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As the opera opens, a group of elegant socialites gather for a lavish dinner party, but when it is time to leave for the night, no one is able to escape. Soon, their behavior becomes increasingly erratic and savage. The large ensemble cast tackles both the vocal and dramatic demands of Adès's opera with one riveting performance after another. Tom Cairns, who also penned the work's libretto, directs an engrossing and inventive production, using a towering wooden archway to trap the characters onstage. 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In this performance, Bulgarian soprano Sonya Yoncheva is the passionate title diva, opposite charismatic tenor Vittorio Grigolo as her lover, the idealistic painter Mario Cavaradossi. Baritone Željko Lučić is the menacing Baron Scarpia, the evil chief of police who employs brutal tactics to ensnare both criminals and sexual conquests. 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As her father, Miller, the legendary Plácido Domingo adds another baritone role to his extensive repertoire. Tenor Piotr Beczała as Rodolfo, Alexander Vinogradov as Count Walter, and Dmitry Belosselskiy as Wurm round out the illustrious cast, and Bertrand de Billy conducts.",[11],0.2514,"\u002F5495NuTgR0Erh2zJaS4ekIq9a5i.jpg","2018-04-14",10,"\u002FtnpHrBk5kvCBQVGIenW90ciMVC8.jpg",{"id":157,"adult":6,"title":158,"video":6,"overview":159,"softcore":6,"genre_ids":160,"popularity":163,"vote_count":164,"poster_path":165,"release_date":166,"vote_average":167,"backdrop_path":168,"original_title":158,"original_language":134},17768,"A Funny Thing Happened on the Way to the Forum","A wily slave must unite a virgin courtesan and his young smitten master to earn his freedom.",[11,161,162],35,10749,1.0365,126,"\u002Fh3S9DZMUZNsAqd8ZNBed7ttPWXk.jpg","1966-10-16",6.107,"\u002FhzamEWW4VPo5RMCxKWGAwZDr1tE.jpg",{"id":170,"adult":6,"title":171,"video":125,"overview":172,"softcore":6,"genre_ids":173,"popularity":176,"vote_count":8,"poster_path":177,"release_date":178,"vote_average":8,"backdrop_path":179,"original_title":171,"original_language":134},1569336,"Juilliard Opera: Dialogues des Carmélites","“In a world that often demands certainty, Dialogues des Carmélites invites us to sit with profound questions that have no easy answers: What makes a life worthy? How can we be truly prepared for our inevitable end? What does security mean when everything familiar is threatened? What sustains us when our institutions crumble? … Rather than imposing answers, the opera creates room for reflection on how faith manifests not as abstract doctrine, but as lived experience under extraordinary pressure.” — Louisa Muller, Director’s Note. Juilliard Opera directed by Louisa Muller. Matthew Aucoin conducts the Juilliard Orchestra. Performed and recorded on April 26, 2025 at the Peter Jay Sharp Theater. Dialogues des Carmélites, an opera by Francis Poulenc. Libretto adapted by the composer.",[11,174,175,140],36,10752,0.6712,"\u002Fk68Zt85qs4AIZ86DDGBNk92ILfp.jpg","2025-10-24","\u002Fzk7WWptfldazC5yA9dV7Au3Nq0u.jpg",{"id":181,"adult":6,"title":182,"video":125,"overview":183,"softcore":6,"genre_ids":184,"popularity":185,"vote_count":21,"poster_path":186,"release_date":187,"vote_average":144,"backdrop_path":34,"original_title":182,"original_language":121},274548,"Ermione","Recorded at the Glyndebourne Festival Opera in 1995, this acclaimed presentation of composer Gioachino Rossini's epic opus ERMIONE is based on Jean Racine's play \"Andromache.\" Set in Troy after the city fell to the Greeks, the production recounts the rancorous battle between widow Andromache  and Helen of Troy's green-eyed daughter, Ermione for the love of Pyrrhus",[11],0.1706,"\u002FwoYYqSewx6wRgKq2OiDfagizUUX.jpg","1995-06-03",{"id":189,"adult":6,"title":190,"video":125,"overview":191,"softcore":6,"genre_ids":192,"popularity":193,"vote_count":21,"poster_path":194,"release_date":195,"vote_average":196,"backdrop_path":197,"original_title":190,"original_language":121},293858,"Rigoletto","A Victor Hugo play, haunting and scandalous, provided the inspiration for Verdi’s mid-career masterpiece. A vengeful but misguided court jester strives to save his daughter from a duke’s licentious clutches, but can't part with the feeling that a curse looms over all of his actions. In Rigoletto, the composer introduces several of his most iconic arias and duets—as well as an 11th-hour quartet that counts among the finest moments in opera.",[140,11],0.2362,"\u002F7V0Y3cjt6yIlutdJ2PPWXmIG3at.jpg","1977-11-07",9,"\u002FxkY133rNEXA8yefOQuOwgIJJqyY.jpg",{"id":199,"adult":6,"title":200,"video":6,"overview":201,"softcore":6,"genre_ids":202,"popularity":203,"vote_count":21,"poster_path":204,"release_date":205,"vote_average":206,"backdrop_path":207,"original_title":200,"original_language":121},267861,"Il Barbiere di Siviglia","Stage director Emilio Sagi's production of the legendary Barber of Seville is enriched by a bright distribution. Maria Bayo returns to one of her signature role as Rosina, opposite Juan Diego Florez, the Rossini expert tenor. 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Ralf Weikert conducts, and Mauro Pagano oversees sets and costumes.",[11],0.8563,"\u002FhEasVFY4APwxiwLAN5J9UlASpc.jpg","1987-12-01","\u002F37GcfXmuAX37TnUeiCLxzpPlv6d.jpg","L'Italiana in Algeri",{"id":219,"adult":6,"title":220,"video":6,"overview":221,"softcore":6,"genre_ids":222,"popularity":223,"vote_count":21,"poster_path":224,"release_date":225,"vote_average":206,"backdrop_path":226,"original_title":220,"original_language":134},282807,"The Ghosts of Versailles","What happened to Figaro and his friends after the events told in Rossini’s and Mozart’s operas? One possible sequel is told in John Corigliano’s “grand opera buffa” The Ghosts of Versailles—an uproariously funny and deeply moving work inspired by Beaumarchais’s third Figaro play, La Mère Coupable, and commissioned by the Met to celebrate its 100th anniversary.  This telecast captures its world premiere run, conducted by James Levine. Håkan Hagegård is Beaumarchais, Figaro’s creator, who is deeply in love with Marie Antoinette (Teresa Stratas in a heart-searing performance) and determined to rewrite history and save her from the guillotine. A young Renée Fleming, at the beginning of her international career, sings the unfaithful Rosina. Gino Quilico is the wily Figaro who tries to take matters in his own hands, and Marilyn Horne stops the show as the exotic entertainer Samira.",[11],0.2876,"\u002FuwNMgZP9MaqVPOoaKBJUsbqAZAy.jpg","1992-01-10","\u002F3PF5g3zFDOrntf1nzBnraIfqLod.jpg",{"id":228,"adult":6,"title":229,"video":125,"overview":230,"softcore":6,"genre_ids":231,"popularity":232,"vote_count":8,"poster_path":233,"release_date":234,"vote_average":8,"backdrop_path":34,"original_title":229,"original_language":235},28241,"Les Contes d'Hoffmann","Giancarlo Del Monaco's passionate and intelligent production of Jacques Offenbach's magnum opus creates a climactic kaleidoscope of deep and convincing emotions. A highly credible incarnation of the pitiable Kleinzach he sings about, Aquiles Machado is the poet who loses his romantic idealism, his reflection and finally his soul to a 'trio of charming enchantresses'.",[11],0.1351,"\u002Far7D5HnLg6sn4QFV9YusaBw0rP3.jpg","2006-05-15","fr",{"id":237,"adult":6,"title":238,"video":6,"overview":239,"softcore":6,"genre_ids":240,"popularity":241,"vote_count":44,"poster_path":242,"release_date":243,"vote_average":196,"backdrop_path":244,"original_title":238,"original_language":134},285285,"The Mikado","In a small Japanese town, Ko-Ko is appointed to the unenviable position of executioner. Knowing he must successfully perform before the appearance of the Mikado in a month's time, Ko-Ko finds a suitable victim in Nanki-Poo, who is distraught over his unrequited love for the maiden Yum-Yum. Nanki-Poo agrees to sacrifice his life if he is allowed to spend his remaining days with Yum-Yum, who is betrothed to Ko-Ko. Filmed live from the 1982 Stratford Festival in Ontario.",[11,161],0.2413,"\u002F1v86v7MsftIkWcNKQbO4yRRNu1G.jpg","1983-01-02","\u002FnLVRVb2GAFuXFvX154cDsO16btW.jpg",{"id":246,"adult":6,"title":247,"video":125,"overview":248,"softcore":6,"genre_ids":249,"popularity":250,"vote_count":8,"poster_path":251,"release_date":252,"vote_average":8,"backdrop_path":253,"original_title":247,"original_language":235},280572,"Les Contes D'Hoffmann","Among DVDs of \"Hoffmann\" currently available, this is the only one that even begins to stand comparison with the superlative Powell and Pressburger film (whose ideas it occasionally borrows). Olivier Py's baroque imagination, which sometimes leads him into self-indulgence and incoherence, is well suited to bringing out this opera's darkness and he does an excellent job",[11],0.1154,"\u002FiOrk3ha2y2iDueF8uSf1ZAqQRJ8.jpg","2008-10-06","\u002FeZ2IXKc3gUt2tQvT8Lzs7CgmIgj.jpg",{"id":255,"adult":6,"title":256,"video":125,"overview":257,"softcore":6,"genre_ids":258,"popularity":259,"vote_count":8,"poster_path":260,"release_date":261,"vote_average":8,"backdrop_path":262,"original_title":256,"original_language":235},297933,"Bizet: Carmen","Georgian mezzo-soprano Anita Rachvelishvili gives a dynamic performance as Bizet’s iconic gypsy, the woman who lives by her own rules. Aleksandrs Antonenko is Don José, the soldier who falls under her spell, and Ildar Abdrazakov plays Escamillo, the swaggering bullfighter who takes Carmen away from Don José—an action that seals Carmen’s tragic fate. Anita Hartig is Micaëla, and Pablo Heras-Casado conducts Richard Eyre’s hit production, set in 1930s Spain.",[11],2.0181,"\u002FdpMOGJEK7B7R21NIvaezHIg4t0U.jpg","2014-11-01","\u002FAw5B9GwLfRKV4HGuBNPVbSMP6qy.jpg",{"id":264,"adult":6,"title":265,"video":125,"overview":266,"softcore":6,"genre_ids":267,"popularity":268,"vote_count":8,"poster_path":269,"release_date":270,"vote_average":8,"backdrop_path":271,"original_title":265,"original_language":134},440707,"The Metropolitan Opera: Don Giovanni","Simon Keenlyside smolders dangerously in the title role of Mozart’s version of the legend of Don Juan, creating a vivid portrait of a man who is a law unto himself, and all the more dangerous for his eternally seductive allure. Adam Plachetka is his occasionally unruly servant Leporello. It’s when Giovanni tangles with Donna Anna (Hibla Gerzmava) that things start to unravel, aided by the reappearance of Donna Elvira (Malin Byström), who is determined not to let her seducer go. With Paul Appleby as Don Ottavio, Donna Anna’s eternally steadfast fiancé. Principal Conductor Fabio Luisi leads the Met Orchestra and Chorus.",[11],0.2511,"\u002FnmMDwkqxURQVtPWmXQPkSscT2i4.jpg","2016-10-22","\u002FmUOhASLAPuygz0x6Oa2FqpMfA3T.jpg",{"id":273,"adult":6,"title":274,"video":125,"overview":275,"softcore":6,"genre_ids":276,"popularity":277,"vote_count":30,"poster_path":278,"release_date":279,"vote_average":144,"backdrop_path":280,"original_title":274,"original_language":134},259148,"The Metropolitan Opera: Aida","The Met’s spectacular production of Verdi’s Egyptian epic captures both the grandeur and the intimacy of this powerful tale of love and politics. Liudmyla Monastyrska is Aida, the Ethiopian princess-turned-slave in love with the Egyptian warrior Radamès, sung by Roberto Alagna. Olga Borodina is her rival, Amneris, daughter of the Pharao, and George Gagnidze sings Aida’s father, Amonasro, the King of Ethiopia. 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Belmonte finds his fiancée Konstanze and her English maid Blondchen, who were captured and sold by pirates, in the Mediterranean seraglio of the Ottoman pasha Selim. Belmonte's servant Pedrillo gets him engaged as builder. After Selim tried to enforce himself upon Konstanze, Pedrillo and Blondchen, his own sweetheart, prepare their flight, managing to get Osmin, the pasha's overseer, drunk. 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