[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-353189-en-US":3},{"detail":4,"match":258,"insight":259,"providers":260,"providerLink":25,"trailer":25},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":55,"revenue":8,"runtime":56,"similar":57,"tagline":22,"homepage":22,"overview":238,"softcore":6,"popularity":239,"vote_count":98,"poster_path":240,"release_date":241,"vote_average":242,"backdrop_path":243,"origin_country":244,"original_title":7,"watch\u002Fproviders":246,"spoken_languages":248,"original_language":80,"production_companies":251,"production_countries":255,"belongs_to_collection":25},353189,false,"The Gardener of Eden",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":27},[18],{"id":19,"name":20,"adult":6,"order":8,"gender":8,"cast_id":21,"character":22,"credit_id":23,"popularity":24,"profile_path":25,"original_name":20,"known_for_department":26},1580527,"Bevis Bawa",3,"","56c88428925141172f002f07",0.4416,null,"Acting",[28,35,44,48],{"id":29,"job":30,"name":31,"adult":6,"gender":8,"credit_id":32,"department":33,"popularity":34,"profile_path":25,"original_name":31,"known_for_department":33},1580524,"Music","Antarjyami Muni","56c88396c3a368409c002d24","Sound",0.2563,{"id":36,"job":37,"name":38,"adult":6,"gender":39,"credit_id":40,"department":41,"popularity":42,"profile_path":43,"original_name":38,"known_for_department":41},1127014,"Director","James Broughton",2,"56f057959251411847000934","Directing",0.5537,"\u002FnrtK0izTNmRKkgHWvcxThJs5uUM.jpg",{"id":36,"job":45,"name":38,"adult":6,"gender":39,"credit_id":46,"department":47,"popularity":42,"profile_path":43,"original_name":38,"known_for_department":41},"Writer","56f0579d925141183a0008d3","Writing",{"id":49,"job":50,"name":51,"adult":6,"gender":8,"credit_id":52,"department":53,"popularity":54,"profile_path":25,"original_name":51,"known_for_department":41},1496122,"Director of Photography","Joel Singer","58217564925141392e00460b","Camera",0.4445,"tt0082438",8,{"page":58,"results":59,"total_pages":236,"total_results":237},1,[60,73,81,91,99,108,119,129,136,144,151,161,170,181,188,198,205,214,221,229],{"id":61,"adult":6,"title":62,"video":6,"overview":63,"softcore":6,"genre_ids":64,"popularity":66,"vote_count":67,"poster_path":68,"release_date":69,"vote_average":70,"backdrop_path":25,"original_title":71,"original_language":72},346921,"The Hall of Lost Steps","In a series of juxtaposed images and sounds, Jaromil Jireš comments on the tragic premature death of thousands as well as their posterity due to the atomic bomb.",[65,11],18,0.6822,10,"\u002Fe4jMxGaquQdxNZZO7xtWCFR2Y0C.jpg","1964-02-14",7.6,"Sál ztracených kroků","cs",{"id":74,"adult":6,"title":75,"video":6,"overview":76,"softcore":6,"genre_ids":77,"popularity":78,"vote_count":8,"poster_path":25,"release_date":79,"vote_average":8,"backdrop_path":25,"original_title":75,"original_language":80},346958,"Experiments in Motion Graphics","John H. Whitney Sr. explains the graphic art potential of the computer and the methods and philosophy involved in his computer filmmaking.  Preserved by the Academy Film Archive in 2012.",[11],0.7549,"1968-11-30","en",{"id":82,"adult":6,"title":83,"video":6,"overview":84,"softcore":6,"genre_ids":85,"popularity":86,"vote_count":58,"poster_path":25,"release_date":87,"vote_average":88,"backdrop_path":25,"original_title":89,"original_language":90},346844,"5 (five)","The attempt to accompany the creative process (with the inevitable difficulties and silences) of five women-dancers-choreographers, in their experience of creating a work of dance theater.",[65,11],1.1148,"2008-04-29",5,"5 (cinco)","es",{"id":92,"adult":6,"title":93,"video":6,"overview":94,"softcore":6,"genre_ids":95,"popularity":96,"vote_count":39,"poster_path":25,"release_date":97,"vote_average":98,"backdrop_path":25,"original_title":93,"original_language":80},347130,"Ls niños de Charlot","A group of elementary students have homework.",[11],0.5676,"2004-07-01",6,{"id":100,"adult":6,"title":101,"video":6,"overview":102,"softcore":6,"genre_ids":103,"popularity":104,"vote_count":88,"poster_path":105,"release_date":106,"vote_average":88,"backdrop_path":107,"original_title":101,"original_language":80},347283,"Window","The moving camera shapes the screen image with great purposefulness, using the frame of a window as fulcrum upon which to wheel about the exterior scene. The zoom lens rips, pulling depth planes apart and slapping them together, contracting and expanding in concurrence with camera movements to impart a terrific apparent-motion to the complex of the object-forms pictured on the horizontal-vertical screen, its axis steadied by the audience's sense of gravity. The camera's movements in being transferred to objects tend also to be greatly magnified (instead of the camera the adjacent building turns). About four years of studying the window-complex preceded the afternoon of actual shooting (a true instance of cinematic action-painting). The film exists as it came out of the camera barring one mechanically necessary mid-reel splice",[11],0.6722,"\u002FwFgHsLpXVrXTmPr4Brjz77zc8NA.jpg","1964-12-21","\u002Fqof1bbbVjD1r93Ara7Sn67owSmZ.jpg",{"id":109,"adult":6,"title":110,"video":6,"overview":111,"softcore":6,"genre_ids":112,"popularity":113,"vote_count":114,"poster_path":115,"release_date":116,"vote_average":117,"backdrop_path":25,"original_title":118,"original_language":90},347353,"Hunters","A group of children tells to the camera how they torture various animals, such as lizards, cats or mice. One of them tells how last summer, after attacking a cat with his friends, he saw something that made him reflect on what they did.",[11],0.9483,9,"\u002FpQBz9Qv3YYONONR4LmOmBGNHrcT.jpg","1997-07-03",6.3,"Cazadores",{"id":120,"adult":6,"title":121,"video":6,"overview":122,"softcore":6,"genre_ids":123,"popularity":125,"vote_count":21,"poster_path":126,"release_date":127,"vote_average":98,"backdrop_path":25,"original_title":128,"original_language":90},347415,"Crafts","Mockumentary about six children of a school that created a film group",[124,11],35,1.1697,"\u002Fn0pyApWuoK6llTMNN1Wn4REKnhO.jpg","1991-07-02","Manualidades",{"id":130,"adult":6,"title":131,"video":6,"overview":132,"softcore":6,"genre_ids":133,"popularity":134,"vote_count":8,"poster_path":25,"release_date":135,"vote_average":8,"backdrop_path":25,"original_title":131,"original_language":80},350629,"Rodia-Estudiantina","Avant-garde short by Lawrence Jordan.",[11],0.7318,"1966-01-01",{"id":137,"adult":6,"title":138,"video":6,"overview":22,"softcore":6,"genre_ids":139,"popularity":140,"vote_count":58,"poster_path":141,"release_date":142,"vote_average":114,"backdrop_path":25,"original_title":138,"original_language":143},350825,"Eh, Pagu, Eh!",[11],0.9237,"\u002FdEhx6VprWeHJdiYB9AyAJQMyfIL.jpg","1982-01-01","pt",{"id":145,"adult":6,"title":146,"video":6,"overview":147,"softcore":6,"genre_ids":148,"popularity":149,"vote_count":8,"poster_path":25,"release_date":150,"vote_average":8,"backdrop_path":25,"original_title":146,"original_language":80},540892,"5.10.38","An Anders Weberg short film. Part of his Peer to Peer Art project.",[11],0.4198,"2006-04-08",{"id":152,"adult":6,"title":153,"video":6,"overview":154,"softcore":6,"genre_ids":155,"popularity":156,"vote_count":8,"poster_path":157,"release_date":158,"vote_average":8,"backdrop_path":159,"original_title":153,"original_language":160},540712,"Screen","“While he mused on the effect of the flowing sands, he was seized from time to time by hallucinations in which he himself began to move with the flow.“ (Kōbō Abe)  Liminal zones. Floating particles. Fire, water, earth, air. Voices of fictional characters: sometimes suggestive, sometimes strict, leading the viewer away from the here and now. Who's talking? The relationship between the hypnotized subject and the hypnotist is mirrored in the spectator's relationship to the screen.",[11],0.956,"\u002Fk2oBuTKSP0wALtOzH04dCqDfzYQ.jpg","2018-04-27","\u002F6qWHzcmnGpCwwyfYBH6rTuLJmm8.jpg","de",{"id":162,"adult":6,"title":163,"video":6,"overview":164,"softcore":6,"genre_ids":165,"popularity":166,"vote_count":88,"poster_path":167,"release_date":168,"vote_average":169,"backdrop_path":25,"original_title":163,"original_language":90},352181,"Val del Omar fuera de sus casillas","Between July and October 2009, filmmaker led and recorded meetings of former partners and their respective current partners in Berlin, Barcelona and Madrid.",[11],0.7312,"\u002Fcx07l9IPYaB9lvUOILehhxtzYG3.jpg","2010-10-09",4.2,{"id":171,"adult":6,"title":172,"video":6,"overview":173,"softcore":6,"genre_ids":174,"popularity":175,"vote_count":114,"poster_path":176,"release_date":177,"vote_average":178,"backdrop_path":179,"original_title":180,"original_language":90},351789,"Santa Teresa & Other Stories","In the fictional city of Santa Teresa, located on the border between Mexico and USA, the researcher Juan de Dios Martínez straddles the line between journalism and detective work. Based on an unfinished book by Roberto Bolaño, his character investigates a handful of crimes and abuses perpetrated on women and workers of the zone.",[11],0.8926,"\u002FyDePqsfUm6kC6WXLq5NPNUVMBYx.jpg","2015-12-02",5.4,"\u002Ftv4NYxqJOusuZC1C0NCmUMlcxV7.jpg","Santa Teresa y otras historias",{"id":182,"adult":6,"title":183,"video":6,"overview":184,"softcore":6,"genre_ids":185,"popularity":186,"vote_count":58,"poster_path":25,"release_date":187,"vote_average":67,"backdrop_path":25,"original_title":183,"original_language":80},352328,"The Art of 'Making Up'","Kathryn Osterman, the well-known vaudeville comedienne, in a complete exposition of the methods of \"making-up\" the face for the stage. She shows the penciling of the eye-brows, blackening the eye lashes, rouging the lips, applying the grease paint and so forth. The work is done in a very dainty and interesting way. Only the head and shoulders of the subject are shown; the figure thus being very large. (AMB Picture Catalogue, 1902)",[11],1.0075,"1900-04-30",{"id":189,"adult":6,"title":190,"video":6,"overview":191,"softcore":6,"genre_ids":192,"popularity":193,"vote_count":8,"poster_path":194,"release_date":195,"vote_average":8,"backdrop_path":25,"original_title":196,"original_language":197},1504319,"The Aqueduct of Seyssuel","Five fragments of observation and sensations during a journey with Gorneton's trail in Seyssuel, Isère. A work-in-progress with sounds, the interest of light and the solitude of a digital camera.",[11],0.6146,"\u002FhdBetWS7pMLnbNzgwZmT3h9TzZx.jpg","2025-07-15","L'Aqueduc de Seyssuel","fr",{"id":199,"adult":6,"title":200,"video":6,"overview":201,"softcore":6,"genre_ids":202,"popularity":203,"vote_count":58,"poster_path":25,"release_date":204,"vote_average":114,"backdrop_path":25,"original_title":200,"original_language":80},352333,"In My Lady's Boudoir","Kathryn Osterman was a legitimate actress who worked occasionally in the movies during the first decade and a half of the 20th century. This looks like a Mutoscope cut-down of an actuality released in 1900, \"The Art of \"Making Up\"\". In it, we see her from the rear, sitting in front of a dressing mirror, putting up her hair and powdering her face.",[11],1.0663,"1903-07-31",{"id":206,"adult":6,"title":207,"video":6,"overview":208,"softcore":6,"genre_ids":209,"popularity":210,"vote_count":8,"poster_path":211,"release_date":212,"vote_average":8,"backdrop_path":25,"original_title":213,"original_language":90},360788,"A Tale of Love, Madness and Death","\"My uncle is schizophrenic and my grandmother suffers from a terminal illness. My grandfather, who is unable to take care of them both, must decide between his wife and his son.\" So begins Mijael Bustos Gutiérrez's remarkable documentary about a family caught between love and duty.",[11],0.4593,"\u002F3NEs87LND2WHS1u5xoz2Oqs7fHL.jpg","2015-04-25","Un cuento de amor, locura y muerte",{"id":215,"adult":6,"title":216,"video":6,"overview":217,"softcore":6,"genre_ids":218,"popularity":219,"vote_count":8,"poster_path":25,"release_date":220,"vote_average":8,"backdrop_path":25,"original_title":216,"original_language":80},98429,"Snapshots From a Vacation or a Film Titled a Fine Balance","A reflexive essay film shot on a beach in Goa, SNAPSHOTS is a work of political and social commentary that deconstructs the very nature of the documentary film genre. Through stylized tableaux that portray locals and tourists, it observes the relationship between the West and the East while examining the dynamic that exists between the filmmaker, the camera, the subjects being filmed and the spectator.",[11],0.7099,"2011-01-01",{"id":222,"adult":6,"title":223,"video":6,"overview":224,"softcore":6,"genre_ids":225,"popularity":226,"vote_count":114,"poster_path":227,"release_date":228,"vote_average":117,"backdrop_path":25,"original_title":223,"original_language":80},360625,"White Film","Spectrum and prism divide the screen; whites and light, etc. \"Out of this purity comes all colors. I've always been attracted to refracted light and prismatic phenomena\" says Bernard. For Richard Devereaux. Super 8, silent, non-narrative.",[11],1.0147,"\u002F6BoFaDjlp1oXaHHtkhVLt0cvhFa.jpg","1978-01-01",{"id":230,"adult":6,"title":231,"video":6,"overview":232,"softcore":6,"genre_ids":233,"popularity":234,"vote_count":58,"poster_path":25,"release_date":235,"vote_average":114,"backdrop_path":25,"original_title":231,"original_language":80},361000,"The Falconer","Chris Petit & Iain Sinclair's liminal, laminal tribute to underground filmmaker Peter Whitehead, featuring image manipulation by Dave Mckean & reminiscences from various countercultural characters. A fitting epitaph for an English margin walker.",[11],0.6671,"1998-01-01",1001,20001,"An old man (artist and landscape architect Bevis Bawa) contemplates the Garden of Eden.",0.7221,"\u002F4WLoONKopd3YW8JVDn9GjLh4mRL.jpg","1981-03-14",6.167,"\u002FrYDFawD4NChN0Bzi8cNjDC8swZg.jpg",[245],"US",{"results":247},{},[249],{"name":250,"iso_639_1":80,"english_name":250},"English",[252],{"id":253,"name":254,"logo_path":25,"origin_country":22},73446,"Farallone Films",[256],{"name":257,"iso_3166_1":245},"United States of America",45,"A documentary story that tends to land well.",[]]