[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-440326-en-US":3},{"detail":4,"match":400,"insight":401,"providers":402,"providerLink":6,"trailer":6},{"adult":5,"backdrop_path":6,"belongs_to_collection":6,"budget":7,"genres":8,"homepage":12,"id":13,"imdb_id":14,"origin_country":15,"original_language":17,"original_title":18,"overview":19,"popularity":20,"poster_path":21,"production_companies":22,"production_countries":43,"release_date":46,"revenue":7,"runtime":47,"softcore":5,"spoken_languages":48,"status":52,"tagline":12,"title":53,"video":5,"vote_average":7,"vote_count":7,"credits":54,"similar":201,"watch\u002Fproviders":396,"videos":398},false,null,0,[9],{"id":10,"name":11},99,"Documentary","",440326,"tt21854726",[16],"BR","pt","São Paulo, Cinemacidade","Mixing new images to existing São Paulo movies takes, the documentary presents the city from the perspective of five main attributes: transformation, anonymity, crowd, precariousness and dimension.",0.8356,"\u002FwOBSGQykjXb3l3E92QM4BmiQotg.jpg",[23,26,29,32,35,39],{"id":24,"logo_path":6,"name":25,"origin_country":16},131616,"Tetra",{"id":27,"logo_path":6,"name":28,"origin_country":16},131617,"FAPESP",{"id":30,"logo_path":6,"name":31,"origin_country":16},131618,"Cinemateca Brasileira",{"id":33,"logo_path":6,"name":34,"origin_country":16},20272,"Escola de Comunicações e Artes, Universidade de São Paulo",{"id":36,"logo_path":37,"name":38,"origin_country":16},40994,"\u002Fkyl2LrS9dGnBcJRLx6ST2Qsaxan.png","RioFilme",{"id":40,"logo_path":41,"name":42,"origin_country":16},47546,"\u002FjkX3Ot0iTxyp53hYXkrQsovcUgv.png","Secretaria Municipal de Cultura de São Paulo",[44],{"iso_3166_1":16,"name":45},"Brazil","1994-06-06",30,[49],{"english_name":50,"iso_639_1":17,"name":51},"Portuguese","Português","Released","São Paulo, Cinemacity",{"cast":55,"crew":56},[],[57,66,71,76,83,89,97,105,108,113,115,117,119,121,126,132,137,142,147,150,157,164,170,174,176,178,185,189,195],{"adult":5,"gender":58,"id":59,"known_for_department":60,"name":61,"original_name":61,"popularity":62,"profile_path":63,"credit_id":64,"department":60,"job":65},2,1147676,"Directing","Aloysio Raulino",0.2468,"\u002FlLcRZQAYDkdaWGrMgfRePmU0C0f.jpg","589a31529251413abb000c0e","Director",{"adult":5,"gender":7,"id":67,"known_for_department":60,"name":68,"original_name":68,"popularity":69,"profile_path":6,"credit_id":70,"department":60,"job":65},1753046,"Regina Meyer",0.2679,"589a315cc3a3683a2e000bc2",{"adult":5,"gender":7,"id":72,"known_for_department":60,"name":73,"original_name":73,"popularity":74,"profile_path":6,"credit_id":75,"department":60,"job":65},1753047,"Marta Dora Grostein",0.137,"589a3166c3a3683a34000b33",{"adult":5,"gender":7,"id":77,"known_for_department":78,"name":79,"original_name":79,"popularity":80,"profile_path":6,"credit_id":81,"department":78,"job":82},2194609,"Editing","Maria Dora Mourão",0.1118,"5e87ed28b84f940016c92aef","Editor",{"adult":5,"gender":58,"id":84,"known_for_department":85,"name":86,"original_name":86,"popularity":87,"profile_path":6,"credit_id":88,"department":85,"job":85},1697363,"Sound","Eduardo Santos Mendes",0.6948,"5e87ed6024f2ce00116609bd",{"adult":5,"gender":58,"id":90,"known_for_department":60,"name":91,"original_name":91,"popularity":92,"profile_path":93,"credit_id":94,"department":95,"job":96},1924480,"Joel Yamaji",0.5877,"\u002FuAMs9Qxskmd1ARnNg6tx9GDL370.jpg","5e87ed986dc6c0001380f583","Production","Production Manager",{"adult":5,"gender":58,"id":98,"known_for_department":99,"name":100,"original_name":100,"popularity":101,"profile_path":102,"credit_id":103,"department":95,"job":104},1028405,"Acting","Jean-Claude Bernardet",0.3892,"\u002FnqJiiSAG97HcawMyLW4RAHJagVQ.jpg","5e87edc3d55c3d001a509393","Executive Producer",{"adult":5,"gender":58,"id":59,"known_for_department":60,"name":61,"original_name":61,"popularity":62,"profile_path":63,"credit_id":106,"department":95,"job":107},"5e87ee3e55c1f400188392cd","Researcher",{"adult":5,"gender":7,"id":109,"known_for_department":95,"name":110,"original_name":110,"popularity":111,"profile_path":6,"credit_id":112,"department":95,"job":107},2588772,"Eduardo Toledo",0.1339,"5e87ee5e24f2ce001665f82f",{"adult":5,"gender":58,"id":90,"known_for_department":60,"name":91,"original_name":91,"popularity":92,"profile_path":93,"credit_id":114,"department":95,"job":107},"5e87ee7e24f2ce001665f897",{"adult":5,"gender":7,"id":77,"known_for_department":78,"name":79,"original_name":79,"popularity":80,"profile_path":6,"credit_id":116,"department":95,"job":107},"5e87ee91d55c3d001a509558",{"adult":5,"gender":7,"id":72,"known_for_department":60,"name":73,"original_name":73,"popularity":74,"profile_path":6,"credit_id":118,"department":95,"job":107},"5e87eed1d55c3d0017509b99",{"adult":5,"gender":7,"id":67,"known_for_department":60,"name":68,"original_name":68,"popularity":69,"profile_path":6,"credit_id":120,"department":95,"job":107},"5e87eeed6dc6c0001580f062",{"adult":5,"gender":7,"id":122,"known_for_department":95,"name":123,"original_name":123,"popularity":124,"profile_path":6,"credit_id":125,"department":95,"job":107},2588776,"Rubens Machado",0.0894,"5e87ef1a6dc6c0001580f0c1",{"adult":5,"gender":127,"id":128,"known_for_department":60,"name":129,"original_name":129,"popularity":130,"profile_path":6,"credit_id":131,"department":95,"job":107},1,1786026,"Andréa Seligmann",0.0951,"5e87ef5a24f2ce001365f81f",{"adult":5,"gender":7,"id":133,"known_for_department":95,"name":134,"original_name":134,"popularity":135,"profile_path":6,"credit_id":136,"department":95,"job":107},2588778,"Farid José Tavares",0.1027,"5e87ef74d55c3d0015509983",{"adult":5,"gender":7,"id":138,"known_for_department":95,"name":139,"original_name":139,"popularity":140,"profile_path":6,"credit_id":141,"department":95,"job":107},2588779,"Francisco José Mosquera",0.1272,"5e87efa86dc6c0001580f28c",{"adult":5,"gender":7,"id":143,"known_for_department":95,"name":144,"original_name":144,"popularity":145,"profile_path":6,"credit_id":146,"department":95,"job":107},2588780,"Vitor Angelo Scippe",0.1302,"5e87efd855c1f40014838803",{"adult":5,"gender":58,"id":98,"known_for_department":99,"name":100,"original_name":100,"popularity":101,"profile_path":102,"credit_id":148,"department":95,"job":149},"5e87f019b84f940018c93184","Production Coordinator",{"adult":5,"gender":7,"id":151,"known_for_department":152,"name":153,"original_name":153,"popularity":154,"profile_path":6,"credit_id":155,"department":95,"job":156},1537502,"Writing","Tadeu Knudsen",0.2381,"5e87f04bd207f3001495d42d","Production Assistant",{"adult":5,"gender":58,"id":158,"known_for_department":85,"name":159,"original_name":159,"popularity":160,"profile_path":161,"credit_id":162,"department":85,"job":163},1189016,"José Luiz Sasso",0.6973,"\u002F2VoRMeOnrSDXEZ3yTZgtEhruXmE.jpg","5e87f0d3d55c3d001750a161","Sound Mixer",{"adult":5,"gender":7,"id":165,"known_for_department":60,"name":166,"original_name":166,"popularity":167,"profile_path":6,"credit_id":168,"department":60,"job":169},2588783,"Andrea Scansani",0.0714,"5e87f0fe24f2ce001665fb4d","Assistant Director",{"adult":5,"gender":7,"id":165,"known_for_department":60,"name":166,"original_name":166,"popularity":167,"profile_path":6,"credit_id":171,"department":172,"job":173},"5e87f111d55c3d001750a1f6","Camera","Assistant Camera",{"adult":5,"gender":127,"id":128,"known_for_department":60,"name":129,"original_name":129,"popularity":130,"profile_path":6,"credit_id":175,"department":60,"job":169},"5e87f133d207f3001695d3f7",{"adult":5,"gender":127,"id":128,"known_for_department":60,"name":129,"original_name":129,"popularity":130,"profile_path":6,"credit_id":177,"department":172,"job":173},"5e87f14655c1f400188397d9",{"adult":5,"gender":7,"id":179,"known_for_department":180,"name":181,"original_name":181,"popularity":182,"profile_path":6,"credit_id":183,"department":180,"job":184},2588784,"Lighting","Emanoel Barreto",0.0976,"5e87f16b6dc6c0001580f7d9","Electrician",{"adult":5,"gender":7,"id":179,"known_for_department":180,"name":181,"original_name":181,"popularity":182,"profile_path":6,"credit_id":186,"department":187,"job":188},"5e87f17855c1f40018839824","Crew","Machinist",{"adult":5,"gender":7,"id":190,"known_for_department":85,"name":191,"original_name":191,"popularity":192,"profile_path":6,"credit_id":193,"department":85,"job":194},2588788,"Rubens M. de Toledo",0.1039,"5e87f1e355c1f40014838f75","Sound Assistant",{"adult":5,"gender":58,"id":196,"known_for_department":85,"name":197,"original_name":197,"popularity":198,"profile_path":199,"credit_id":200,"department":85,"job":194},1085277,"Luiz Adelmo Manzano",0.2803,"\u002FcLAdPeajIHuYb50OowJAur4pdzu.jpg","5e87f8fcb84f940014c93eaa",{"page":127,"results":202,"total_pages":394,"total_results":395},[203,213,224,234,245,254,263,272,285,293,303,312,320,330,339,349,359,369,378,385],{"adult":5,"backdrop_path":6,"genre_ids":204,"id":205,"title":206,"original_language":207,"original_title":208,"overview":209,"popularity":210,"poster_path":6,"release_date":211,"softcore":5,"video":5,"vote_average":212,"vote_count":58},[10],440152,"Thank You, Mr. Robertson","fr","Merci Monsieur Robertson","A glimpse of the pre-history of cinema starting with the projections of Etienne Gaspard Robert (also known as M. Robertson), who used magic lanterns and other optical illusions to develop the genre of the Gothic phantasmagoria in the late eighteenth century.",0.6837,"1985-01-01",7.5,{"adult":5,"backdrop_path":214,"genre_ids":215,"id":216,"title":217,"original_language":218,"original_title":219,"overview":220,"popularity":221,"poster_path":222,"release_date":223,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002Fw7BLyOnxUht8O97Ce8OisP6CF12.jpg",[10],806407,"Red Chairs - Parma and the Cinema","it","Poltrone Rosse - Parma e il cinema","The relations between Parma and cinema were so strong for almost the whole of the twentieth century that this city became an early laboratory of ideas and theories on cinema and a set chosen by some of the greatest Italian authors and beyond. Furthermore, a considerable number of directors, actors, screenwriters and set designers were born in Parma who have made their way internationally, testifying to the fact that in this small city in Northern Italy there was a decidedly cinematic air. Red armchairs takes up the thread of this story, wondering why, unique among the Italian provincial cities, Parma has given so much to the cinema, accompanying the viewer on a journey backwards that from the first projections of the Lumière cinema reaches the ultramodern experience of new multiplexes. During this journey we will meet the characters who created the conditions for this diffusion of cinematographic culture in Parma.",0.3575,"\u002FhT6gKcpv3nHSBkIqaQWivBqGVM0.jpg","2014-07-24",{"adult":5,"backdrop_path":6,"genre_ids":225,"id":226,"title":227,"original_language":228,"original_title":229,"overview":230,"popularity":231,"poster_path":232,"release_date":233,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],444429,"Islands of Forgotten Cinemas","hr","Kino otok","A poetic documentary about the lost film culture in the small villages on the Croatian islands during the SFR of Yugoslavia.",1.1412,"\u002F3mvUmzBkFe48kV2G5U5nx4XYB1c.jpg","2016-03-03",{"adult":5,"backdrop_path":6,"genre_ids":235,"id":236,"title":237,"original_language":238,"original_title":237,"overview":239,"popularity":240,"poster_path":241,"release_date":242,"softcore":5,"video":5,"vote_average":243,"vote_count":244},[10],275192,"You Must Remember This: The Warner Bros. Story","en","Jack L. Warner, Harry Warner, Albert Warner and Sam Warner were siblings who were born in Poland and emigrated to Canada near the turn of the century. In 1903, the brothers entered the budding motion picture business. In time, the Warner Brothers moved into film production and would open their own studio in 1923.",0.83,"\u002F8Z0JXktZLw3bb0HDpsbQdZ4YQ1d.jpg","2008-05-15",8.5,12,{"adult":5,"backdrop_path":6,"genre_ids":246,"id":247,"title":248,"original_language":207,"original_title":249,"overview":250,"popularity":251,"poster_path":252,"release_date":253,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],455164,"Ouaga, the Capital of Cinema","Ouaga, Capitale du cinéma","Between 1983 and 1987, Ouagadougou, the capital of Burkina Faso and the home city of FESPACO, one of the most important Pan-African film festivals in the world, was the scene of an exciting cinema utopia. With the support of the young president Thomas Sankara, the festival became a symbol of the cultural renaissance of a whole continent. The assassination of Sankara stifled the hopes of millions of young Africans, but the dynamism of FESPACO and African cinema did not stop.",0.2037,"\u002FqaeO9DPthrJXqJYXyNrGpjYbDj5.jpg","2000-04-29",{"adult":5,"backdrop_path":6,"genre_ids":255,"id":256,"title":257,"original_language":238,"original_title":257,"overview":258,"popularity":259,"poster_path":6,"release_date":260,"softcore":5,"video":5,"vote_average":261,"vote_count":262},[10],275087,"Tin Tan","Germán Cipriano Gómez Valdés Castillo, a young radio announcer from Cuidad Juárez, succeeds in drawing attention to the pachuco movement through his character Tin Tan, laying the groundwork for a new form of binational and mass linguistic expression: Spanglish. He soon became a leading figure in theater and film on the American Continent. Singled out by critics as a destroyer of the language, he quickly won the approval of the public. His ability to improvise revolutionized the film industry. His talent as an actor, singer, dancer and comedian contributed to the Golden Age of Mexican Cinema. From El Hijo Desobediente to Capitán Mantarraya, from Cuidad Juárez to Havana, from mambo to rock, the legacy of Tin Tan makes him one of the great icons of Mexico today. This film tells his story as it has never been told before.",0.2202,"2010-11-12",7.2,4,{"adult":5,"backdrop_path":6,"genre_ids":264,"id":265,"title":266,"original_language":238,"original_title":266,"overview":267,"popularity":268,"poster_path":269,"release_date":270,"softcore":5,"video":5,"vote_average":271,"vote_count":262},[10],439416,"In the Shadow of Hollywood: Race Movies and the Birth of Black Cinema","This documentary captures the sounds and images of a nearly forgotten era in film history when African American filmmakers and studios created “race movies” exclusively for black audiences. The best of these films attempted to counter the demeaning stereotypes of black Americans prevalent in the popular culture of the day. About 500 films were produced, yet only about 100 still exist. Filmmaking pioneers like Oscar Micheaux, the Noble brothers, and Spencer Williams, Jr. left a lasting influence on black filmmakers, and inspired generations of audiences who finally saw their own lives reflected on the silver screen.",0.199,"\u002F6kMsQZqhnLEJscqvqbDBHXOpDLu.jpg","2007-09-15",6.5,{"adult":5,"backdrop_path":273,"genre_ids":274,"id":276,"title":277,"original_language":278,"original_title":277,"overview":279,"popularity":280,"poster_path":281,"release_date":282,"softcore":5,"video":5,"vote_average":283,"vote_count":284},"\u002FaL8RqNC2W1q94H88eu9wUWffH4I.jpg",[10,275],10770,453543,"Sexo en el plató","es","How are the sex scenes filmed? What tricks are used to fake the desire? How do the interpreters prepare and feel? Spanish actors and directors talk about the most intimate side of acting, about the tricks and work methods when narrating exposed sex. In Spain the general rule is that there are no rules. Each film, each interpreter, faces it in very different ways.",0.7907,"\u002FdURlMF67OhGpWjWSL0h6Pi72xZU.jpg","2007-04-09",5.778,18,{"adult":5,"backdrop_path":6,"genre_ids":286,"id":287,"title":288,"original_language":238,"original_title":288,"overview":289,"popularity":290,"poster_path":6,"release_date":291,"softcore":5,"video":5,"vote_average":292,"vote_count":127},[10],273727,"Street Dogs of South Central","Narrated by Queen Latifah, this documentary follows Elsie, a black Labrador mix, and her struggled to raise her puppies on the streets of Los Angeles.",0.1347,"2013-10-01",9,{"adult":5,"backdrop_path":294,"genre_ids":295,"id":296,"title":297,"original_language":207,"original_title":298,"overview":299,"popularity":300,"poster_path":301,"release_date":302,"softcore":5,"video":5,"vote_average":292,"vote_count":58},"\u002F9BDQCuwECuw3g1qdc3LUfCwUA9V.jpg",[10],820783,"Covidwood","Covidwood, l'année où Hollywood s'arrêta","A French documentary on how Covid-19 affected Hollywood and the cinema industry in the United States.",1.0404,"\u002FjnT6kRERbfCo57PGZrICTYKLXqU.jpg","2021-04-20",{"adult":5,"backdrop_path":6,"genre_ids":304,"id":305,"title":306,"original_language":17,"original_title":306,"overview":307,"popularity":308,"poster_path":309,"release_date":310,"softcore":5,"video":5,"vote_average":311,"vote_count":127},[10],453936,"Cine São Paulo","Chico has dedicated his whole life to CINE SAO PAULO. The building, inherited from his father, is now badly deteriorated. Refurbish it, in order to make the old movie theater get back to work, becomes his great obsession.",0.9309,"\u002F4patDt14TZLeDwixKHEHO6ID9iQ.jpg","2017-04-22",5,{"adult":5,"backdrop_path":6,"genre_ids":313,"id":314,"title":315,"original_language":17,"original_title":315,"overview":316,"popularity":317,"poster_path":318,"release_date":319,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],823128,"O Cinegrafista de Rondon","Record of the life and work of Luiz Thomaz Reis, a cameraman who accompanied Rondon's expeditions through the interior of Brazil since 1915. He documented, in photographs, the revolutionary movements of the 1920s, especially that of Catanduva. In the montage, iconographic material, old films and filming made at the National Museum of Cinema were used, where some of his cameras are located.",3.0493,"\u002F4qPS49GXi7opOtUqaeQh2vgThqE.jpg","1979-01-01",{"adult":5,"backdrop_path":321,"genre_ids":322,"id":324,"title":325,"original_language":238,"original_title":325,"overview":326,"popularity":327,"poster_path":328,"release_date":329,"softcore":5,"video":5,"vote_average":271,"vote_count":262},"\u002FfkPCFa51FGWz0HZs9ASwh5k2hlB.jpg",[10,323,275],36,447771,"Barbara Stanwyck: Fire and Desire","Actress Sally Field looks at the dramatic life and successful career of the superb actress Barbara Stanwyck (1907-90), a Hollywood legend.",1.133,"\u002F7s9pyT7stMsRjlS21s1ElVdCtM4.jpg","1991-07-15",{"adult":5,"backdrop_path":331,"genre_ids":332,"id":333,"title":334,"original_language":238,"original_title":334,"overview":335,"popularity":336,"poster_path":337,"release_date":338,"softcore":5,"video":5,"vote_average":271,"vote_count":58},"\u002FshpUNz55MXbs3fxM4CDfNlRwryO.jpg",[10,275],451926,"Peter Lorre: The Master of Menace","Documentary overview of Peter Lorre's ascension to fame as a master purveyor of silky but disquieting peril.",0.3576,"\u002F6hQ09Yaxro8Ht3I0F7gwMrDqVbT.jpg","1996-11-01",{"adult":5,"backdrop_path":340,"genre_ids":341,"id":342,"title":343,"original_language":278,"original_title":344,"overview":345,"popularity":346,"poster_path":347,"release_date":348,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002FvFX9end5vE0ZWafT8oXXK6jvBJZ.jpg",[10],1380805,"Skate Territory","Territorio Skate","After a long and successful career as a skater, Veronica has stepped away from competing, but continues her legacy by organizing skateboarding workshops to teach young girls from indigenous communities to skate, and to push them to fight back for the public spaces that have been occupied by men and to practice a sport that also belongs to women.",0.7204,"\u002FkSJPGlNoRF1UGezJlG9EGfC7nD8.jpg","2024-10-23",{"adult":5,"backdrop_path":6,"genre_ids":350,"id":351,"title":352,"original_language":278,"original_title":353,"overview":354,"popularity":355,"poster_path":356,"release_date":357,"softcore":5,"video":5,"vote_average":358,"vote_count":127},[10],446687,"Andrés Caicedo: A Few Good Friends","Andrés Caicedo: Unos pocos buenos amigos","Using the unfinished film, ANGELITA Y MIGUEL ÁNGEL, by Andrés Caicedo and Carlos Mayolo, as a structuring device, friends of prolific film critic and writer Andrés Caicedo, an unforgettable figure of the group of Cali in the 1970s who left an incredible amount of texts, reflect upon his life, his work, and his suicide at the age of 25, testify to his influence in the cultural life of Colombia, and remember his strong and touching personality.",1.0298,"\u002Fmsj3PU9q2BW0OuakbffqfqfAZVc.jpg","1986-01-01",7,{"adult":5,"backdrop_path":6,"genre_ids":360,"id":361,"title":362,"original_language":363,"original_title":364,"overview":365,"popularity":366,"poster_path":367,"release_date":368,"softcore":5,"video":5,"vote_average":358,"vote_count":127},[10,275],808618,"Grisha","et","Griša","An up-close look into the life of the often misunderstood movie director Grigori Kromanov through the lens of old friends and colleagues.",1.5329,"\u002F312PGDpge5SEYLs3wsyafI7hju.jpg","1996-11-08",{"adult":5,"backdrop_path":6,"genre_ids":370,"id":371,"title":372,"original_language":373,"original_title":374,"overview":375,"popularity":376,"poster_path":6,"release_date":377,"softcore":5,"video":5,"vote_average":261,"vote_count":262},[10],5124,"Comrades in Dreams","de","Leinwandfieber","Four lives that could not be more different and a single passion that unites them: the unconditional love for their cinemas, somewhere at the end of the world. Comrades in Dreams brings together six cinema makers from North Korea, America, India and Africa and follows their efforts to make their audiences dream every night.",1.6757,"2006-10-15",{"adult":5,"backdrop_path":6,"genre_ids":379,"id":380,"title":381,"original_language":238,"original_title":381,"overview":382,"popularity":383,"poster_path":6,"release_date":384,"softcore":5,"video":5,"vote_average":311,"vote_count":127},[10],263446,"Made in Hollywood","A breathtaking investigation into blockbusters, a film genre that enjoys worldwide success yet keeps its secret weapon well hidden backstage in Hollywood.  The blockbuster appeals to a very wide audience, from 7 to 77 years and from Paris to Beijing. These films, which have boosted the film industry, started out with \"Jaws\" and \"Star Wars\" and are still prospering with Avatar or Alice in Wonderland. To succeed, the films must meet a few precise criteria, one of them being their cost - at 100 million dollars minimum. But in Hollywood, the films' ingredients are a well-kept secret; perhaps for fear of discovering that the studios' house rules are not as rosy as in certain fruitful happy endings? The pressure and the stakes are colossal.  This fascinating documentary reviews the numerous professions affiliated with the blockbuster, via interviews with producers of the major studios (Walt Disney Studio, 20th Century Fox...)...",0.4954,"2011-05-12",{"adult":5,"backdrop_path":6,"genre_ids":386,"id":387,"title":388,"original_language":389,"original_title":388,"overview":390,"popularity":391,"poster_path":392,"release_date":393,"softcore":5,"video":5,"vote_average":358,"vote_count":127},[10],623746,"Janssen & Janssens draaien een film","nl","A documentary celebrating 25 years of flemish subsidised cinema.",0.1724,"\u002FAnKJhkv0hXOH9nRm7q0lP6zrUFN.jpg","1990-11-01",11647,232935,{"results":397},{},{"results":399},[],45,"A documentary story that tends to land well.",[]]