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Hoffmann (1776-1822).  Approximate duration: 2 h 45 min  Recommended for those over 15 years old.  The young poet Hoffmann, accompanied by Nicklausse, his alter ego and confidant, is in a tavern next to the theatre where Mozart's Don Giovanni is being performed. During the opera's intermission, some diners arrive at the bar who, upon seeing the poet, encourage him to sing and tell them the story of his famous love affairs. Hoffmann finally gives in and shares with them the stories of Olympia, Antonia and Giulietta. They, absorbed in the poet's stories, remain in the tavern, forgetting about the opera performance.",[108,109,12,110],18,35,10749,0.7187,"\u002Fhwb997VgO9UYODFLcBex6LApFIY.jpg","2021-02-21",7,"\u002FuvZtqbr8wzHuBr0QOPyVo4wqJuq.jpg","Los Cuentos de Hoffman - Compañía Nacional de Ópera (INBAL)","fr",{"id":119,"adult":6,"title":120,"video":8,"overview":121,"softcore":6,"genre_ids":122,"popularity":123,"vote_count":22,"poster_path":124,"release_date":125,"vote_average":41,"backdrop_path":36,"original_title":120,"original_language":126},265030,"Salome","Richard Strauss's opera, from the Royal Opera House, Covent Garden.",[12],1.8287,"\u002F7uQPrrvUoBJN1nPicqCuhzcqILu.jpg","1997-04-29","de",{"id":128,"adult":6,"title":129,"video":8,"overview":130,"softcore":6,"genre_ids":131,"popularity":132,"vote_count":40,"poster_path":133,"release_date":134,"vote_average":135,"backdrop_path":36,"original_title":129,"original_language":136},265036,"Don Giovanni","Live performance at the Metropolitan Opera in 2000.",[12],0.9316,"\u002Fd0Oh6LgEsbDWaV8ekSxZztG3F7C.jpg","2000-12-01",8.5,"it",{"id":138,"adult":6,"title":139,"video":8,"overview":140,"softcore":6,"genre_ids":141,"popularity":142,"vote_count":22,"poster_path":143,"release_date":144,"vote_average":41,"backdrop_path":36,"original_title":139,"original_language":117},265040,"Les Contes d'Hoffmann","Live performance from the Opéra National de Paris, 2003.",[12],1.0299,"\u002FaNy6KpNbmhP05aEOuS2kXXeFqr0.jpg","2003-11-22",{"id":146,"adult":6,"title":147,"video":6,"overview":99,"softcore":6,"genre_ids":148,"popularity":149,"vote_count":22,"poster_path":150,"release_date":151,"vote_average":23,"backdrop_path":152,"original_title":147,"original_language":126},821238,"Der Rosenkavalier - Bayerische Staatsoper",[12],1.6596,"\u002Fif9hCtAN1y02vH1SKRID6xrMbkn.jpg","2021-03-21","\u002FwgDWFEGm1tRoNNEBYiwV9p5gJ5z.jpg",{"id":154,"adult":6,"title":155,"video":6,"overview":156,"softcore":6,"genre_ids":157,"popularity":158,"vote_count":40,"poster_path":159,"release_date":160,"vote_average":135,"backdrop_path":161,"original_title":155,"original_language":136},267072,"Lucia di Lammermoor - Metropolitan Opera","This telecast offers a rare opportunity to see the legendary Joan Sutherland in the role that first catapulted her to international stardom. She drove audiences wild by the way her opulent voice caressed the music’s long phrases and sprinted effortlessly through the fiendish runs, trills, embellishments and stratospheric high notes. One of the glories of the operatic world, her portrayal of Donizetti’s hapless heroine is a multifaceted and moving characterization. The incomparable tenor Alfredo Kraus is Edgardo, the man Lucia loves but cannot have.  (Performance taped November 13, 1982. Broadcasted September 28, 1983.)",[12,108],2.3252,"\u002FmgchKHVtVsx2Erb3lJCNvSrKMkP.jpg","1982-11-13","\u002FnRlPFNWWbLIkIEnJh055hswVF3S.jpg",{"id":163,"adult":6,"title":164,"video":6,"overview":165,"softcore":6,"genre_ids":166,"popularity":167,"vote_count":22,"poster_path":168,"release_date":169,"vote_average":23,"backdrop_path":36,"original_title":164,"original_language":126},272228,"Der Rosenkavalier - Semperoper","The Semperoper caused a sensation in November 2007 when it visited Japan for the first time in twenty-six years. The demand for tickets and the audience's enthusiasm were unprecedented, not least because the company was staging a piece that is performed more authentically in Dresden than anywhere else in the world: Richard Strauss' Der Rosenkavalier, which received its first performance in Dresden in 1911. Leading the ensemble was the radiant-voiced and profoundly thoughtful Marschallin of Anne Schwanewilms.",[12],1.1786,"\u002Fj9EAeXxfqCmSVWEZgJbi1j4XbGr.jpg","2007-11-25",{"id":171,"adult":6,"title":172,"video":8,"overview":173,"softcore":6,"genre_ids":174,"popularity":175,"vote_count":9,"poster_path":36,"release_date":176,"vote_average":9,"backdrop_path":36,"original_title":177,"original_language":136},272308,"The Newspaper","The writer Dario Fo applies his inventive genius to Rossini's comic opera in its premiere DVD release. Recorded in 2005 under the musical direction of Maurizio Barbacini, Fo's production brings fresh vitality and colour to the story of Lisetta, and of her father Don Pomponio's increasingly ridiculous attempts to find a husband for her through an advertisement in the newspaper LA GAZZETTA. Filmed using high definition cameras with multitrack sound.",[12],1.8336,"2005-01-01","La Gazzetta",{"id":179,"adult":6,"title":180,"video":6,"overview":181,"softcore":6,"genre_ids":182,"popularity":183,"vote_count":22,"poster_path":184,"release_date":185,"vote_average":186,"backdrop_path":187,"original_title":180,"original_language":136},272306,"Rossini: La cenerentola","In late 18th-century Italy, in the mansion of Don Magnifico, the young and pretty Angelina works as a maid. Teased by her two frivolous half-sisters, Clorinda and Tisby, Angelina believes she is in love with a young valet and goes to the ball. Dressed in her finest finery, she meets the man who is in fact the Prince and flees from him after giving him a bracelet that will allow him to recognise her a little later. The masks come off, and kindness and love triumph!\r ‘La Cenerentola’ is the last opera buffa composed by Gioachino Rossini for an Italian audience. A dramma giocoso in two acts, with a libretto by Jacopo Ferretti, freely adapted from Charles Perrault’s fairy tale ‘Cinderella’ (1697), omitting the magic in favour of a realism tinged with humour and social criticism. Premiered for the Rome Carnival at the Teatro Valle in Rome on 28 January 1817. Recorded live at Glyndebourne Opera, Lewes, East Sussex, on 2 and 4 June 2005.",[12],1.3212,"\u002FyJIVoi7HN1l7e2h7COyx2VKfGYF.jpg","2005-05-19",9.5,"\u002F3cW6FEsqlEr88nkwVPaPhWzzcaY.jpg",{"id":189,"adult":6,"title":190,"video":8,"overview":191,"softcore":6,"genre_ids":192,"popularity":193,"vote_count":40,"poster_path":194,"release_date":195,"vote_average":41,"backdrop_path":196,"original_title":190,"original_language":136},455833,"The Metropolitan Opera: Luisa Miller","Premiered immediately before the enduring masterpieces Rigoletto, Il Trovatore, and La Traviata, Luisa Miller incorporates the youthful vitality that had made Verdi an international sensation while also looking forward to the dramaturgical discipline and sophistication of those later works. In this Live in HD performance, soprano Sonya Yoncheva takes on the riveting title role, capping off a season in which she starred in three cinema transmissions. As her father, Miller, the legendary Plácido Domingo adds another baritone role to his extensive repertoire. Tenor Piotr Beczała as Rodolfo, Alexander Vinogradov as Count Walter, and Dmitry Belosselskiy as Wurm round out the illustrious cast, and Bertrand de Billy conducts.",[12],1.5195,"\u002F5495NuTgR0Erh2zJaS4ekIq9a5i.jpg","2018-04-14","\u002FtnpHrBk5kvCBQVGIenW90ciMVC8.jpg",{"id":198,"adult":6,"title":199,"video":8,"overview":200,"softcore":6,"genre_ids":201,"popularity":202,"vote_count":22,"poster_path":203,"release_date":204,"vote_average":205,"backdrop_path":206,"original_title":199,"original_language":136},455819,"The Metropolitan Opera: Norma","Deep in a forest where druids and warriors seek revenge against the conquering Romans, Norma is scorned by the Roman proconsul Pollione, with whom she has two children. Her kindness turns to fury when she discovers that Pollione has taken Adalgisa, a novice priestess, as his new lover. When Pollione loses his high rank in the army and is offered as a sacrifice, Norma promises him freedom under one condition.",[12,108],1.2447,"\u002FqQTHr7VL5yGhNe0WiWzVFDcaKqH.jpg","2017-10-07",6,"\u002FxicvJjeO6iexD1jVxd9bzUaafy7.jpg",{"id":208,"adult":6,"title":209,"video":8,"overview":210,"softcore":6,"genre_ids":211,"popularity":213,"vote_count":214,"poster_path":215,"release_date":216,"vote_average":217,"backdrop_path":218,"original_title":209,"original_language":219},455824,"The Metropolitan Opera: The Exterminating Angel","After the acclaimed Met premiere of Thomas Adès's \"The Tempest\" in 2012, the composer returned with another masterpiece, this time inspired by filmmaker Luis Buñuel's seminal surrealist classic \"El Ángel Exterminador\", during the 2017–18 season. As the opera opens, a group of elegant socialites gather for a lavish dinner party, but when it is time to leave for the night, no one is able to escape. Soon, their behavior becomes increasingly erratic and savage. The large ensemble cast tackles both the vocal and dramatic demands of Adès's opera with one riveting performance after another. Tom Cairns, who also penned the work's libretto, directs an engrossing and inventive production, using a towering wooden archway to trap the characters onstage. And Adès himself takes the podium to conduct the frenzied score, which features a host of unconventional instruments, including the eerie electronic ondes Martenot.",[212,12],14,1.8364,3,"\u002F956Ut2rWRUCp0fOLwleh8ZE2m4q.jpg","2017-11-18",7.7,"\u002FmVZASS7IzCWmwEZRvawI3JgjBh0.jpg","en",{"id":221,"adult":6,"title":222,"video":8,"overview":223,"softcore":6,"genre_ids":224,"popularity":225,"vote_count":40,"poster_path":226,"release_date":227,"vote_average":114,"backdrop_path":228,"original_title":222,"original_language":136},455825,"The Metropolitan Opera: Tosca","Sir David McVicar’s bold new staging of Tosca, Puccini’s operatic thriller of Napoleonic Rome, thrilled Met audiences when it rang in the New Year in 2018. Only weeks later, the production was seen by opera lovers worldwide as part of the Met’s Live in HD series of cinema presentations. In this performance, Bulgarian soprano Sonya Yoncheva is the passionate title diva, opposite charismatic tenor Vittorio Grigolo as her lover, the idealistic painter Mario Cavaradossi. Baritone Željko Lučić is the menacing Baron Scarpia, the evil chief of police who employs brutal tactics to ensnare both criminals and sexual conquests. On the podium, Emmanuel Villaume conducts the electrifying score, which features some of Puccini’s most memorable melodies.",[108,12],1.7423,"\u002Fk7clZS6Pqn9kXj33jdyOKUkFzpG.jpg","2018-01-27","\u002FlrilS8O2aaZzzrmIQYjNvh5fEO7.jpg",{"id":230,"adult":6,"title":231,"video":6,"overview":232,"softcore":6,"genre_ids":233,"popularity":234,"vote_count":22,"poster_path":235,"release_date":236,"vote_average":114,"backdrop_path":36,"original_title":231,"original_language":117},273778,"Carmen","David McVicar's exhilarating new production, with Anne Sofie von Otter in the title role, restores the Opera Comique to Bizet's masterpiece. Philippe Jordan, in his Glyndebourne debut, conducts the London Philharmonic Orchestra, the Glyndebourne Chorus, and a cast which includes Marcus Haddock, Laurent Naouri, and Lisa Milne.",[12],0.8864,"\u002F3AcG9AyeXIBvYrCTvjNffVRl58f.jpg","2002-07-25",{"id":238,"adult":6,"title":239,"video":6,"overview":240,"softcore":6,"genre_ids":241,"popularity":242,"vote_count":9,"poster_path":243,"release_date":244,"vote_average":9,"backdrop_path":245,"original_title":239,"original_language":117},447466,"The Metropolitan Opera: L’Amour de Loin","Robert Lepage’s dreamlike production, with its thousands of twinkling LED lights stretching across the stage to represent the sea, encapsulates the mystic feeling of L’Amour de Loin, Saariaho’s haunting opera of distant love. Eric Owens is Jaufré Rudel, a troubadour in 12th century France who has become tired of his hedonistic life and longs for an idealized love. Enter the Pilgrim (Tamara Mumford) who tells him his perfect love does, in fact, exist, far across the sea. She is Clémence, Countess of Tripoli (Susanna Phillips). The magic of the characters’ inner lives as they explore the meaning of love, longing, life, and death is heightened by Saariaho’s hypnotic and bewitching score, conducted by Susanna Mälkki.",[12],1.7355,"\u002F3RGyOu77m4G5a3v27nV89vacFfa.jpg","2016-12-10","\u002FzNRcRcJOvCNNS8MnUvxb77dQfmh.jpg",{"id":247,"adult":6,"title":248,"video":8,"overview":249,"softcore":6,"genre_ids":250,"popularity":251,"vote_count":9,"poster_path":252,"release_date":253,"vote_average":9,"backdrop_path":36,"original_title":248,"original_language":126},267760,"Die Walküre","Die Walküre (The Valkyrie), WWV 86B, is an opera in three acts by Richard Wagner with a German libretto by the composer. It is the second of the four operas that form Wagner's cycle Der Ring des Nibelungen (The Ring of the Nibelung).  The story of the opera is based on the Norse mythology told in the Volsunga Saga and the Poetic Edda.[1][2] In Norse mythology, a valkyrie is one in a group of female figures who decide which soldiers die in battle and which live. Die Walküre's best-known excerpt is the \"Ride of the Valkyries\". DVD release June 2009.",[12],0.7497,"\u002F3H2FfQoZNYF4VmxOndxVlKepLYl.jpg","2006-05-31",{"id":255,"adult":6,"title":256,"video":6,"overview":257,"softcore":6,"genre_ids":258,"popularity":259,"vote_count":40,"poster_path":260,"release_date":261,"vote_average":262,"backdrop_path":263,"original_title":256,"original_language":136},267861,"Il Barbiere di Siviglia","Stage director Emilio Sagi's production of the legendary Barber of Seville is enriched by a bright distribution. Maria Bayo returns to one of her signature role as Rosina, opposite Juan Diego Florez, the Rossini expert tenor. The title role is embodied by the Italian baritone Pietro Spagnoli, while Ruggero Raimondi and Bruno Pratico reconcile the audience with Don Basilio and Don Bartolo.",[12],0.8525,"\u002Ff8YMGFrUmwE0mNXXcJmScPRo6ha.jpg","2005-11-07",7.5,"\u002F1caULXdjkPZUN3br1cIMxYn4tmg.jpg",{"id":265,"adult":6,"title":266,"video":6,"overview":267,"softcore":6,"genre_ids":268,"popularity":269,"vote_count":22,"poster_path":270,"release_date":271,"vote_average":272,"backdrop_path":273,"original_title":266,"original_language":126},634808,"Lohengrin","After Tristan und Isolde (2016), Parsifal (2017) and Die Meistersinger von Nürnberg (2018) this is the fourth installment of the exclusive, multiyear partnership between Deutsche Grammophon and the Bayreuth Festival, in which the Yellow Label is the exclusive audiovisual partner of the mythical Wagner festival, releasing each edition's new production on Blu-ray.\r This year, we are proud to release on Blu-ray the celebrated production of Lohengrin which was premiered on 25 July 2018, featuring an illustrious cast including Piotr Beczala and Anja Harteros in their house debuts, as well as the acclaimed return of Waltraud Meier to the Bayreuth Festival.\r The New York Times praised Piotr Beczala’s Lohengrin as “outstanding”, Anja Harteros [making] her impressive Bayreuth debut” as Elsa, and Ortrud “played with dominant presence by the incomparable Waltraud Meier”.",[12],0.9652,"\u002Fy27UQmmjvGLr3slNnchk4dpAFFN.jpg","2018-07-25",5,"\u002F2iTOjDnTYdlKBi86wFOrFkTHjx6.jpg",{"id":275,"adult":6,"title":276,"video":6,"overview":277,"softcore":6,"genre_ids":278,"popularity":279,"vote_count":22,"poster_path":280,"release_date":281,"vote_average":282,"backdrop_path":36,"original_title":276,"original_language":126},832107,"Parsifal","Wagner’s mystic masterpiece Parsifal at the Staatsoper Berlin, staged by Dmitri Tcherniakov and conducted by Daniel Barenboim.  Wagner’s last opera, Parsifal is a medieval epic story marked by Christian, Buddhist and esoteric references. It is about redemption and renewal, but this new production by Russian director Dmitri Tcherniakov adds a jarring note : revenge.  This “Festival Play for the Consecration of the Stage” is similar to a Medieval epic, a blend of metaphysical dreams and esoteric battles with constant spiritual references. This new production is directed by Dmitri Tcherniakov, conducted by Daniel Barenboim and sung by an international cast of excellent singers: Andreas Schager, Anja Kampe, Wolfgang Koch, René Pape, Tomas Tómasson and Matthias Hölle.",[12],1.4719,"\u002FekcECh0rrW52Pz9cwx7Rd59uAgS.jpg","2015-03-28",4,{"id":284,"adult":6,"title":285,"video":8,"overview":286,"softcore":6,"genre_ids":287,"popularity":288,"vote_count":40,"poster_path":289,"release_date":290,"vote_average":23,"backdrop_path":36,"original_title":285,"original_language":136},274548,"Ermione","Recorded at the Glyndebourne Festival Opera in 1995, this acclaimed presentation of composer Gioachino Rossini's epic opus ERMIONE is based on Jean Racine's play \"Andromache.\" Set in Troy after the city fell to the Greeks, the production recounts the rancorous battle between widow Andromache  and Helen of Troy's green-eyed daughter, Ermione for the love of Pyrrhus",[12],0.641,"\u002FwoYYqSewx6wRgKq2OiDfagizUUX.jpg","1995-06-03",1001,20001,"Live from Munich, October 2003. A husband laments the death of his wife. He follows her to the underworld and finds her there. But he is forbidden to look at her. He does it anyway! Has he now lost her forever? Or will the gods' hearts be moved by this loving, \"human\" glance? In 1762, Gluck put the quietus on the artificiality of baroque opera with this work - from then on the human element took center stage.",1.3232,"\u002F8E6sjF8H3Mw9fCaXqyfEGQvmTN4.jpg","2003-10-24",[298],"FR",{"results":300},{},[302],{"name":303,"iso_639_1":117,"english_name":304},"Français","French",[],[307],{"name":308,"iso_3166_1":309},"Germany","DE",45,"A music story that tends to land well.",[]]