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Anderson Matthew captures the singer Helene Schneiderman through a midnight dream with a hand-cranked kino camera in an ecstatic 35mm photo roman, in search for her own performance of the Tarquinio Merula madrigal Folle é ben chi se crede from 1638.",[11,212],9648,0.9191,"\u002FmhK6uM8Pzy6oG78PjgFrudD2rM5.jpg","2021-06-11",{"id":217,"adult":6,"title":218,"video":6,"overview":219,"softcore":6,"genre_ids":220,"popularity":221,"vote_count":8,"poster_path":222,"release_date":223,"vote_average":8,"backdrop_path":23,"original_title":218,"original_language":114},267432,"Strauss: Elektra","It's hard to imagine confirmed Straussians not wanting this starry Metropolitan Opera performance of Elektra. Strauss and his librettist, Hugo von Hofmannstahl, transformed Sophocles' take on Homer's tale into a harrowing opera noir. Elektra lives for one reason, to kill her mother, Klytämnestra, and her stepfather, Aegisth, the murderers of her father, Agamemnon. In contrast to Elektra's vengeful obsession, her sister Chrysothemis desires to get on with life. When their long-missing brother, Orestes, returns to do the deed, Elektra celebrates with a dance of death and, her sole purpose in life fulfilled, dies. Strauss joined the hermetic plot to music of the utmost opulence, violent and yearning by turns, evoking the cardinal principles of Greek tragedy - pity and terror.",[11],0.6489,"\u002FnLYMj3C1rHQk2cyi6CqGBIHs8zC.jpg","1980-02-16",{"id":225,"adult":6,"title":226,"video":6,"overview":227,"softcore":6,"genre_ids":228,"popularity":229,"vote_count":8,"poster_path":230,"release_date":231,"vote_average":8,"backdrop_path":232,"original_title":226,"original_language":233},451537,"Die Entführung aus dem Paradies","The man looks back on a turbulent love life, which he does not dare to opt definitively for a permanent love. He loves Tosca, but leaves her for another new love, Alpha. 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The libretto was written by Jacopo Ferretti, based on the fairy tale Cendrillon by Charles Perrault. 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The title role is embodied by the Italian baritone Pietro Spagnoli, while Ruggero Raimondi and Bruno Pratico reconcile the audience with Don Basilio and Don Bartolo.",[11],0.9762,"\u002Ff8YMGFrUmwE0mNXXcJmScPRo6ha.jpg","2005-11-07",7.5,"\u002F1caULXdjkPZUN3br1cIMxYn4tmg.jpg",{"id":282,"adult":6,"title":283,"video":6,"overview":237,"softcore":6,"genre_ids":284,"popularity":285,"vote_count":8,"poster_path":23,"release_date":286,"vote_average":8,"backdrop_path":23,"original_title":283,"original_language":241},1410698,"Lékař a lékárník",[11],0.9007,"1985-03-30",1001,20001,"Maometto II (or Maometto secondo) is an 1820 opera in two acts by Gioachino Rossini to an Italian libretto by Cesare della Valle. Set in the 1470s during a time of war between the Turks and Venetians, the work was commissioned by the Teatro di San Carlo in Naples. Della Valle based his libretto on his earlier play Anna Erizo. The name of the title character, Maometto II, refers to the real-life Ottoman Sultan and conqueror of Constantinople Mehmed II, who lived from 1432 to 1481.",0.5489,"\u002FvdH0EYpL5JesvAmQ3EWfLJvOKkU.jpg","2005-11-01",[294],"IT",{"results":296},{},[298],{"name":299,"iso_639_1":150,"english_name":300},"Italiano","Italian",[302],{"id":303,"name":304,"logo_path":23,"origin_country":237},32404,"Teatro la Fenice",[306],{"name":307,"iso_3166_1":294},"Italy",45,"A music story that tends to land well.",[]]