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It is the second of the four operas that form Wagner's cycle Der Ring des Nibelungen (The Ring of the Nibelung).  The story of the opera is based on the Norse mythology told in the Volsunga Saga and the Poetic Edda.[1][2] In Norse mythology, a valkyrie is one in a group of female figures who decide which soldiers die in battle and which live. Die Walküre's best-known excerpt is the \"Ride of the Valkyries\". DVD release June 2009.",[12],0.336,"\u002F3H2FfQoZNYF4VmxOndxVlKepLYl.jpg","2006-05-31","de",{"id":145,"adult":6,"title":146,"video":6,"overview":147,"softcore":6,"genre_ids":148,"popularity":149,"vote_count":25,"poster_path":150,"release_date":151,"vote_average":152,"backdrop_path":153,"original_title":146,"original_language":154},267861,"Il Barbiere di Siviglia","Stage director Emilio Sagi's production of the legendary Barber of Seville is enriched by a bright distribution. Maria Bayo returns to one of her signature role as Rosina, opposite Juan Diego Florez, the Rossini expert tenor. The title role is embodied by the Italian baritone Pietro Spagnoli, while Ruggero Raimondi and Bruno Pratico reconcile the audience with Don Basilio and Don Bartolo.",[12],0.6134,"\u002Ff8YMGFrUmwE0mNXXcJmScPRo6ha.jpg","2005-11-07",7.5,"\u002F1caULXdjkPZUN3br1cIMxYn4tmg.jpg","it",{"id":156,"adult":6,"title":157,"video":8,"overview":158,"softcore":6,"genre_ids":159,"popularity":160,"vote_count":9,"poster_path":161,"release_date":162,"vote_average":9,"backdrop_path":163,"original_title":157,"original_language":164},280572,"Les Contes D'Hoffmann","Among DVDs of \"Hoffmann\" currently available, this is the only one that even begins to stand comparison with the superlative Powell and Pressburger film (whose ideas it occasionally borrows). Olivier Py's baroque imagination, which sometimes leads him into self-indulgence and incoherence, is well suited to bringing out this opera's darkness and he does an excellent job",[12],0.4571,"\u002FiOrk3ha2y2iDueF8uSf1ZAqQRJ8.jpg","2008-10-06","\u002FeZ2IXKc3gUt2tQvT8Lzs7CgmIgj.jpg","fr",{"id":166,"adult":6,"title":167,"video":8,"overview":168,"softcore":6,"genre_ids":169,"popularity":170,"vote_count":34,"poster_path":171,"release_date":172,"vote_average":173,"backdrop_path":61,"original_title":167,"original_language":164},280688,"La Belle Hélène","This is a joy from beginning to end. Although there are many tricks and ideas from Laurent Pelly, as always he seems to still retain the Offenbach magic. La Lott and Monsieur Beuron are a joy, but so is everyone else. The Patriotic Trio by the sea is both a hoot and wonderfully sung, the score seems truly complete yet never flags and the finale sequences for especially acts 1 & 2 are a joy of movement and sound fused as one glorious Offenbachian moment.",[12],1.121,"\u002FcS71eNX9D51j3ylzhO989V1KO1T.jpg","2000-12-01",7,{"id":175,"adult":6,"title":176,"video":6,"overview":177,"softcore":6,"genre_ids":178,"popularity":179,"vote_count":25,"poster_path":180,"release_date":181,"vote_average":182,"backdrop_path":183,"original_title":176,"original_language":143},657629,"Wagner: Götterdämmerung - Teatro alla Scala","Götterdämmerung, the final instalment of Wagner’s Ring of the Nibelung, is a story of human passions. Two essentially benevolent creatures, involved with and possibly doomed by their traffic with the gods, find treachery and evil in the world of the humans, and are ruined by the dark side of humanity.  Iréne Theorin, acclaimed worldwide for her portrayal of Wagner’s heroines, stars as Brünnhilde opposite Lance Ryan, who continues his radiant portrayal of the tragic hero Siegfried. The strong cast also includes Mikhail Petrenko as the dark antagonist Hagen and Johannes Martin Kränzle, who once again shines as his father Alberich. Waltraud Meier has a memorable appearance as Brünnhilde’s sister Waltraute.  With this 2013 recording of Götterdämmerung, the musically and visually compelling Scala Ring Cycle by Daniel Barenboim and Guy Cassiers was completed and proved to be one of the highlights of the Richard Wagner bicentenary.",[12],1.2956,"\u002Fiq11cxAVGrHfMBGmKCbc9BU26G6.jpg","2013-06-22",3.5,"\u002FyS0dExOSrr5G39nybsgEuHVkQay.jpg",{"id":185,"adult":6,"title":186,"video":6,"overview":187,"softcore":6,"genre_ids":188,"popularity":189,"vote_count":25,"poster_path":190,"release_date":191,"vote_average":152,"backdrop_path":192,"original_title":186,"original_language":193},282807,"The Ghosts of Versailles","What happened to Figaro and his friends after the events told in Rossini’s and Mozart’s operas? One possible sequel is told in John Corigliano’s “grand opera buffa” The Ghosts of Versailles—an uproariously funny and deeply moving work inspired by Beaumarchais’s third Figaro play, La Mère Coupable, and commissioned by the Met to celebrate its 100th anniversary.  This telecast captures its world premiere run, conducted by James Levine. Håkan Hagegård is Beaumarchais, Figaro’s creator, who is deeply in love with Marie Antoinette (Teresa Stratas in a heart-searing performance) and determined to rewrite history and save her from the guillotine. A young Renée Fleming, at the beginning of her international career, sings the unfaithful Rosina. Gino Quilico is the wily Figaro who tries to take matters in his own hands, and Marilyn Horne stops the show as the exotic entertainer Samira.",[12],0.8177,"\u002FuwNMgZP9MaqVPOoaKBJUsbqAZAy.jpg","1992-01-10","\u002F3PF5g3zFDOrntf1nzBnraIfqLod.jpg","en",{"id":195,"adult":6,"title":196,"video":6,"overview":197,"softcore":6,"genre_ids":198,"popularity":199,"vote_count":34,"poster_path":200,"release_date":201,"vote_average":173,"backdrop_path":202,"original_title":196,"original_language":154},648281,"Puccini: Turandot - Teatro alla Scala","Visually this is a gripping production which captures the drama of this opera perfectly. It's downright exciting! and I found the singing, acting, and orchestral playing reasonably fine. I found only one major problem with it, a problem that kept Puccini for quite a few years. Turandot has been looking for an opportunity to kill Calif and Calif has singlemindedly tried to get Turandot to love and wed him focusing on her and ignoring a better looking girl who loves him truly. The problem is how to get the audience to applaud the match once Calif gets his wish. Puccini couldn't figure out how to do it. The traditional quick ending doesn't do it, and Berio's attempt is longer , tries its best, but ends up making it plain this is one wierd couple.",[12],1.6794,"\u002F6NrVj6K28dIepN0ySmDrBGelC5V.jpg","2015-05-01","\u002FaM3yb2fjPhuJW4qE4BF5Uuwo4nD.jpg",{"id":204,"adult":6,"title":205,"video":6,"overview":206,"softcore":6,"genre_ids":207,"popularity":208,"vote_count":34,"poster_path":209,"release_date":210,"vote_average":173,"backdrop_path":61,"original_title":205,"original_language":164},273778,"Carmen","David McVicar's exhilarating new production, with Anne Sofie von Otter in the title role, restores the Opera Comique to Bizet's masterpiece. Philippe Jordan, in his Glyndebourne debut, conducts the London Philharmonic Orchestra, the Glyndebourne Chorus, and a cast which includes Marcus Haddock, Laurent Naouri, and Lisa Milne.",[12],0.3263,"\u002F3AcG9AyeXIBvYrCTvjNffVRl58f.jpg","2002-07-25",{"id":212,"adult":6,"title":213,"video":6,"overview":214,"softcore":6,"genre_ids":215,"popularity":216,"vote_count":34,"poster_path":217,"release_date":218,"vote_average":73,"backdrop_path":61,"original_title":213,"original_language":143},1040557,"Das Rheingold - Wiener Staatsoper","Wagner's Ring of the Nibelungen is regarded as one of the most important milestones in the history of music. In the first part, the Rheingold, it begins with the chain of fateful entanglements that ultimately attracts the downfall of the race of the gods.",[12],1.3932,"\u002F9kv8IsE5GDiWKEJL1CKD7NtpU6A.jpg","2016-01-10",{"id":220,"adult":6,"title":221,"video":6,"overview":222,"softcore":6,"genre_ids":223,"popularity":224,"vote_count":34,"poster_path":225,"release_date":226,"vote_average":173,"backdrop_path":61,"original_title":221,"original_language":164},300113,"Les Indes Galantes","\"William Christie and Les Arts Florissants propel this exuberant production of Jean-Philippe Rameau's second opera to great heights. Andrei Serban's extravagant, highly baroque staging presents the four exotic love stories vibrantly. In 'Le Turc généreux' Osman sets free his captive, Emilie, whom he loves, so that she may be reunited with her former lover, Valère; 'Les Incas de Pérou' is all about the rivalry of the Inca Huascar and the Spaniard Don Carlos, both in pursuit of Princess Phani; 'Les Fleurs' offers a Persian love intrigue, as the Sultana Fatime tries to detect whether her husband Tacmas has his eye on the lovely Atalide; and 'Les Sauvages' takes us to North America, where a Spaniard and a Frenchman compete for the love of Zima, daughter of a native chief, who prefers one of her own people.\" — from the DVD cover",[12],0.3091,"\u002F3sz5SPtueF9fcxqYgxv9dgMHTPe.jpg","2004-09-11",{"id":228,"adult":6,"title":229,"video":6,"overview":230,"softcore":6,"genre_ids":231,"popularity":232,"vote_count":34,"poster_path":233,"release_date":234,"vote_average":173,"backdrop_path":235,"original_title":229,"original_language":143},1071567,"Der fliegende Holländer","This is a performance of Wagner's three-act opera Der fliegende Holländer (\"The flying Dutchman\"), performed by Bayreuther Festpiele, directed by Dmitri Tcherniakov.  The staging was notable for two other milestones, as Oksana Lyniv became the first woman to conduct at Richard Wagner’s legendary Festspielhaus since its opening in 1876, and the sensational Lithuanian soprano Asmik Grigorian made her house debut with a standout performance as the opera’s heroine, Senta. The exceptional cast also included John Lundgren (The Dutchman), Georg Zeppenfeld (Daland), Eric Cutler (Erik) and Marina Prudenskaya (Mary).",[12,15],0.2247,"\u002F2A6PHPpzT7KViqf7xd6lw7P8Mej.jpg","2021-07-25","\u002F5QeSvaKDgjq9m8MUaeajN1MVGzj.jpg",{"id":237,"adult":6,"title":238,"video":8,"overview":239,"softcore":6,"genre_ids":240,"popularity":241,"vote_count":34,"poster_path":242,"release_date":243,"vote_average":244,"backdrop_path":245,"original_title":238,"original_language":143},467143,"Beethoven · Fidelio","A tribute to marriage coming from a bachelor is a tad suspicious. But for Beethoven the idealization of the woman-bride was heartfelt and sincere. It has always been a unique opera starring a courageous wife who wows audiences. Fidelio is a moral title, associated with the ideals of liberty of the French Enlightenment. Nobility and commoners are united in their thirst for justice against the oppression of power. For once the faithful consort of a desaparecido wins her battle against a treacherous tyrant, and the collective joy truly is “nameless”, as is sung on the stage. Especially because the “our heroes to the rescue” finale is recounted by the triumphant symphonic flair of the quintessential musician. Beethoven really does bring the world to collapse at the conclusion of this opera, which begins like a delightful little comedy, but which scales and transcends all the summits of the dramatic-musical art.",[12],0.2538,"\u002FxThj68vyVC6KWhc7iMVgXJsBvfL.jpg","2014-12-07",8,"\u002FpMXNCrTwWc8ymBgKTQBkaf0vRtp.jpg",{"id":247,"adult":6,"title":248,"video":8,"overview":249,"softcore":6,"genre_ids":250,"popularity":251,"vote_count":34,"poster_path":252,"release_date":253,"vote_average":254,"backdrop_path":61,"original_title":248,"original_language":154},280280,"Otello","The complete version of Verdi's Otello performed by Placido Domingo and Kiri Te Kanawa, at the Royal Opera House, Covent Garden. Gala Performance in honour of Sir Georg Solti's 80th birthday.. 27 October 1992. BBC 2 Television live relay.",[12],0.4042,"\u002FvLaQfiqWiFhBK4fU0JT09rrRyzC.jpg","1992-10-27",10,{"id":256,"adult":6,"title":257,"video":6,"overview":258,"softcore":6,"genre_ids":259,"popularity":260,"vote_count":34,"poster_path":261,"release_date":262,"vote_average":173,"backdrop_path":61,"original_title":257,"original_language":143},656737,"Arabella","2014 marks a year of celebration recognizing the 150th birthday year of the German late-Romantic orchestral, operatic and lied master composer, Richard Strauss (1864-1949). Arabella (premiered 1933, Dresden) was the last of the half dozen Strauss works to feature a libretto by the great Austrian writer Hugo von Hofmannsthal. This production, from the most recent Salzburg Easter Festival is, after Capriccio, the second of three Richard Strauss operas C Major is releasing in honor of the composers birth, life and work. The star-laden cast includes soprano Renèe Fleming, baritone Thomas Hampson, Albert Dohmen (Covent Garden, Wiener Staatsoper, MET) and Gabriela Beaková (Wiener Staatsoper, Covent Garden). With Christian Thielemann and the Staatskapelle Dresden, the music of Richard Strauss is in the best of hands. (ORF) Thielemann gets the best out of the cast...especially Renée Fleming with her luxurious soprano FAZ",[12],0.4172,"\u002FoU1W1FaKnAiFQifeEZG3wavhyk2.jpg","2014-06-17",{"id":264,"adult":6,"title":265,"video":6,"overview":266,"softcore":6,"genre_ids":267,"popularity":268,"vote_count":34,"poster_path":269,"release_date":270,"vote_average":254,"backdrop_path":61,"original_title":265,"original_language":193},843891,"The Pirates of Penzance","Sasha Regan’s award-winning All-male Company are set to lift everyone’s spirits with a treat in their new West End pirate’s cove. The swashbuckling pirates and their winsome lasses sail into the Palace Theatre with their inventive new take on W. S. Gilbert & Arthur Sullivan’s classic operetta THE PIRATES OF PENZANCE. Featuring a dazzling cast singing songs including: “I am a Pirate King”; “Oh, happy day, with joyous glee” and “A rollicking band of pirates we”, they are sure to raise the roof off the Palace Theatre!",[12],1.2722,"\u002FvfteQBo7igcmfHNFJeaO16aqvpr.jpg","2020-12-28",{"id":272,"adult":6,"title":273,"video":6,"overview":274,"softcore":6,"genre_ids":275,"popularity":276,"vote_count":9,"poster_path":277,"release_date":278,"vote_average":9,"backdrop_path":279,"original_title":273,"original_language":280},1046164,"Verdi: La forza del destino","",[12],0.8516,"\u002Fjs2peUkgzqlWKRjus8ybMUlDZr6.jpg","2007-10-08","\u002FdIb2GCOCgQ7jc0liRlyu9TBxtbI.jpg","es",{"id":282,"adult":6,"title":283,"video":6,"overview":284,"softcore":6,"genre_ids":285,"popularity":286,"vote_count":34,"poster_path":287,"release_date":288,"vote_average":289,"backdrop_path":290,"original_title":291,"original_language":143},844115,"The Abduction from the Seraglio","A Mozart opera at La Scala in Milan.",[12],1.9352,"\u002FRllasTW8syXlaziTYsZhZj2mnn.jpg","2017-06-17",9,"\u002Fsu5vdd1H4o547OowlAemfY0izOh.jpg","Die Entführung aus dem Serail - Teatro alla Scala",{"id":293,"adult":6,"title":294,"video":6,"overview":295,"softcore":6,"genre_ids":296,"popularity":298,"vote_count":34,"poster_path":299,"release_date":300,"vote_average":173,"backdrop_path":61,"original_title":294,"original_language":154},278567,"Rodelinda","Jean-Marie Villegier's modern interpretation of Handel's \"Rodelinda\" – filmed live at the world-renowned Glyndebourne Opera House in the United Kingdom, sets the timeless tale of jealousy and treachery in the black-and-white world of the silent-movie era. Soprano Anna Caterina Antonacci sings the title role of Rodelinda, with tenor Kurt Streit and bass Umberto Chiummo performing the parts of Grimoaldo and Garibaldo, respectively.",[12,297,15],10749,1.9493,"\u002FqYJ1SqGAnrkEppFxXcSN8AHmqCD.jpg","1998-06-30",{"id":302,"adult":6,"title":303,"video":6,"overview":304,"softcore":6,"genre_ids":305,"popularity":307,"vote_count":49,"poster_path":308,"release_date":309,"vote_average":289,"backdrop_path":310,"original_title":303,"original_language":193},285285,"The Mikado","In a small Japanese town, Ko-Ko is appointed to the unenviable position of executioner. Knowing he must successfully perform before the appearance of the Mikado in a month's time, Ko-Ko finds a suitable victim in Nanki-Poo, who is distraught over his unrequited love for the maiden Yum-Yum. Nanki-Poo agrees to sacrifice his life if he is allowed to spend his remaining days with Yum-Yum, who is betrothed to Ko-Ko. Filmed live from the 1982 Stratford Festival in Ontario.",[12,306],35,0.3389,"\u002F1v86v7MsftIkWcNKQbO4yRRNu1G.jpg","1983-01-02","\u002FnLVRVb2GAFuXFvX154cDsO16btW.jpg",{"id":312,"adult":6,"title":313,"video":6,"overview":314,"softcore":6,"genre_ids":315,"popularity":316,"vote_count":34,"poster_path":317,"release_date":318,"vote_average":244,"backdrop_path":61,"original_title":313,"original_language":143},272228,"Der Rosenkavalier - Semperoper","The Semperoper caused a sensation in November 2007 when it visited Japan for the first time in twenty-six years. The demand for tickets and the audience's enthusiasm were unprecedented, not least because the company was staging a piece that is performed more authentically in Dresden than anywhere else in the world: Richard Strauss' Der Rosenkavalier, which received its first performance in Dresden in 1911. Leading the ensemble was the radiant-voiced and profoundly thoughtful Marschallin of Anne Schwanewilms.",[12],0.7971,"\u002Fj9EAeXxfqCmSVWEZgJbi1j4XbGr.jpg","2007-11-25",1001,20001,"Production of Mozart's opera about the Spanish nobleman who seeks to rescue his beloved Konstanze from the hands of the Pasha.\r Karl Bohm conducts the Chorus and Orchestra of the Bayerischen Staatsoper with the right balance of serious purpose and light lilting lyricism. This production, staged by August Everding with set and costume design by Max Bignens, was filmed from a live television production relayed on the First Programme (Channel 1) of German television on 25 April 1980,",0.6033,"\u002FyUx9DgW18ZWezdWfaDJkLQEQTGQ.jpg","1980-05-05",[326],"DE",{"results":328},{},[330],{"name":331,"iso_639_1":143,"english_name":332},"Deutsch","German",[334,338],{"id":335,"name":336,"logo_path":337,"origin_country":326},26290,"Unitel","\u002Fo7QeTO6M5CLKZP7RYuIxoHbTqET.png",{"id":339,"name":340,"logo_path":61,"origin_country":326},37841,"Bayerische Staatsoper",[342],{"name":343,"iso_3166_1":326},"Germany",45,"A music story that tends to land well.",[]]