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Pierre Audi's mythical staging and Jean Kalman's fabulous set design complement the composer's own musical direction, forging the dazzlingly versatile soloists, the Netherlands Chamber Orchestra and Cappella Amsterdam to a stunning symbiosis of elements across time and space, a true testimony to cultures intertwined in globalization.",[14],3.1308,"\u002FsrZ3IeAuupi9olw35OOM597ifzf.jpg","2008-01-01","en",{"id":126,"adult":6,"title":127,"video":6,"overview":128,"softcore":6,"genre_ids":129,"popularity":130,"vote_count":33,"poster_path":131,"release_date":132,"vote_average":60,"backdrop_path":28,"original_title":127,"original_language":133},271138,"Madama Butterfly","Opera at La Scala Milan",[14],0.1993,"\u002FtQO1CIPTkVUrRlwMx4GahMHHwml.jpg","1986-01-09","it",{"id":135,"adult":6,"title":136,"video":6,"overview":137,"softcore":6,"genre_ids":138,"popularity":139,"vote_count":33,"poster_path":140,"release_date":141,"vote_average":8,"backdrop_path":28,"original_title":136,"original_language":133},452648,"Pagliacci","Based on Ruggero Leoncavallo's opera Pagliacci. 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Filmed live at the Zurich Opera House in February 2000 on a set which visualises the subtitle \"The School for Lovers\", the plot revolves around two army officers arguing about the fidelity of their brides, then setting out to test their chastity. Despite the often playful humour, this is not only psychologically telling music-making, but reveals Mozart exploring the structure of opera, discarding convention to mix large ensemble sections with arias for as many different combinations of singers as possible. 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When Orpheus mourns for his late wife Eurydice, the god Cupid offers him the chance to descend into the underworld and lead her back to the land of the living, on the condition that he does not look at her face. He sets out on his journey, but his path to the Elysian Fields is blocked by the fierce Furies.",[14],0.7073,"\u002FsegUdMpoQKdkSOdcL4vb5mRRiVT.jpg","1991-07-06",{"id":187,"adult":6,"title":188,"video":6,"overview":189,"softcore":6,"genre_ids":190,"popularity":191,"vote_count":8,"poster_path":192,"release_date":193,"vote_average":8,"backdrop_path":28,"original_title":188,"original_language":124},280823,"Tamerlano","Handel's 1724 opera Tamerlano followed the success of his previous year's Giulio Cesare with another colourful historical costume drama. This time the setting is the court of \"Timur the Tartar\", who has just defeated the Turkish Sultan Bajazet at the battle of Angora. There are, naturally enough, romantic complications when both Tamerlano and his ally, the Greek Prince Andronico, fall in love with Bajazet's daughter Asteria. She, however, has plans to revenge her father's defeat.\r This production was directed by Jonathan Miller and staged in the intimate surroundings of the Goethe Theatre of Bad Lauchstadt as part of the 2001 Halle Handel Festival.",[14],2.0577,"\u002F9V88IS1HOwOaLK6jl3lg1R1C0Or.jpg","2002-04-02",{"id":195,"adult":6,"title":196,"video":180,"overview":197,"softcore":6,"genre_ids":198,"popularity":199,"vote_count":33,"poster_path":28,"release_date":200,"vote_average":52,"backdrop_path":28,"original_title":196,"original_language":133},280835,"Don Giovanni","Live performance from Cologne Opera. Conlon conducts a skittishly dynamic performance of Don Giovanni. He relies on Thomas Allen’s tough Don to give the work much of its dark menace and on Holle’s terrifying Commendatore to provide the moral outrage – his job is to keep things moving, and he does. The exteriors – blank city spaces reminiscent of the paintings of Giorgio De Chirico – and moodily claustrophobic interiors mirror effectively the anguish of the orphaned Anna and the abandoned Elvira; this is a performance in which the two women victims of the Don function effectively as correctives to his libertine charm. Andrea Rost as Zerlina brings real delicacy to her role, reminding us that “La ci darem la mano” is a duet about her flirtation with Don Giovanni and not just a famous stand-alone moment. 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Alceste is then saved from the underworld by Hercule (Dietrich Henschel).",[14],1.7214,"\u002Fb7KvxpeKAHEhpWFQxSuNJF5wllk.jpg","1999-12-31","\u002Fao8tEseFkEurwbofD2WjWrfTiTv.jpg",{"id":232,"adult":6,"title":233,"video":6,"overview":234,"softcore":6,"genre_ids":235,"popularity":236,"vote_count":237,"poster_path":238,"release_date":239,"vote_average":240,"backdrop_path":241,"original_title":233,"original_language":124},11313,"Hearts in Atlantis","A widowed mother and her son change when a mysterious stranger enters their lives.",[11],2.5983,630,"\u002FqPTEh8vutS5FSCDoR16MWVGHqTm.jpg","2001-09-28",6.783,"\u002Fzi8XZEYs7R7bQLmEffs7V46k2ZA.jpg",{"id":243,"adult":6,"title":244,"video":6,"overview":245,"softcore":6,"genre_ids":246,"popularity":247,"vote_count":8,"poster_path":248,"release_date":249,"vote_average":8,"backdrop_path":250,"original_title":244,"original_language":133},449978,"Rigoletto","In Rigoletto, the deformed figure of the hunchbacked jester at the Mantuan court acts as a foil to his cynical and powerful master, an unscrupulous philanderer contrasted with his cruel and unforgiving fool. Rigoletto encourages and welcomes the Duke's conquests, pitilessly mocking his victims until he discovers that the Duke has abducted the one person he genuinely loves, his own daughter. As a result, the character of the court jester is transformed into a tragic figure who, in spite of his evident immorality and malice, allows us to sense the devotion he feels for his daughter and his horror at being destroyed by the same despotic world as that which he himself has helped to create.",[11,14],0.304,"\u002FjuzNeW2bTTOP5JKDWfiev1OUT5g.jpg","2004-12-01","\u002FpVbxMfq8oh8V5b92vElngPNBX3Q.jpg",{"id":252,"adult":6,"title":253,"video":6,"overview":254,"softcore":6,"genre_ids":255,"popularity":257,"vote_count":33,"poster_path":258,"release_date":259,"vote_average":52,"backdrop_path":260,"original_title":261,"original_language":133},1563190,"La Scala: The Force of Destiny","Legendary opera house, La Scala is more than just a stage— it’s a dream factory. And this year, over the course of four intensive months, 900 people will work relentlessly to incarnate Verdi’s opera masterpiece, ‘‘The Force of Destiny”.  Under the masterful eyes of director Léo Muscato, we will follow set designer Federica Parolini, as her sketches evolve into towering architectural marvels crafted by dedicated artisans. In the costume workshop, Silvia Peroni and her team weave magic with fabric and thread through their expert hands. Then, a stellar international cast of virtuosos arrives in Milan, ready to fill La Scala’s hallowed halls with their soaring voices. But with the clock ticking, and expectations going through the roof, tensions unfold like an opera of its own. As Milan holds its breath for the legendary Prima on the 7th of December, the stakes couldn’t be higher. 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But the beautiful gypsy falls in love with the bullfighter Escamillo, much to Don José’s despair.",[14,11],0.5771,34,"\u002FoiODmFnXZnmafoVwcOJD59uoWzJ.jpg","1984-03-14",6.9,"\u002FlQ9p9iaXOaH9NE1L9AuDOnI8KBF.jpg","fr",17950,358997,"La Sonnambula is an idillic, classical and intense melodramma with an extremely fine, lyrical musicality and tense with pure \"canto\", suspended between Arcadia and Romanticism. It is a combination of tender and melancholic sentiments and of tragic and moving passion, in a natural uncontaminated and innocent atmosphere and humanity which clearly represent the artistic experience of the composer. The charming staging by Hugo de Ana, at the Teatro Lirico di Cagliari goes back to January 2007. Through fascinating tableaux vivants, references to 17th century Romantic painting and refined visual projections, it is a tribute to Luchino Visconti. Visconti produced the memorabile performance of Sonnambula in March at the Scala di Milano with the magnificant Maria Callas.",1.1526,[312],"US",{"results":314},{},[],[317],{"id":318,"name":319,"logo_path":28,"origin_country":145},10310,"Dynamic",[321],{"name":322,"iso_3166_1":323},"Italy","IT",45,"A drama story that tends to land well.",[]]