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She shows you her favorite low budget filmmaking techniques, from cameraless animation to processing your own film in a bathtub. Filmed in 16 mm.",0.9144,"\u002FsdQxbAHdEdteSoifjRGtVkd03lo.jpg","2001-07-02",9,{"adult":5,"backdrop_path":71,"genre_ids":72,"id":73,"title":74,"original_language":75,"original_title":74,"overview":76,"popularity":77,"poster_path":78,"release_date":79,"softcore":5,"video":5,"vote_average":80,"vote_count":81},"\u002F2lC1Wpq4v7fB06wOi8FMdTDBrZk.jpg",[11],640235,"La Mami","es","One of the rooms inside the legendary Barba Azul Cabaret has become a shelter for the girls working there: the women's bathroom. Every night La Mami, who's in charge of the bathrooms, offers them the warmth and the advice they need to take on the challenge they face in the dance hall.",2.6777,"\u002F3FA3oM6V2CAE3SJuzHVD0e7dMUn.jpg","2020-01-27",7.167,6,{"adult":5,"backdrop_path":83,"genre_ids":84,"id":86,"title":87,"original_language":88,"original_title":89,"overview":90,"popularity":91,"poster_path":92,"release_date":93,"softcore":5,"video":5,"vote_average":8,"vote_count":8},"\u002FaoyAB9aW9RyfeIKlYSk8ZbQ73eu.jpg",[11,85],36,273390,"Fatma 75","ar","فاطمة 75","A pioneering film from Tunisia, Fatma 75 is the first non-fiction film by a Tunisian woman, a feminist essay film, and the first in a series of powerful films about strong female figures in the country. The film was made in the UN International Women's Year 1975, and has long been recognised as one of the most important films from North Africa, but has never officially been seen before due to censorship.",1.2848,"\u002FsFQnaj3E5ckpeAYm2OeyCvVcjh6.jpg","1975-01-02",{"adult":5,"backdrop_path":95,"genre_ids":96,"id":97,"title":98,"original_language":99,"original_title":100,"overview":101,"popularity":102,"poster_path":103,"release_date":104,"softcore":5,"video":5,"vote_average":105,"vote_count":106},"\u002F33T612ZdLP7zACCOUceeYx1tI7R.jpg",[11],273313,"Dark Matter","it","Materia oscura","Materia oscura tells the story of a war zone in peacetime. The film location is the Salto di Quirra test range (Sardinia, Italy) where, for over fifty years, governments around the world have tested 'new weapons' and where the Italian government has carried out controlled explosions of old weapon stocks, inexorably endangering the territory.",1.0085,"\u002F1iA4nD0TY0cgTSiDEz9ATHXQGp7.jpg","2013-02-12",6.7,10,{"adult":5,"backdrop_path":7,"genre_ids":108,"id":109,"title":110,"original_language":17,"original_title":110,"overview":111,"popularity":112,"poster_path":113,"release_date":114,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],639840,"Los Años","Los Años is a meditation about time, memory and mortality through our representation in images and our lives' rituals. This short highlights our abstract way of understanding time and collective experiences.",1.3668,"\u002FsmpIYFlvL6sdcHq4OB4j67m8oJ8.jpg","2018-05-17",{"adult":5,"backdrop_path":7,"genre_ids":116,"id":117,"title":118,"original_language":17,"original_title":118,"overview":119,"popularity":120,"poster_path":121,"release_date":122,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],273095,"In Free Fall","The space of the junkyard allows various ‘crash’ narratives to unfold, with the stories of actual crashes and the remnants and afterlife of these machines becoming metaphors for economic decline. This is an investigation of planes as they are parked during the economic downturn, stored and recycled, revealing unexpected connections between economy, violence and spectacle, finding perfect example in the form of the Boeing 4X-JYI, an aircraft first acquired by film director Howard Hughes for TWA, which was subsequently flown by the Israeli Airforce before finding its way to the Californian desert to be blown up for the Hollywood blockbuster Speed. Through intertwined narratives of people, planes and places Steyerl reveals cycles of capitalism incorporating and adapting to the changing status of the commodity, but also points at a horizon beyond this endless repetition.",0.8603,"\u002Fmd9Zkz1tciaU835bCUgrjseCgEN.jpg","2010-01-02",{"adult":5,"backdrop_path":7,"genre_ids":124,"id":125,"title":126,"original_language":17,"original_title":127,"overview":128,"popularity":129,"poster_path":130,"release_date":131,"softcore":5,"video":5,"vote_average":132,"vote_count":69},[11],273176,"Cartoonists: Footsoldiers of Democracy","Caricaturistes, fantassins de la démocratie","This movie takes us in the daily battle of 12 cartoonists around the world : France, Mexico, Israël, China, Russia, Ivory Coast...",1.492,"\u002F2rGlYLEs1swLPEv3l5Np1SZYZHp.jpg","2014-05-28",5.1,{"adult":5,"backdrop_path":7,"genre_ids":134,"id":135,"title":136,"original_language":17,"original_title":136,"overview":137,"popularity":138,"poster_path":7,"release_date":139,"softcore":5,"video":5,"vote_average":106,"vote_count":140},[11],457329,"Sex, Lies & Love Bites: The Agony Aunt Story","Sex, Lies and Love Bites The Agony Aunt Story, presented by psychotherapist and agony aunt Philippa Perry, is a witty and revealing look at the problem page's enduring appeal. In the documentary Philippa picks her way through three centuries of advice on broken hearts, cheating partners and adolescent angst to uncover a fascinating portrait of our social history.",0.9251,"2015-03-10",2,{"adult":5,"backdrop_path":7,"genre_ids":142,"id":143,"title":144,"original_language":17,"original_title":144,"overview":145,"popularity":146,"poster_path":147,"release_date":148,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],273569,"Journal No. 1 - An Artist's Impression","In 1947, two years after the end of the Second World War, Film Journal No. 1 was released in Sarajevo. Fifty years later, after the collapse of the Communist bloc, this newsreel was lost in the confusion of the fighting in Yugoslavia. In Journal No. 1 Hito Steyerl attempts to find out how the footage got lost and what was on this document from the Sutjeska studio. In the simultaneous projection of Journal No. 1 the ‘unattainability of an historical zero hour of the national identity’ takes concrete form: The lost newsreel reports on a literacy campaign as well as Muslim women confidently removing their headscarves. We listen however to eyewitnesses trying to recapture the lost content and we see the artist Arman Kulasic making a number of drawings that resemble the story-boards for the lost film. What appears to be moments of great change remain limited by subjective and uncertain memory.  The film was premiered at documenta 12.",0.5615,"\u002FlMs4uVivvcmvICiJOkFC11DGtyZ.jpg","2007-06-01",{"adult":5,"backdrop_path":150,"genre_ids":151,"id":153,"title":154,"original_language":155,"original_title":156,"overview":157,"popularity":158,"poster_path":159,"release_date":160,"softcore":5,"video":5,"vote_average":161,"vote_count":59},"\u002FrS4si2yd3olgcOPFhDSdZLYRMEJ.jpg",[152,11],18,273852,"The Zerda or the Songs of Forgetting","fr","La Zerda ou les chants de l'oubli","“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.",0.6446,"\u002FqSganVOBZRTxBMylm4ahR1JxVhW.jpg","1983-02-27",8.1,{"adult":5,"backdrop_path":7,"genre_ids":163,"id":164,"title":165,"original_language":17,"original_title":165,"overview":166,"popularity":167,"poster_path":7,"release_date":168,"softcore":5,"video":5,"vote_average":169,"vote_count":60},[11],273781,"Chuck Close","Chuck Close, an astounding portrait of one of the world's leading contemporary painters, was one of two parting gifts (her second is a film on Louise Bourgeois) from Marion Cajori, a filmmaker who died recently, and before her time. With editing completed by filmmaker Ken Kobland, Chuck Close lives the life and work of a man who has reinvented portraiture. Close photographs his subjects, blows up the image to gigantic proportions, divides it into a detailed grid and then uses a complex set of colors and patterning to reconstruct each face.",1.6746,"2007-01-01",5.7,{"adult":5,"backdrop_path":7,"genre_ids":171,"id":172,"title":173,"original_language":174,"original_title":173,"overview":13,"popularity":175,"poster_path":7,"release_date":176,"softcore":5,"video":5,"vote_average":106,"vote_count":41},[11],12209,"Abxang","de",1.2251,"2003-07-26",{"adult":5,"backdrop_path":7,"genre_ids":178,"id":179,"title":180,"original_language":181,"original_title":182,"overview":183,"popularity":184,"poster_path":185,"release_date":186,"softcore":5,"video":5,"vote_average":187,"vote_count":140},[11],832261,"Mothers of Life","fi","Elämän äidit","A documentary on the experiences of the Nubetya Yaptiks nomadic family in the Yamal Peninsula, Eastern Siberia, from 1992 to 2001.",1.1312,"\u002Fxrdd7YZHSWcESYC1o3p2l4UAx50.jpg","2002-02-11",6.5,{"adult":5,"backdrop_path":7,"genre_ids":189,"id":190,"title":191,"original_language":155,"original_title":192,"overview":193,"popularity":194,"poster_path":7,"release_date":195,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],1030696,"Our Horizons","Nos horizons","A woman reads letters written to her by her imprisoned lover over a seascape. In this dialogue between images and text, absence, expectation and the desire for freedom are expressed.",1.5321,"2022-10-29",{"adult":5,"backdrop_path":197,"genre_ids":198,"id":199,"title":200,"original_language":17,"original_title":200,"overview":201,"popularity":202,"poster_path":203,"release_date":204,"softcore":5,"video":5,"vote_average":205,"vote_count":206},"\u002F6TMCHxjXVpkRChiqWJqILI5vsmp.jpg",[11],452230,"Sea Sorrow","A very personal and dynamic meditation on the current global refugee crisis through the eyes and voices of campaigners, specially children, where past and present establish a dialogue. A reflection on the importance of human rights.",1.2706,"\u002FdB7pTdBe4EnOQWFjEzxf5mx89Vi.jpg","2017-11-08",5.3,7,{"adult":5,"backdrop_path":208,"genre_ids":209,"id":210,"title":211,"original_language":17,"original_title":212,"overview":213,"popularity":214,"poster_path":215,"release_date":216,"softcore":5,"video":5,"vote_average":59,"vote_count":60},"\u002Fm5ojYGQRO0rbfXUpN2eO1UwkxF.jpg",[11],452512,"It Would Have Been Simple","Estados da Matéria","They thought life would be simple. All material problems would be overcome. Every morning it would be good to have breakfast together, the table laid. It would be the beginning of a long day at work.  The daily ritual of a house inhabited by a mother and the two-year-old daughter. The automatism of the gestures of material life and its suspension in small events.",1.5419,"\u002F1br0mE2IIeWJSX655EA0wuyw0TX.jpg","2005-01-01",{"adult":5,"backdrop_path":218,"genre_ids":219,"id":220,"title":221,"original_language":155,"original_title":222,"overview":223,"popularity":224,"poster_path":225,"release_date":226,"softcore":5,"video":5,"vote_average":227,"vote_count":60},"\u002FqMpGIFyR5SbmwqUvQtLHxHE28Pk.jpg",[11,152],452061,"From Mother to Daughter","De mère en fille","Documents a woman's actual pregnancy; the emotions, the affects on her husband and first-born child, the birth itself via Caesarean section, and her struggle to return to work and a social life, while still being a good mother.",1.5453,"\u002Fwf23n8Tm22akHEuOOXhDJbns3rw.jpg","1968-01-01",3.333,{"adult":5,"backdrop_path":229,"genre_ids":230,"id":231,"title":232,"original_language":233,"original_title":234,"overview":235,"popularity":236,"poster_path":237,"release_date":238,"softcore":5,"video":5,"vote_average":239,"vote_count":69},"\u002Fyaa6mRPO8KCSQfNuWyKeH2xrwia.jpg",[11],268665,"Bukovyna, Ukrainian Land","uk","Буковина, земля українська","Dovzhenko and Solntseva's documentary about the Bukovina region.",1.3394,"\u002Fm4ni7zdlBOY3nr2SjLVcnVY34Lc.jpg","1939-04-01",3.667,1001,20001,{"results":243},{},{"results":245},[],45,"A documentary story that tends to land well.",[]]