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Premiered at the National Theatre in the composer's hometown of Brno 115 years ago, the opera took him nine years to complete and is the first in which his distinctive voice can clearly be heard.",[11,153],1.7855,"\u002F881GQTWCsOQltJYHiyvnEN2rNsO.jpg","2019-10-02","\u002FtzdjE6CKeWCvbr91bGFN87uDqUy.jpg","cs",{"id":172,"adult":6,"title":173,"video":6,"overview":144,"softcore":6,"genre_ids":174,"popularity":176,"vote_count":8,"poster_path":57,"release_date":177,"vote_average":8,"backdrop_path":57,"original_title":173,"original_language":170},1410739,"Turek v Itálii",[11,175],35,0.8889,"1985-12-13",{"id":179,"adult":6,"title":180,"video":6,"overview":181,"softcore":6,"genre_ids":182,"popularity":183,"vote_count":8,"poster_path":184,"release_date":185,"vote_average":8,"backdrop_path":186,"original_title":180,"original_language":187},451537,"Die Entführung aus dem Paradies","The man looks back on a turbulent love life, which he does not dare to opt definitively for a permanent love. 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She drove audiences wild by the way her opulent voice caressed the music’s long phrases and sprinted effortlessly through the fiendish runs, trills, embellishments and stratospheric high notes. One of the glories of the operatic world, her portrayal of Donizetti’s hapless heroine is a multifaceted and moving characterization. The incomparable tenor Alfredo Kraus is Edgardo, the man Lucia loves but cannot have.  (Performance taped November 13, 1982. 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The actors in this film are older dancers from Kylían's troupe (around 50 years old) and the main prop is a 'TATRA 87', a famous car from 1937.",[175,11],1.2341,"2006-11-26","xx",{"id":225,"adult":6,"title":226,"video":6,"overview":227,"softcore":6,"genre_ids":228,"popularity":229,"vote_count":45,"poster_path":230,"release_date":231,"vote_average":97,"backdrop_path":57,"original_title":232,"original_language":207},267252,"The Marriage of Figaro","This is a good video of \"Figaro\", but there are a couple of better ones available. The Bohm and the Pappano are better still due to the female members of the casts. The reason for buying this one is the \"Figaro\", Bryn Terfel. No one can top him today in that role. John Eliot Gardiner also stands out. Many of us have voiced their opinion that If the Metropolitan Opera would release it's 1998 version, that would be the one to get.",[11,175],0.9706,"\u002FyCUUtNs8dwFGJTjoH00iWo8Islo.jpg","1993-12-01","Le Nozze di Figaro",{"id":234,"adult":6,"title":235,"video":6,"overview":236,"softcore":6,"genre_ids":237,"popularity":238,"vote_count":30,"poster_path":239,"release_date":240,"vote_average":82,"backdrop_path":241,"original_title":242,"original_language":207},267255,"Puccini: Manon Lescaut","All the throbbing eroticism—and ultimate heartbreak—of Puccini’s youthful score is unleashed by James Levine and his top-flight cast. Plácido Domingo is Des Grieux, the handsome, headstrong young aristocrat who falls head over heels for the enticing, impetuous Manon Lescaut (Renata Scotto). Manon returns his love, but her obsession with luxury ruins them both. Gian Carlo Menotti’s opulent production, with sets and costumes by Desmond Heeley, superbly captures the colorful world of 18th century France.",[11,153],2.7442,"\u002FsZgIh6WZRkmnBhUKOuaUxkF5Gkm.jpg","1980-03-29","\u002FeKIc3rHG6xV9WN9d52NzapwwqQH.jpg","Manon Lescaut - Metropolitan Opera",{"id":244,"adult":6,"title":245,"video":6,"overview":144,"softcore":6,"genre_ids":246,"popularity":247,"vote_count":8,"poster_path":57,"release_date":248,"vote_average":8,"backdrop_path":57,"original_title":245,"original_language":170},1410698,"Lékař a lékárník",[11],0.9407,"1985-03-30",{"id":250,"adult":6,"title":251,"video":6,"overview":144,"softcore":6,"genre_ids":252,"popularity":253,"vote_count":8,"poster_path":57,"release_date":254,"vote_average":8,"backdrop_path":57,"original_title":251,"original_language":170},1410724,"Fraška o kádi",[11,175],0.9837,"1985-10-11",{"id":256,"adult":6,"title":257,"video":6,"overview":258,"softcore":6,"genre_ids":259,"popularity":260,"vote_count":30,"poster_path":261,"release_date":262,"vote_average":97,"backdrop_path":263,"original_title":257,"original_language":159},451165,"Strauss II: Die Fledermaus","Glyndebourne's pulsating new production of the  Waltz King's much-loved comic operetta.  Its story centers on a magnificent masked ball, given by a Russian prince, that brings together all the main characters in various disguises. The three-act journey from boudoir to ballroom to jail provides ample opportunities for farce and humor, but also for genuine human emotion and a surprisingly realistic view of urban life.",[11],1.6114,"\u002FuqBbu57fVthod4UceTPyiij7shS.jpg","2003-07-23","\u002FqO6BogVundZSmNIX1QEqNRoGCEz.jpg",{"id":265,"adult":6,"title":266,"video":6,"overview":267,"softcore":6,"genre_ids":268,"popularity":270,"vote_count":30,"poster_path":271,"release_date":272,"vote_average":82,"backdrop_path":273,"original_title":274,"original_language":275},1595244,"The Three Tenors - Birth of a Legend","On the eve of the 1990 World Cup final, Plácido Domingo, José Carreras, and Luciano Pavarotti sang together for the first time. 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The Academy Award-winning director Michael Haneke once said that he was merely being precise and did not want to distort reality. In only his second opera production after Don Giovanni in 2006, he presents what ARTE described as a “disillusioned vision of love in an ice-cold, realistic interpretation”.",[11,281],10770,22.4826,"\u002FippqaLWr6HOEa9bhlgJcTsvzj6R.jpg","2013-06-21",6.8,"\u002FgVSX8lhWstcisE9xfk84coE3nbi.jpg",{"id":288,"adult":6,"title":289,"video":6,"overview":290,"softcore":6,"genre_ids":291,"popularity":292,"vote_count":21,"poster_path":57,"release_date":293,"vote_average":294,"backdrop_path":57,"original_title":289,"original_language":207},1600376,"The Return of Ulysses to His Homeland","Live recording of a stage performance at the Glyndebourne Theatre, 24 August 1973, directed by Sir Peter Hall.",[281,11],1.2638,"1973-08-24",7.5,{"id":296,"adult":6,"title":297,"video":163,"overview":298,"softcore":6,"genre_ids":299,"popularity":300,"vote_count":30,"poster_path":301,"release_date":302,"vote_average":68,"backdrop_path":303,"original_title":297,"original_language":207},455819,"The Metropolitan Opera: Norma","Deep in a forest where druids and warriors seek revenge against the conquering Romans, Norma is scorned by the Roman proconsul Pollione, with whom she has two children. 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As the opera opens, a group of elegant socialites gather for a lavish dinner party, but when it is time to leave for the night, no one is able to escape. Soon, their behavior becomes increasingly erratic and savage. The large ensemble cast tackles both the vocal and dramatic demands of Adès's opera with one riveting performance after another. Tom Cairns, who also penned the work's libretto, directs an engrossing and inventive production, using a towering wooden archway to trap the characters onstage. And Adès himself takes the podium to conduct the frenzied score, which features a host of unconventional instruments, including the eerie electronic ondes Martenot.",[309,11],14,1.8122,"\u002F956Ut2rWRUCp0fOLwleh8ZE2m4q.jpg","2017-11-18",7.7,"\u002FmVZASS7IzCWmwEZRvawI3JgjBh0.jpg",{"id":316,"adult":6,"title":317,"video":163,"overview":318,"softcore":6,"genre_ids":319,"popularity":320,"vote_count":21,"poster_path":321,"release_date":322,"vote_average":75,"backdrop_path":323,"original_title":317,"original_language":207},455825,"The Metropolitan Opera: Tosca","Sir David McVicar’s bold new staging of Tosca, Puccini’s operatic thriller of Napoleonic Rome, thrilled Met audiences when it rang in the New Year in 2018. Only weeks later, the production was seen by opera lovers worldwide as part of the Met’s Live in HD series of cinema presentations. In this performance, Bulgarian soprano Sonya Yoncheva is the passionate title diva, opposite charismatic tenor Vittorio Grigolo as her lover, the idealistic painter Mario Cavaradossi. Baritone Željko Lučić is the menacing Baron Scarpia, the evil chief of police who employs brutal tactics to ensnare both criminals and sexual conquests. 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With Reri Grist (Oscar), Placido Domingo (Gustavus), Katia Ricciarelli (Amelia), Piero Cappucili (Renato), Patricia Payne (? - the booklet or DVD fails to credit the singer) (Ulrica) and Claudio Abbado in the pit: all at their peak, you just simply cannot go wrong when purchasing this DVD. This performance made me realise why I had fallen in love with opera: beautiful (today one should be thankful) and convincing sets and costumes, and fiery conducting and singing from all the above soloists which leaves you breathless. Domingo as the King (not the Governor of Boston) is simply ravishing! He is so convincing and dashing as Gustavus - I think very few tenors nowadays can even attempt such a convincing vocal and dramatic performance.",1.0053,"\u002Fc12CFhbbB162TqlTRTjazNVDw8E.jpg","1975-07-27",[340,341],"US","GB",{"results":343},{},[345],{"name":346,"iso_639_1":207,"english_name":347},"Italiano","Italian",[349],{"id":350,"name":351,"logo_path":57,"origin_country":340},67119,"Kultur Video",[353],{"name":354,"iso_3166_1":341},"United Kingdom",45,"A music story that tends to land well.",[]]