[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-378415-en-US":3},{"detail":4,"match":237,"insight":238,"providers":239,"providerLink":6,"trailer":6},{"adult":5,"backdrop_path":6,"belongs_to_collection":6,"budget":7,"genres":8,"homepage":12,"id":13,"imdb_id":14,"origin_country":15,"original_language":17,"original_title":18,"overview":19,"popularity":20,"poster_path":6,"production_companies":21,"production_countries":22,"release_date":23,"revenue":7,"runtime":24,"softcore":5,"spoken_languages":25,"status":28,"tagline":12,"title":18,"video":5,"vote_average":29,"vote_count":30,"credits":31,"similar":45,"watch\u002Fproviders":233,"videos":235},false,null,0,[9],{"id":10,"name":11},99,"Documentary","",378415,"tt3534650",[16],"US","en","A Crackup at the Race Riots","Set in Florida and inspired by Harmony Korine’s homonymous book, Leo Gabin’s film consists of a collage of YouTube videos, mostly self-made, which depicts negative yet realistic aspects of the lost American dream. Moreover, it interprets contemporary social and political reality similarly to how Korine’s novel collects allegedly documentary fragments of American culture.",0.4563,[],[],"2016-07-12",56,[26],{"english_name":27,"iso_639_1":17,"name":27},"English","Released",4,1,{"cast":32,"crew":33},[],[34,42],{"adult":5,"gender":7,"id":35,"known_for_department":36,"name":37,"original_name":37,"popularity":38,"profile_path":6,"credit_id":39,"department":40,"job":41},1566091,"Writing","Leo Gabin",0.2934,"569f8328c3a36858c3009715","Directing","Director",{"adult":5,"gender":7,"id":35,"known_for_department":36,"name":37,"original_name":37,"popularity":38,"profile_path":6,"credit_id":43,"department":36,"job":44},"578aa748c3a36874c5005559","Writer",{"page":30,"results":46,"total_pages":231,"total_results":232},[47,58,68,78,87,96,107,115,127,136,145,155,163,174,182,190,197,204,212,222],{"adult":5,"backdrop_path":48,"genre_ids":49,"id":50,"title":51,"original_language":17,"original_title":51,"overview":52,"popularity":53,"poster_path":54,"release_date":55,"softcore":5,"video":5,"vote_average":56,"vote_count":57},"\u002FwrTkiQg4U2ujKEHddZ0pWwPMszS.jpg",[10],127369,"The End of Time","Working at the limits of what can easily be expressed, filmmaker Peter Mettler takes on the elusive subject of time, and once again turns his camera to filming the unfilmable.  From the particle accelerator in Switzerland, where scientists seek to probe regions of time we cannot see, to lava flows in Hawaii which have overwhelmed all but one home on the south side of Big Island; from the disintegration of inner-city Detroit, to a Hindu funeral rite near the place of Buddha's enlightenment, Mettler explores our perception of time. He dares to dream the movie of the future while also immersing us in the wonder of the everyday.  THE END OF TIME, at once personal, rigorous and visionary, Peter Mettler has crafted a film as compelling and magnificent as its subject.",0.9302,"\u002F8ERn9JiYSYolNKKZRTkSEH8B8M0.jpg","2012-12-12",7.1,15,{"adult":5,"backdrop_path":6,"genre_ids":59,"id":60,"title":61,"original_language":17,"original_title":61,"overview":62,"popularity":63,"poster_path":64,"release_date":65,"softcore":5,"video":5,"vote_average":66,"vote_count":67},[10],130842,"Take the 5:10 to Dreamland","Its slow somnambulic rhythm, its animalistic jungle sounds as well as the eerily mixed images create a dream mood that comes closest to my actual dreaming-feeling. The long black phases between the sequences are as important as the images themselves because they leave empty space where the \"echo\" of the last image can seep through without interfering with the following image. But our logical mind still somehow feels compelled to construe some kind of sense, parallel, or some erratic story out of it.",0.8385,"\u002FAnuPqaksNX6oaaRkqTW3Yf2DVwY.jpg","1976-03-30",6,17,{"adult":5,"backdrop_path":6,"genre_ids":69,"id":70,"title":71,"original_language":72,"original_title":73,"overview":74,"popularity":75,"poster_path":6,"release_date":76,"softcore":5,"video":5,"vote_average":77,"vote_count":30},[10],422749,"Day of the Organ Grinders","es","Día de organillos","A day in the life of an 'organillero' as he plays his music in the streets of a Chilean city.",0.907,"1961-03-09",7,{"adult":5,"backdrop_path":6,"genre_ids":79,"id":80,"title":81,"original_language":72,"original_title":81,"overview":82,"popularity":83,"poster_path":84,"release_date":85,"softcore":5,"video":5,"vote_average":86,"vote_count":29},[10],422762,"Noticias","An observational film that using the fragmented format of a newscast program proposes a cinematic glance to the same reality depicted daily by the media.",1.3787,"\u002Fq1phLi5YjHByF8Vu7fUhIRuZKZm.jpg","2009-10-14",7.2,{"adult":5,"backdrop_path":6,"genre_ids":88,"id":89,"title":90,"original_language":72,"original_title":91,"overview":92,"popularity":93,"poster_path":94,"release_date":95,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],200403,"I Am Mexico","Soy México","Filmed in September of 2012, this self-confessed sci-fi documentary follows life at Mexico while reflection on what happens using Wagner's music and quotes from Raw Materials for a Theory of the Young Girl.",2.9368,"\u002FeUGtuPW5jgFtvDyPbhilXBnvwmH.jpg","2013-06-06",{"adult":5,"backdrop_path":6,"genre_ids":97,"id":99,"title":100,"original_language":101,"original_title":100,"overview":102,"popularity":103,"poster_path":6,"release_date":104,"softcore":5,"video":5,"vote_average":105,"vote_count":106},[10,98],10402,441657,"Rytmus","cs","An experimental film from Jirí Lehovec, mixing the sound process with animated rhythms.",0.9613,"1942-11-06",9,2,{"adult":5,"backdrop_path":6,"genre_ids":108,"id":109,"title":110,"original_language":17,"original_title":110,"overview":111,"popularity":112,"poster_path":113,"release_date":114,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],445805,"Depositions","The quietly insistent and critical DEPOSITIONS attempts to restore some dignity to images of the communities of the Scottish highlands taken from patronizing BBC documentaries and news features from the 70’s and 80’s. DEPOSITIONS repurposes footage from the archives of the BBC and sound from the School of Scottish Studies, it is a film about differences and dichotomies: science and superstition, near and far, community and the individual.",1.4437,"\u002FgXhPYCRdBY2gaWFwkLimUY6i6jp.jpg","2014-04-08",{"adult":5,"backdrop_path":116,"genre_ids":117,"id":118,"title":119,"original_language":120,"original_title":121,"overview":122,"popularity":123,"poster_path":124,"release_date":125,"softcore":5,"video":5,"vote_average":126,"vote_count":106},"\u002FweosAtrLFFvCGA48aFW8xVEPh2B.jpg",[10],262479,"Girl Reading a Letter by an Open Window","fr","Jeune femme à sa fenêtre lisant une lettre","Jean-Claude Rousseau's Jeune femme à sa fenêtre lisant une lettre is not only his first medium-length film, but a chance to discover this filmmaker whom Jean-Marie Straub has called, along with Frans Van de Staak and Peter Nestler, the greatest working in Europe. With this newly restored print there is also a possibility to discover the relationship between Rousseau's art of filming and Jan Vermeer's famous painting. As Prosper Hillairet wrote in 1988, four years after Rousseau had finished Jeune femme ... (for the first time as we know today): «Without adopting the usual systematic spirit and form of cinéma structurel, Rousseau presents us with simple images and leaves it at that. Keeps the image in hand. A minimalist and ascetic expression of cinema: a shot that lasts.»",1.4254,"\u002FinDO19H3xXBvdUurUvPWGnE5a6E.jpg","1983-01-01",5.5,{"adult":5,"backdrop_path":6,"genre_ids":128,"id":129,"title":130,"original_language":131,"original_title":130,"overview":132,"popularity":133,"poster_path":134,"release_date":135,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],445810,"Tenement Films","xx","A series of portraits, made for Television, of four diverse individuals brought together through shared residence. These short films were filmed in the tenement where I lived for eight years. The first is shot in our bedroom, which doubled up as my former partner's office, the three others were shot in architecturally identitical spaces owned by my then neighbours. Shot and edited on a single 16mm bolex camera using available light throughout, the films invoke reflections on the four individuals, how they occupy these particular spaces together.",1.8647,"\u002Fg3ySjS8DCplRTfUWIFAc3LU32GX.jpg","2009-03-15",{"adult":5,"backdrop_path":6,"genre_ids":137,"id":139,"title":140,"original_language":141,"original_title":140,"overview":12,"popularity":142,"poster_path":143,"release_date":144,"softcore":5,"video":5,"vote_average":66,"vote_count":30},[138,10],18,447261,"Anônimo e incomum","pt",1.1245,"\u002Fy5b8jSOG2WNxa2lGMSF8JwuRXB5.jpg","1990-03-16",{"adult":5,"backdrop_path":6,"genre_ids":146,"id":147,"title":148,"original_language":141,"original_title":149,"overview":150,"popularity":151,"poster_path":152,"release_date":153,"softcore":5,"video":5,"vote_average":154,"vote_count":30},[10],449521,"The Fish","O Peixe","\"A fisherman, dark-skinned and shirtless, sits in a boat on a quiet river and, before long, catches a fish. The fish gasps for air and the fisherman holds it to his chest until it dies. This sequence—performed by a series of fishermen, of various ages and using various styles of capture—is the spine of the work, interrupted by passages of quiet natural beauty; one shot is a steady, stately pan through scores of trees and empty air behind.\" - Vinson Cunningham",1.7925,"\u002F4S52qq0a02BhVXU7Og8cUxa5tUD.jpg","2016-11-14",10,{"adult":5,"backdrop_path":6,"genre_ids":156,"id":157,"title":158,"original_language":17,"original_title":158,"overview":159,"popularity":160,"poster_path":161,"release_date":162,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],449815,"Spirit House","A tale of 2 passages within the Spirit house. This is the first in a series that looks at the places we find our spiritual presence augmented, inflamed, or simply acknowledged.",1.4567,"\u002FdgTf0N7xpqojQy5P3ekRREfIj1W.jpg","2008-06-22",{"adult":5,"backdrop_path":164,"genre_ids":165,"id":166,"title":167,"original_language":17,"original_title":167,"overview":168,"popularity":169,"poster_path":170,"release_date":171,"softcore":5,"video":5,"vote_average":172,"vote_count":173},"\u002Fg6jaobhIUCwksmiX0v8IHWqFPX.jpg",[10],820479,"A Trans with a Movie Camera","A non-narrative cine-essay that collaboratively explores the potentials for trans feminine representation in film.",0.7366,"\u002FaxzoQio97yrgcLNot6eMiJbvvTV.jpg","2018-11-02",5.6,5,{"adult":5,"backdrop_path":6,"genre_ids":175,"id":176,"title":177,"original_language":17,"original_title":177,"overview":178,"popularity":179,"poster_path":6,"release_date":180,"softcore":5,"video":5,"vote_average":181,"vote_count":66},[10],263841,"Daumë","Culled from four rolls of Super-8 film shot while the maker was a development worker in a small South American village, Daumë is at its center a film about ritual, power, and play. Daumë is both ethnography and critique; it is an interrogation into how to represent a place that can't be represented.",1.8047,"2000-01-01",5.7,{"adult":5,"backdrop_path":6,"genre_ids":183,"id":184,"title":185,"original_language":17,"original_title":185,"overview":186,"popularity":187,"poster_path":6,"release_date":188,"softcore":5,"video":5,"vote_average":189,"vote_count":173},[10],263845,"Terra Incognita","Terra Incognita is a lensless film whose cloudy pinhole images create a memory of history. Ancient and modern explorer texts of Easter Island are garbled together by a computer narrator, resulting in a forever repeating narrative of discovery, colonialism, loss and departure.",0.4858,"2002-01-01",5.8,{"adult":5,"backdrop_path":6,"genre_ids":191,"id":192,"title":193,"original_language":17,"original_title":193,"overview":194,"popularity":195,"poster_path":6,"release_date":196,"softcore":5,"video":5,"vote_average":29,"vote_count":30},[10],263851,"The Red and the Blue Gods","An ethnographic field report in which the Anthropologist describes the mythic creation of an unnamed ‘sun-scraping structure’ through the ritualized actions of the Red and the Blue Gods.",0.5303,"2005-01-01",{"adult":5,"backdrop_path":6,"genre_ids":198,"id":199,"title":200,"original_language":17,"original_title":200,"overview":201,"popularity":202,"poster_path":6,"release_date":203,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],264970,"Clouds","Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.",3.6384,"1969-12-19",{"adult":5,"backdrop_path":6,"genre_ids":205,"id":206,"title":207,"original_language":17,"original_title":207,"overview":208,"popularity":209,"poster_path":210,"release_date":211,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],449311,"Joseph Cornell: Worlds in a Box","This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made those magnificent and strange collage boxes. He was also one of our great experimental filmmakers and once apparently made Salvador Dali extremely jealous at a screening of his masterpiece, Rose Hobart.  In this film we get to hear people like Susan Sontag, Stan Brakhage, and Tony Curtis talk about their friendships with the artist. It turns out that Curtis was quite a collector and he seemed to have a very deep understanding of what Cornell was doing in his work.",1.1636,"\u002FawqxrLsNATJPBEm4lzlOhUZvl91.jpg","1991-11-29",{"adult":5,"backdrop_path":6,"genre_ids":213,"id":215,"title":216,"original_language":72,"original_title":217,"overview":218,"popularity":219,"poster_path":220,"release_date":221,"softcore":5,"video":5,"vote_average":66,"vote_count":30},[10,214],16,264638,"Impressions from the Upper Atmosphere","Impresiones en la alta atmósfera","Sistiaga painted directly on 70mm film a circular (planetary?) form, around which dance shifting colours in a psychedelic acceleration matched by the soundtrack’s deep-space roar and howl. - Cinema Scope",1.7697,"\u002Fyn8D07RpJBHkNwLj3Lv3sGTmsuh.jpg","1989-01-01",{"adult":5,"backdrop_path":223,"genre_ids":224,"id":225,"title":226,"original_language":17,"original_title":226,"overview":227,"popularity":228,"poster_path":229,"release_date":230,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002FliXM0bGa8A1eGUt5v9PKk3pJcoy.jpg",[10,138,98],647296,"Sold","A film about friendship and the occasional loneliness.",0.6313,"\u002FngWTedVWfRdQLxlprGkNwWQ0Sg8.jpg","2019-11-11",1001,20001,{"results":234},{},{"results":236},[],45,"A documentary story that tends to land well.",[]]