[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-444956-en-US":3},{"detail":4,"match":291,"insight":292,"providers":293,"providerLink":6,"trailer":6},{"adult":5,"backdrop_path":6,"belongs_to_collection":6,"budget":7,"genres":8,"homepage":12,"id":13,"imdb_id":12,"origin_country":14,"original_language":16,"original_title":17,"overview":18,"popularity":19,"poster_path":6,"production_companies":20,"production_countries":21,"release_date":25,"revenue":7,"runtime":26,"softcore":5,"spoken_languages":27,"status":28,"tagline":12,"title":29,"video":5,"vote_average":7,"vote_count":7,"credits":30,"similar":62,"watch\u002Fproviders":287,"videos":289},false,null,0,[9],{"id":10,"name":11},18,"Drama","",444956,[15],"US","en","Il mondo non è un panorama","A quasi-sequel to Michel Houellebecq's novel The Possibility of an Island, Masbedo's short presents a post-apocalyptic landscape overseen by a distant mother nature or perhaps mother of nature portrayed by French icon Juliette Binoche.",0.2948,[],[22],{"iso_3166_1":23,"name":24},"IT","Italy","2005-06-01",16,[],"Released","The World Is Not a Landscape",{"cast":31,"crew":41},[32],{"adult":5,"gender":33,"id":34,"known_for_department":35,"name":36,"original_name":36,"popularity":37,"profile_path":38,"cast_id":7,"character":39,"credit_id":40,"order":7},1,1137,"Acting","Juliette Binoche",2.4193,"\u002FhtdZZIroEyJaeHQAUTqokNfkPgl.jpg","La Madre","58ba3983c3a368668601303a",[42,50,54],{"adult":5,"gender":43,"id":44,"known_for_department":45,"name":46,"original_name":46,"popularity":47,"profile_path":6,"credit_id":48,"department":45,"job":49},2,1769654,"Directing","Masbedo",0.077,"58ba39a0925141606f0150b8","Director",{"adult":5,"gender":43,"id":44,"known_for_department":45,"name":46,"original_name":46,"popularity":47,"profile_path":6,"credit_id":51,"department":52,"job":53},"58ba39adc3a368664d015166","Production","Producer",{"adult":5,"gender":43,"id":55,"known_for_department":35,"name":56,"original_name":56,"popularity":57,"profile_path":58,"credit_id":59,"department":60,"job":61},3614,"Michel Houellebecq",0.1935,"\u002Fa3B4ozB89GKrLJIabJgWsAvueVU.jpg","58ba39b9c3a3686630013b7f","Writing","Writer",{"page":33,"results":63,"total_pages":285,"total_results":286},[64,77,88,99,110,120,131,146,157,168,180,192,202,216,225,237,245,255,265,275],{"adult":5,"backdrop_path":65,"genre_ids":66,"id":69,"title":70,"original_language":16,"original_title":70,"overview":71,"popularity":72,"poster_path":73,"release_date":74,"softcore":5,"video":5,"vote_average":75,"vote_count":76},"\u002F6LJUfxWh7Ru42pClv2wwPZKEja0.jpg",[67,10,68],53,27,19236,"Santa Sangre","A former circus artist escapes from a mental hospital to rejoin his armless, cult leader mother, and is forced to enact brutal murders in her name.",1.7404,"\u002F6VTra0NR4ygRnq3bD922I4rU0Mq.jpg","1989-11-24",7.156,501,{"adult":5,"backdrop_path":78,"genre_ids":79,"id":80,"title":81,"original_language":16,"original_title":81,"overview":82,"popularity":83,"poster_path":84,"release_date":85,"softcore":5,"video":5,"vote_average":86,"vote_count":87},"\u002Fy5xRzPzLk1gEnatnAfI6YKcHkCr.jpg",[10,67,68],21168,"The Reflecting Skin","In 1950s rural Idaho, a young boy watches helplessly as his friends and brother fall under the spell of a mysterious widow living up the road and becomes convinced that she is a vampire.",1.2979,"\u002FehUosbTVyCQtf6nAfpmQ8Q3XSd7.jpg","1990-08-28",6.7,219,{"adult":5,"backdrop_path":6,"genre_ids":89,"id":92,"title":93,"original_language":16,"original_title":94,"overview":95,"popularity":96,"poster_path":97,"release_date":98,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[90,91,10],35,10402,1176570,"Irish Catholic","God Hates Shavon","Meet Shavon O'Brien:  Her family doesn't understand her, her church ignores her, even Jesus forgets about her. 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From the female gaze, it shows the depth of the emotional wounds caused by domestic violence; the same one that the surrealist Dora Maar lived and that ask why, as a society, instead of killing the minotaur, we blindly continue to send him women only to be devoured and ask them why they simply did not fight, why they did not try get out of the labyrinth.",0.2795,"\u002Fu7qilNTS4ENxlVy2JN2YUZzsRvt.jpg","2022-09-30",{"adult":5,"backdrop_path":226,"genre_ids":227,"id":228,"title":229,"original_language":125,"original_title":230,"overview":231,"popularity":232,"poster_path":233,"release_date":234,"softcore":5,"video":5,"vote_average":235,"vote_count":236},"\u002Fa7wHUERqGBfsw3byWeq6iIMk5gO.jpg",[10],58094,"Anemic Cinema","Anémic cinéma","A spiral design spins. It's replaced by a spinning disk. These two continue in perfect alternation until the end: a spiral design, a disk. Each disk is labelled and can be read as it rotates. The messages, in French, feature puns and whimsical rhymes and alliteration. The final message comments on the spiral motif itself.",0.2184,"\u002FmnmJljxFSnradmwAwarIqsod2jb.jpg","1926-01-01",6.186,86,{"adult":5,"backdrop_path":6,"genre_ids":238,"id":239,"title":240,"original_language":16,"original_title":240,"overview":241,"popularity":242,"poster_path":243,"release_date":244,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],661465,"WSTYD","Here I am. A mind backed up by delusion of previous condition.\r Free or humiliated?\r Who is ashamed? 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None of those scenes contains a single \"story\": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each \"story\" had to be filled in by the audience.",0.2222,"\u002F9clPJss1NTR3zJsuKvBI3M1ybvR.jpg","2006-03-01",4,{"adult":5,"backdrop_path":256,"genre_ids":257,"id":258,"title":259,"original_language":16,"original_title":259,"overview":260,"popularity":261,"poster_path":262,"release_date":263,"softcore":5,"video":5,"vote_average":264,"vote_count":191},"\u002FeXXGb52Ss8m6QqpiMKFkBNutNZ8.jpg",[10],293514,"Himself as Herself","The young hero seems the essence of maleness, yet he's troubled by vaguely feminine objects. Soon his masculine and feminine selves are intercut, as each of his identities appears to look and gesture at the other. The film, at once melancholy and transcendent, consists of a shimmering, nearly plotless evocation of gender identity in flux through haunting, densely interlaced images.",0.1675,"\u002Fct2oZbtVF5ld0gRsIsKKJWfQNbO.jpg","1967-11-22",3.6,{"adult":5,"backdrop_path":266,"genre_ids":267,"id":268,"title":269,"original_language":16,"original_title":269,"overview":270,"popularity":271,"poster_path":272,"release_date":273,"softcore":5,"video":5,"vote_average":254,"vote_count":274},"\u002FzL4wqox5oR9Kujpm4m1qx6aSo7w.jpg",[10],293515,"Eros, O Basileus","Structured in nine tableaux each a study of a simple action or situation involving a lone, naked figure, the blind Eros, searching for fulfilment, for self. The objects he touches - books, paintings - can be seen as icons of the creative spirit; there is also a motor cycle and film equipment. In succeeding scenes he appears to try on identities offered by institutional doctrines of religion and social traditions of (overt) masculinity. Much of the film was constructed in-camera with a small amount of editing afterwards. An innovation was the use of in-camera fade-outs as phrase markers, not as terminal points, within a single set-up or shot.",0.2457,"\u002Fu5b02RzdF1CPb59UwGxytazElCn.jpg","1967-04-23",3,{"adult":5,"backdrop_path":276,"genre_ids":277,"id":278,"title":279,"original_language":16,"original_title":279,"overview":280,"popularity":281,"poster_path":282,"release_date":283,"softcore":5,"video":5,"vote_average":284,"vote_count":254},"\u002F36ZjfgprfbI5EsVyDCTIf6IPTnm.jpg",[10,205],293521,"Psyche","Psyche 1947, made while a student at USC, shows Markopoulos’ developing style and his sensuous use of colour and composition. Shot in the Hollywood hills, the film was inspired by an unfinished novella by Pierre Louÿs. - Tate Modern",0.1442,"\u002FwevFeG3fqHg5346eZiFHdhRZPKh.jpg","1948-05-29",7,14783,295649,{"results":288},{},{"results":290},[],45,"A drama story that tends to land well.",[]]