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Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years.  Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. 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Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.",[11],0.3956,"\u002Fo68THzd3lxWxgSFPJoM72HZwjmX.jpg","1964-01-01",6.444,"\u002FiQslkEeXri3rFANFtwNVRqqVnPN.jpg","Le temps perdu",{"id":241,"adult":6,"title":242,"video":6,"overview":243,"softcore":6,"genre_ids":244,"popularity":247,"vote_count":8,"poster_path":248,"release_date":249,"vote_average":8,"backdrop_path":27,"original_title":242,"original_language":95},1525769,"bubble skin","A disorienting realm where reality itself flickers and fragments. Through a visceral exploration of digital distortion and failing verification processes, this challenges your perception and dares you to question what lies beneath the surface. 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