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Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.",5.3295,"\u002F1kK4PGDR4EKT1FitzBzgCnTwhwM.jpg","2016-01-01",{"adult":5,"backdrop_path":213,"genre_ids":214,"id":216,"title":217,"original_language":21,"original_title":217,"overview":218,"popularity":219,"poster_path":220,"release_date":221,"softcore":5,"video":5,"vote_average":222,"vote_count":223},"\u002FqGNMhRE7hHP5KIXaAkNELpYrZCR.jpg",[215,11],35,16194,"Not Quite Hollywood","As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's \"Picnic At Hanging Rock,\" a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. 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