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When the exhibition was banned in 1978, Heinze turned to other projects, but Dammbeck continued working on the film by himself. Metamorphoses I—the first experimental film ever to be shown publicly in East Germany—marks the filmic beginning of Dammbeck’s long-term art project the Herakles-Konzept (Hercules Concept).",[11],1.2912,"\u002FvxSfWv9ztwXIgWNEMgfF0fWaorR.jpg","1978-11-02","Metamorphosen I","xx",{"id":120,"adult":6,"title":121,"video":122,"overview":123,"softcore":6,"genre_ids":124,"popularity":125,"vote_count":8,"poster_path":126,"release_date":127,"vote_average":8,"backdrop_path":108,"original_title":121,"original_language":49},271949,"Alvin and the Chipmunks: Driving Dave Crazy",true,"Ever wonder why Dave is always yelling, \"Alvinnn!!!\"? What does it take to really drive Dave CRAZY? Is it when Dave is about to say \"I do\" before the wedding and is then hijacked by Alvin? Is it when Alvin challenges Dave to a duel with water balloons for the hand of his teacher Miss Stone? Is it when Dave accidentally drinks the boys new shrinking potion and is suddenly the size of a peanut? Find out in this fun-filled musical adventure with your favorite troublemaker, Alvin!",[37,11,55],0.562,"\u002F4fzrCjYeJyt7a2376qXNM5yP4Pi.jpg","2013-07-13",{"id":129,"adult":6,"title":130,"video":6,"overview":131,"softcore":6,"genre_ids":132,"popularity":133,"vote_count":8,"poster_path":134,"release_date":135,"vote_average":8,"backdrop_path":136,"original_title":130,"original_language":49},273225,"Rain Dance","Rain Dance is a four-minute animation produced by Hill while an  undergraduate student at Harvard University from 1988-1992; the exact date of the production is currently unidentified. Although little known, the film is representative of both Hill’s do-it yourself approach – employing character cutouts, strong, yet playful colors, and a narrative and technical simplicity rich with charm – and her jovial demeanor and inquisitive approach to life. The film is dedicated to Elijah Aron, Hill’s boyfriend throughout college. 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This piece of work highlights themes of identity, surrealism & subjectivity, where the instability of the self is at the forefront of the film. The film uses elements of mixed media montage to portray the character’s inner thoughts.",[11],0.2614,"\u002F2GZQBi7g6amhMNVJwICmmCUy4vG.jpg","2025-12-17",4612,92230,"","‘At the work's core is an experimental approach to the stuff of film and a fiercely political outlook. Dresden Dynamo is an abstract assault on the senses. Eschewing a camera, Rhodes affixed patterned Letratone stickers to the film itself and used filters to create red and blue colours. Stripes, dots and wavy lines surge across the screen, and their forms dictate the accompanying barrage of white noise and atonal bleeps.’ --Ben Luke London Evening Standard 26 January 2012",0.4772,17,"\u002F45vq3rEpRRlTNA2Zn02NvsATjzZ.jpg","1971-01-01",5.8,[250,251],"US","GB",{"results":253},{},[],[],[257],{"name":258,"iso_3166_1":251},"United Kingdom",45,"A animation story that tends to land well.",[]]