[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-290837-en-US":3},{"detail":4,"match":271,"insight":272,"providers":273,"providerLink":26,"trailer":26},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":54,"revenue":8,"runtime":55,"similar":56,"tagline":260,"homepage":260,"overview":261,"softcore":6,"popularity":262,"vote_count":8,"poster_path":26,"release_date":263,"vote_average":8,"backdrop_path":26,"origin_country":264,"original_title":7,"watch\u002Fproviders":266,"spoken_languages":268,"original_language":69,"production_companies":269,"production_countries":270,"belongs_to_collection":26},290837,false,"Choqela: Only Interpretation",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":18},[],[19,27,33,38,47,50],{"id":20,"job":21,"name":22,"adult":6,"gender":8,"credit_id":23,"department":24,"popularity":25,"profile_path":26,"original_name":22,"known_for_department":24},1361221,"Translator","Yolanda Lopez","540ae2140e0a262b37002244","Crew",0.0143,null,{"id":28,"job":29,"name":30,"adult":6,"gender":8,"credit_id":31,"department":24,"popularity":32,"profile_path":26,"original_name":30,"known_for_department":24},1361218,"Sound Recordist","Rufus Cohen","540ae1110e0a262b3a002240",0.0495,{"id":34,"job":29,"name":35,"adult":6,"gender":8,"credit_id":36,"department":24,"popularity":37,"profile_path":26,"original_name":35,"known_for_department":24},1361220,"Richard Rogers","540ae1cd0e0a262b400021c5",0.0286,{"id":39,"job":40,"name":41,"adult":6,"gender":8,"credit_id":42,"department":43,"popularity":44,"profile_path":45,"original_name":41,"known_for_department":46},1531027,"Camera Operator","John Cohen","5638585e9251414ab701cc7b","Camera",0.1188,"\u002FpEh5Hdlmpjx4S5q6slLbbBwdHuN.jpg","Directing",{"id":39,"job":48,"name":41,"adult":6,"gender":8,"credit_id":49,"department":46,"popularity":44,"profile_path":45,"original_name":41,"known_for_department":46},"Director","5638586f9251416d5201070f",{"id":39,"job":51,"name":41,"adult":6,"gender":8,"credit_id":52,"department":53,"popularity":44,"profile_path":45,"original_name":41,"known_for_department":46},"Editor","56385880925141285701ea1f","Editing","tt1682228",12,{"page":57,"results":58,"total_pages":258,"total_results":259},1,[59,70,83,95,104,112,122,135,144,152,160,168,178,189,198,205,215,226,237,247],{"id":60,"adult":6,"title":61,"video":6,"overview":62,"softcore":6,"genre_ids":63,"popularity":64,"vote_count":65,"poster_path":66,"release_date":67,"vote_average":68,"backdrop_path":26,"original_title":61,"original_language":69},275331,"The Hunters","An ethnographic documentary following four Ju\u002F’hoansi (!Kung) men during a multi-day giraffe hunt in the Kalahari Desert, filmed during the Smithsonian–Harvard Peabody expedition of 1952–53.",[11],0.169,7,"\u002Fp7GnfRZq8oUYM6a8xVxZEf33hPA.jpg","1957-03-21",6.5,"en",{"id":71,"adult":6,"title":72,"video":6,"overview":73,"softcore":6,"genre_ids":74,"popularity":75,"vote_count":76,"poster_path":77,"release_date":78,"vote_average":79,"backdrop_path":80,"original_title":81,"original_language":82},8672,"My Best Fiend","A film that describes the love-hate relationship between Werner Herzog and Klaus Kinski, the deep trust between the director and the actor, and their independently and simultaneously hatched plans to murder one another.",[11],0.7341,215,"\u002FosoW8CtE9zuCK7Bre0cnVsoXQjY.jpg","1999-05-17",7.342,"\u002FrsNlLP0LKa20YG3NGS0KmMNOyGP.jpg","Mein liebster Feind","de",{"id":84,"adult":6,"title":85,"video":6,"overview":86,"softcore":6,"genre_ids":87,"popularity":88,"vote_count":89,"poster_path":90,"release_date":91,"vote_average":65,"backdrop_path":92,"original_title":93,"original_language":94},443161,"Wolfram, Wolf's Saliva","The darkness of the mine, invaded by the miners' light, by the noisy machines and the permanent and intense smell of ore in the air, leads us to an environment in which time and space become confused. A documentary film at Panasqueiras' Mine, between 2008\u002F09. A reality captured by an eye-observer which does not interfere, but follows the compost that grows from the earth and is decomposed by man-machine.",[11],0.1291,2,"\u002FaqWFSo2ZACl8OOqS6e1nhmM9gAq.jpg","2010-10-14","\u002FpuB4847Z3geyDK6TBkt4xNG9nDR.jpg","Wolfram, a Saliva do Lobo","pt",{"id":96,"adult":6,"title":97,"video":6,"overview":98,"softcore":6,"genre_ids":99,"popularity":100,"vote_count":57,"poster_path":101,"release_date":102,"vote_average":103,"backdrop_path":26,"original_title":97,"original_language":69},453166,"Machete Gillette... Mama","\"With characteristic wit and rigor, experimental filmmaker Larry Gottheim here applies his impressionistic editing style to footage collected during his travels in the Dominican Republic. Gottheim’s formal emphasis on repetition and fissures between sound and image resonates here as a mode of sociological reflection (with the fragmentary montage mirroring elements of ritual while also destabilizing the ethnographic gaze). A largely overlooked antecedent to the contemporary blending of avant-garde and ethnographic filmmaking, MACHETTE GILLETTE… MAMA still poses a potent challenge to documentary convention.\" - Max Goldberg",[11],0.1367,"\u002FlGxDUwlsmTywbnTXWmTbE0PlEoc.jpg","1989-01-01",6,{"id":105,"adult":6,"title":106,"video":6,"overview":107,"softcore":6,"genre_ids":108,"popularity":109,"vote_count":8,"poster_path":110,"release_date":111,"vote_average":8,"backdrop_path":26,"original_title":106,"original_language":69},276119,"Folia no Morro","An ethnographic documentary following the Folia de Reis party that is celebrated every year at Morro de Santa Marta on Rio de Janeiro.",[11],0.1361,"\u002F17TBjOSe03cA8HhkQTwBdNklNo7.jpg","2008-11-17",{"id":113,"adult":6,"title":114,"video":6,"overview":115,"softcore":6,"genre_ids":116,"popularity":117,"vote_count":118,"poster_path":119,"release_date":120,"vote_average":121,"backdrop_path":26,"original_title":114,"original_language":69},276124,"Congo","An experimental ethnographic documentary that criticizes the colonizer view of anthropology.",[11],0.2084,4,"\u002Fqyp6xQKp6niMHbJwZK9CASBVvfy.jpg","1972-01-01",5.8,{"id":123,"adult":6,"title":124,"video":6,"overview":125,"softcore":6,"genre_ids":126,"popularity":129,"vote_count":130,"poster_path":131,"release_date":132,"vote_average":133,"backdrop_path":26,"original_title":124,"original_language":134},259882,"When the Mountains Tremble","A documentary on the war between the Guatemalan military and the Mayan population, with first hand accounts by Nobel Peace Prize winner Rigoberta Menchú.",[11,127,128],36,10752,0.1845,5,"\u002F1VqX91OVq8ObPQsMIe3CAixFJgz.jpg","1983-09-30",9,"es",{"id":136,"adult":6,"title":137,"video":6,"overview":138,"softcore":6,"genre_ids":139,"popularity":140,"vote_count":8,"poster_path":141,"release_date":142,"vote_average":8,"backdrop_path":26,"original_title":137,"original_language":143},451865,"Euskal herri-musika","An ethnographic documentary which looks at the relationship between music and work in predominantly rural cultures. It depicts the lives of fisherman, shepherds and farmers and their relationship with music. The film also describes Basque ancestral instruments, with special emphasis on the origin and history of ‘bertsolarism’ (Basque verse singing) as a form of oral communication.",[11],0.1608,"\u002F7NB5SB0tgegkcdBp0vq0sVT0e3g.jpg","1978-04-11","eu",{"id":145,"adult":6,"title":146,"video":6,"overview":147,"softcore":6,"genre_ids":148,"popularity":149,"vote_count":8,"poster_path":150,"release_date":151,"vote_average":8,"backdrop_path":26,"original_title":146,"original_language":69},641259,"Mountain Town","This documentary looks at the stories of a few people in Aspen Colorado and how they contribute to the community.",[11],0.2246,"\u002FdqMp67GNxG7P1rDrWsdFTCju6a4.jpg","2006-10-14",{"id":153,"adult":6,"title":154,"video":6,"overview":155,"softcore":6,"genre_ids":156,"popularity":157,"vote_count":130,"poster_path":26,"release_date":158,"vote_average":159,"backdrop_path":26,"original_title":154,"original_language":69},283847,"Kwaheri: Vanishing Africa","Early Mondo film featuring primitive rituals, animals being butchered, unusual birth defects, and a legit trepanation scene.",[11],0.1966,"1964-12-09",5.5,{"id":161,"adult":6,"title":162,"video":6,"overview":163,"softcore":6,"genre_ids":164,"popularity":165,"vote_count":8,"poster_path":166,"release_date":167,"vote_average":8,"backdrop_path":26,"original_title":162,"original_language":69},1598348,"Decolonising the Curatorial Process","Decolonising the Curatorial Process is a forty-minute documentary which explores decolonial strategies in an academic and curatorial context. The film features academics, activists and practitioners, and contains case studies of institutions that are deploying critical, self-reflective forms of curatorial practice. The Museum of London Docklands exhibition on slavery and the sugar industry is examined as an example of how an institution can decolonise the curatorial process, utilise the work of artists in a museum context, and critically examine East London's imperial history. The Pitt Rivers museum in Oxford, who are working with Maasai activists from Kenya and Tanzania on a project centred on repatriating the museum's collection of sacred Maasai artefacts, also features in the film.",[11],0.1415,"\u002FsKdKVJaenRvXT4iUjTjd9Iiw5jG.jpg","2020-12-01",{"id":169,"adult":6,"title":170,"video":6,"overview":171,"softcore":6,"genre_ids":172,"popularity":173,"vote_count":130,"poster_path":174,"release_date":175,"vote_average":176,"backdrop_path":177,"original_title":170,"original_language":94},480242,"Piripkura","The last two surviving members of the Piripkura people, a nomadic tribe in the Mato Grosso region of Brazil,  struggle to maintain their indigenous way of life amidst the region's massive deforestation. Living deep in the rainforest, Pakyî and Tamandua live off the land relying on a machete, an ax, and a torch lit in 1998.",[11],0.5,"\u002FelWge9owHyh5XQxCXM5PdrTjyW6.jpg","2018-03-01",8,"\u002Fh5qur9zYUMMHrONvXedReAcFhkU.jpg",{"id":179,"adult":6,"title":180,"video":6,"overview":181,"softcore":6,"genre_ids":182,"popularity":183,"vote_count":184,"poster_path":185,"release_date":186,"vote_average":103,"backdrop_path":187,"original_title":188,"original_language":134},665465,"Corporate Accountability","Images of Argentinian companies and factories in the first light of day, seen from the inside of a car, while the director reads out documents in voiceover that reveals the collusion of the same concerns in the military dictatorship’s terror.",[11],0.6178,10,"\u002FiY9jv16Z4vnSwGussfQbIY83AIc.jpg","2020-02-21","\u002FaXEL5PsDhXdM9WXdv3jER6e1SA2.jpg","Responsabilidad empresarial",{"id":190,"adult":6,"title":191,"video":6,"overview":192,"softcore":6,"genre_ids":193,"popularity":194,"vote_count":8,"poster_path":26,"release_date":195,"vote_average":8,"backdrop_path":26,"original_title":196,"original_language":197},491457,"The Turn","'Mod' is an attempt by the filmmaker at communicating with the young men who hang out at the ‘notorious’ water tank in her neighbourhood in Pratap Vihar, Ghaziabad. The water tank is a space that is frequented by the so-called ‘no-gooders’ of the locality, a place where they play cricket, play cards, drink and smoke up. When she enters the space with her camera, the boys are curious and at the same time wary of it and her. They sometimes resist, sometimes protest, and at times, open up. As the film unfolds we get a hint of the lives the boys lead and the fragile world they create for themselves at the water tank.",[11],0.1751,"2016-01-01","Mod","hi",{"id":199,"adult":6,"title":200,"video":6,"overview":201,"softcore":6,"genre_ids":202,"popularity":203,"vote_count":8,"poster_path":26,"release_date":204,"vote_average":8,"backdrop_path":26,"original_title":200,"original_language":69},859780,"Wheat Cycle","The people and their labor are bound to the land in the cycle of activities to the sowing to the harvesting of wheat. Without narration or subtitles, the film conveys a sense of unity between the people and the land. Filmed in the Balkh Province, an area inhabited by Tajik and other Central Asian peoples. The town of Aq Kupruk is approximately 320 miles northwest of Kabul.  The theme of the film focuses on rural economics. The film and accompaning instructor notes focus on herding, and fishing under diverse environmental conditions. The impact of technological change, human adaptation, and governmental extension of market systems are parallel themes.",[11],0.1924,"1975-01-01",{"id":206,"adult":6,"title":207,"video":6,"overview":208,"softcore":6,"genre_ids":209,"popularity":210,"vote_count":57,"poster_path":211,"release_date":212,"vote_average":184,"backdrop_path":213,"original_title":214,"original_language":134},713083,"Love, Women and Flowers","Women workers stand up to the toxic flower industry in Colombia.",[11],0.334,"\u002Fp99EVllkynlCLAvfDZvI9W3HVZL.jpg","1988-01-01","\u002FuF71dKTu5ADfYmjQmBtHJL7P84U.jpg","Amor, mujeres y flores",{"id":216,"adult":6,"title":217,"video":6,"overview":218,"softcore":6,"genre_ids":219,"popularity":220,"vote_count":8,"poster_path":221,"release_date":222,"vote_average":8,"backdrop_path":223,"original_title":224,"original_language":225},1252416,"Live, song, live!","The film tells the story of ancient Ingush lullabies - Ingush women and men tell the lullabies of their families and the stories associated with them: love, friendship, blood feud.",[11],0.183,"\u002FcSWeWiOykaF6NPcCrYzThCkycnl.jpg","2022-01-01","\u002FCkxdSWEb1FZitjYNYMMCR6DKuK.jpg","Даха, илли, даха!","ru",{"id":227,"adult":6,"title":228,"video":6,"overview":229,"softcore":6,"genre_ids":230,"popularity":231,"vote_count":103,"poster_path":232,"release_date":233,"vote_average":234,"backdrop_path":235,"original_title":236,"original_language":82},381090,"Ghostland: The View of the Ju'Hoansi","Remember the culture clash in THE GODS MUST BE CRAZY? This time it's real. One of the most ancient cultures on our planet is undergoing a major change. The Ju\u002FHoansi Bushmen in Namibia are not allowed to hunt anymore and need to converge with our so called “civilized” lifestyle. For the first time the Ju\u002FHoansi Bushmen travel through the Kalahari and then right into the heart of Europe. What starts as a look at their fascinating culture becomes an even more fascinating look at our Western lifestyle. A warm and humorous reflection of our habits through the eyes of people who are about to give up their million year old traditions.",[11],0.3703,"\u002FrmCNzD9iUwEFYb5lpuKv40aNDTM.jpg","2017-11-02",8.3,"\u002FiFtxmFw9R2zPRxVAr7xRQG0dlpM.jpg","Ghostland - Reise ins Land der Geister",{"id":238,"adult":6,"title":239,"video":6,"overview":240,"softcore":6,"genre_ids":241,"popularity":242,"vote_count":57,"poster_path":243,"release_date":244,"vote_average":184,"backdrop_path":26,"original_title":245,"original_language":246},555784,"Carving Thy Faith","A five-year visual ethnography of traditional yet practical orchestration of Semana Santa in a small town where religious woodcarving is the livelihood. An experiential film on neocolonial Philippines’ interpretation of Saints and Gods through many forms of rituals and iconographies, exposing wood as raw material that undergoes production processes before becoming a spiritual object of devotion.  -  A sculpture believed to have been imported in town during Spanish colonial conquest, locally known as Mahal na Señor Sepulcro, is celebrating its 500 years. Meanwhile, composed of non-actors, Senakulo re-enacts the sufferings and death of Jesus. As the local community yearly unites to commemorate the Passion of Christ, a laborious journey unfolds following local craftsmen in transforming blocks of wood into a larger than life Jesus crucified on a 12-ft cross.",[11],0.1753,"\u002Fswdp3Mau0x6NkUfkkbEAcPfTYz4.jpg","2018-10-21","Pag-ukit sa Paniniwala","tl",{"id":248,"adult":6,"title":249,"video":6,"overview":250,"softcore":6,"genre_ids":251,"popularity":252,"vote_count":65,"poster_path":253,"release_date":254,"vote_average":65,"backdrop_path":255,"original_title":256,"original_language":257},326218,"Interview with Salvador Allende: Power and Reason","An interview with the president of Chile conducted by Roberto Rossellini in 1971, but broadcast only after his death.",[11],0.1797,"\u002F1SE1ZdnzZJk8tAZzxPuqUGZwdF8.jpg","1973-09-15","\u002FqTrUIdzg5yBA8ZcPLa7isWdEv84.jpg","Intervista a Salvatore Allende","it",11425,228496,"","This provocative and profound film documents the Choqela ceremony, an agricultural ritual and song of the Aymara Indians of Peru. By offering several different translations of the proceedings, the film acknowledges the problems of interpretation as an inherent dilemma of anthropology.",0.1159,"1987-01-01",[265],"US",{"results":267},{},[],[],[],45,"A documentary story that tends to land well.",[]]