[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-398114-en-US":3},{"detail":4,"match":245,"insight":246,"providers":247,"providerLink":26,"trailer":26},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":34,"revenue":8,"runtime":35,"similar":36,"tagline":63,"homepage":230,"overview":231,"softcore":6,"popularity":232,"vote_count":8,"poster_path":233,"release_date":234,"vote_average":8,"backdrop_path":26,"origin_country":235,"original_title":7,"watch\u002Fproviders":237,"spoken_languages":239,"original_language":50,"production_companies":240,"production_countries":241,"belongs_to_collection":26},398114,false,"Now Eat My Script",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"id":5,"results":15},[],{"cast":17,"crew":18},[],[19,27],{"id":20,"job":21,"name":22,"adult":6,"gender":8,"credit_id":23,"department":24,"popularity":25,"profile_path":26,"original_name":22,"known_for_department":24},1622080,"Director","Mounira Al Solh","573cdf48c3a3687dab000b12","Directing",0.5894,null,{"id":28,"job":29,"name":30,"adult":6,"gender":8,"credit_id":31,"department":32,"popularity":33,"profile_path":26,"original_name":30,"known_for_department":32},1622082,"Director of Photography","Karam Ghossein","573cdfd6c3a3687db0000b45","Camera",0.5062,"tt3755500",23,{"page":37,"results":38,"total_pages":228,"total_results":229},1,[39,51,60,71,79,87,100,113,120,128,138,146,154,162,170,180,188,198,207,218],{"id":40,"adult":6,"title":41,"video":6,"overview":42,"softcore":6,"genre_ids":43,"popularity":44,"vote_count":45,"poster_path":46,"release_date":47,"vote_average":48,"backdrop_path":49,"original_title":41,"original_language":50},820479,"A Trans with a Movie Camera","A non-narrative cine-essay that collaboratively explores the potentials for trans feminine representation in film.",[11],0.6702,5,"\u002FaxzoQio97yrgcLNot6eMiJbvvTV.jpg","2018-11-02",5.6,"\u002Fg6jaobhIUCwksmiX0v8IHWqFPX.jpg","en",{"id":52,"adult":6,"title":53,"video":6,"overview":54,"softcore":6,"genre_ids":55,"popularity":56,"vote_count":8,"poster_path":57,"release_date":58,"vote_average":8,"backdrop_path":26,"original_title":53,"original_language":59},630372,"Envío 21","For Barbara Figueroa",[11],0.6441,"\u002FsmNPvlX3I6yrfeo5ObZ3oVP0hCL.jpg","2009-08-13","xx",{"id":61,"adult":6,"title":62,"video":6,"overview":63,"softcore":6,"genre_ids":64,"popularity":66,"vote_count":37,"poster_path":67,"release_date":68,"vote_average":69,"backdrop_path":26,"original_title":62,"original_language":70},447261,"Anônimo e incomum","",[65,11],18,0.9734,"\u002Fy5b8jSOG2WNxa2lGMSF8JwuRXB5.jpg","1990-03-16",6,"pt",{"id":72,"adult":6,"title":73,"video":6,"overview":74,"softcore":6,"genre_ids":75,"popularity":76,"vote_count":8,"poster_path":77,"release_date":78,"vote_average":8,"backdrop_path":26,"original_title":73,"original_language":50},445805,"Depositions","The quietly insistent and critical DEPOSITIONS attempts to restore some dignity to images of the communities of the Scottish highlands taken from patronizing BBC documentaries and news features from the 70’s and 80’s. 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As Prosper Hillairet wrote in 1988, four years after Rousseau had finished Jeune femme ... (for the first time as we know today): «Without adopting the usual systematic spirit and form of cinéma structurel, Rousseau presents us with simple images and leaves it at that. Keeps the image in hand. A minimalist and ascetic expression of cinema: a shot that lasts.»",[11],1.3956,2,"\u002FinDO19H3xXBvdUurUvPWGnE5a6E.jpg","1983-01-01",5.5,"\u002FweosAtrLFFvCGA48aFW8xVEPh2B.jpg","Jeune femme à sa fenêtre lisant une lettre","fr",{"id":101,"adult":6,"title":102,"video":6,"overview":103,"softcore":6,"genre_ids":104,"popularity":105,"vote_count":106,"poster_path":107,"release_date":108,"vote_average":109,"backdrop_path":110,"original_title":111,"original_language":112},222,"Berlin: Symphony of a Great City","A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.",[11],1.938,131,"\u002F1APQoI9PKgZtg6PWZjIbr0U7GvZ.jpg","1927-09-23",7.5,"\u002FlVnUdJ7nqho86UievvSr1LpfU6k.jpg","Berlin, die Symphonie der Großstadt","de",{"id":114,"adult":6,"title":115,"video":6,"overview":116,"softcore":6,"genre_ids":117,"popularity":118,"vote_count":8,"poster_path":26,"release_date":63,"vote_average":8,"backdrop_path":26,"original_title":119,"original_language":50},1585333,"Ghuza da Sher","The story of Nisar Ahmed Khan, told through his children and the people he served, a spiritual guide whose followers still visit his tomb on his birth and death anniversaries. And alongside how his family spends a few days at the village keeping his traditions alive.",[11],1.0676,"غزاں را شیر",{"id":121,"adult":6,"title":122,"video":6,"overview":123,"softcore":6,"genre_ids":124,"popularity":125,"vote_count":37,"poster_path":26,"release_date":126,"vote_average":127,"backdrop_path":26,"original_title":122,"original_language":50},263851,"The Red and the Blue Gods","An ethnographic field report in which the Anthropologist describes the mythic creation of an unnamed ‘sun-scraping structure’ through the ritualized actions of the Red and the Blue Gods.",[11],0.4781,"2005-01-01",4,{"id":129,"adult":6,"title":130,"video":6,"overview":131,"softcore":6,"genre_ids":132,"popularity":133,"vote_count":127,"poster_path":134,"release_date":135,"vote_average":136,"backdrop_path":137,"original_title":130,"original_language":59},263806,"Bliss","The first film made by Markopoulos after moving to Europe, Bliss was shot over the course of two days using only available light to create a lyrical study of the interior of the Church of St. John on the island of Hydra.",[11],0.7096,"\u002FctbGBuZw7n811WMNXuauHr6wzxM.jpg","1967-06-02",8,"\u002FyXLoSsOggRiHXmNnkL5rpV9Om20.jpg",{"id":139,"adult":6,"title":140,"video":6,"overview":141,"softcore":6,"genre_ids":142,"popularity":143,"vote_count":69,"poster_path":26,"release_date":144,"vote_average":145,"backdrop_path":26,"original_title":140,"original_language":50},263841,"Daumë","Culled from four rolls of Super-8 film shot while the maker was a development worker in a small South American village, Daumë is at its center a film about ritual, power, and play. 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When the work streams your contribution becomes part of a worldwide montage, in Vertov’s terms the “decoding of life as it is”.",[11],0.9031,"2009-07-31",10,{"id":171,"adult":6,"title":172,"video":6,"overview":173,"softcore":6,"genre_ids":174,"popularity":175,"vote_count":8,"poster_path":176,"release_date":177,"vote_average":8,"backdrop_path":26,"original_title":178,"original_language":179},651637,"Rock and Cliff: The Geological Surface of Horn Town","Video essay ‘Rock and Cliff' investigates the creation of Horn Town, a new model village and centre of large scale tourist development, and the experiences of rural residents moved there through government-led displacement. Horn Town is located in Wulong, a rural district near the Three Gorges Dam administered by the Chongqing municipality (a city of 30 million people). Narrated in the style of a science documentary but using local Chongqing dialect, the video brings a geological and topographical perspective to types of 'rocks' found in the area,from mythological stones from a mountain cliff, to ruins of the original settlement, to a stone sculpture from a dubious 'Land Art Biennial', in order to address issues of land acquisition, top-down development and spatial politic.",[11],0.5712,"\u002FhBdh02ZKxpGIPK57vpIK7v0wOXj.jpg","2019-12-02","碛石与危岩：羊角镇的地表现实","zh",{"id":181,"adult":6,"title":182,"video":6,"overview":183,"softcore":6,"genre_ids":184,"popularity":185,"vote_count":8,"poster_path":186,"release_date":187,"vote_average":8,"backdrop_path":26,"original_title":182,"original_language":70},651567,"Heliorama","A collage of newsreels, trailers, clips and other visionary and unseen fragments of sight and sound regarding the late plastic artist Helio Oititica.",[11],0.6782,"\u002F9Se44KDVGpnKDfjAkNQ9Jde11UE.jpg","2004-01-03",{"id":189,"adult":6,"title":190,"video":6,"overview":191,"softcore":6,"genre_ids":192,"popularity":193,"vote_count":194,"poster_path":195,"release_date":196,"vote_average":69,"backdrop_path":197,"original_title":190,"original_language":50},471836,"Path of Cessation","In PATH OF CESSATION the image that is communicated to us by Fulton is a highly mystifying one. Rather than analyze, or enter into a dialogue with the Tibetan culture that he photographs, Fulton has succumbed to it, and through the process has presented us a work of great surface, as well as formal, beauty.",[11],0.8104,3,"\u002FdiFXYBG1yCSxFk6KfXhrXBy3fIY.jpg","1974-01-01","\u002Ff1j4il1jsjGMSroJOXaZ2c7xrf.jpg",{"id":199,"adult":6,"title":200,"video":6,"overview":201,"softcore":6,"genre_ids":202,"popularity":203,"vote_count":45,"poster_path":26,"release_date":204,"vote_average":45,"backdrop_path":26,"original_title":205,"original_language":206},283870,"Photodiary","\"The majority of my 8-mm works were made for the three-minute \"Personal Focus\" film special put on in Fukuoka. This film is an animation of photographs I had taken on a regular basis as a sort of diary, and was made to have a rough feel to it.\" - Takashi Ito",[11],0.4432,"1986-07-26","写真記","ja",{"id":208,"adult":6,"title":209,"video":6,"overview":210,"softcore":6,"genre_ids":211,"popularity":213,"vote_count":69,"poster_path":214,"release_date":215,"vote_average":69,"backdrop_path":216,"original_title":217,"original_language":206},283872,"Devil's Circuit","A film in which the one 60-story skyscraper that soars in the spaces between roofs spins with incredible speed. I centered the circumference with its 400 or 500 meter radius on the skyscraper and divided it into 48 sections, then took photographs from those spots and shot the photographs frame by frame.",[11,212],16,0.5807,"\u002F833HWzN4nEueMJzcMW5vih3jPuR.jpg","1988-07-26","\u002FijlyYBG4FknKgkBiwjRdHKyAGAS.jpg","悪魔の回路図",{"id":219,"adult":6,"title":220,"video":6,"overview":221,"softcore":6,"genre_ids":222,"popularity":223,"vote_count":45,"poster_path":224,"release_date":225,"vote_average":69,"backdrop_path":226,"original_title":227,"original_language":206},283873,"Photodiary '87","I turned my gaze to the various events in daily life and made this filmic diary in a manner as if confessing my feelings. Of course, since I was making the film, I wanted to depict these feelings and events with tricky techniques. 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