YFxwKnQVokVxdTBfEOL.jpg","2017-02-14","\u002FfzPRORPDbjtu9vYpxJxMTZzAfLF.jpg",{"id":236,"adult":6,"title":237,"video":6,"overview":238,"softcore":6,"genre_ids":239,"popularity":240,"vote_count":55,"poster_path":241,"release_date":242,"vote_average":243,"backdrop_path":244,"original_title":245,"original_language":246},1061651,"The Cemetery of Cinema","Thierno Souleymane Diallo sets out with his camera in search of the birth of filmmaking in Guinea. Charming and determined, he traces his country’s film heritage and history and reveals the importance of film archives.",[11],0.1384,"\u002F6K4ihFGWylKYX6N6u817tkNGbda.jpg","2023-02-25",7.667,"\u002FjLyWTRB67ABpfwlqDW8Pz9YOwUQ.jpg","Au cimetière de la pellicule","fr",{"id":248,"adult":6,"title":249,"video":6,"overview":250,"softcore":6,"genre_ids":251,"popularity":252,"vote_count":8,"poster_path":253,"release_date":254,"vote_average":8,"backdrop_path":36,"original_title":255,"original_language":256},883434,"Augusto San Miguel Died Yesterday","During the 1920's, Augusto San Miguel (1905-1937) directed, produced and starred in the first feature films made in Ecuador. Unfortunately, San Miguel's films -like many episodes of his life- disappeared in time. The only remains are the movie ads on old newspapers and a mysterious legend, by which San Miguel was buried with his films.",[11],0.9453,"\u002FmCiwFDRXnYAC4gIEm15axDnhjDX.jpg","2003-01-17","Augusto San Miguel Ha Muerto Ayer","es",{"id":258,"adult":6,"title":259,"video":6,"overview":260,"softcore":6,"genre_ids":261,"popularity":262,"vote_count":8,"poster_path":263,"release_date":264,"vote_average":8,"backdrop_path":36,"original_title":259,"original_language":265},1573235,"Ang Pagbabalik ng Ibong Adarna","\"Ang Pagbabalik ng Ibong Adarna,” looks into our lost film history and the fight to restore and protect films for the future generations. It focuses on “Ibong Adarna,” one of only six surviving pre-war Filipino movies and the first Filipino film partially made with color. Jeff also follows the story of Mila, one of the movie queens during the golden age of Philippine Cinema, who passionately fought to protect the industry she loved.",[11],0.5177,"\u002FkhOZgiPqI1Ha6JLGCPVAuuv36Im.jpg","2020-11-15","tl",{"id":267,"adult":6,"title":268,"video":6,"overview":269,"softcore":6,"genre_ids":270,"popularity":271,"vote_count":41,"poster_path":272,"release_date":273,"vote_average":274,"backdrop_path":36,"original_title":268,"original_language":23},1054751,"Rescuing a Fantasy Classic","A comprehensive and fascinating behind-the-scenes look at the restoration process of restoring 3-strip Cinerama for the 1962 film \"The Wonderful World of the Brothers Grimm\".",[11],0.6043,"\u002Fpp7QFPtezLRZg1OOTY92eaJb9Px.jpg","2021-12-31",7,{"id":276,"adult":6,"title":277,"video":6,"overview":278,"softcore":6,"genre_ids":279,"popularity":280,"vote_count":8,"poster_path":281,"release_date":282,"vote_average":8,"backdrop_path":36,"original_title":283,"original_language":284},1102003,"Apostles of Cinema","Apostles of Cinema follows Frank, DJ Black, and Rehema — three devoted film workers in Tanzania — as they reintroduce a classic piece of the country’s film history to their audiences of working class cinephiles. We join them, alongside Maangamizi: The Ancient One (2001), on a journey through the labyrinth of informal libraries, studios, and cinemas that exist to keep film and film culture alive. A testament to the profound cultural value of film when made truly accessible.",[11],0.6912,"\u002F8PoBM5X3exAGBRGAUvz4ZBNafHd.jpg","2023-08-06","Tenzi za sinema","sw",{"id":286,"adult":6,"title":287,"video":6,"overview":288,"softcore":6,"genre_ids":289,"popularity":290,"vote_count":8,"poster_path":291,"release_date":292,"vote_average":8,"backdrop_path":293,"original_title":287,"original_language":23},1664154,"Archiving Ireland","A documentary exploring the importance of film preservation through the work of the IFI Irish Film Archive",[11,168],1.4609,"\u002FyKkAh8e8J6Iq8YNG7MyhJbDrS3W.jpg","","\u002F7r577Fc7FuVhN0ypm5R13agn3b0.jpg",{"id":295,"adult":6,"title":296,"video":6,"overview":292,"softcore":6,"genre_ids":297,"popularity":298,"vote_count":8,"poster_path":299,"release_date":300,"vote_average":8,"backdrop_path":36,"original_title":296,"original_language":301},1314115,"Cinemateca Potiguar: Dez Anos de Memórias",[11],1.2749,"\u002Fzf4NBbNYKsGidRmalj5Vx1XOafB.jpg","2024-07-05","pt",11660,233187,"http:\u002F\u002Fmetropolisrefundada.blogspot.com.es","Argentinian film historians find a complete print of Fritz Lang's “Metropolis” (1927) at Buenos Aires Film Museum and take it to Germany for its restoration.",0.6686,"\u002F2FmncCKfyLFKu7IIdyxrKIg35Uc.jpg","2010-02-13",5.4,[311],"ES","Metropolis refundada",{"results":314},{},[316,320,323],{"name":317,"iso_639_1":318,"english_name":319},"Deutsch","de","German",{"name":321,"iso_639_1":256,"english_name":322},"Español","Spanish",{"name":324,"iso_639_1":23,"english_name":324},"English",[326],{"id":327,"name":328,"logo_path":36,"origin_country":292},102344,"Refound Films",[330],{"name":331,"iso_3166_1":332},"Argentina","AR",45,"A documentary story that tends to land well.",[],{"id":17,"key":18,"name":19,"site":20,"size":21,"type":22,"official":6,"iso_639_1":23,"iso_3166_1":24,"published_at":25}]