[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-384877-en-US":3},{"detail":4,"match":243,"insight":391,"providers":392,"providerLink":6,"trailer":393},{"adult":5,"backdrop_path":6,"belongs_to_collection":6,"budget":7,"genres":8,"homepage":12,"id":13,"imdb_id":14,"origin_country":15,"original_language":17,"original_title":18,"overview":19,"popularity":20,"poster_path":21,"production_companies":22,"production_countries":27,"release_date":33,"revenue":7,"runtime":34,"softcore":5,"spoken_languages":35,"status":47,"tagline":12,"title":48,"video":5,"vote_average":49,"vote_count":50,"credits":51,"similar":185,"watch\u002Fproviders":378,"videos":380},false,null,0,[9],{"id":10,"name":11},99,"Documentary","",384877,"tt6443982",[16],"PL","pl","Still Alive: film o Krzysztofie Kieślowskim","Maria Zmarz-Koczanowicz directed this insightful TV documentary (2005) tracing the Polish filmmaker's career. Former classmates reminisce about Kieslowski's happy beginnings at the Lodz film school and how his dissatisfaction with some of his early documentaries prompted the dramatic work and stylistic experimentation that led to his monumental series of films The Decalogue (1989). Wim Wenders, Agnieszka Holland, and Juliette Binoche are among the many admirers weighing in on his hard-driving work methods and preoccupation with the ephemeral. In Polish, French, and German with subtitles.",1.6204,"\u002Fwbp2d5Z5SI9AHgBqUN9kGxKtnbf.jpg",[23],{"id":24,"logo_path":25,"name":26,"origin_country":16},6480,"\u002FqJUUNzFYXNUDaisssBTV3Zdki9R.png","Telewizja Polska",[28,31],{"iso_3166_1":29,"name":30},"FR","France",{"iso_3166_1":16,"name":32},"Poland","2006-03-14",82,[36,40,44],{"english_name":37,"iso_639_1":38,"name":39},"German","de","Deutsch",{"english_name":41,"iso_639_1":42,"name":43},"French","fr","Français",{"english_name":45,"iso_639_1":17,"name":46},"Polish","Polski","Released","Still Alive: A Film About Krzysztof Kieslowski",8.5,3,{"cast":52,"crew":177},[53,62,69,76,82,90,97,104,112,119,126,133,140,148,155,163,169],{"adult":5,"gender":54,"id":55,"known_for_department":56,"name":57,"original_name":57,"popularity":58,"profile_path":59,"cast_id":7,"character":60,"credit_id":61,"order":7},2,1126,"Directing","Krzysztof Kieślowski",1.9697,"\u002F6K32bPL22jvJx1LO5pJDxZHCsAy.jpg","Self","56d1f11fc3a3681e570099b5",{"adult":5,"gender":7,"id":63,"known_for_department":64,"name":65,"original_name":65,"popularity":66,"profile_path":6,"cast_id":67,"character":60,"credit_id":68,"order":67},1544963,"Acting","Janusz Skalski",0.5011,1,"56d1f132925141340200569b",{"adult":5,"gender":54,"id":70,"known_for_department":71,"name":72,"original_name":72,"popularity":73,"profile_path":74,"cast_id":54,"character":60,"credit_id":75,"order":54},1129,"Camera","Sławomir Idziak",0.8882,"\u002FrVoKnrrzWEFsOsNGV43MxAFY3wr.jpg","56d1f14bc3a3681e3900974e",{"adult":5,"gender":67,"id":77,"known_for_department":56,"name":78,"original_name":78,"popularity":79,"profile_path":80,"cast_id":50,"character":60,"credit_id":81,"order":50},1128,"Agnieszka Holland",1.5685,"\u002FrfM2l3Z1Vm3ASuiEC50Zpf37jLj.jpg","56d1f16092514112c90000a5",{"adult":5,"gender":54,"id":83,"known_for_department":84,"name":85,"original_name":85,"popularity":86,"profile_path":87,"cast_id":88,"character":60,"credit_id":89,"order":88},1135,"Sound","Zbigniew Preisner",0.9004,"\u002FzfcJzNMwWlCIJfBJs7hr2jgSMe0.jpg",4,"56d1f1709251417468002029",{"adult":5,"gender":54,"id":91,"known_for_department":64,"name":92,"original_name":92,"popularity":93,"profile_path":94,"cast_id":95,"character":60,"credit_id":96,"order":95},1148,"Jerzy Stuhr",1.048,"\u002FxzkvKrdITQm8BzYLF8o0xhG3fdA.jpg",5,"56d1f17ec3a3681e4400b005",{"adult":5,"gender":54,"id":98,"known_for_department":56,"name":99,"original_name":99,"popularity":100,"profile_path":101,"cast_id":102,"character":60,"credit_id":103,"order":102},591273,"Krzysztof Zanussi",0.8718,"\u002FwVGQTMIVyed5GpxrFx7hYjJay1v.jpg",6,"56d1f1899251413e6a00a15c",{"adult":5,"gender":67,"id":105,"known_for_department":64,"name":106,"original_name":106,"popularity":107,"profile_path":108,"cast_id":109,"character":60,"credit_id":110,"order":111},1137,"Juliette Binoche",3.6245,"\u002FhtdZZIroEyJaeHQAUTqokNfkPgl.jpg",8,"56d1f1f49251417468002035",7,{"adult":5,"gender":67,"id":113,"known_for_department":64,"name":114,"original_name":114,"popularity":115,"profile_path":116,"cast_id":117,"character":60,"credit_id":118,"order":109},1350,"Irène Jacob",3.0466,"\u002FyDpLjFtglSDlq3pvITr7O5AQfvg.jpg",10,"64c49913eec5b500c5f129a5",{"adult":5,"gender":54,"id":120,"known_for_department":56,"name":121,"original_name":121,"popularity":122,"profile_path":6,"cast_id":123,"character":60,"credit_id":124,"order":125},1544866,"Krzysztof Wierzbicki",0.5084,11,"669ac8a0f432c50cbe05bb78",9,{"adult":5,"gender":54,"id":127,"known_for_department":56,"name":128,"original_name":128,"popularity":129,"profile_path":130,"cast_id":131,"character":60,"credit_id":132,"order":117},1203283,"Kazimierz Karabasz",0.4343,"\u002F55eKObveomUxtchjNQv894Infgs.jpg",12,"669ac8b19f922f81e10685ba",{"adult":5,"gender":54,"id":134,"known_for_department":56,"name":135,"original_name":135,"popularity":136,"profile_path":137,"cast_id":138,"character":60,"credit_id":139,"order":123},1137991,"Stanisław Różewicz",0.6451,"\u002FeHse66ZBIPRADkkOrrBNPHeepLt.jpg",13,"669ac8c9fe95d22dae5c53e9",{"adult":5,"gender":54,"id":141,"known_for_department":142,"name":143,"original_name":143,"popularity":144,"profile_path":145,"cast_id":146,"character":60,"credit_id":147,"order":131},1132,"Writing","Krzysztof Piesiewicz",1.0139,"\u002FuFJXZtw0g9wzYmPfXMTYQ3vaT6k.jpg",14,"669c22e62830c1acb2565656",{"adult":5,"gender":67,"id":149,"known_for_department":64,"name":150,"original_name":150,"popularity":151,"profile_path":152,"cast_id":153,"character":60,"credit_id":154,"order":138},1384,"Grażyna Szapołowska",1.0445,"\u002FpjI5gFihRcpee7nWJs2CFPIrQgZ.jpg",15,"669c265b4ce8381172c53bd3",{"adult":5,"gender":67,"id":156,"known_for_department":56,"name":157,"original_name":158,"popularity":159,"profile_path":160,"cast_id":161,"character":60,"credit_id":162,"order":146},233717,"Márta Mészáros","Mészáros Márta",1.4543,"\u002Fp0fZlJMGYRjgD5lYpcPsLhp5bz9.jpg",16,"669c2731428a1d990777754d",{"adult":5,"gender":54,"id":164,"known_for_department":56,"name":165,"original_name":165,"popularity":166,"profile_path":167,"cast_id":111,"character":60,"credit_id":168,"order":153},2303,"Wim Wenders",2.5975,"\u002F7Y4mkVstQxhegwlOwAsGRfZfHXC.jpg","56d1f1e49251413e59009a20",{"adult":5,"gender":54,"id":170,"known_for_department":171,"name":172,"original_name":172,"popularity":173,"profile_path":174,"cast_id":175,"character":60,"credit_id":176,"order":161},1134,"Production","Marin Karmitz",0.7198,"\u002Ft30oUYzQlfGMymO0wpvkUAeikKN.jpg",17,"669c29d3da9a3447199546a2",[178],{"adult":5,"gender":67,"id":179,"known_for_department":56,"name":180,"original_name":180,"popularity":181,"profile_path":182,"credit_id":183,"department":56,"job":184},1281999,"Maria Zmarz-Koczanowicz",0.582,"\u002F1k5832Fql6Ieb4IVoRt88nCocjM.jpg","56d1f82f9251413e5f009b05","Director",{"page":67,"results":186,"total_pages":376,"total_results":377},[187,198,206,214,223,232,244,255,265,276,284,296,304,314,323,332,342,350,361,369],{"adult":5,"backdrop_path":6,"genre_ids":188,"id":190,"title":191,"original_language":192,"original_title":191,"overview":193,"popularity":194,"poster_path":195,"release_date":196,"softcore":5,"video":5,"vote_average":197,"vote_count":54},[10,189],10402,449741,"After Hours","en","Documentary short showcasing the genius of jazz greats Coleman Hawkins, Roy Eldridge, Cozy Cole, and Milt Hinton, among others.",1.1534,"\u002FkydDdf97uAYChsqn5jj3ou2IXAj.jpg","1961-01-01",5.5,{"adult":5,"backdrop_path":6,"genre_ids":199,"id":200,"title":201,"original_language":192,"original_title":201,"overview":202,"popularity":203,"poster_path":204,"release_date":205,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],449311,"Joseph Cornell: Worlds in a Box","This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made those magnificent and strange collage boxes. He was also one of our great experimental filmmakers and once apparently made Salvador Dali extremely jealous at a screening of his masterpiece, Rose Hobart.  In this film we get to hear people like Susan Sontag, Stan Brakhage, and Tony Curtis talk about their friendships with the artist. It turns out that Curtis was quite a collector and he seemed to have a very deep understanding of what Cornell was doing in his work.",1.7447,"\u002FawqxrLsNATJPBEm4lzlOhUZvl91.jpg","1991-11-29",{"adult":5,"backdrop_path":6,"genre_ids":207,"id":208,"title":209,"original_language":192,"original_title":209,"overview":210,"popularity":211,"poster_path":212,"release_date":213,"softcore":5,"video":5,"vote_average":125,"vote_count":67},[10],449319,"Cindy Sherman: Nobody's Here But Me","New York based artist, Cindy Sherman, is famous for her photographs of women in which she is not only the photographer, but also the subject. She has contributed her own footage to the programme by recording her studio and herself at work with her Hi-8 video camera. It reveals a range of unexpected sources from visceral horror to medical catalogues and exploitation movies, and explores her real interests and enthusiasms. She shows an intuitive and often humorous approach to her work, and reflects on the themes of her work since the late 1970s. She talks about her pivotal series known as the `Sex Pictures' in which she addresses the theme of sexuality in the light of AIDS and the arts censorship debate in the United States.",0.9357,"\u002FxSkKBNyCAI19ENumYrI5Rbb2fTr.jpg","1994-01-01",{"adult":5,"backdrop_path":215,"genre_ids":216,"id":217,"title":218,"original_language":192,"original_title":218,"overview":219,"popularity":220,"poster_path":221,"release_date":222,"softcore":5,"video":5,"vote_average":95,"vote_count":67},"\u002F3Un0AznzUXORuQsnoAl1qmA3tdp.jpg",[10],265251,"Belfast Girls","The film follows teenage girls Mairéad Mc Ilkenny and Christine Savage. The two young women live in the same city but at the same time in two different worlds, cut off from each other by high walls that separate people.",0.5809,"\u002FuHwAI2zr2p4AzGL3ZuQgww4mZPs.jpg","2006-10-23",{"adult":5,"backdrop_path":6,"genre_ids":224,"id":226,"title":227,"original_language":228,"original_title":227,"overview":12,"popularity":229,"poster_path":230,"release_date":231,"softcore":5,"video":5,"vote_average":109,"vote_count":54},[10,225],36,449600,"Extranjeros de sí mismos","es",1.5587,"\u002Ft0ZAOfMEVkS1ep2771ie8gChMwa.jpg","2000-10-22",{"adult":5,"backdrop_path":233,"genre_ids":234,"id":236,"title":237,"original_language":192,"original_title":237,"overview":238,"popularity":239,"poster_path":240,"release_date":241,"softcore":5,"video":5,"vote_average":242,"vote_count":243},"\u002FjJ7kAlZN2p9jK5qn6SdIG6iYvxb.jpg",[10,235],10752,449758,"Five Came Back","The extraordinary story of how Hollywood changed World War II – and how World War II changed Hollywood, through the interwoven experiences of five legendary filmmakers who went to war to serve their country and bring the truth to the American people: John Ford, William Wyler, John Huston, Frank Capra, and George Stevens. Based on Mark Harris’ best-selling book, “Five Came Back: A Story of Hollywood and the Second World War.”",1.7503,"\u002F2XlOc0kQGK9q7Xjq77FLBllppm8.jpg","2017-03-31",7.9,45,{"adult":5,"backdrop_path":245,"genre_ids":246,"id":247,"title":248,"original_language":192,"original_title":248,"overview":249,"popularity":250,"poster_path":251,"release_date":252,"softcore":5,"video":5,"vote_average":253,"vote_count":254},"\u002FtyvPer6haotGIa6pgNO1k563jLU.jpg",[10,189],1843,"Dig!","A documentary on the once promising American rock bands The Brian Jonestown Massacre and The Dandy Warhols. The friendship between respective founders, Anton Newcombe and Courtney Taylor, escalated into bitter rivalry as the Dandy Warhols garnered major international success while the Brian Jonestown Massacre imploded in a haze of drugs.",1.4884,"\u002FlTE7ODSgIvYUBNhkSnW3qL2h4mi.jpg","2004-05-14",6.8,71,{"adult":5,"backdrop_path":256,"genre_ids":257,"id":258,"title":259,"original_language":42,"original_title":260,"overview":261,"popularity":262,"poster_path":263,"release_date":264,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002FvaukllpdXSjqwxq1ngKVhW3zCBz.jpg",[10],449504,"6999 Doors","Retour au Palais","Located on the île de la Cité, in the middle of the Seine, the Paris Law Court looks like an impenetrable fortress. Like Kafka’s castle, it guards its secrets well. It is the place of power. The filmmaker, who worked there for several years as a crime reporter, is extremely familiar with its labyrinthine spaces, its practices, its ceremonies. She comes back to it now, while the Courthouse, such as she knows it, is about to disappear: its relocation is planned in 2017. So, she explores it, camera in hand, on the traces of her experience.",1.3127,"\u002FbwbSirdrn1el7ArVxBGxRzZM5qB.jpg","2018-04-06",{"adult":5,"backdrop_path":266,"genre_ids":267,"id":268,"title":269,"original_language":192,"original_title":269,"overview":270,"popularity":271,"poster_path":272,"release_date":273,"softcore":5,"video":5,"vote_average":274,"vote_count":275},"\u002Fgf2jWMEElanX8IsxQGzGEakKh0l.jpg",[10],1853,"In the Realms of the Unreal","In the Realms of the Unreal is a documentary about the reclusive Chicago-based artist Henry Darger. Henry Darger was so reclusive that when he died his neighbors were surprised to find a 15,145-page manuscript along with hundreds of paintings depicting The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glodeco-Angelinnian War Storm, Cased by the Child Slave Rebellion.",3.5442,"\u002FlKxzlejHu8ApBZohNHMfbmIGzZd.jpg","2004-01-15",7.2,42,{"adult":5,"backdrop_path":6,"genre_ids":277,"id":278,"title":279,"original_language":192,"original_title":279,"overview":280,"popularity":281,"poster_path":282,"release_date":283,"softcore":5,"video":5,"vote_average":125,"vote_count":54},[10,189],449404,"The Road Forward","The Road Forward is an electrifying musical documentary that connects a pivotal moment in Canada’s civil rights history—the beginnings of Indian Nationalism in the 1930s—with the powerful momentum of First Nations activism today.  Interviews and musical sequences describe how a tiny movement, the Native Brotherhood and Sisterhood, grew to become a successful voice for change across the country. Visually stunning, The Road Forward seamlessly connects past and present through superbly produced story-songs with soaring vocals, blues, rock, and traditional beats.",1.1004,"\u002F9KiAnVP1q01wxdQvaJoB9nGTJH0.jpg","2017-04-30",{"adult":5,"backdrop_path":285,"genre_ids":286,"id":288,"title":289,"original_language":192,"original_title":289,"overview":290,"popularity":291,"poster_path":292,"release_date":293,"softcore":5,"video":5,"vote_average":294,"vote_count":295},"\u002FmiSm4aZ7GGLki51s7ynslIfBDG.jpg",[161,287,10],10751,265447,"The Pixar Shorts: A Short History","The story of Pixar's early short films illuminates not only the evolution of the company but also the early days of computer animation, when a small group of artists and scientists shared a single computer in a hallway, and struggled to create emotionally compelling short films.",1.8324,"\u002FxxB5oLKslLUafmiYLRvmIfgfEJp.jpg","2007-11-06",7.7,39,{"adult":5,"backdrop_path":6,"genre_ids":297,"id":298,"title":299,"original_language":192,"original_title":299,"overview":300,"popularity":301,"poster_path":302,"release_date":303,"softcore":5,"video":5,"vote_average":253,"vote_count":95},[10],265497,"One Last Hug","\"One Last Hug\" chronicles a three day summer camp for children learning to cope with the death of a loved one. With the guidance of trained professionals, grieving children as young as seven years old learn that their feelings are normal, and that by talking about them they can begin to heal. A testament to the healing power of shared sorrow, One Last Hug shows the often-unseen and particular experience of children's grief.",0.723,"\u002F5J8lNDSQONHT4wGVzaSdOCAqaJv.jpg","2014-04-14",{"adult":5,"backdrop_path":305,"genre_ids":306,"id":307,"title":308,"original_language":192,"original_title":308,"overview":309,"popularity":310,"poster_path":311,"release_date":312,"softcore":5,"video":5,"vote_average":111,"vote_count":313},"\u002F8bPFRgV1kdJuta36UsNAbEbfXng.jpg",[10],1776,"Jesus Camp","A documentary on kids who attend a summer camp hoping to become the next Billy Graham.",2.6888,"\u002F6ueSRBYaicEYvR2sFHVvptKNaxI.jpg","2006-09-15",392,{"adult":5,"backdrop_path":315,"genre_ids":316,"id":317,"title":318,"original_language":192,"original_title":318,"overview":319,"popularity":320,"poster_path":321,"release_date":322,"softcore":5,"video":5,"vote_average":102,"vote_count":102},"\u002Fxr3TgfPBsCCubXfWoW2T0OJQAiZ.jpg",[10],266621,"Love Hotel","Pensioners, lawyers, married couples and teenagers are all customers at the Angel Love Hotel in Osaka Japan. With unprecedented access into one of the most private and anonymous spaces in Japanese society, this film follows the love hotel's struggling manager and staff as the try to keep their hotel running, as well as revealing the intimate and private lives of the customers who visit.",1.8096,"\u002FlBWTV4AiNpm9e6Rf0s2v2WAaHwp.jpg","2014-04-26",{"adult":5,"backdrop_path":6,"genre_ids":324,"id":325,"title":326,"original_language":327,"original_title":328,"overview":329,"popularity":330,"poster_path":6,"release_date":331,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10,189],266623,"We Cry Behind Dark Glasses","sr","Mi plačemo iza tamnih naočara","Documentary film that deals with the problems of the rock'n'roll scene in Niš, focusing primarily on the period after the collapse of the former SFRJ.",0.5429,"2012-05-25",{"adult":5,"backdrop_path":6,"genre_ids":333,"id":334,"title":335,"original_language":336,"original_title":337,"overview":338,"popularity":339,"poster_path":340,"release_date":341,"softcore":5,"video":5,"vote_average":102,"vote_count":54},[10],450693,"Bicycle","nl","Fietsen","Rhythmic composition of moving photographs of cyclists in Amsterdam, ‘set’ to Vivaldi’s The Four Seasons.",1.501,"\u002F83WYvzhDPdrVdLv7v3LXubZnvEm.jpg","1965-01-01",{"adult":5,"backdrop_path":6,"genre_ids":343,"id":344,"title":345,"original_language":336,"original_title":346,"overview":347,"popularity":348,"poster_path":6,"release_date":349,"softcore":5,"video":5,"vote_average":111,"vote_count":54},[10,189],450725,"Time","De tijd","The point of departure for this film is the 1981 composition De Tijd by Dutch composer Louis Andriessen. Van der Keuken leaves the music undisturbed as an autonomous soundtrack and has the images engage in a sort of battle with it. These images are associations, fragments of events, scenes and situations. The film is preceded by a text by Bert Schierbeek.",1.7091,"1984-07-27",{"adult":5,"backdrop_path":351,"genre_ids":352,"id":353,"title":354,"original_language":355,"original_title":356,"overview":357,"popularity":358,"poster_path":359,"release_date":360,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002FarPpOeaOM7nJsi8jriNe9pOITZ5.jpg",[10],450736,"Toilet","ta","கக்கூஸ்","Manual Scavenging is an all India Phenomenon. However, the Government of India is kind enough to enact Prohibition of Employment as Manual Scavengers and their Rehabilitation Act and implementing many schemes. But none of them failed to work as the caste system is paramount in the so called democratic constitutional India. This film Kakkoos elaborates on the deplorable status.",0.5247,"\u002F5iCo0hPvFA1Wzgr2OZqLDKDrv0w.jpg","2017-06-14",{"adult":5,"backdrop_path":6,"genre_ids":362,"id":363,"title":364,"original_language":192,"original_title":364,"overview":365,"popularity":366,"poster_path":367,"release_date":368,"softcore":5,"video":5,"vote_average":102,"vote_count":67},[10],266871,"California Company Town","Lee Anne Schmitt explores California's landscape and past to document the history of one-time boom towns built and abandoned by the industries that necessitated their creation. Sold as a limitless land expansive with free opportunity, California was actually, from its onset, fissured by the interwoven needs of private and public interests. Schmitt's film covers various locations through time, as the major industries of the early 20th century (mining, lumber, oil) give way to the military, eventually leading to multinational corporations, and the use of small towns as satellites for growing urban metropolises.",0.8123,"\u002Fg62ST89l7cxuvLCvTFohAeGC9cP.jpg","2008-09-22",{"adult":5,"backdrop_path":6,"genre_ids":370,"id":371,"title":372,"original_language":228,"original_title":372,"overview":12,"popularity":373,"poster_path":374,"release_date":375,"softcore":5,"video":5,"vote_average":111,"vote_count":54},[10],450516,"Siempre días azules",1.6799,"\u002FeMexpcyjGtE7DszDN5HtmXEIN7b.jpg","2005-11-11",1001,20001,{"results":379},{},{"results":381},[382],{"iso_639_1":192,"iso_3166_1":383,"name":384,"key":385,"site":386,"size":387,"type":388,"official":5,"id":389,"published_at":390},"US","Still Alive. A Film about Krzysztof Kieślowski (POL 2005 | M. Zmarz-Koczanowicz)","BNMbOK34IjU","YouTube",480,"Trailer","63a7a229aaec7100bb4e8c51","2016-09-03T19:06:20.000Z","A documentary story that tends to land well.",[],{"iso_639_1":192,"iso_3166_1":383,"name":384,"key":385,"site":386,"size":387,"type":388,"official":5,"id":389,"published_at":390}]