[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-392165-en-US":3},{"detail":4,"match":272,"insight":273,"providers":274,"providerLink":46,"trailer":46},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":62,"revenue":8,"runtime":63,"similar":64,"tagline":78,"homepage":246,"overview":247,"softcore":6,"popularity":248,"vote_count":8,"poster_path":249,"release_date":250,"vote_average":8,"backdrop_path":46,"origin_country":251,"original_title":7,"watch\u002Fproviders":253,"spoken_languages":263,"original_language":74,"production_companies":264,"production_countries":269,"belongs_to_collection":46},392165,false,"Rebel Citizen",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":38},[18,28],{"id":19,"name":20,"adult":6,"order":8,"gender":21,"cast_id":22,"character":23,"credit_id":24,"popularity":25,"profile_path":26,"original_name":20,"known_for_department":27},768038,"Pamela Yates",1,4,"Herself","5709ab12c3a3681d3a004fb0",0.4706,"\u002FxneGn4O94qIr92UayeWpdK9PZ0t.jpg","Directing",{"id":29,"name":30,"adult":6,"order":21,"gender":31,"cast_id":32,"character":33,"credit_id":34,"popularity":35,"profile_path":36,"original_name":30,"known_for_department":37},7067,"Haskell Wexler",2,5,"Himself","5709ab1ec3a36873a60010ab",0.6749,"\u002Fk3JSEg2tildKuFl6F6T1gLQSwgf.jpg","Camera",[39,47,54,59],{"id":40,"job":41,"name":42,"adult":6,"gender":8,"credit_id":43,"department":44,"popularity":45,"profile_path":46,"original_name":42,"known_for_department":44},928511,"Executive Producer","Paco de Onís","5709aae492514139d9000dd1","Production",0.3579,null,{"id":48,"job":49,"name":50,"adult":6,"gender":21,"credit_id":51,"department":52,"popularity":53,"profile_path":46,"original_name":50,"known_for_department":52},1603490,"Editor","Daniela Quiroz","5709ab0992514126710010ac","Editing",0.3996,{"id":55,"job":49,"name":56,"adult":6,"gender":31,"credit_id":57,"department":52,"popularity":58,"profile_path":46,"original_name":56,"known_for_department":52},1457542,"Peter Kinoy","5709aafe9251413985000e2f",0.4766,{"id":19,"job":60,"name":20,"adult":6,"gender":21,"credit_id":61,"department":27,"popularity":25,"profile_path":26,"original_name":20,"known_for_department":27},"Director","5709aaf2925141214c0010c6","tt5181352",76,{"page":21,"results":65,"total_pages":244,"total_results":245},[66,75,85,96,105,113,124,134,141,151,160,171,182,191,200,205,212,221,228,237],{"id":67,"adult":6,"title":68,"video":6,"overview":69,"softcore":6,"genre_ids":70,"popularity":71,"vote_count":8,"poster_path":72,"release_date":73,"vote_average":8,"backdrop_path":46,"original_title":68,"original_language":74},286222,"The Farm: 10 Down","One decade after THE FARM: ANGOLA, USA (Oscar nominated 1999; two-time Emmy winner 1999), we go back inside Louisiana's maximum security penitentiary, to catch up with our characters' lives. While the theme of THE FARM was \"to err is human, to forgive divine\", we now delve more deeply and find hope for \"reconciliation and release\". Angola is America's oldest and largest prison, with 5,000 inmates, most of whom have received life -, or death-, sentences for violent crimes, and will never leave Angola. 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As he receives a camera from Michal, a Tel Aviv director who teaches him how to film,\r Yehuda documents his life on the line between the settlement Tko’a and Tel Aviv: his final conversations with his dying father—Rabbi Menachem Fruman– their joint study, and saying goodbye to him. When his father dies, Yehuda chooses to take off his kippah.\r During the year of mourning, he continues to document his life outside the religious world: exploring Tel Aviv, talking to Michal, and his new perspective on his family and their way of life.\r Elisheva,  a newly observant Jew orphaned from her mother, comes into his life as a soul mate exactly at the moment when he loses hope of finding his way.",[11],0.7396,"\u002F1hkp2nuCdddlGzdtkO7t4e2z1Io.jpg","2019-05-20","\u002FpumRBr7lI6gLeFzpYOu3mF9Nkto.jpg","הדברים הקטנים","he",{"id":97,"adult":6,"title":98,"video":6,"overview":99,"softcore":6,"genre_ids":100,"popularity":101,"vote_count":8,"poster_path":102,"release_date":103,"vote_average":8,"backdrop_path":104,"original_title":98,"original_language":74},1049674,"Edinburgh","Directed by Marion Grierson, who ran the film unit of the Travel and Industrial Development Association (TIDA), this short film contains some fine photography of the delights on offer to Edinburgh visitors - including trams, bustling streets, restful parks and some familiar tourist sights.",[11],1.025,"\u002FcttAnzwaqxx2WC90g8orjGswAn6.jpg","1934-01-01","\u002F3gqvMQCqbLS8Eij5y587Ak216nO.jpg",{"id":106,"adult":6,"title":107,"video":6,"overview":108,"softcore":6,"genre_ids":109,"popularity":110,"vote_count":8,"poster_path":111,"release_date":112,"vote_average":8,"backdrop_path":46,"original_title":107,"original_language":74},1049707,"So This Is London","London at its best? This gorgeously photographed portrait of the capital was made by Marion Grierson, sister of the more famous John Grierson, often hailed as the father of documentary film. The film transcends the typical travelogue thanks to the photography of William Shenton and Grierson's poetic approach to editing - which prefigures modern films like the acclaimed From the Sea to the Land Beyond (2012).  The film achieved international fame at the time of its original release, yet Marion Grierson is almost completely overshadowed in the history of British documentary film by her brother John.",[11],0.7001,"\u002FlBMH3LDM6GOalvjOq6hIJfv0br7.jpg","1933-01-01",{"id":114,"adult":6,"title":115,"video":6,"overview":116,"softcore":6,"genre_ids":117,"popularity":119,"vote_count":120,"poster_path":121,"release_date":122,"vote_average":123,"backdrop_path":46,"original_title":115,"original_language":74},288763,"Escape to Life: The Erika and Klaus Mann Story","This documentary contains dramatized episodes about the lives of Erika and Klaus Mann, the brilliant children of German writer Thomas Mann.",[11,118],18,1.247,6,"\u002Fg4jCqhcNgH8LuFlOX0RKNCEXFru.jpg","2001-04-05",4.8,{"id":125,"adult":6,"title":126,"video":6,"overview":127,"softcore":6,"genre_ids":128,"popularity":130,"vote_count":32,"poster_path":131,"release_date":132,"vote_average":133,"backdrop_path":46,"original_title":126,"original_language":74},288764,"Facing the Music","Anne Boyd, one of Australia's leading contemporary composers, teaches music at the publicly funded University of Sydney. 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Or, as one young woman testifies, “Just as the land is being used, these women are being used.”",[11],0.8383,"\u002FjDLcWupkzofWrDe4yyfxcsZltYe.jpg","2018-07-02","\u002FvsPmaKThK7XGkfkaFKXh6DdKSSn.jpg",{"id":222,"adult":6,"title":223,"video":6,"overview":224,"softcore":6,"genre_ids":225,"popularity":226,"vote_count":8,"poster_path":46,"release_date":227,"vote_average":8,"backdrop_path":46,"original_title":223,"original_language":74},289048,"Convalescing","“Convalescing, when you don't have to participate in the world. Time to read, to dream, to look - the blue, the light of the television, the blue, the book, the patterns the light, the blue. 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The unknown woman could be Gretchen from Faust, hopelessly in love or Ariadne who gave Theseus the thread to find his way out of labyrinth or perhaps she is one of the fates, weaving destiny… Enlarged from Super-8 to 35mm, the film is very grainy, in itself an homage to the medium of film which is also emphasized by the depiction of all kinds of turning machines, both in image and sound.",[11],0.9136,"\u002F3reJDo8mssRHECv8l2DZ9gOCNPX.jpg","2005-08-27","nl",{"id":238,"adult":6,"title":239,"video":6,"overview":240,"softcore":6,"genre_ids":241,"popularity":242,"vote_count":8,"poster_path":46,"release_date":243,"vote_average":8,"backdrop_path":46,"original_title":239,"original_language":74},289054,"Portraits","Faces pass by in quickly edited, split-screen recordings. A 'structuralist' film in which the film material itself plays an important role. Grain, scratches and flickering give the film texture. 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