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As early as the 1790s, he had an eye on Ode to Joy, perhaps the most well-known poem by Friedrich Schiller, written on the threshold of the French Revolution (1786). In his mature and, in particular, later years, the deaf composer with an acute ‘hearing vision’ increasingly distanced himself from conventional forms and genres and wrote parts beyond the possibilities of instruments of his day. He nurtured the idea of a symphony with a choir for at least several years.  The history of the Ninth’s interpretations includes 200 years of staggering revelations and lingering stagnation. Performed by the musicAeterna orchestra, choir, and guest soloists under the baton of Teodor Currentzis, Beethoven’s opus magnum acquires the original poignancy and energy of a recent discovery.",[12],0.9269,"\u002FmLTwfZQEZi247a0P1HmoNKyAXMQ.jpg","2022-02-24","\u002Fbg2IjzuSoYsGk5KmW0hh06WHXzq.jpg","Teodor Currentzis dirigiert Beethovens Sinfonie Nr. 9","de",{"id":143,"adult":6,"title":144,"video":6,"overview":145,"softcore":6,"genre_ids":146,"popularity":147,"vote_count":22,"poster_path":148,"release_date":149,"vote_average":84,"backdrop_path":150,"original_title":144,"original_language":141},1058744,"Teodor Currentzis: Utopia","Utopia, the new orchestra of conductor Teodor Currentzis, can be experienced for the first time in Vienna on its inaugural tour with the 1945 version of Igor Stravinsky’s ‘The Firebird’ and Maurice Ravel’s Suite No. 2 of ‘Daphnis et Chloé’, ‘La Valse’ and ‘Boléro’.",[12],0.8816,"\u002F310xoECaEehjyt1MyJ8gPJKeBiV.jpg","2022-10-21","\u002Fe5gUeTnmPgGjkE1vZ52haneNspz.jpg",{"id":152,"adult":6,"title":153,"video":8,"overview":154,"softcore":6,"genre_ids":155,"popularity":156,"vote_count":9,"poster_path":157,"release_date":158,"vote_average":9,"backdrop_path":159,"original_title":160,"original_language":141},466766,"Waldbühne 2009 | Russian Rhythms","Every year, the Berliner Philharmoniker hold a kind of classical-music fête with a bright, cheerful concert to end the season. In 2009 about 22,000 people had come together at the Berlin Waldbühne to enjoy the traditional summer picnic concert. The theme of the evening was “Russian rhythms”, and star conductor Sir Simon Rattle, the Berliner Philharmoniker and Yefim Bronfman, one of the most famous pianists in the world today, presented a superb selection of Russian music.  Repertoire  Tchaikovsky: The Nutcracker, op. 71, Overture, The Christmas Tree, March, Pas de deux (Intrada) Rachmaninoff: Piano Concerto No.3 in D minor, op. 30 Stravinsky: Le Sacre du printemps Lincke: Berliner Luft",[12],0.9536,"\u002Fo4riv33GyzKsC63s8cZ3F9CboPU.jpg","2009-06-21","\u002FuhbvDSL9oJ4Xh3w2H4GN6525yGO.jpg","Waldbühne 2009: Russische Rhythmen",{"id":162,"adult":6,"title":163,"video":8,"overview":164,"softcore":6,"genre_ids":165,"popularity":166,"vote_count":9,"poster_path":167,"release_date":168,"vote_average":9,"backdrop_path":169,"original_title":170,"original_language":141},466767,"Waldbühne 2010 | An Evening with Renée Fleming","Repertoire\r Modest Mussorgsky: Night on Bald Mountain; Antonín Dvořák: Song to the Moon from “Rusalka”, Op. 114; Aram Chatschaturjan: Adagio from “Spartacus”; Richard Strauss: Final Scene from “Capriccio”, Op. 85; Richard Wagner: Overture to “Rienzi, der Letzte der Tribunen”; E. W. Korngold: Mariettas Lied from “Die tote Stadt”; Richard Strauss: Zueignung, Op. 10 No. 1; Sir Edward Elgar: Salut d’amour; Giacomo Puccini: Donde lieta uscì from “La bohème”; Tu che di gel sei cinta from “Turandot”; Ruggero Leoncavallo: Musette svaria sulla bocca viva from “La bohème”; Mimì Pinson, la biondinetta from “La bohème”; Piotr Tchaikovsky: “Romeo and Juliet” (Fantasy Overture)",[12],2.2306,"\u002F750M8pq4aZQO0rqt4FUtb02z3WC.jpg","2010-06-27","\u002F6fbVgqokybPT8MZdGIzaTQbmOfG.jpg","Waldbühne 2010: Nacht der Liebe",{"id":172,"adult":6,"title":173,"video":6,"overview":174,"softcore":6,"genre_ids":175,"popularity":176,"vote_count":22,"poster_path":177,"release_date":178,"vote_average":84,"backdrop_path":179,"original_title":173,"original_language":141},466769,"Waldbühne 2011: Fellini, Jazz & Co","The Waldbühne in Berlin, one of the most appealing outdoor amphitheatres on the European continent, is the home of the Berliner Philharmoniker’s summer concerts. With audiences of more than 20,000, these are some of the most popular classical music concerts in the world. Riccardo Chailly is famous for having one of the broadest and most eclectic repertoires. Here, under his baton, the orchestra presents perennial favourites by Shostakovich, Rota and Respighi. Live recording from the Waldbühne, Berlin, 23 August 2011, directed by Kasten Henning, produced by Jan Bremme. TV Producer: Dorothea Diekmann, RBB.  Repertoire\r Dmitry Shostakovich: Suite No. 2 for Jazz Orchestra (Suite for Variety Orchestra), Lady Macbeth of Mtsensk Suite – Allegretto; Nino Rota: ‘La Strada’ Ballet Suite; Ottorino Respighi: Fountains of Rome • Pines of Rome • Danza gueresca ‘Belkis’; Paul Lincke: Berliner Luft",[12],1.0781,"\u002F4RCK8TmXxrfjSct5SAnKodRcc1r.jpg","2011-07-02","\u002FvqT0qpIXt6LmWf1XOWwyiB5h0N7.jpg",{"id":181,"adult":6,"title":182,"video":6,"overview":183,"softcore":6,"genre_ids":184,"popularity":185,"vote_count":22,"poster_path":186,"release_date":187,"vote_average":66,"backdrop_path":26,"original_title":182,"original_language":188},651613,"Bernstein Mahler Rehearsal","\"Four Ways to Say Farewell\" is a personal introduction to Mahler and his Ninth Symphony, during which Leonard Bernstein is seen and heard rehearsing the Vienna Philharmonic Orchestra. Filmed in 1971, this rehearsal was directed by Humphrey Burton,",[12],1.2666,"\u002F5F04IetBsm5qJMWGYpysRIrxweq.jpg","1976-07-08","en",{"id":190,"adult":6,"title":191,"video":8,"overview":192,"softcore":6,"genre_ids":193,"popularity":194,"vote_count":9,"poster_path":195,"release_date":196,"vote_average":9,"backdrop_path":26,"original_title":191,"original_language":188},651292,"Beethoven Piano Concertos 1-5","These recordings, filmed in March and April 1974 for the BBC, occurred at the tail end of the old performance era and the very start of the new. Vladimir Ashkenazy was a graduate of the same Soviet school of piano playing that produced Sviatoslav Richter, Emil Gilels, Lazar Berman and a host of others of that era. There are simularities that unite them, including a broad romanticism, a degree of Lisztian showmanship coupled with periods of introspection, powerful technique that occasionally borders on pounding and an intellectual streak that produces some deeply insightful playing. Ashkenazy was younger than the others, more modern in his playing.",[12],0.8586,"\u002FpRI3iPYijPPmz00i4jjLZ6W8ggf.jpg","1974-04-01",{"id":198,"adult":6,"title":199,"video":8,"overview":200,"softcore":6,"genre_ids":201,"popularity":202,"vote_count":9,"poster_path":203,"release_date":204,"vote_average":9,"backdrop_path":205,"original_title":199,"original_language":188},651397,"Vivaldi Le Quattro Stagioni","In April 1981 violinist Gidon Kremer performed Vivaldi's Four Seasons leading the English Chamber Orchestra recorded in the baroque library of the monastery in Polling, near Munich. It is, as one would expect from a master violinist, a superbly insightful performance. The sound is resonant and satisfying although surely not true 5.1, and those who wish to have this music on video might well investigate it.",[12],0.8973,"\u002FoScnLp6q3ZZACBuBbYtCRFkz5Aa.jpg","2008-11-12","\u002FnEsBnqgU7EQzxIL0YpSxHY7yl3h.jpg",{"id":207,"adult":6,"title":208,"video":8,"overview":209,"softcore":6,"genre_ids":210,"popularity":211,"vote_count":22,"poster_path":212,"release_date":213,"vote_average":84,"backdrop_path":26,"original_title":208,"original_language":188},651828,"Mahler - Symphonies Nos. 1, 2 & 3","Beginning with the First Symphony, Bernstein reveals Mahler's position at the hinge of modernism, while emphasizing his emotional extremism. The uplifting Second \"Resurrection\" Symphony, with which Bernstein had an especially long and close association, is recorded here in a historic performance from 1973, set in the Romanesque splendor of Ely Cathedral. In the Third, Bernstein encompasses the symphony's spiritual panorama like no other conductor, with the Vienna Philharmonic players alive to every nuance.",[12],0.9174,"\u002FzRWfqc3xdLdrjknehi3AOQPusb3.jpg","1973-08-17",{"id":215,"adult":6,"title":216,"video":8,"overview":217,"softcore":6,"genre_ids":218,"popularity":219,"vote_count":9,"poster_path":220,"release_date":221,"vote_average":9,"backdrop_path":26,"original_title":216,"original_language":188},652253,"Mahler - Symphonies Nos. 7 & 8","Leonard Bernstein made these recordings during his wonderfully productive collaboration with the Wiener Philharmoniker in the mid-1970s when he was at the peak of his career. Humphrey Burton's direction is, as always, very fine, giving the viewer\u002Flistener both the larger picture and highlighting individual soloists, players or groups of musicians and, of course, the maestro. The video and audio tracks show their age, but are quite acceptable even for today's standards. Bernstein's Seventh is everything one could desire: dark and spooky, highly sensual, but also structurally strong and assertive where needed. Bernstein's reading does not gloss over breakdowns in tonality and the foreshadowing of later musical developments.",[12],1.6007,"\u002Fz3R3NIDORi6f2oBPM7PAFoWdBmr.jpg","1975-07-17",{"id":223,"adult":6,"title":224,"video":6,"overview":225,"softcore":6,"genre_ids":226,"popularity":227,"vote_count":22,"poster_path":228,"release_date":229,"vote_average":84,"backdrop_path":26,"original_title":224,"original_language":188},652144,"Mahler - Symphonies Nos. 9 & 10 \u002F Das Lied von der Erde","Filmed on tour at Berlin's Philharmonie, this account of the valedictory Ninth Symphony is an intense interpretation, expressing Bernstein's conviction that modern man had at last caught up with the message encoded in Mahler's last completed work. Having made his famous 1966 studio recording of \"Das Lied von der Erde\" in Vienna, Bernstein re-recorded this in Israel with the same searing subjectivity. René Kollo draws on the voice of a great Wagner tenor, while Christa Ludwig, the greatest exponent of the contralto songs at the time, is unbearably poignant in the final movement's fusion of elation and sadness.",[12],1.4338,"\u002FhWOSgpudGmt3yi82Bzv4pQ7fyeq.jpg","2005-11-22",{"id":231,"adult":6,"title":232,"video":8,"overview":233,"softcore":6,"genre_ids":234,"popularity":235,"vote_count":31,"poster_path":236,"release_date":237,"vote_average":238,"backdrop_path":26,"original_title":232,"original_language":188},652923,"Mozart Symphonies Vol. II - Nos. 1,25,31,36,38 and \"Eine Kleine Nachtmusik\"","In the 1960s Karl Böhm (1894–1981) had made his mark as interpreter of Mozart with the the Berlin Philharmonic. Yet his recordings with the Vienna Symphony demonstrate a mutual sympathy and deep love for this timeless music. The musicians are razor-sharp in attack, harmony, and release. Böhm's style is minimalist: a firm downbeat, a ruffled hand here and there, a slight sway, no mugging. Occasionally, when quite excited, he gives a little hop but immediately pulls himself on a tight leash.",[12],1.131,"\u002FgCG1gcVC56nkbVuQIiN2tsbmOnl.jpg","1978-07-12",8.2,{"id":240,"adult":6,"title":241,"video":8,"overview":242,"softcore":6,"genre_ids":243,"popularity":244,"vote_count":22,"poster_path":245,"release_date":246,"vote_average":66,"backdrop_path":26,"original_title":241,"original_language":188},652959,"Mozart Symphonies Vol. I - Nos. 29,34,35,40,41 and Minuet K.409","There are only a couple of DVD recordings of Mozart's Symphony No. 40. Fortunately, this one by Karl Bohm, recorded live in Vienna's Musikvereinssaal, is excellent, as are the other Mozart symphonies on this DVD. Since this disc offers three of the big six last symphonies of Mozart, Nos. 35 (Haffner), 40, and 41 (Jupiter), plus two more, it is an outstanding value. Despite the age of the recordings (1973-74), both the sound and the video are quite good.",[12],1.1969,"\u002Fyo10XhBaKy7lUMcBlypZM0kiRO.jpg","1978-10-03",{"id":248,"adult":6,"title":249,"video":6,"overview":250,"softcore":6,"genre_ids":251,"popularity":252,"vote_count":22,"poster_path":253,"release_date":254,"vote_average":84,"backdrop_path":26,"original_title":249,"original_language":188},1059257,"Mahler: Symphony No. 5","For Mahler, symphonies always were a means of interpreting the most convoluted philosophical problems that couldn’t be resolved verbally. The ambitious structure of the five-part Fifth Symphony spans from the Funeral March to the roaring finale. It is a forthright attempt to resolve the tragic conflict with the surrounding world. The brilliant fourth part of the symphony, Adagietto, resembles a beautifully mysterious flower that every conductor reimagines in their own style. As one of the twentieth century’s most influential maestros, Mahler redefined the conductor’s role. For him, the conductor is just as integral to his own musical works as they are to the composer. When a maestro steps onto the podium and opens the score, he recreates musical universes from scratch. Teodor Currentzis and the musicAeterna orchestra have performed Mahler’s symphonies around the world for many years. The Fifth Symphony has earned its place as one of the highlights of the cycle.",[12],1.1013,"\u002F7CzfqVJhbtivriFkcxHIPlpW4oM.jpg","2021-10-10",{"id":256,"adult":6,"title":257,"video":6,"overview":258,"softcore":6,"genre_ids":259,"popularity":260,"vote_count":9,"poster_path":261,"release_date":262,"vote_average":9,"backdrop_path":26,"original_title":257,"original_language":188},654206,"Bruckner Symphony No. 9","With nearly 450 years of tradition, the Staatskapelle Berlin is one of the oldest orchestras in the world. Daniel Barenboim has served as its music director since 1992, and in 2000 the orchestra appointed him Chief Conductor for Life. Having already performed important cycles such as Beethoven, Brahms and Schumann together, Daniel Barenboim and the Staatskapelle turned their focus toward Anton Bruckner's last six Symphonies, performed in the Philharmonie Berlin in the course of only one week in June 2010. This music is more serious and more significant than one had thought, the Berliner Zeitung summarized in its review of Daniel Barenboims celebrated Bruckner cycle with the Staatskapelle Berlin. Bruckners unfinished Symphony No. 9 brought to an end, in a poignant manner, the work of one of the greatest symphonic composers of the Classic-Romantic era.",[12],1.135,"\u002FxASOGS3OmIzggMSoEdYVROcEHCb.jpg","2010-02-02",{"id":264,"adult":6,"title":265,"video":8,"overview":266,"softcore":6,"genre_ids":267,"popularity":268,"vote_count":22,"poster_path":269,"release_date":270,"vote_average":59,"backdrop_path":26,"original_title":265,"original_language":188},654196,"Bruckner: Symphony No. 4","Daniel Barenboim is an expert in exploiting the impact of cyclical performances of composers works: This time he focuses his sharp intellect on all six of Anton Bruckners mature symphonies. Der Tagesspiegel described Barenboim's performance of the works with the Staatskapelle Berlin on six nearly consecutive evenings in June 2010 as a superhuman accomplishment and went on to praise how: His Bruckner is conceived and performed very theatrically, like an opera without words. Bruckners famous Romantic Symphony No. 4 forms the prelude to a spectacular DVD series from Accentus Music and Unitel Classica, exploring Bruckners symphonic cosmos.",[12],1.0252,"\u002FoGizfJGEyq6boXYT5U7hdt8jz1w.jpg","2010-02-16",{"id":272,"adult":6,"title":273,"video":8,"overview":274,"softcore":6,"genre_ids":275,"popularity":276,"vote_count":9,"poster_path":277,"release_date":278,"vote_average":9,"backdrop_path":26,"original_title":273,"original_language":188},654201,"Brahms The Piano Concertos","Between 1981 and 1984 Leonard Bernstein recorded nearly all of Brahmss orchestral works with the Wiener Philharmoniker to honor the 150th anniversary of the composer's birth in 1983. For the concertos, Bernstein enlisted the services of some of the finest Brahms interpreters of the time: the violoninst Gidon Kremer, the cellist Mischa Maisky and the pianist Krystian Zimerman. Leonard Bernstein, Krystian Zimerman, and the Wiener Philharmoniker, it's very hard to get a better group of musicians for these masterpieces. Mr. Zimerman and Mr. Wolfgang Herzer's piano cello duets in the third movement of Brahms' second is simply tearful.",[12],1.1536,"\u002FmrB6HYz0IMhee7ZBWjhxiKf1iuw.jpg","1984-12-11",{"id":280,"adult":6,"title":281,"video":8,"overview":282,"softcore":6,"genre_ids":283,"popularity":284,"vote_count":9,"poster_path":285,"release_date":286,"vote_average":9,"backdrop_path":26,"original_title":281,"original_language":188},654247,"Bruckner: Symphony No. 5","The Süddeutsche Zeitung summed up this highly acclaimed performance of Bruckner's monumental Fifth Symphony by saying: Both Bruckners belief in God, as it majestically wells up out of the chorale of the Fifth, and his deeply tragic world view, collide with one another in Barenboims interpretation. The operatic experience of the conductor was almost tangible, revealing the sheer dramatic instrumental battle between Bruckners God and the Devil between heaven and hell without betraying Bruckners unerring sense of striking proportions. The release of this contrapuntal masterpiece (as Bruckner, not without pride, referred to this work) is part of Daniel Barenboims Bruckner cycle with the renowned Staatskapelle Berlin.",[12],0.9526,"\u002Foyh3aqJOX8sbvKWh5Ddf8JDuKsJ.jpg","2010-06-15",{"id":288,"adult":6,"title":289,"video":8,"overview":290,"softcore":6,"genre_ids":291,"popularity":292,"vote_count":9,"poster_path":293,"release_date":294,"vote_average":9,"backdrop_path":26,"original_title":289,"original_language":188},656091,"Beethoven Piano Sonatas Vol. 1","",[12],0.8221,"\u002F5zxECYIQGlLwztVZ7CaMLl93M4J.jpg","2015-11-27",{"id":296,"adult":6,"title":297,"video":8,"overview":290,"softcore":6,"genre_ids":298,"popularity":299,"vote_count":9,"poster_path":300,"release_date":301,"vote_average":9,"backdrop_path":26,"original_title":297,"original_language":188},656094,"Beethoven Piano Sonatas Vol. 2",[12],0.7909,"\u002FmnlUxpEK3wJEKhCybrPbkS586TS.jpg","2016-01-29",1001,20001,"Opera greats Luciano Pavarotti and Joan Sutherland -- one of the most acclaimed tenors and one of the most beloved sopranos of the 20th century -- take the stage at the Met for a gala evening of opera scenes with special guest Leo Nucci. Filmed in 1987, the memorable program includes scenes from the first and third acts of Donizetti's \"Lucia di Lammermoor,\" the third act of Verdi's \"La Traviata\" and the third act of Verdi's \"Rigoletto.\"",1.2471,"\u002FkSsPTPKQTcAJTUF2wmMbip21Kbu.jpg","1988-12-15",[309],"US",{"results":311},{},[313],{"name":314,"iso_639_1":315,"english_name":316},"Italiano","it","Italian",[318],{"id":319,"name":320,"logo_path":321,"origin_country":322},18872,"Decca","\u002F9PNdO6L1bh8ZVjIwOKjveRia3Ku.png","GB",[324],{"name":325,"iso_3166_1":309},"United States of America",45,"A music story that tends to land well.",[]]