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Filmmaker Rea Tajiri’s family was among the 120,000 Japanese and Japanese Americans who were imprisoned in internment camps after the attack on Pearl Harbor. And like so many who were in the camps, Tajiri’s family wrapped their memories of that experience in a shroud of silence and forgetting. 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In the months that followed, the November 13 Program was launched by the CNRS and Inserm to study the construction of individual and collective memory around an event that profoundly marked French society. Today, the testimonies of 27 volunteers—among some 1,000 people—who participated in the study form a mosaic of experiences that shows how trauma extends beyond the immediate circle to permeate the national collective memory.",1.2881,"\u002F9pxfR3nVnaBxrrhcX2FpJ8co9Oe.jpg","2025-11-03",8,{"adult":5,"backdrop_path":115,"genre_ids":116,"id":117,"title":118,"original_language":119,"original_title":118,"overview":13,"popularity":120,"poster_path":121,"release_date":13,"softcore":5,"video":5,"vote_average":8,"vote_count":8},"\u002F1n87E8O7DFrq9sbemxkbG5zmsIT.jpg",[11],1566856,"Cinema da nossa gente","pt",0.3299,"\u002Fupv5WvomXwxKKImtLmVjwXcAAs.jpg",{"adult":5,"backdrop_path":123,"genre_ids":124,"id":125,"title":126,"original_language":18,"original_title":126,"overview":127,"popularity":128,"poster_path":129,"release_date":130,"softcore":5,"video":5,"vote_average":131,"vote_count":132},"\u002FjKqSVLLkGwOYQ9ztxVDGk9eSdZE.jpg",[11],440719,"Terry Pratchett: Back in Black","A poignant and humorous film telling the life story of the hugely popular author of the discworld series of books, in his own words.",0.7496,"\u002FfwDC0tudc2jVaY50OsCtxU8F57B.jpg","2017-02-11",7.6,7,{"adult":5,"backdrop_path":134,"genre_ids":135,"id":136,"title":137,"original_language":138,"original_title":137,"overview":13,"popularity":139,"poster_path":140,"release_date":141,"softcore":5,"video":5,"vote_average":8,"vote_count":8},"\u002FcvgSKiywiaczxfEK7EESLKrPyVF.jpg",[11],1189614,"O tecido da memoria (My room number is cucumber)","gl",0.3715,"\u002F9CF8m2IH68otJDIt3ztF9gR7Ayk.jpg","2023-11-28",{"adult":5,"backdrop_path":7,"genre_ids":143,"id":144,"title":145,"original_language":98,"original_title":146,"overview":147,"popularity":148,"poster_path":149,"release_date":150,"softcore":5,"video":5,"vote_average":151,"vote_count":55},[11],457110,"I Remember Nothing","Je ne me souviens de rien","January 2011 : the revolution bursts in Tunisia, my father’s country. The Tunisian people scream in a rage and I, here in Paris, can feel their revolt vibrating in my heart.",0.7611,"\u002FuiRQRj1LIhuX7zV7wftbFaSHTrY.jpg","2017-03-28",3.5,{"adult":5,"backdrop_path":7,"genre_ids":153,"id":154,"title":155,"original_language":18,"original_title":155,"overview":156,"popularity":157,"poster_path":158,"release_date":159,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],1567816,"A Place of Absence","This poetic film follows director Marialuisa's journey with Anita and Leticia, Central American women traveling with the Caravan of Mothers of Missing Migrants.",1.0096,"\u002FkSYHCA1zxklVbHnNqgFxbSkmDkO.jpg","2025-11-20",{"adult":5,"backdrop_path":161,"genre_ids":162,"id":163,"title":164,"original_language":98,"original_title":164,"overview":165,"popularity":166,"poster_path":167,"release_date":168,"softcore":5,"video":5,"vote_average":85,"vote_count":55},"\u002FjAZihq1LQM1qu99rXGQED0Jnf0V.jpg",[11,106],1568470,"Paysans cinéastes","Farmers in the Île-de-France region, they filmed life on the farm, working in the fields, and family and village celebrations on 8 mm or Super 8 film. From the 1950s to the 1980s, these testimonies unfold a history of rural life: we move away from a peasant and family model to industrial agriculture for export. Through these family images, I attempt to answer my own questions about our agricultural future. In the 1950s, the land of Île-de-France fed us.",0.6165,"\u002FjOAExJRBO7O0aKCjGLyBArts5cA.jpg","2023-02-25",{"adult":5,"backdrop_path":170,"genre_ids":171,"id":172,"title":173,"original_language":174,"original_title":173,"overview":175,"popularity":176,"poster_path":177,"release_date":178,"softcore":5,"video":5,"vote_average":8,"vote_count":8},"\u002Fj67Oef1B7xaxMziVWUdoelu0ODv.jpg",[11],1568577,"Idak-Idak-Idak","id","Idak-Idak-Idak is a hybrid-documentary relating the stolen Lombok Treasures with the Sasak diaspora through three generations of women: a daughter, her mother, and her grandmother. 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This starting point is used as a pretext to talk about other topics such as the importance of family memories and the search for memory.",0.792,"\u002FmzmiO4KFfi1ZfIAHmkblOrxxwZC.jpg","2012-05-13",{"adult":5,"backdrop_path":7,"genre_ids":221,"id":222,"title":223,"original_language":98,"original_title":224,"overview":225,"popularity":226,"poster_path":227,"release_date":228,"softcore":5,"video":5,"vote_average":132,"vote_count":85},[11],266224,"Starting Place","Point de départ \u002F Starting Place","In this film from late in his career, Kramer returns to Hanoi after nearly 25 years to re-envision the city’s struggle through an uncertain and daunting past, present, and future. The Vietnamese characters in the film are diverse: Kramer’s former guide from an earlier visit in 1969; a tight-rope walker in the national circus; a man who took photos of B-52s and another who lost his fingers shooting them down.",0.1928,"\u002FcISNffto4PtTDN6LpiKgncF7fl1.jpg","1994-03-09",{"adult":5,"backdrop_path":7,"genre_ids":230,"id":231,"title":232,"original_language":185,"original_title":233,"overview":234,"popularity":235,"poster_path":236,"release_date":237,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],1198148,"Yurei (Ghosts)","Yurei","The veiled story of Japanese diaspora in Mexico and the endurable impact of historic silence in its descendants is portrayed through testimonies and an exploration of landscape and choreography, questioning the formation and theatricality of individual and collective identity. When everything that's left of history are memories, how are invisible wounds healed? Yurei goes through different zones in Mexico towards an exploration of memory.",0.7623,"\u002FfZfteNzKSraYUaOjODb4hChnAvT.jpg","2024-07-19",{"adult":5,"backdrop_path":239,"genre_ids":240,"id":241,"title":242,"original_language":98,"original_title":242,"overview":13,"popularity":243,"poster_path":244,"release_date":245,"softcore":5,"video":5,"vote_average":8,"vote_count":8},"\u002FmDfVZTypZH5ueKXAdMc5O6WIVmw.jpg",[11,106],1201957,"L'échec du rideau de fer ?",0.2937,"\u002FA4vbrgemHl32jVSPeoPVjibdSKs.jpg","2019-10-25",{"adult":5,"backdrop_path":247,"genre_ids":248,"id":250,"title":251,"original_language":119,"original_title":252,"overview":253,"popularity":254,"poster_path":255,"release_date":13,"softcore":5,"video":5,"vote_average":8,"vote_count":8},"\u002F79xXpDGq1P4u42GEDF9InFIzD01.jpg",[11,249],14,1393973,"The Place of Chimeras","O Lugar das Quimeras","An elegy about ‘José Ð Almeida’s life and work. Along an intimate metamorphosis, this dreamlike and visually expressive world created by the visionary and insane dreamer is recreated and performed between a symbiosis of moving image, photography and painting- in a scenic, dramatic, symbolic and mystical tone.",0.4706,"\u002F4sMIN9uLGqJYfS4vmoL1ZlOoTYh.jpg",11690,233792,{"results":259},{},{"results":261},[262],{"iso_639_1":18,"iso_3166_1":17,"name":263,"key":264,"site":265,"size":266,"type":267,"official":5,"id":268,"published_at":269},"Unknown White Male - Trailer","pv0B0Z6mZrQ","YouTube",360,"Trailer","533ec694c3a36854480043d7","2010-02-06T18:42:50.000Z",45,"A documentary story that tends to land well.",[],{"iso_639_1":18,"iso_3166_1":17,"name":263,"key":264,"site":265,"size":266,"type":267,"official":5,"id":268,"published_at":269}]