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Anderson Matthew captures the singer Helene Schneiderman through a midnight dream with a hand-cranked kino camera in an ecstatic 35mm photo roman, in search for her own performance of the Tarquinio Merula madrigal Folle é ben chi se crede from 1638.",[12,169],9648,0.6559,"\u002FmhK6uM8Pzy6oG78PjgFrudD2rM5.jpg","2021-06-11","it",{"id":175,"adult":6,"title":176,"video":6,"overview":177,"softcore":6,"genre_ids":178,"popularity":179,"vote_count":32,"poster_path":54,"release_date":180,"vote_average":9,"backdrop_path":54,"original_title":176,"original_language":173},1589625,"Ottone in villa","The recording of Antonio Vivaldi's first opera from Teatro La Fenice, conducted by Diego Fasolis",[12],0.8897,"2020-10-29",{"id":182,"adult":6,"title":183,"video":6,"overview":184,"softcore":6,"genre_ids":185,"popularity":186,"vote_count":23,"poster_path":187,"release_date":188,"vote_average":189,"backdrop_path":54,"original_title":190,"original_language":191},454890,"Sea of Blood","Based on a revolutionary play supposedly written by the Eternal President of the Democratic People's Republic, Kim Il-sung, and rumored to have been co-directed by Kim Jong-il. 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The fanciful story is set in an imaginary kingdom and all, naturally, ends well. However, despite the slight plot line L’Étoile is something of a pivotal work, a unique example of French 19th-century light opera, orchestrated with great sophistication and flooded with gossamer wit.",[12],0.8866,"\u002F1twoRiS8cV94li0myulB1y4UK2G.jpg","2019-03-01","\u002FuJjT6QWFZdGFEy5wRplzoVZ6Ydc.jpg","Chabrier - L'Étoile","fr",{"id":221,"adult":6,"title":222,"video":6,"overview":223,"softcore":6,"genre_ids":224,"popularity":228,"vote_count":32,"poster_path":229,"release_date":230,"vote_average":50,"backdrop_path":231,"original_title":222,"original_language":232},453464,"Die lustigen Weiber von Windsor","When Sir John Falstaff decides that he wants to have a little fun he writes two letters to a pair of Window wives: Mistress Ford and Mistress Page. When they put their heads together and compare missives, they plan a practical joke or two to teach the knight a lesson. 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The masks come off, and kindness and love triumph!\r ‘La Cenerentola’ is the last opera buffa composed by Gioachino Rossini for an Italian audience. A dramma giocoso in two acts, with a libretto by Jacopo Ferretti, freely adapted from Charles Perrault’s fairy tale ‘Cinderella’ (1697), omitting the magic in favour of a realism tinged with humour and social criticism. Premiered for the Rome Carnival at the Teatro Valle in Rome on 28 January 1817. Recorded live at Glyndebourne Opera, Lewes, East Sussex, on 2 and 4 June 2005.",[12],1.3651,"\u002FyJIVoi7HN1l7e2h7COyx2VKfGYF.jpg","2005-05-19",9.5,"\u002F3cW6FEsqlEr88nkwVPaPhWzzcaY.jpg",{"id":244,"adult":6,"title":245,"video":8,"overview":246,"softcore":6,"genre_ids":247,"popularity":248,"vote_count":9,"poster_path":54,"release_date":249,"vote_average":9,"backdrop_path":54,"original_title":250,"original_language":173},272308,"The Newspaper","The writer Dario Fo applies his inventive genius to Rossini's comic opera in its premiere DVD release. Recorded in 2005 under the musical direction of Maurizio Barbacini, Fo's production brings fresh vitality and colour to the story of Lisetta, and of her father Don Pomponio's increasingly ridiculous attempts to find a husband for her through an advertisement in the newspaper LA GAZZETTA. 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Belying his 66 years, the world-famous tenor sings these rousing, seductive melodies with the beguiling sweetness of a much younger man and tranports the enraptured listener to the calles and plazas of Madrid and Seville, Domingo is accompanied by Mozarteum Orchestra underJesús López Cobos and, above all, by his partner for the evening, sprano Ana Maria Martínez, \"a beautiful woman with a fascinating voice, full of velvety mezzoish half-tints in the middle and bottom ranges, with a gleaming top.\" (London Times) Martínez and Domingo serve up an evening of infectious good spirits and exquisite vocal treats.\"The dazzle of genuine stars shone brightly over Salzburg!\" (Die Welt)",[12],2.0059,"\u002FzEeVBUP6ZiYUJFdvcoXNviMJAq5.jpg","2009-05-27","\u002FlcKT4Gm95mXQ6AFwkIwJzQCeatN.jpg",{"id":281,"adult":6,"title":282,"video":6,"overview":283,"softcore":6,"genre_ids":284,"popularity":285,"vote_count":32,"poster_path":286,"release_date":287,"vote_average":33,"backdrop_path":54,"original_title":282,"original_language":232},272228,"Der Rosenkavalier - Semperoper","The Semperoper caused a sensation in November 2007 when it visited Japan for the first time in twenty-six years. 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The writer cannot detach any thoughts of his life from her.",[12,169,333],27,2.9381,"\u002FrzdqxkShwxWI5wbsh4fueBmn9cr.jpg","2022-10-01",{"id":338,"adult":6,"title":339,"video":8,"overview":340,"softcore":6,"genre_ids":341,"popularity":342,"vote_count":9,"poster_path":343,"release_date":344,"vote_average":9,"backdrop_path":345,"original_title":339,"original_language":200},642145,"Benvenuto Cellini","With his affinity for the 16th-century sculptor Benvenuto Cellini's advocacy of artistic and personal freedom, Hector Berlioz went straight for the grand gesture with his first completed opera. Returning to it years after initial production debacles, Berlioz stated that he would 'never again find such verve and Cellinian impetuosity, nor such a variety of ideas.' The plot revolves around Cellini's wooing of Teresa, a match frustrated at every opportunity by his rival, the cowardly Fieramosca. Benvenuto Cellini is a pithy work combining romance, excitement, violence, comedy and spectacle; the perfect stage for Terry Gilliam's stylishly colorful and larger than life directing.",[12],2.0585,"\u002FiKVZ9drTxk5ggoirf3cXfTvnEMv.jpg","2015-01-01","\u002FcjLLZoHjrGLoJShg4THnu469Tfk.jpg",{"id":347,"adult":6,"title":348,"video":6,"overview":349,"softcore":6,"genre_ids":350,"popularity":351,"vote_count":9,"poster_path":352,"release_date":353,"vote_average":9,"backdrop_path":354,"original_title":348,"original_language":200},642223,"Cosi Fan Tutte","An excellent performance of this delightful opera. The principals are superb, especially the sisters. Bruscantini as Don Alfonso is past his prime, but he knows and understands the role inside out, so one does not even notice his vocal limitations. Araiza is in top form as Ferrando, and Morris makes virile Guglielmo. The only disappointment is Battle as Despina. 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