[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-442792-en-US":3},{"detail":4,"match":229,"insight":230,"providers":231,"providerLink":28,"trailer":28},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":28,"revenue":8,"runtime":29,"similar":30,"tagline":61,"homepage":215,"overview":216,"softcore":6,"popularity":217,"vote_count":8,"poster_path":218,"release_date":219,"vote_average":8,"backdrop_path":28,"origin_country":220,"original_title":7,"watch\u002Fproviders":222,"spoken_languages":224,"original_language":40,"production_companies":225,"production_countries":226,"belongs_to_collection":28},442792,false,"Irradiant Field",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":18},[],[19],{"id":20,"job":21,"name":22,"adult":6,"gender":23,"credit_id":24,"department":25,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":25},1490737,"Director","Laura Kraning",1,"58aaef0d92514141c6003630","Directing",0.2041,"\u002Ffe6Sxb19e7u2epztaasmskhFibk.jpg",null,10,{"page":23,"results":31,"total_pages":213,"total_results":214},[32,41,49,58,66,79,88,99,111,121,128,136,144,152,159,166,175,184,191,202],{"id":33,"adult":6,"title":34,"video":6,"overview":35,"softcore":6,"genre_ids":36,"popularity":37,"vote_count":8,"poster_path":38,"release_date":39,"vote_average":8,"backdrop_path":28,"original_title":34,"original_language":40},449311,"Joseph Cornell: Worlds in a Box","This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made those magnificent and strange collage boxes. He was also one of our great experimental filmmakers and once apparently made Salvador Dali extremely jealous at a screening of his masterpiece, Rose Hobart.  In this film we get to hear people like Susan Sontag, Stan Brakhage, and Tony Curtis talk about their friendships with the artist. It turns out that Curtis was quite a collector and he seemed to have a very deep understanding of what Cornell was doing in his work.",[11],0.1967,"\u002FawqxrLsNATJPBEm4lzlOhUZvl91.jpg","1991-11-29","en",{"id":42,"adult":6,"title":43,"video":6,"overview":44,"softcore":6,"genre_ids":45,"popularity":46,"vote_count":23,"poster_path":47,"release_date":48,"vote_average":29,"backdrop_path":28,"original_title":43,"original_language":40},472580,"The Great Ice-Cream Robbery","Two screens of film about - and sometimes shot by - Claes Oldenburg, detailing his inspiration, his methods and his relationship with his partner Hannah Wilke.",[11],0.5884,"\u002F5ttUKmGD69QWhNOJHxUREQ2G8Z3.jpg","1971-08-25",{"id":50,"adult":6,"title":51,"video":6,"overview":52,"softcore":6,"genre_ids":53,"popularity":54,"vote_count":23,"poster_path":55,"release_date":56,"vote_average":57,"backdrop_path":28,"original_title":51,"original_language":40},472581,"Chance, History, Art...","Anne Bean, John McKeon, Stuart Brisley, Rita Donagh, Jamie Reid and Jimmy Boyle are interviewed about their artistic practice and the legacy of Surrealism on their work.",[11],0.3024,"\u002FdiABI1nsqxmqTZsN3YjnsFXoMmk.jpg","1980-08-25",9,{"id":59,"adult":6,"title":60,"video":6,"overview":61,"softcore":6,"genre_ids":62,"popularity":63,"vote_count":23,"poster_path":28,"release_date":64,"vote_average":29,"backdrop_path":28,"original_title":60,"original_language":65},473740,"El desastre de Annual","",[11],0.2471,"1970-01-01","es",{"id":67,"adult":6,"title":68,"video":6,"overview":69,"softcore":6,"genre_ids":70,"popularity":71,"vote_count":72,"poster_path":73,"release_date":74,"vote_average":75,"backdrop_path":76,"original_title":77,"original_language":78},303533,"Home Movie: On the Set of Philippe Garrel's 'Le lit de la vierge'","An experimental and poetic portrait of a woman.",[11],0.3544,7,"\u002FldPo0LcpGRmuWsMBJAU9ZpNh64V.jpg","1968-12-31",8.1,"\u002FwzJyU6pm7wOuW4k0jfEURg1Fabg.jpg","Home Movie, autour du 'Lit de la vierge'","fr",{"id":80,"adult":6,"title":81,"video":6,"overview":82,"softcore":6,"genre_ids":83,"popularity":84,"vote_count":8,"poster_path":28,"release_date":85,"vote_average":8,"backdrop_path":28,"original_title":86,"original_language":87},303754,"One Half of Wealth for One Half of Beauty","Anything that complies with standards is a wasted effort to Vlado Kristl: 'I believe in only doing those things that decompose and tear conventional systems apart.' Kristl's métier are borderlines. His paintings and animated films are interspersed with clear dividing lines, only for him to blur and mess them up. His graphics are scribbled over and over again until the whole surface becomes black. His oil paintings, unless someone buys them in time, are painted over and over again. He destroys any form that begins to grow. -Thomas Brandlmeier",[11],0.1788,"1994-01-01","Die hälfte des reichtums für die hälfte der schönheit","de",{"id":89,"adult":6,"title":90,"video":6,"overview":91,"softcore":6,"genre_ids":92,"popularity":93,"vote_count":94,"poster_path":95,"release_date":96,"vote_average":97,"backdrop_path":98,"original_title":90,"original_language":40},44503,"Blow Job","Andy Warhol directs a single 35-minute shot of a man's face to capture his facial expressions as he receives the sexual act depicted in the title.",[11],0.4503,55,"\u002FrbtmS87QC7vKr4kpIYV3R8rWuBa.jpg","1964-07-16",4.318,"\u002FprIJsrX5PE3UqsqjamA2kbypRLE.jpg",{"id":100,"adult":6,"title":101,"video":6,"overview":102,"softcore":6,"genre_ids":103,"popularity":105,"vote_count":106,"poster_path":107,"release_date":108,"vote_average":109,"backdrop_path":110,"original_title":101,"original_language":40},482967,"Cinnamon","An experimental film that lifts the veil on the world of African American drag racing.",[104,11],18,0.9865,4,"\u002F2zxoFckuAQstmw7PAhRRaciGAKA.jpg","2006-01-20",5.75,"\u002Fu8ysljnX0dwFVwV2ZqmEi33DZws.jpg",{"id":112,"adult":6,"title":113,"video":6,"overview":114,"softcore":6,"genre_ids":115,"popularity":117,"vote_count":8,"poster_path":118,"release_date":119,"vote_average":8,"backdrop_path":120,"original_title":113,"original_language":40},666794,"Earth Had Issues Loading...","A meditation on the relationship between humans, nature, and technology.",[11,116],16,0.4066,"\u002FdKqNtpHXMnignUXFf4Mc5EkPa1m.jpg","2020-05-01","\u002FjyJXbsTsxNVjwxcQQzjkkwifx3H.jpg",{"id":122,"adult":6,"title":123,"video":6,"overview":124,"softcore":6,"genre_ids":125,"popularity":126,"vote_count":8,"poster_path":28,"release_date":127,"vote_average":8,"backdrop_path":28,"original_title":123,"original_language":40},487107,"Celestial Candy","Fixed and symmetrical shots make up the world where a beast wanders into the\r different stages of a scientific testing that has been exposed to. Human figures appear\r in harmless and impersonal spaces where they modify the animal biologically, without\r uttering words. Nowadays, man only seems to move around a constant improvement, a\r search for improving the nature that surrounds us, thinking about the possibility to taste\r a celestial candy.",[11],0.1213,"2016-10-13",{"id":129,"adult":6,"title":130,"video":6,"overview":131,"softcore":6,"genre_ids":132,"popularity":133,"vote_count":8,"poster_path":134,"release_date":135,"vote_average":8,"backdrop_path":28,"original_title":130,"original_language":40},487042,"The Island","The Island is a short film shot entirely on Pulau Bidong, an island off the coast of Malaysia that became the largest and longest-operating refugee camp after the Vietnam War. The artist and his family were some of the 250,000 people who inhabited the tiny island between 1978 and 1991; it was once one of the most densely populated places in the world. After the United Nations High Commissioner for Refugees shuttered the camp in 1991, Pulau Bidong became overgrown by jungle, filled with crumbling monuments and relics.  The film takes place in a dystopian future in which the last man on earth - having escaped forced repatriation to Vietnam - finds a United Nations scientists who has washed ashore after teh world’s last nuclear battle. By weaving together footage from Bidong’s past with a narrative set in its future, Nguyen questions the individual’s relationship to history, trauma, nationhood, and displacement.",[11],2.1642,"\u002Fui3oe32cv9LybXFlN0ZqDBMhkDB.jpg","2017-03-17",{"id":137,"adult":6,"title":138,"video":6,"overview":139,"softcore":6,"genre_ids":140,"popularity":141,"vote_count":8,"poster_path":142,"release_date":143,"vote_average":8,"backdrop_path":28,"original_title":138,"original_language":40},487413,"Wall Street","Shot at high noon in New York’s financial district, Wallstreet is much like a vertical tickertape, charting the existence of typical office workers. The film’s elongated shadows suggest these workers’ depersonalized, neuter, nearly uniform lives, which flow by without any solid or stable element that might provide definition.",[11],0.1872,"\u002F8sGGybpilwh7kiN8VG1DqQrjXbY.jpg","1980-01-01",{"id":145,"adult":6,"title":146,"video":6,"overview":147,"softcore":6,"genre_ids":148,"popularity":149,"vote_count":8,"poster_path":150,"release_date":151,"vote_average":8,"backdrop_path":28,"original_title":146,"original_language":40},487449,"Western 4.33","Vertiginous documentary, shot in effective black-and-white, treats two painful histories. The first is a love story about a truck driver who, on his way from Johannesburg (South Africa) to Luderitz (Namibia), is haunted by thoughts of his girlfriend and their recently severed relationship. His memories are expressed in an often recurring scene, in which songs by Alec Empire, Macy Gray and Robert Schumann roughly tell the story. This small history is alternated with the tragic fate of the Namibian Heroro people, many thousands of whom died early last century in concentration camps that had been set up by the German colonisers near Luderitz. The depiction of this history is cruder and more poignant, with slanting frames, odd camera angles and a multi-layered sound sculpture. The dilapidated barracks and officers' quarters are the last remnants of the miscarried, so-called civilisation projects in Africa.",[11],0.2418,"\u002Fz8eBsURD4otqUV7z2NveRe8jKOo.jpg","2001-11-16",{"id":153,"adult":6,"title":154,"video":6,"overview":155,"softcore":6,"genre_ids":156,"popularity":157,"vote_count":8,"poster_path":28,"release_date":158,"vote_average":8,"backdrop_path":28,"original_title":154,"original_language":40},670531,"Gladstone","A portrait of a street corner in flux.",[11],0.1635,"2009-09-24",{"id":160,"adult":6,"title":161,"video":6,"overview":61,"softcore":6,"genre_ids":162,"popularity":163,"vote_count":23,"poster_path":164,"release_date":165,"vote_average":57,"backdrop_path":28,"original_title":161,"original_language":65},306624,"Voz",[104,11],1.1555,"\u002FtzVYk5BPj1Cv3qf35UhprrsgI8O.jpg","2000-01-01",{"id":167,"adult":6,"title":168,"video":6,"overview":169,"softcore":6,"genre_ids":170,"popularity":171,"vote_count":23,"poster_path":172,"release_date":173,"vote_average":174,"backdrop_path":28,"original_title":168,"original_language":40},487713,"Vineyard IV","Glen Denny observed: \"This film is not ocean, it is panther stalking jungle.\" Camera flows because it is free to move through space.",[11],0.468,"\u002FtetPpOG6f6W4aB3J4zV80xBjCEL.jpg","1967-01-02",5,{"id":176,"adult":6,"title":177,"video":6,"overview":178,"softcore":6,"genre_ids":179,"popularity":180,"vote_count":23,"poster_path":181,"release_date":182,"vote_average":174,"backdrop_path":183,"original_title":177,"original_language":40},487714,"Swimming Stone","Fluidity of stone. Subatomic motion asserting a surface. Mind loop wandering. Visitation of sound matrix. Liquid solid. Nature transforms a planetary cycle. Relations of a timeless void.",[11],0.3681,"\u002F4yqQ5vSyfkx8lIGvx4D9WfYx4R9.jpg","1969-01-01","\u002F446K7U5DwvnHFITOfYLl9Uwsywa.jpg",{"id":185,"adult":6,"title":186,"video":6,"overview":187,"softcore":6,"genre_ids":188,"popularity":189,"vote_count":8,"poster_path":28,"release_date":190,"vote_average":8,"backdrop_path":28,"original_title":186,"original_language":40},487573,"VI.SION","Vi.sion is the product of an encounter between an expanding ballet troupe and an abandoned school with a marvelous theater, which was to be demolished to make way for a parking lot. It is the home of a place, imbued with memories of a rich and proud past, by the footsteps of a young troop. The time is getting confused. The present and the past blend together and it is the old school that dances with the passion and passion of young dancers. Ghosts, shadows, specters ... They bewitch.",[11],0.3056,"2017-11-17",{"id":192,"adult":6,"title":193,"video":6,"overview":194,"softcore":6,"genre_ids":195,"popularity":196,"vote_count":197,"poster_path":198,"release_date":199,"vote_average":200,"backdrop_path":201,"original_title":193,"original_language":40},487711,"Kata","Nature, gymnastic movements, a cat...",[11],0.3473,2,"\u002FiirALcoP2eGk15yE4ZBgAcAFHoV.jpg","1967-12-31",4.5,"\u002F4K8jBlpyl3xT3h1QFueMHjwPD8z.jpg",{"id":203,"adult":6,"title":204,"video":6,"overview":205,"softcore":6,"genre_ids":206,"popularity":208,"vote_count":8,"poster_path":209,"release_date":210,"vote_average":8,"backdrop_path":28,"original_title":211,"original_language":212},488195,"When I Looked at Myself from Above","The film takes us through the working day of protagonists, factory workers. Their basic working tool is their body, ready to execute strenuous manual tasks. Day after day the same story, the  same faces, the same spaces, the same tasks. Feeling confined, they seek a sheet anchor, a way out, an escape. They venture into the unknown, dance, drift and float in the air.",[207,11],10402,0.2163,"\u002FtR7FgUyXgxZIoDUbYbDBZzptdmf.jpg","2017-11-20","Ko sem se pogledala navzdol","sl",11706,234111,"http:\u002F\u002Fwww.laurakraning.com\u002Firradiant-field\u002F","In the Mojave Desert, fields of solar panels follow the sun’s daily journey in perfect synchronicity.",0.2919,"\u002Fj1xz0VxyfzlVwLeJleQjGYV08UG.jpg","2016-01-01",[221],"US",{"results":223},{},[],[],[227],{"name":228,"iso_3166_1":221},"United States of America",45,"A documentary story that tends to land well.",[]]