[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-288108-en-US":3},{"detail":4,"match":255,"insight":256,"providers":257,"providerLink":7,"trailer":7},{"adult":5,"backdrop_path":6,"belongs_to_collection":7,"budget":8,"genres":9,"homepage":13,"id":14,"imdb_id":15,"origin_country":16,"original_language":19,"original_title":20,"overview":21,"popularity":22,"poster_path":23,"production_companies":24,"production_countries":25,"release_date":28,"revenue":8,"runtime":29,"softcore":5,"spoken_languages":30,"status":31,"tagline":13,"title":32,"video":5,"vote_average":33,"vote_count":34,"credits":35,"similar":51,"watch\u002Fproviders":251,"videos":253},false,"\u002FkYUlUzsC9RawMeEYRTH1DElISB9.jpg",null,0,[10],{"id":11,"name":12},99,"Documentary","",288108,"tt0306811",[17,18],"DE","AT","de","Film ist. 7-12","The second half of Gustav Deutsch's experimental Film ist. series, constructing new narratives and moods out of existing footage, mostly from early silent era films.",0.2035,"\u002Fqalg1aeH7XRQpVNhSvbcNKXUjWn.jpg",[],[26],{"iso_3166_1":18,"name":27},"Austria","2002-10-10",90,[],"Released","Film Is. 7-12",6,5,{"cast":36,"crew":37},[],[38,47],{"adult":5,"gender":39,"id":40,"known_for_department":41,"name":42,"original_name":42,"popularity":43,"profile_path":44,"credit_id":45,"department":41,"job":46},2,1013009,"Directing","Gustav Deutsch",0.3627,"\u002F9pzaVpdpls7NCoQePIeslxGEXt5.jpg","53f77a520e0a2642ec0007b8","Director",{"adult":5,"gender":39,"id":40,"known_for_department":41,"name":42,"original_name":42,"popularity":43,"profile_path":44,"credit_id":48,"department":49,"job":50},"5eb1b0b00e597b001c62325b","Writing","Writer",{"page":52,"results":53,"total_pages":249,"total_results":250},1,[54,64,74,85,94,102,114,126,138,148,155,168,179,188,198,208,217,227,234,242],{"adult":5,"backdrop_path":7,"genre_ids":55,"id":57,"title":58,"original_language":59,"original_title":58,"overview":60,"popularity":61,"poster_path":62,"release_date":63,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11,56],36,1199565,"WINHANGANHA","en","WINHANGANHA (Wiradjuri language: Remember, know, think) - is a lyrical journey of archival footage and sound, poetry and original composition. It is an examination of how archives and the legacies of collection affect First Nations people and wider Australia, told through the lens of acclaimed Wiradjuri artist, Jazz Money.",0.2151,"\u002F3FfaAVdSkAd25ZGegAQBR6HBTzo.jpg","2023-11-10",{"adult":5,"backdrop_path":65,"genre_ids":66,"id":67,"title":68,"original_language":59,"original_title":68,"overview":69,"popularity":70,"poster_path":71,"release_date":72,"softcore":5,"video":5,"vote_average":73,"vote_count":29},"\u002Fvmqc6VqNknAjoHYJ1Hen1g9qtq2.jpg",[11],18493,"Chronos","Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.",1.1692,"\u002FciGeeT92K7wMu8wAJntoizImwvG.jpg","1985-05-10",7.494,{"adult":5,"backdrop_path":7,"genre_ids":75,"id":76,"title":77,"original_language":78,"original_title":79,"overview":80,"popularity":81,"poster_path":7,"release_date":82,"softcore":5,"video":5,"vote_average":83,"vote_count":84},[11],275598,"Dawn","hu","Hajnal","Szirtes's masterful experimental work is a dazzling composition of several years of filming within an industrial macro\u002Fmicrocosm, an abstract model of revolution and the beauty of daybreak.",0.4427,"1979-01-01",6.1,7,{"adult":5,"backdrop_path":7,"genre_ids":86,"id":87,"title":88,"original_language":59,"original_title":88,"overview":89,"popularity":90,"poster_path":91,"release_date":92,"softcore":5,"video":5,"vote_average":93,"vote_count":39},[11],264487,"CNN Concatenated","An 18-minute long single-channel video which uses CNN footage cut so that each word is spoken by a different newsperson. The pieces literally asks the viewers questions about media authenticity and give CNN a distinct voice",0.2299,"\u002F8vMAsczyxZalJMzLnvJtuZxsAen.jpg","2002-01-01",4,{"adult":5,"backdrop_path":7,"genre_ids":95,"id":96,"title":97,"original_language":98,"original_title":97,"overview":99,"popularity":100,"poster_path":7,"release_date":101,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],264496,"Cairo Chorus","es","\"Filmed in Cairo, in Al-Azhar Park, sunset during Isha'a praying time. The city becomes a Chorus.  Dedicated to the people of Cairo. With love and hope.\"  Part of the Azan series & the Cairo fieldworks.",0.6395,"2010-04-13",{"adult":5,"backdrop_path":103,"genre_ids":104,"id":105,"title":106,"original_language":19,"original_title":107,"overview":108,"popularity":109,"poster_path":110,"release_date":111,"softcore":5,"video":5,"vote_average":112,"vote_count":113},"\u002FicZNU2EV4JeCxjOdmlzMZvBV4kh.jpg",[11],677,"Olympia Part One: Festival of the Nations","Olympia - Fest der Völker","Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.",1.0177,"\u002F49KaePhxdoM3TkJHo8zaoCFEJ6X.jpg","1938-04-21",6.878,123,{"adult":5,"backdrop_path":115,"genre_ids":116,"id":117,"title":118,"original_language":19,"original_title":119,"overview":120,"popularity":121,"poster_path":122,"release_date":123,"softcore":5,"video":5,"vote_average":124,"vote_count":125},"\u002FhbL5vWtqJrPCrLEcgQLT5lj2a8G.jpg",[11],685,"Olympia Part Two: Festival of Beauty","Olympia - Fest der Schönheit","Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.",0.7511,"\u002FoleIfZJ4NZebY9ETjoaZoTXYDLb.jpg","1938-06-02",6.72,82,{"adult":5,"backdrop_path":127,"genre_ids":128,"id":129,"title":130,"original_language":19,"original_title":131,"overview":132,"popularity":133,"poster_path":134,"release_date":135,"softcore":5,"video":5,"vote_average":136,"vote_count":137},"\u002FlVnUdJ7nqho86UievvSr1LpfU6k.jpg",[11],222,"Berlin: Symphony of a Great City","Berlin, die Symphonie der Großstadt","A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.",0.6592,"\u002F1APQoI9PKgZtg6PWZjIbr0U7GvZ.jpg","1927-09-23",7.523,128,{"adult":5,"backdrop_path":7,"genre_ids":139,"id":140,"title":141,"original_language":142,"original_title":141,"overview":143,"popularity":144,"poster_path":145,"release_date":146,"softcore":5,"video":5,"vote_average":84,"vote_count":147},[11],262790,"Urgent ou à quoi bon exécuter des projets puisque le projet est en lui-même une jouissance suffisante","fr","Gérard Courant applies the Lettrist editing techniques of Isidore Isou to footage of late 70's pop culture. Courant posits that his cinema offers an aggressive détournement to the French mainstream, reifying a Duchampian view of film: \"I believe in impossible movies and works without meaning... I believe in the anti-movie. I believe in the non-movie. I believe in Urgent... My first full length movie that is so anti-everything that I sometimes wonder if it really does exist!\"",0.5813,"\u002FxtmODLQ7GdeZkM764T4UgaFlpRn.jpg","1977-08-01",3,{"adult":5,"backdrop_path":7,"genre_ids":149,"id":150,"title":151,"original_language":59,"original_title":151,"overview":152,"popularity":153,"poster_path":7,"release_date":154,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],266773,"Kiss 25 Goodbye","Outrage kiss-in at Bow Street police station in London, with a demonstration against homophobic government bills clause 25\u002F28.",0.2278,"1991-01-01",{"adult":5,"backdrop_path":156,"genre_ids":157,"id":160,"title":161,"original_language":162,"original_title":163,"overview":164,"popularity":165,"poster_path":166,"release_date":167,"softcore":5,"video":5,"vote_average":33,"vote_count":52},"\u002F1Xx7YqG2YchDHCnYKoZVvwy6Pc8.jpg",[158,11,159],18,14,1387954,"The Boy of The Fish","ar","ذا النون","\"The Boy Of The Fish\" follows Noon, a young boy living in a Syrian refugee camp, who finds solace and a sense of freedom in a whale-shaped doll he names \"Bahr.\" Set against the challenging realities of camp life, Noon’s journey is both a story of resilience and a testament to the boundless imagination of childhood. Through vivid symbolism and a unique soundscape, the film explores themes of loss, hope, and the longing for freedom amidst confinement. Shot entirely on an iPhone due to restrictions in the conflict zone, the film combines raw authenticity with poetic depth to capture the emotional landscape of a young soul navigating adversity.",0.3433,"\u002FsdB3cCFd6g34obINRmVsUcPqvv5.jpg","2024-07-05",{"adult":5,"backdrop_path":169,"genre_ids":170,"id":171,"title":172,"original_language":59,"original_title":172,"overview":173,"popularity":174,"poster_path":175,"release_date":176,"softcore":5,"video":5,"vote_average":177,"vote_count":178},"\u002Fc0QYwNyeURswT7fxmR2mlfpdk0l.jpg",[11],14002,"Baraka","A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.",2.6882,"\u002FldEuJQ4z7zEvL7iXraESWBUfQcz.jpg","1992-09-15",8.229,693,{"adult":5,"backdrop_path":7,"genre_ids":180,"id":181,"title":182,"original_language":19,"original_title":182,"overview":183,"popularity":184,"poster_path":185,"release_date":186,"softcore":5,"video":5,"vote_average":187,"vote_count":147},[11],277459,"Ludwig van","An odyssey through Beethoven’s lasting presence and influence in our modern world – viewed through the eyes of the composer himself.",1.1936,"\u002Funqjxx2zyvnHRhQul6m3AAqkGqG.jpg","1970-06-01",5.7,{"adult":5,"backdrop_path":189,"genre_ids":190,"id":191,"title":192,"original_language":193,"original_title":192,"overview":13,"popularity":194,"poster_path":195,"release_date":196,"softcore":5,"video":5,"vote_average":197,"vote_count":52},"\u002FfFGD56lMIWpETiOI6BNopiQTSlb.jpg",[11,56],1394396,"Cine Dunas","pt",0.3354,"\u002Fqt7rVXNfzImk8TkGLYv8IoyPE1W.jpg","2024-11-29",10,{"adult":5,"backdrop_path":199,"genre_ids":200,"id":201,"title":202,"original_language":59,"original_title":202,"overview":203,"popularity":204,"poster_path":205,"release_date":206,"softcore":5,"video":5,"vote_average":83,"vote_count":207},"\u002FqhQCEwJNHlLqb7p7UHA2q0iWBMd.jpg",[11],21925,"Naqoyqatsi","A visual montage portrait of our contemporary world dominated by globalized technology and violence.",1.0887,"\u002FbuDo6FcSlOVEQJomKB0IviNV0Do.jpg","2002-09-02",155,{"adult":5,"backdrop_path":7,"genre_ids":209,"id":210,"title":211,"original_language":212,"original_title":213,"overview":214,"popularity":215,"poster_path":7,"release_date":216,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],262209,"Under a Bridge","ja","橋の下から","In this tape, Ko Nakajima and Video Earth Tokyo interview a homeless man. The subject is initially angry and frustrated, but gradually opens up and shares stories about his life. Under A Bridge was later broadcast on cable television.",0.3391,"1974-03-31",{"adult":5,"backdrop_path":218,"genre_ids":219,"id":220,"title":221,"original_language":142,"original_title":222,"overview":223,"popularity":224,"poster_path":225,"release_date":226,"softcore":5,"video":5,"vote_average":197,"vote_count":52},"\u002FgrvRjpSQ1HcBLvI7pVM8mwizfho.jpg",[11],263277,"Selva. A Portrait of Parvaneh Navaï","Selva. Un portrait de Parvaneh Navaï","Trance dances and out of body projection. In front of the camera, Parvaneh Navaï becomes a mediator who enters in contact with and immerses into the energies of Nature, while her own energy radiates and echos in the forest (\"selva\"). The camera amplifies and expands her presence, transforming the forest into an imaginary space. The camera becomes a painter's brush.",1.9095,"\u002FncI1bFYFtTVrRKRojoiNcbc3Bb.jpg","1982-01-21",{"adult":5,"backdrop_path":7,"genre_ids":228,"id":229,"title":230,"original_language":59,"original_title":230,"overview":231,"popularity":232,"poster_path":7,"release_date":233,"softcore":5,"video":5,"vote_average":197,"vote_count":52},[11],263020,"Black Hole Radio","Black Hole Radio is an installation that consists of taped confessions of callers of the New York City Phone Confession Line and video images. The Phone Confession Line is based on anonymous callers ringing to confess on things they had done or thought like adultery, theft, murder or regrets. Thereafter anybody could call and listen to the confessions. Although making a confession was free, listening to a confession costs money. After Cohen got his hands on the confessions, he used them as an audio heartbeat to accompany video-images of every day life in New York City he had taken over the years. This installation is a portrait of the city with its dark secrets, hushed voices and nocturnal images. In this way Cohen tries to bring across an experience to the viewer that relies on absence, waiting and the effort to hear something in the dark.",0.1503,"1992-09-26",{"adult":5,"backdrop_path":7,"genre_ids":235,"id":236,"title":237,"original_language":59,"original_title":237,"overview":238,"popularity":239,"poster_path":240,"release_date":241,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],1378722,"Pretty Land And Green Its Sighs","A short anecdotal documentary about the nature of destruction, a debilitating deadlock of humanity.",0.4981,"\u002F82JynGE1RFyyILZENkL8hrOIeTO.jpg","2024-09-27",{"adult":5,"backdrop_path":7,"genre_ids":243,"id":244,"title":245,"original_language":59,"original_title":245,"overview":246,"popularity":247,"poster_path":7,"release_date":248,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],278080,"Vezdekhod","Image by Carlos Casas.  Double screen projection with live soundtrack.  Images and sound captured on location.  Somewhere in the tundra,  Chukotka Region,  Northeastern Siberia,  Russian Federation.  Music by Prurient.  Published by Von Archives.  N 66° 37’ 916,  W 172° 40’ 353,  Sept 2006.",0.4226,"2012-06-22",11643,232852,{"results":252},{},{"results":254},[],45,"A documentary story that tends to land well.",[]]