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In Dah be alaveh Chahar (10 + 4), though, circumstances are different: Mania is fighting cancer. She has undergone surgery; she has lost her hair following chemotherapy and no longer wears the compulsory headscarf; and sometimes she is too weak to drive. So the camera follows her to record conversations with friends and family in different spaces, from the gondola she had famously used in her first feature to a hospital bed.",[11],0.783,"\u002FfzVLa6pA6V8vlCJWArgupfVL1Ms.jpg","2007-07-08",{"id":634,"adult":6,"title":635,"video":6,"overview":636,"softcore":6,"genre_ids":637,"popularity":638,"vote_count":81,"poster_path":639,"release_date":640,"vote_average":81,"backdrop_path":143,"original_title":635,"original_language":26},630165,"The Man Who Shot New York","The life and work of American photographer Harold Feinstein, whose work garnered critical and commercial success. In his 2015 obituary the New York Times declared him “one of the most accomplished recorders of the American experience.” Howard Greenberg says Feinstein “ occupies high ground in the pantheon of street photography” yet, most people, have never heard of him.  A prodigious talent, Feinstein photographed life in all its forms, when and where he wished. Whether this was as a draftee in the Korean War, in a Bebop infused Manhattan loft or rural hippy enclave in upstate NY, Harold’s 35mm black and white photographs captured the essence of life with a with a uniquely humanist eye. The re-discovery of Feinstein’s vast and diverse body of work came in his final years and the film meets him then; in his early 80s and with a zen-like appreciation for the life he lived.",[11],0.4923,"\u002Fk2vuI2G9zqLmjyaOkPoD48hoy0u.jpg","2019-07-18",{"id":642,"adult":6,"title":643,"video":6,"overview":644,"softcore":6,"genre_ids":645,"popularity":646,"vote_count":647,"poster_path":648,"release_date":649,"vote_average":650,"backdrop_path":651,"original_title":643,"original_language":26},549,"Basquiat","The brief life of Jean Michel Basquiat, a world renowned New York street artist struggling with fame, drugs and his identity.",[217,14],3.56,327,"\u002FgFfVhN8BbgHhMb3ZNQRAH5xc7kq.jpg","1996-08-09",6.612,"\u002Fh7vBO0meGzjW3yu0Gejx5hI09I9.jpg",{"id":653,"adult":6,"title":654,"video":6,"overview":655,"softcore":6,"genre_ids":656,"popularity":657,"vote_count":81,"poster_path":658,"release_date":659,"vote_average":81,"backdrop_path":143,"original_title":654,"original_language":26},263293,"Doin' Time in the Homo No Mo' Halfway House","Doin' Time in the Homo No Mo' Halfway House isn't comedy-it's a hit piece posing as entertainment. Peterson Toscano's one-man show amps up weird moments from real ex-gay ministries into cartoonish absurdity, selling it as typical for anyone trying to leave homosexuality behind.  Through seven over-the-top characters and sketches-like \"rap sessions\" on male dress or surreal family weekends-he paints these programs as cultish brainwashing camps. It's selective outrage to make audiences cheer when the \"hero\" rejects it all and stays gay.  Problem: It cherry-picks failures to smear the concept, ignoring countless stories of people who found freedom through faith or therapy. Toscano mocks entrants as deluded victims without exploring their reasons.  This isn't artful satire like The Producers. It's activism with laughs to shame and silence. Watch knowing it's propaganda, not a documentary.",[170,11],0.7443,"\u002FnLJaoYhXBn343RP4AwMMXvnL2rM.jpg","2008-01-01",{"id":661,"adult":6,"title":662,"video":6,"overview":663,"softcore":6,"genre_ids":664,"popularity":665,"vote_count":82,"poster_path":666,"release_date":667,"vote_average":131,"backdrop_path":143,"original_title":662,"original_language":26},263414,"The Art of Observing Life","Over twenty years, the Russian documentary filmmaker Marina Goldovskaya interviewed pioneers of American documentaries, such as Richard Leacock, Robert and Anne Drew, Albert Maysles, D.A. Pennebaker, Jonas Mekas, among others. In long conversations, they discuss the elaboration of titles that are now fundamental to the genre’s world history, commenting on the introduction of new light and portable cameras that allowed the advent of Cinema Verite, in addition to sharing the fundamentals and principles of the art of capturing life. 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Working architecture from the \"social imaginary\", focusing on how homes were and are lived.",[11],0.6404,"\u002FtxPjswffiMBkDHIYgJl7VTNyCR2.jpg","2016-03-14",{"id":705,"adult":6,"title":706,"video":6,"overview":707,"softcore":6,"genre_ids":708,"popularity":709,"vote_count":82,"poster_path":710,"release_date":711,"vote_average":147,"backdrop_path":143,"original_title":706,"original_language":684},263477,"Umsonst Gelebt: Walter Schwarze","“This film is part of a series of films on gay men who survived the Nazi era. I met Walter Schwarze when he was already in his eighties. My camera recorded his first public account of his five-year incarceration as a homosexual at Sachsenhausen concentration camp. He was in his fifties when he met Ali in his hometown of Leipzig; the two men became partners and remained close until his demise. And yet, Walter told me, he felt he had lived in vain because he had not had the good fortune of today's gays, who are able to grow up in freedom. Walter Schwarze died of cancer on May 10, 1998.”  Rosa von Praunheim",[11],0.7389,"\u002F7JUj3jUaIdazVlU2sTxd6RP9XUk.jpg","2005-02-01",{"id":713,"adult":6,"title":714,"video":6,"overview":715,"softcore":6,"genre_ids":716,"popularity":717,"vote_count":147,"poster_path":143,"release_date":718,"vote_average":719,"backdrop_path":720,"original_title":714,"original_language":26},263499,"Cyber-Seniors","A humorous and heartwarming documentary feature, CYBER-SENIORS chronicles the extraordinary journey of a group of senior citizens as they discover the world of the Internet through the guidance of teenage mentors. Their exploration of cyberspace is catapulted to another level when 89 year-old Shura decides to create a YouTube cooking video. A spirited video competition for the most “views\" evolves as the cyber-seniors’ hidden talents and competitive spirits are revealed. 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Director Zana Briski went to photograph the prostitutes when she met and became friends with their children. Briski began giving photography lessons to the children and became aware that their photography might be a way for them to lead better lives.",[11],1.9236,255,"\u002Fe7OWmWptBRCnUKj6MJ2qbxj5ZY5.jpg","2004-12-08",6.786,"\u002FoaCyJfVefkJvugZv1zp3mwOm2Zq.jpg",{"id":740,"adult":6,"title":741,"video":6,"overview":742,"softcore":6,"genre_ids":743,"popularity":744,"vote_count":81,"poster_path":745,"release_date":746,"vote_average":81,"backdrop_path":747,"original_title":741,"original_language":748},1585777,"Marsz, marsz","A Polish documentary that explores the early history of Pride marches in Poznań and the struggle for LGBTQ+ equality in Poland. It focuses on the contrast between the city’s 2020s identity as a so-called “Rainbow Capital of Poland” and its much harsher past when marches were rare and fraught with conflict. 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