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Gregoire may be wealthy, but he is many years older and several pounds heavier than his young wife, whose beauty makes all the male holiday guests turn their necks. Baron Plessen falls in love with Lola, and she quickly becomes fond of the idea of replacing her corpulent husband with a handsome nobleman. Together, they plan to push Gregoire out of the picture.  The preserved material is a fragment.",[100,17],0.2733,"1915-01-01",10,"Badehotellet","da",{"id":159,"adult":6,"title":160,"video":6,"overview":161,"softcore":6,"genre_ids":162,"popularity":163,"vote_count":45,"poster_path":164,"release_date":165,"vote_average":124,"backdrop_path":49,"original_title":160,"original_language":166},264765,"Film-Tract n° 1968","In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard Fromanger. Starting with the shot identifying its title written in red paint on the Le Monde for 31 July 1968, the film shows the process of making Fromanger’s poster image, which is thick red paint flows over a tri-color French flag. —Hye Young Min",[14],0.4007,"\u002FrUPCbgXwcRAOpk9FanxUJOqLFrE.jpg","1968-06-01","fr",{"id":168,"adult":6,"title":169,"video":6,"overview":170,"softcore":6,"genre_ids":171,"popularity":172,"vote_count":29,"poster_path":173,"release_date":174,"vote_average":59,"backdrop_path":49,"original_title":175,"original_language":176},454620,"Eva and the Grasshopper","Mary and Eva are best friends, although they couldn't be more different. Armand, Mary's fiancee, falls in love with the seductive Eva, who is busy becoming a revue star. 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De la Pera was a talented photographer, always willing to try new gadgets and techniques. This film experiments with microphotography in the style of Jean Comandon's films for Pathé and it is part of a series which included a film about mosquitoes and paludism and another one about cancer, which are considered lost. 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