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This documentary explores the origins of Andre's work and the extraordinary fallout from its exhibition.",0.1117,"\u002F2xB9gWWTFpka8mDE8O2v3UdGKYX.jpg",[25],{"id":26,"logo_path":27,"name":28,"origin_country":18},16630,"\u002FxEjkqz7Ow5tTMUx715YDdvEBAgi.png","BBC Four",[30],{"iso_3166_1":18,"name":31},"United Kingdom","2016-09-20",59,[35],{"english_name":36,"iso_639_1":19,"name":36},"English","Released",8,1,{"cast":41,"crew":42},[],[43,50,57],{"adult":5,"gender":8,"id":44,"known_for_department":45,"name":46,"original_name":46,"popularity":47,"profile_path":7,"credit_id":48,"department":45,"job":49},1014558,"Directing","Clare Beavan",0.2828,"57e2373ac3a3681a01002a6a","Director",{"adult":5,"gender":39,"id":51,"known_for_department":52,"name":53,"original_name":53,"popularity":54,"profile_path":7,"credit_id":55,"department":52,"job":56},1682775,"Production","Tanya Hudson",0.144,"57e23753c3a36819980028b0","Executive Producer",{"adult":5,"gender":8,"id":44,"known_for_department":45,"name":46,"original_name":46,"popularity":47,"profile_path":7,"credit_id":58,"department":52,"job":59},"57e2376192514118f7002fb5","Producer",{"page":39,"results":61,"total_pages":258,"total_results":259},[62,70,80,88,101,113,124,133,142,152,162,172,180,189,198,209,219,230,238,249],{"adult":5,"backdrop_path":7,"genre_ids":63,"id":64,"title":65,"original_language":19,"original_title":65,"overview":66,"popularity":67,"poster_path":68,"release_date":69,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],625589,"A History of the Australian Aboriginal","Colin Jones is of Aboriginal, Polynesian and English decent. 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Colin's reason for making this video is to explain from an Aboriginal point of view based on his historical data, what has happened to his people over the past two hundred years since the white man arrive in Australia.",0.1587,"\u002Fzbb1qr6rWaoQl7BI4xXaFaXef0P.jpg","1997-01-01",{"adult":5,"backdrop_path":7,"genre_ids":71,"id":72,"title":73,"original_language":19,"original_title":73,"overview":74,"popularity":75,"poster_path":76,"release_date":77,"softcore":5,"video":5,"vote_average":78,"vote_count":79},[11],446470,"44 Pages","A portrait of Highlights Magazine following the creation of the cultural phenomenon's 70th Anniversary issue, from the first editorial meeting to its arrival in homes, and introducing the quirky people who passionately produce the monthly publication for \"the world's most important people,\"...children. 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His findings suggested that the collective hordes of emotive Dianaphiles sobbing in the streets were not only encouraged but emulated by the media. In the aftermath of Diana's death a three-line whip was enforced on newspapers and on TV, selling the sainthood line wholesale. The suspicion was that journalists, like the public, greeted the death as a chance to wax emotional in print, as a change from the customary knowing cynicism, to wheel out all those portentous phrases they'd been saving up for the big occasion. Sadly, they just seemed to be showboating; the eulogies, laments and tear-soaked platitudes ringing risibly hollow.",0.2321,"\u002FvoaSFWLJt8jfRKMwcJF5s8J8tV3.jpg","1998-08-01",6.6,4,{"adult":5,"backdrop_path":220,"genre_ids":221,"id":222,"title":223,"original_language":168,"original_title":224,"overview":225,"popularity":226,"poster_path":227,"release_date":228,"softcore":5,"video":5,"vote_average":229,"vote_count":141},"\u002FqMhlWlDrn4MYIjni2sGjC6HwaDq.jpg",[11],808698,"I’m Not a Slut, I’m a Journalist","Je ne suis pas une salope, je suis une journaliste","More than twenty sports journalists – working mainly on television (BeIN Sports, RMC Sport, France Télévisions, Canal+, TF1) but not only (L'Équipe, Radio France) – testify to the anger, despondency and helplessness they felt when they had to endure the “Yucky jokes”, the « culture de boy’s club » and degrading insults on social networks, while at the same time the presence of women in these programs and in the press has increased. Without forgetting the misogynistic comments, the heaps of small sentences on the physique or the competence, the sexual innuendos… until the moral or sexual harassment.",0.231,"\u002FwvlIQWkXYS64hI6bxG1IJdii2pj.jpg","2021-03-21",7.9,{"adult":5,"backdrop_path":7,"genre_ids":231,"id":232,"title":233,"original_language":19,"original_title":233,"overview":234,"popularity":235,"poster_path":236,"release_date":237,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],262647,"Bone Wind Fire","A journey into the hearts, minds and eyes of Georgia O’Keeffe, Emily Carr and Frida Kahlo - three of the 20th century’s most remarkable artists.",1.0668,"\u002Frj9TtF5cCoTsAFovYs1I0OfUahB.jpg","2011-10-09",{"adult":5,"backdrop_path":239,"genre_ids":240,"id":241,"title":242,"original_language":243,"original_title":242,"overview":244,"popularity":245,"poster_path":246,"release_date":247,"softcore":5,"video":5,"vote_average":38,"vote_count":248},"\u002F8CnBeHWQGtt5N5V8TI8Ac6eCfe3.jpg",[11],808289,"F@ck This Job","ru","In 2008, Natasha, a newly rich woman, decides to open an independent TV station in Russia and builds an open-minded team of outcasts. 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