[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-370294-en-US":3},{"detail":4,"match":243,"insight":244,"providers":245,"providerLink":25,"trailer":25},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":36,"revenue":8,"runtime":37,"similar":38,"tagline":160,"homepage":160,"overview":232,"softcore":6,"popularity":233,"vote_count":8,"poster_path":234,"release_date":235,"vote_average":8,"backdrop_path":25,"origin_country":236,"original_title":7,"watch\u002Fproviders":238,"spoken_languages":240,"original_language":48,"production_companies":241,"production_countries":242,"belongs_to_collection":25},370294,false,"Tarlabaşı",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":27},[18],{"id":19,"name":20,"adult":6,"order":8,"gender":8,"cast_id":21,"character":22,"credit_id":23,"popularity":24,"profile_path":25,"original_name":20,"known_for_department":26},1792378,"Idil Kemer",1,"herself","58e9651d925141351f02ae2f",0.2645,null,"Acting",[28],{"id":29,"job":30,"name":31,"adult":6,"gender":21,"credit_id":32,"department":33,"popularity":34,"profile_path":35,"original_name":31,"known_for_department":33},1541924,"Director","Cynthia Madansky","565904ea9251410dbe000ab2","Directing",0.3673,"\u002F1xnItWAX3LlHqOIgFtWMBlbS7rB.jpg","tt11734280",6,{"page":21,"results":39,"total_pages":230,"total_results":231},[40,49,57,68,77,87,98,108,119,127,137,147,157,167,174,182,191,202,210,222],{"id":41,"adult":6,"title":42,"video":6,"overview":43,"softcore":6,"genre_ids":44,"popularity":45,"vote_count":8,"poster_path":46,"release_date":47,"vote_average":8,"backdrop_path":25,"original_title":42,"original_language":48},997554,"Parergon","“All that which in Picture is not of the body or argument thereof is Landskip, Parergon, or By-work” (Thomas Blount, Glossographia, 1656).",[11],0.6715,"\u002Fmbe5Bml50ZmyMjO3Z2CGP4ouORO.jpg","2022-03-31","en",{"id":50,"adult":6,"title":51,"video":6,"overview":52,"softcore":6,"genre_ids":53,"popularity":54,"vote_count":8,"poster_path":55,"release_date":56,"vote_average":8,"backdrop_path":25,"original_title":51,"original_language":48},997542,"Reservoir (Seven Fragments)","Set at an artificial reservoir in North Carolina, RESERVOIR (SEVEN FRAGMENTS) is a meditation on the unnatural histories of the American environment. The film approaches both the cinematic image and the landscape it captures as damaged, estranged things—things adrift in a world of irreparable discord.",[11],0.4858,"\u002FfALQgdnuLr930qUWihdSecMjVYa.jpg","2022-07-09",{"id":58,"adult":6,"title":59,"video":6,"overview":60,"softcore":6,"genre_ids":61,"popularity":62,"vote_count":63,"poster_path":64,"release_date":65,"vote_average":66,"backdrop_path":67,"original_title":59,"original_language":48},127369,"The End of Time","Working at the limits of what can easily be expressed, filmmaker Peter Mettler takes on the elusive subject of time, and once again turns his camera to filming the unfilmable.  From the particle accelerator in Switzerland, where scientists seek to probe regions of time we cannot see, to lava flows in Hawaii which have overwhelmed all but one home on the south side of Big Island; from the disintegration of inner-city Detroit, to a Hindu funeral rite near the place of Buddha's enlightenment, Mettler explores our perception of time. He dares to dream the movie of the future while also immersing us in the wonder of the everyday.  THE END OF TIME, at once personal, rigorous and visionary, Peter Mettler has crafted a film as compelling and magnificent as its subject.",[11],0.9391,15,"\u002F8ERn9JiYSYolNKKZRTkSEH8B8M0.jpg","2012-12-12",7.1,"\u002FwrTkiQg4U2ujKEHddZ0pWwPMszS.jpg",{"id":69,"adult":6,"title":70,"video":6,"overview":71,"softcore":6,"genre_ids":72,"popularity":73,"vote_count":74,"poster_path":75,"release_date":76,"vote_average":37,"backdrop_path":25,"original_title":70,"original_language":48},130842,"Take the 5:10 to Dreamland","Its slow somnambulic rhythm, its animalistic jungle sounds as well as the eerily mixed images create a dream mood that comes closest to my actual dreaming-feeling. The long black phases between the sequences are as important as the images themselves because they leave empty space where the \"echo\" of the last image can seep through without interfering with the following image. But our logical mind still somehow feels compelled to construe some kind of sense, parallel, or some erratic story out of it.",[11],0.852,17,"\u002FAnuPqaksNX6oaaRkqTW3Yf2DVwY.jpg","1976-03-30",{"id":78,"adult":6,"title":79,"video":6,"overview":80,"softcore":6,"genre_ids":81,"popularity":82,"vote_count":83,"poster_path":84,"release_date":85,"vote_average":86,"backdrop_path":25,"original_title":79,"original_language":48},450027,"Devil's Gate","Footage of Devil's Gate Dam insterspersed with text occultist text by Jack Parsons, co-founder of the Jet Propulsion Laboratory, who some believe opened a portal for dark energy nearby.",[11],0.623,3,"\u002Fn9V41oCgzCeDvuIWVWSrHkvwqHV.jpg","2011-04-01",5,{"id":88,"adult":6,"title":89,"video":6,"overview":90,"softcore":6,"genre_ids":91,"popularity":92,"vote_count":93,"poster_path":94,"release_date":95,"vote_average":86,"backdrop_path":25,"original_title":96,"original_language":97},449971,"Group Portrait as a Still Life","Documentary on the interdependence of the world of the living and the dead, and 'the infernal influence on the thoughts and actions of living people.",[11],0.617,4,"\u002FaNke4o9tyC70kdn9Em3Wf6yCobr.jpg","1993-03-30","Групповой портрет в натюрморте","ru",{"id":99,"adult":6,"title":100,"video":6,"overview":101,"softcore":6,"genre_ids":102,"popularity":103,"vote_count":8,"poster_path":104,"release_date":105,"vote_average":8,"backdrop_path":25,"original_title":106,"original_language":107},827203,"Notes before the Wind","A loose collection of scenes in Hong Kong shot over a five-year period, this film begins with the Umbrella Movement in 2014 and ends right before the summer of 2019, when large-scale social unrest and violent resistance erupted. The everyday scenes capture the ambience and the landscape of change in the city, standing as a quiet prelude to the ensuing conflicts.",[11],0.4619,"\u002Fx91OOGJIrUmC9dIkkXGSeb75xyK.jpg","2020-01-01","風景","cn",{"id":109,"adult":6,"title":110,"video":6,"overview":111,"softcore":6,"genre_ids":112,"popularity":113,"vote_count":114,"poster_path":115,"release_date":116,"vote_average":117,"backdrop_path":118,"original_title":110,"original_language":48},455322,"6-18-67","Filmed during the production of the Columbia Pictures western \"Mackenna’s Gold,\" this short work presents a non-narrative visual study of the Arizona desert. Rather than documenting the film set itself, \"6-18-67\" assembles landscape images, time-lapse photography, and ambient sound into an abstract record of place and duration.",[11],1.1185,10,"\u002FlazQWN6hVh1vfRnEp6oHBkuSUJu.jpg","1967-07-07",5.9,"\u002F1AhLvUSyaioO3SpNvJKZD3WHxnf.jpg",{"id":120,"adult":6,"title":121,"video":6,"overview":122,"softcore":6,"genre_ids":123,"popularity":124,"vote_count":8,"poster_path":125,"release_date":126,"vote_average":8,"backdrop_path":25,"original_title":121,"original_language":48},827365,"Misty Picture","The television images of the collapse of the World Trade Center were preceded by manifold stagings of the building, either as a highly symbolic icon, a speculative destruction fantasy or merely as a spectacular backdrop. In Misty Picture, city symphony, disaster movie and media trauma therapy become one.",[11],1.366,"\u002Fod8E5UFl1pta73HZfsqe7MkWekq.jpg","2021-05-05",{"id":128,"adult":6,"title":129,"video":6,"overview":130,"softcore":6,"genre_ids":131,"popularity":132,"vote_count":8,"poster_path":133,"release_date":134,"vote_average":8,"backdrop_path":135,"original_title":136,"original_language":97},455435,"Russia as a dream","In the small town of Kansk, the Krasnoyarsk Territory many years in a row there is an international festival of short experimental films, which has a strong reputation throughout the world. \"Russia as a dream\" is an international project, shot by a team of authors and united directors, artists, poets. Each of the guests of the 14th International Kan Video Festival held in 2015 was invited to participate in the creation of a general film, the theme of which was the relationship of man and landscape, civilization and nature, reality and sleep.",[11],1.1559,"\u002FvXQgBDYePWXp7N7EJJpJOoL71yU.jpg","2017-06-22","\u002FiuUXxcqDmPtThzav81FpxpXzjuh.jpg","Россия как сон",{"id":138,"adult":6,"title":139,"video":6,"overview":140,"softcore":6,"genre_ids":141,"popularity":142,"vote_count":8,"poster_path":143,"release_date":144,"vote_average":8,"backdrop_path":25,"original_title":145,"original_language":146},456194,"Old Courtyard","Experimental 8mm film.",[11],1.0628,"\u002F6ElygKrpRMiILcZkX93JgfQFoe6.jpg","1967-01-01","Staro dvorišče","sl",{"id":148,"adult":6,"title":149,"video":6,"overview":150,"softcore":6,"genre_ids":151,"popularity":152,"vote_count":86,"poster_path":153,"release_date":154,"vote_average":155,"backdrop_path":156,"original_title":149,"original_language":48},820479,"A Trans with a Movie Camera","A non-narrative cine-essay that collaboratively explores the potentials for trans feminine representation in film.",[11],0.8418,"\u002FaxzoQio97yrgcLNot6eMiJbvvTV.jpg","2018-11-02",5.6,"\u002Fg6jaobhIUCwksmiX0v8IHWqFPX.jpg",{"id":158,"adult":6,"title":159,"video":6,"overview":160,"softcore":6,"genre_ids":161,"popularity":163,"vote_count":21,"poster_path":164,"release_date":165,"vote_average":37,"backdrop_path":25,"original_title":159,"original_language":166},447261,"Anônimo e incomum","",[162,11],18,1.0757,"\u002Fy5b8jSOG2WNxa2lGMSF8JwuRXB5.jpg","1990-03-16","pt",{"id":168,"adult":6,"title":169,"video":6,"overview":170,"softcore":6,"genre_ids":171,"popularity":172,"vote_count":8,"poster_path":25,"release_date":173,"vote_average":8,"backdrop_path":25,"original_title":169,"original_language":48},264970,"Clouds","Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.",[11],2.193,"1969-12-19",{"id":175,"adult":6,"title":176,"video":6,"overview":177,"softcore":6,"genre_ids":178,"popularity":179,"vote_count":8,"poster_path":180,"release_date":181,"vote_average":8,"backdrop_path":25,"original_title":176,"original_language":48},449311,"Joseph Cornell: Worlds in a Box","This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made those magnificent and strange collage boxes. He was also one of our great experimental filmmakers and once apparently made Salvador Dali extremely jealous at a screening of his masterpiece, Rose Hobart.  In this film we get to hear people like Susan Sontag, Stan Brakhage, and Tony Curtis talk about their friendships with the artist. It turns out that Curtis was quite a collector and he seemed to have a very deep understanding of what Cornell was doing in his work.",[11],1.062,"\u002FawqxrLsNATJPBEm4lzlOhUZvl91.jpg","1991-11-29",{"id":183,"adult":6,"title":184,"video":6,"overview":185,"softcore":6,"genre_ids":186,"popularity":187,"vote_count":21,"poster_path":188,"release_date":189,"vote_average":114,"backdrop_path":25,"original_title":190,"original_language":166},449521,"The Fish","\"A fisherman, dark-skinned and shirtless, sits in a boat on a quiet river and, before long, catches a fish. The fish gasps for air and the fisherman holds it to his chest until it dies. This sequence—performed by a series of fishermen, of various ages and using various styles of capture—is the spine of the work, interrupted by passages of quiet natural beauty; one shot is a steady, stately pan through scores of trees and empty air behind.\" - Vinson Cunningham",[11],1.5787,"\u002F4S52qq0a02BhVXU7Og8cUxa5tUD.jpg","2016-11-14","O Peixe",{"id":192,"adult":6,"title":193,"video":6,"overview":194,"softcore":6,"genre_ids":195,"popularity":196,"vote_count":197,"poster_path":198,"release_date":199,"vote_average":200,"backdrop_path":201,"original_title":193,"original_language":48},449796,"Corridors","Latest installment from the on-going collaboration between filmmaker Paul Clipson & musician Jefre Cantu-Ledesma. Paul's Super8 films, shot entirely in New York City, channel the blissed out states of color drenched psychadellia explored by Brakage as well as lovely black and white still life's that reminisce on Ozu's 'pillow shots' & Chantel Akermans monumental portrait of Pre-Giuliani New York 'Letters Home'. Jefre's music is culled from the same sessions that launched his 2007 release on Students Of Decay 'Shinning Skull Breath', (the two share a track in common). Billowy clouds of distorted guitar expand out into long passages of muffled static and fuzzed out melody.",[11],0.6462,2,"\u002FwsFIOTb0yLjLTQTagnvOlcPT51b.jpg","2007-01-01",7,"\u002F3Cgmzfgicy6Qv6pdpP7QWojXVua.jpg",{"id":203,"adult":6,"title":204,"video":6,"overview":205,"softcore":6,"genre_ids":206,"popularity":207,"vote_count":8,"poster_path":208,"release_date":209,"vote_average":8,"backdrop_path":25,"original_title":204,"original_language":48},449815,"Spirit House","A tale of 2 passages within the Spirit house. This is the first in a series that looks at the places we find our spiritual presence augmented, inflamed, or simply acknowledged.",[11],1.304,"\u002FdgTf0N7xpqojQy5P3ekRREfIj1W.jpg","2008-06-22",{"id":211,"adult":6,"title":212,"video":6,"overview":213,"softcore":6,"genre_ids":214,"popularity":215,"vote_count":200,"poster_path":216,"release_date":217,"vote_average":218,"backdrop_path":219,"original_title":220,"original_language":221},271945,"Letter in Motion to Gilles Jacob and Thierry Fremaux","Rather than writing a simple letter to explain his absence from the press conference for his latest Cannes entry, \"Goodbye to Language,\" at the Cannes Film Festival, instead, legendary filmmaker Jean-Luc Godard created a video \"Letter in motion to (Cannes president) Gilles Jacob and (artistic director) Thierry Fremaux.\" The video intercuts from Godard speaking cryptically about his \"path\" to key scenes from Godard classics such as \"Alphaville\" and \"King Lear\" with Burgess Meredith and Molly Ringwald, and quotes poet Jacques Prevert and philosopher Hannah Arendt.",[11],1.5111,"\u002F1PDRFTDucTrz66N7CT7SLbjQiFf.jpg","2014-05-21",6.9,"\u002FmaYcSBG4ISZpl6bqUe2YdWGJm7C.jpg","Khan Khanne, sélection naturelle","fr",{"id":223,"adult":6,"title":224,"video":6,"overview":225,"softcore":6,"genre_ids":226,"popularity":228,"vote_count":8,"poster_path":25,"release_date":229,"vote_average":8,"backdrop_path":25,"original_title":224,"original_language":48},829562,"Towards a Black Testimony: Prayer\u002FProtest\u002FPeace","Towards a Black Testimony: Prayer, Protest, Peace is a new work by Languid Hands that examines Black Testimony as obscured, ignored and undermined. Drawing on archival imagery, Black geographies, and the dying declarations of Black Martyrs, it explores the complexities of truth, empathy, justice, the law, life and death for the Black Mass.",[11,227],36,0.4755,"2019-10-02",1001,20001,"Featuring Turkish dancer Idil Kemer, Cynthia Madansky integrates performances of everyday movements and gestures as a direct response to the devastation brought about by the state-sponsored urban renewal project in downtown Istanbul.",0.5958,"\u002FmywrbiDpkHDuXarZSxKatV143bF.jpg","2014-09-13",[237],"US",{"results":239},{},[],[],[],45,"A documentary story that tends to land well.",[]]