[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-434321-en-US":3},{"detail":4,"match":260,"insight":261,"providers":262,"providerLink":47,"trailer":47},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":36,"revenue":8,"runtime":37,"similar":38,"tagline":36,"homepage":243,"overview":244,"softcore":6,"popularity":245,"vote_count":23,"poster_path":47,"release_date":246,"vote_average":49,"backdrop_path":47,"origin_country":247,"original_title":249,"watch\u002Fproviders":250,"spoken_languages":252,"original_language":51,"production_companies":255,"production_countries":256,"belongs_to_collection":47},434321,false,"Distance-Landscape: Fishermen in the Same Sea",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":18},[],[19,29,32],{"id":20,"job":21,"name":22,"adult":6,"gender":23,"credit_id":24,"department":25,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":28},1221292,"Editor","Lois Patiño",2,"587534c5c3a3684c1500007c","Editing",0.1218,"\u002F9JmD7iiUvB6vkvXAhsuVmnEPNT.jpg","Directing",{"id":20,"job":30,"name":22,"adult":6,"gender":23,"credit_id":31,"department":28,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":28},"Director","587534ac9251412f4b00008d",{"id":20,"job":33,"name":22,"adult":6,"gender":23,"credit_id":34,"department":35,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":28},"Cinematography","587534b8c3a3684c1b000075","Crew","",3,{"page":39,"results":40,"total_pages":241,"total_results":242},1,[41,52,64,77,89,98,107,118,126,136,144,153,165,176,184,193,202,211,221,228],{"id":42,"adult":6,"title":43,"video":6,"overview":44,"softcore":6,"genre_ids":45,"popularity":46,"vote_count":23,"poster_path":47,"release_date":48,"vote_average":49,"backdrop_path":47,"original_title":50,"original_language":51},434304,"Duration-Landscape: Road","The project studies the relationship between observer and landscape in the contemplative experience. A sensory approach to landscape from introspective perception. We start with the external factors of space and time in the environment to go deeper in the temporal and spatial consciousness experiences.",[11],0.1631,null,"2012-08-14",8,"Paisaje-Duración: Carretera","gl",{"id":53,"adult":6,"title":54,"video":6,"overview":55,"softcore":6,"genre_ids":56,"popularity":57,"vote_count":58,"poster_path":59,"release_date":60,"vote_average":61,"backdrop_path":47,"original_title":62,"original_language":63},258500,"Chinese Ping-Pong","An experimental sports film made partly during the Scandinavian Open Championships in Halmstad in 1970, partly during the Chinese players' exhibition tour in Denmark immediately after the SOC. First of all, it is a film about their style, about the artistic culmination that is ping-pong at its best, it records China's comeback into the international sports world.",[11],0.1727,4,"\u002F5hNwbpkj24ByMfzHiO7A7hhRT4T.jpg","1972-03-22",6.5,"Kinesisk bordtennis","en",{"id":65,"adult":6,"title":66,"video":6,"overview":67,"softcore":6,"genre_ids":68,"popularity":72,"vote_count":8,"poster_path":73,"release_date":74,"vote_average":8,"backdrop_path":75,"original_title":66,"original_language":76},456796,"PLEH","An experimental journey through a year in the life of the director, using his always playing playlist to cross the boundaries of fiction and documentary. Through scenes of both comedy and tragedy, realistic documentary footage and experimental sequences of the director's environment and daily life we get a sometimes estranging image of a young man and also an intriguing insight in his mindset and how this translates to the imagery on screen.",[69,70,11,71],878,35,18,0.1426,"\u002FhSnLywSyX5KJ1lCHR65XgeOjlUu.jpg","2017-10-22","\u002FresQnCvm0PTJrqZctpPXJ8BG4nW.jpg","nl",{"id":78,"adult":6,"title":79,"video":6,"overview":80,"softcore":6,"genre_ids":81,"popularity":84,"vote_count":39,"poster_path":85,"release_date":86,"vote_average":87,"backdrop_path":88,"original_title":79,"original_language":63},824186,"welcome_home.exe","As technology accelerates, our species' collective imagination of the future grows ever more kaleidoscopic. We are all haunted by temporal distortion, perhaps no more than when we attempt to remember what the future looked like to our younger selves. As the mist of time devours our memories, the future recedes; each of us burdened by the gaping mouth of entropy. Yet, emerging technology provides a glimmer of hope; transhumanism promises a future free from mortality, disease and pain. Does our salvation lie in digital simulacra? We're here to sell you the answer to that question, for the low, low price of four hundred and seventy seconds.",[82,83,11],10402,16,0.0929,"\u002Fa5DE4owZPRePeBQVCygRzmwPtvM.jpg","2021-04-29",10,"\u002FzAWc2LOevgt6QO2wlB4eTWD8l45.jpg",{"id":90,"adult":6,"title":91,"video":6,"overview":92,"softcore":6,"genre_ids":93,"popularity":94,"vote_count":8,"poster_path":95,"release_date":96,"vote_average":8,"backdrop_path":97,"original_title":91,"original_language":63},824057,"A Night of Soap Water","The film is an observational telling of a watchman in an apartment complex in Guwahati, Assam, India. It blends documentary to explore his alienation and raise the question of empathy vis-a-vis his occupation: its existence beyond what may be referred to as a linear time or the time occupied by the privileged. His time is interpreted as existing in an another time characterised by the banal quality of his job. The film attempts to do away with any narrative control where the subject (the spectator) too exercises a reciprocal gaze on the filmer: by becoming an observer to his own filming, the film's own privileged gaze is confronted.",[11],0.1472,"\u002FiMDFiKjjJn6Rk7ZqGQVI7ssfWIE.jpg","2021-02-24","\u002FyeR7uQP7q3ywShn6gXcq6t0JHPH.jpg",{"id":99,"adult":6,"title":100,"video":6,"overview":101,"softcore":6,"genre_ids":102,"popularity":103,"vote_count":39,"poster_path":104,"release_date":105,"vote_average":87,"backdrop_path":106,"original_title":100,"original_language":63},644509,"Drug Porn","An experimental documentary about the spectacle of substance abuse on social media. More than 45 hours of footage, hundreds of pages of blog posts and interviews were distilled and remixed using glitch and cut-up techniques to insure anonymity, transcend the shock factor and unfold this complex, singular and stratified use of social media.",[11],0.1676,"\u002FgMTXZqqnchDPHaJx8Fqka0RJgM9.jpg","2019-05-30","\u002FddxoHgjafqcfWBRggcE2nvyQYFd.jpg",{"id":108,"adult":6,"title":109,"video":6,"overview":110,"softcore":6,"genre_ids":111,"popularity":112,"vote_count":39,"poster_path":113,"release_date":114,"vote_average":49,"backdrop_path":115,"original_title":116,"original_language":117},463201,"Morocco from Above","Yann Arthus-Bertrand flew over Morocco with his cameras and asked the journalist Ali Baddou to write and record the comment.",[11],0.1826,"\u002FctFjBv7JwJO1Gxj5Ltbpq84ewms.jpg","2017-06-21","\u002F4etBAKDovgOBwRJ5UYHUy9NeEKw.jpg","Le Maroc vu du ciel","fr",{"id":119,"adult":6,"title":120,"video":6,"overview":121,"softcore":6,"genre_ids":122,"popularity":123,"vote_count":8,"poster_path":124,"release_date":125,"vote_average":8,"backdrop_path":47,"original_title":120,"original_language":63},1390091,"Inside the art life of Ilyass Sefrioui","The film is set in Tangier, a city in northern Morocco known for its rich cultural heritage and vibrant artistic scene. It features Iliass, a young interdisciplinary artist who skillfully merges four distinct art forms—blurring the lines between tradition and modernity—to create a singular, innovative expression. Through Iliass's journey, the film explores the dynamic interplay of identity, creativity, and the transformative power of art, set against the backdrop of Tangier’s unique blend of Mediterranean and Moroccan influences.",[11],0.157,"\u002F60qxiLtUyqOOoAm0xSHNjLsNs1b.jpg","2022-01-09",{"id":127,"adult":6,"title":128,"video":6,"overview":129,"softcore":6,"genre_ids":130,"popularity":131,"vote_count":23,"poster_path":132,"release_date":133,"vote_average":134,"backdrop_path":135,"original_title":128,"original_language":117},262479,"Jeune femme à sa fenêtre lisant une lettre","Jean-Claude Rousseau's Jeune femme à sa fenêtre lisant une lettre is not only his first medium-length film, but a chance to discover this filmmaker whom Jean-Marie Straub has called, along with Frans Van de Staak and Peter Nestler, the greatest working in Europe. With this newly restored print there is also a possibility to discover the relationship between Rousseau's art of filming and Jan Vermeer's famous painting. As Prosper Hillairet wrote in 1988, four years after Rousseau had finished Jeune femme ... (for the first time as we know today): «Without adopting the usual systematic spirit and form of cinéma structurel, Rousseau presents us with simple images and leaves it at that. Keeps the image in hand. A minimalist and ascetic expression of cinema: a shot that lasts.»",[11],0.2,"\u002FinDO19H3xXBvdUurUvPWGnE5a6E.jpg","1983-01-01",5.5,"\u002FweosAtrLFFvCGA48aFW8xVEPh2B.jpg",{"id":137,"adult":6,"title":138,"video":6,"overview":36,"softcore":6,"genre_ids":139,"popularity":140,"vote_count":23,"poster_path":47,"release_date":141,"vote_average":142,"backdrop_path":47,"original_title":138,"original_language":143},445205,"Ich lebe in der Gegenwart - Versuch über Hans Richter",[11],0.2835,"1973-09-23",7,"de",{"id":145,"adult":6,"title":146,"video":6,"overview":147,"softcore":6,"genre_ids":148,"popularity":149,"vote_count":23,"poster_path":150,"release_date":151,"vote_average":152,"backdrop_path":47,"original_title":146,"original_language":63},639718,"SP","The biggest, most populated, and frantic city in South America. While Cariocas are like tropical birds, Paulistas are like frenetic ants. Distances are longer and they're always in a hurry. A busy journey through this beautiful Brazilian beast which cannot help but beating irregularly.",[11],0.2022,"\u002F42GAAuOmogKWqtwTGddwB93KmkL.jpg","2015-05-14",6.2,{"id":154,"adult":6,"title":155,"video":6,"overview":156,"softcore":6,"genre_ids":157,"popularity":158,"vote_count":159,"poster_path":160,"release_date":161,"vote_average":162,"backdrop_path":163,"original_title":155,"original_language":164},33318,"Men Boxing","Experimental film fragment made with the Edison-Dickson-Heise experimental horizontal-feed kinetograph camera and viewer, using 3\u002F4-inch wide film.",[11],0.5372,49,"\u002F8sL3P7se1ErNUH3JWs6VRZs2emn.jpg","1891-04-30",4.296,"\u002FnLu1gVAh19jnAmJvOyqx3ve6WcG.jpg","xx",{"id":166,"adult":6,"title":167,"video":6,"overview":168,"softcore":6,"genre_ids":169,"popularity":170,"vote_count":8,"poster_path":171,"release_date":172,"vote_average":8,"backdrop_path":173,"original_title":174,"original_language":175},274599,"Our Forbidden Places","During the oppressive reign of Moroccan King Hassan II in the 70s and 80s (Years of Lead), many dissidents went missing. After the throning of a new king, a truth commission was formed in the 2000's. Families of the missing speak.",[11],0.1399,"\u002Fh3UsPDW7DrjVW9C5C8WA15EqLd.jpg","2009-09-30","\u002FaHrz5YDnSkPnwwrZ4RwqSm4Dm4O.jpg","Nos lieux interdits","ar",{"id":177,"adult":6,"title":178,"video":6,"overview":179,"softcore":6,"genre_ids":180,"popularity":181,"vote_count":39,"poster_path":182,"release_date":183,"vote_average":49,"backdrop_path":47,"original_title":178,"original_language":63},453164,"Tree of Knowledge","It started with filming the tree. Something was released in that manner of filming seemingly farthest removed from the procedure of the early films. I first thought a simple ordering of this rich material might be enough, something related to BARN RUSHES [...] But the film only came into its form-life with the idea of linking this deep-rooted and far-outreaching tree material with that film on paranoia that had fascinated me for many years. –L. G.",[11],0.2265,"\u002FcUg6CWBqFHwPeJ4PDLEDkRuFo0H.jpg","1981-01-01",{"id":185,"adult":6,"title":186,"video":6,"overview":187,"softcore":6,"genre_ids":188,"popularity":189,"vote_count":39,"poster_path":190,"release_date":191,"vote_average":192,"backdrop_path":47,"original_title":186,"original_language":63},453166,"Machete Gillette... Mama","\"With characteristic wit and rigor, experimental filmmaker Larry Gottheim here applies his impressionistic editing style to footage collected during his travels in the Dominican Republic. Gottheim’s formal emphasis on repetition and fissures between sound and image resonates here as a mode of sociological reflection (with the fragmentary montage mirroring elements of ritual while also destabilizing the ethnographic gaze). A largely overlooked antecedent to the contemporary blending of avant-garde and ethnographic filmmaking, MACHETTE GILLETTE… MAMA still poses a potent challenge to documentary convention.\" - Max Goldberg",[11],0.1367,"\u002FlGxDUwlsmTywbnTXWmTbE0PlEoc.jpg","1989-01-01",6,{"id":194,"adult":6,"title":195,"video":6,"overview":196,"softcore":6,"genre_ids":197,"popularity":198,"vote_count":192,"poster_path":199,"release_date":200,"vote_average":201,"backdrop_path":47,"original_title":195,"original_language":63},278859,"Thot-Fal'N","This film describes a psychological state \"kin to moonstruck, its images emblems (not quite symbols) of suspension-of-self within consciousness and then that feeling of falling away from conscious thought. The film can only be said to describe or be emblematic of this state because I cannot imagine symbolizing or otherwise representing an equivalent of thoughtlessness itself. Thus the actors in the film, Jane Brakhage, Tom and Gloria Bartek, Williams Burroughs, Allen Ginsberg, Peter Olovsky and Phillip Whalen are figments of this 'Thought-Fallen Process', as are their images in the film to find themselves being photographed.\"",[11],0.2411,"\u002Fn9LX4cPOx67Sn1n1y3WGzgpR1V6.jpg","1978-06-27",5.667,{"id":203,"adult":6,"title":204,"video":6,"overview":36,"softcore":6,"genre_ids":205,"popularity":206,"vote_count":39,"poster_path":207,"release_date":208,"vote_average":142,"backdrop_path":47,"original_title":209,"original_language":210},453012,"The Moroccan Labyrinth",[11],0.4693,"\u002F1TC3bZSH97qn27RnSLDlYYmk02I.jpg","2007-11-15","El laberinto marroquí","es",{"id":212,"adult":6,"title":213,"video":6,"overview":214,"softcore":6,"genre_ids":215,"popularity":216,"vote_count":217,"poster_path":218,"release_date":219,"vote_average":220,"backdrop_path":47,"original_title":213,"original_language":63},261093,"Let Us Persevere in What We Have Resolved Before We Forget","On the island of Tanna, a part of Vanuatu, an archipelago in Melanesia, strange rites are enacted and time passes slowly while the inhabitants await the return of the mysterious John.",[11],0.1222,9,"\u002FbaLht1AlAHBvFLCiJARzmochCTz.jpg","2013-07-04",7.3,{"id":222,"adult":6,"title":223,"video":6,"overview":224,"softcore":6,"genre_ids":225,"popularity":226,"vote_count":8,"poster_path":47,"release_date":227,"vote_average":8,"backdrop_path":47,"original_title":223,"original_language":63},436798,"Roman Chariot","A vehicle of consciousness navigates the vertiginous labyrinths of San Francisco. ROMAN CHARIOT was filmed over several months with a spy camera mounted on filmmaker David Sherman's son's baby carriage.",[11],0.1945,"2004-01-01",{"id":229,"adult":6,"title":230,"video":6,"overview":231,"softcore":6,"genre_ids":232,"popularity":233,"vote_count":234,"poster_path":235,"release_date":236,"vote_average":237,"backdrop_path":238,"original_title":239,"original_language":240},12456,"The Five Obstructions","In 1967, experimental filmmaker Jorgen Leth created a striking short film, The Perfect Human, starring a man and women sitting in a box while a narrator poses questions about their relationship and humanity. Years later, Danish director Lars von Trier made a deal with Leth to remake his film five times, each under a different set of circumstances and with von Trier's strictly prescribed rules. As Leth completes each challenge, von Trier creates increasingly further elaborate stipulations.",[11],0.648,179,"\u002FxMcCmIdos88yd44xqCXj4NUWph3.jpg","2003-11-07",6.95,"\u002FcP31o6Ta11t4PFo7PYvtCOTJJhs.jpg","De fem benspænd","da",11503,230055,"http:\u002F\u002Fwww.loispatino.com\u002FPaisaje-Distancia","We approach to invisible details for our eyes, figures disappearing as we move away from them, diluted in space. Parts that are integrated into the whole landscape. The remoteness as disappearance. The human figure betrays us here negligible small in the vastness of the territory, the voracity of the active vacuum that surrounds him. Images captured in the Atlas region in Morocco.",0.0893,"2011-01-01",[248],"ES","Paisaje-Distancia: Pescaderos en el mismo mar",{"results":251},{},[253],{"name":254,"iso_639_1":164,"english_name":254},"No Language",[],[257],{"name":258,"iso_3166_1":259},"Morocco","MA",45,"A documentary story that tends to land well.",[]]