[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-446490-en-US":3},{"detail":4,"match":406,"insight":407,"providers":408,"providerLink":365,"trailer":63},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":16,"videos":17,"credits":19,"imdb_id":148,"revenue":8,"runtime":149,"similar":150,"tagline":26,"homepage":26,"overview":353,"softcore":6,"popularity":354,"vote_count":34,"poster_path":355,"release_date":356,"vote_average":357,"backdrop_path":358,"origin_country":359,"original_title":361,"watch\u002Fproviders":362,"spoken_languages":373,"original_language":226,"production_companies":377,"production_countries":403,"belongs_to_collection":63},446490,false,"The Ferryman",0,[10,13],{"id":11,"name":12},10402,"Music",{"id":14,"name":15},9648,"Mystery","Released",{"id":5,"results":18},[],{"cast":20,"crew":55},[21,31,39,46],{"id":22,"name":23,"adult":6,"order":8,"gender":24,"cast_id":25,"character":26,"credit_id":27,"popularity":28,"profile_path":29,"original_name":23,"known_for_department":30},2174762,"Navala Chaudhari",1,6,"","60ad3c7b0f2ae100575524ee",0.5765,"\u002Fdh5gsnMeaWYA4NqJ8PlTazOdr1Z.jpg","Acting",{"id":32,"name":33,"adult":6,"order":24,"gender":24,"cast_id":34,"character":35,"credit_id":36,"popularity":37,"profile_path":38,"original_name":33,"known_for_department":30},1060565,"Marina Abramović",2,"Narrator","590d178fc3a36864fc00521b",0.8999,"\u002FacyUmjRy0bLQgHk8Utpg88oCwAl.jpg",{"id":40,"name":41,"adult":6,"order":34,"gender":24,"cast_id":42,"character":26,"credit_id":43,"popularity":44,"profile_path":45,"original_name":41,"known_for_department":30},119388,"Clara Furey",5,"60ad3be7c2b9df006c355ca2",0.6917,"\u002FlGXQHwSzhmGnjwbzvaaWkE4x1Ch.jpg",{"id":47,"name":48,"adult":6,"order":49,"gender":34,"cast_id":24,"character":50,"credit_id":51,"popularity":52,"profile_path":53,"original_name":48,"known_for_department":54},1811287,"Damien Jalet",3,"Le passeur","590d175b9251414e8d004f84",0.7188,"\u002FySTHr5O2siCy7tSlm4rw1qQ2B6r.jpg","Crew",[56,65,68,72,79,82,88,94,99,104,109,111,114,121,128,130,135,138,141],{"id":57,"job":58,"name":59,"adult":6,"gender":8,"credit_id":60,"department":61,"popularity":62,"profile_path":63,"original_name":59,"known_for_department":64},1811286,"Screenplay","Gilles Delmas","60ad40dd50733c002a8deaf0","Writing",0.3389,null,"Directing",{"id":57,"job":66,"name":59,"adult":6,"gender":8,"credit_id":67,"department":61,"popularity":62,"profile_path":63,"original_name":59,"known_for_department":64},"Writer","60ad40f1c392660058982f9f",{"id":57,"job":69,"name":59,"adult":6,"gender":8,"credit_id":70,"department":71,"popularity":62,"profile_path":63,"original_name":59,"known_for_department":64},"Director of Photography","60ad4125d132d600570e9726","Camera",{"id":73,"job":74,"name":75,"adult":6,"gender":8,"credit_id":76,"department":77,"popularity":78,"profile_path":63,"original_name":75,"known_for_department":77},1875100,"Sound Mixer","Adam Wolny","60ad4263c39266003fdac9a5","Sound",0.5046,{"id":47,"job":80,"name":48,"adult":6,"gender":34,"credit_id":81,"department":54,"popularity":52,"profile_path":53,"original_name":48,"known_for_department":54},"Choreographer","60af7d9230f79c007a1f3dbd",{"id":83,"job":84,"name":85,"adult":6,"gender":8,"credit_id":86,"department":77,"popularity":87,"profile_path":63,"original_name":85,"known_for_department":77},1942550,"Original Music Composer","Loscil","60af7dc5568463003fe734f4",0.301,{"id":89,"job":84,"name":90,"adult":6,"gender":34,"credit_id":91,"department":77,"popularity":92,"profile_path":63,"original_name":93,"known_for_department":77},2737240,"Marihiko Hara","60af7de1ecbde9006d7651df",0.599,"原摩利彦",{"id":95,"job":84,"name":96,"adult":6,"gender":34,"credit_id":97,"department":77,"popularity":98,"profile_path":63,"original_name":96,"known_for_department":77},238916,"Christian Fennesz","60af7e07568463005749a17e",0.4804,{"id":100,"job":84,"name":101,"adult":6,"gender":8,"credit_id":102,"department":77,"popularity":103,"profile_path":63,"original_name":101,"known_for_department":77},3105080,"Winter Family","60af7e73ecbde9006d765215",0.25,{"id":105,"job":84,"name":106,"adult":6,"gender":8,"credit_id":107,"department":77,"popularity":108,"profile_path":63,"original_name":106,"known_for_department":77},3105082,"Gabriele Miracle","60af7e9017b5ef0040e3c483",0.3983,{"id":47,"job":66,"name":48,"adult":6,"gender":34,"credit_id":110,"department":61,"popularity":52,"profile_path":53,"original_name":48,"known_for_department":54},"60af7ed317792c004078e20e",{"id":73,"job":112,"name":75,"adult":6,"gender":8,"credit_id":113,"department":77,"popularity":78,"profile_path":63,"original_name":75,"known_for_department":77},"Sound Editor","60af7f3e17792c004078e236",{"id":115,"job":116,"name":117,"adult":6,"gender":8,"credit_id":118,"department":119,"popularity":120,"profile_path":63,"original_name":117,"known_for_department":61},934296,"Production Director","Isabelle Chesneau","60af7faec1ffbd0040c21ff2","Production",0.4358,{"id":122,"job":123,"name":124,"adult":6,"gender":34,"credit_id":125,"department":119,"popularity":126,"profile_path":63,"original_name":124,"known_for_department":127},1811288,"Producer","Marc Boyer","60af7fd5957e6d00573d1118",0.6712,"Editing",{"id":115,"job":123,"name":117,"adult":6,"gender":8,"credit_id":129,"department":119,"popularity":120,"profile_path":63,"original_name":117,"known_for_department":61},"60af7feac5c1ef002a702e98",{"id":131,"job":123,"name":132,"adult":6,"gender":8,"credit_id":133,"department":119,"popularity":134,"profile_path":63,"original_name":132,"known_for_department":119},2250975,"Christian Pfohl","60af800dc1ffbd00788e9fc6",0.398,{"id":57,"job":136,"name":59,"adult":6,"gender":8,"credit_id":137,"department":64,"popularity":62,"profile_path":63,"original_name":59,"known_for_department":64},"Director","590d1717c3a368650a004f49",{"id":122,"job":139,"name":124,"adult":6,"gender":34,"credit_id":140,"department":127,"popularity":126,"profile_path":63,"original_name":124,"known_for_department":127},"Editor","590d17b99251414e8d004fd0",{"id":142,"job":84,"name":143,"adult":6,"gender":34,"credit_id":144,"department":77,"popularity":145,"profile_path":146,"original_name":147,"known_for_department":77},11382,"Ryuichi Sakamoto","590d182f9251414e80005308",1.5118,"\u002FnYMG17bYaFkyTzs37W80G0MofPd.jpg","坂本龍一","tt5909040",71,{"page":24,"results":151,"total_pages":351,"total_results":352},[152,162,170,183,195,206,215,227,235,246,258,268,276,288,296,303,310,323,334,342],{"id":153,"adult":6,"title":154,"video":6,"overview":155,"softcore":6,"genre_ids":156,"popularity":157,"vote_count":8,"poster_path":158,"release_date":159,"vote_average":8,"backdrop_path":160,"original_title":154,"original_language":161},1724519,"Persistence of Memory","Inspired by the collaborative practice of composer John Cage and choreographer Merce Cunningham, composer Joan La Barbara and filmmaker Aleksandar Kostic created an event in which the film and music were conceived independently, allowing the two works to meet for the first time in performance.",[14],1.417,"\u002FbqRZvJuJyuXLwYvEu3INzEbbgVm.jpg","2012-03-17","\u002FuZzUCSzGWGP85mJ6yxz27d5mHdM.jpg","en",{"id":163,"adult":6,"title":164,"video":6,"overview":165,"softcore":6,"genre_ids":166,"popularity":167,"vote_count":8,"poster_path":168,"release_date":169,"vote_average":8,"backdrop_path":63,"original_title":164,"original_language":161},1540995,"Premium Economy","Confronting a meter-high red cordon, Anna Uddenberg questions our social consensus: \"How can a fragile piece of red fabric so easily direct the flow of human movement?\"  Anna Uddenberg is a Berlin-based contemporary artist. This film offers a glimpse into her first solo exhibition in China, held at Tank Shanghai. Structured in three parts—Casting, Rehearsal, and Performance—the film offers a stylised, non-linear response to Uddenberg’s sculptural language, exploring themes of bodily discipline, synthetic femininity, and ritualised consumerism.",[11],1.6612,"\u002F63tV6vozHBPmsOJkdZDZAU7qFOp.jpg","2025-06-19",{"id":171,"adult":6,"title":172,"video":6,"overview":173,"softcore":6,"genre_ids":174,"popularity":179,"vote_count":24,"poster_path":180,"release_date":181,"vote_average":34,"backdrop_path":182,"original_title":172,"original_language":161},403010,"Apple Pie","Shot on 16mm celluloid across parts of New Zealand and Samoa, interdisciplinary artist Sam Hamilton’s ten-part experimental magnum opus makes thought-provoking connections between life on Earth and the cosmos, and, ultimately, art and science. Structured around the ten most significant celestial bodies of the Milky Way, Apple Pie’s inquiry begins with the furthest point in our solar system, Pluto, as a lens back towards our home planet and the ‘mechanisms by which certain aspects of scientific knowledge are digested, appropriated and subsequently manifest within the general human complex’. Christopher Francis Schiel’s dry, functional narration brings a network of ideas about our existence into focus, while Hamilton’s visual tableaux, as an extension of his multifaceted practice, veer imaginatively between psychedelic imagery and performance art.",[175,176,177,178,14],878,35,12,14,1.3751,"\u002FzDAAkQdwDyHvlp9Hc6QW6coKDzX.jpg","2016-07-16","\u002FjWx4aQdHsz4s5iazQvPlWLMkfHE.jpg",{"id":184,"adult":6,"title":185,"video":6,"overview":186,"softcore":6,"genre_ids":187,"popularity":189,"vote_count":190,"poster_path":191,"release_date":192,"vote_average":193,"backdrop_path":194,"original_title":185,"original_language":161},259576,"Tower Bawher","This animated short by Theodore Ushev is like a whirlwind tour of Russian constructivist art and is filled with visual references to artists of the era, including Vertov, Stenberg, Rodchenko, Lissitsky and Popova.",[188,11],16,1.8684,8,"\u002FyNT09HOGlnfSktbK9UNEjkO12L0.jpg","2006-03-16",5.8,"\u002F2DC3XM3PoUQ7AhpEvXkvyXj5RMZ.jpg",{"id":196,"adult":6,"title":197,"video":198,"overview":199,"softcore":6,"genre_ids":200,"popularity":202,"vote_count":8,"poster_path":203,"release_date":204,"vote_average":8,"backdrop_path":63,"original_title":197,"original_language":205},1030662,"Marepe",true,"Marepe, an artist from Bahia, produces art with anything he comes across in the town he lives in, Santo Antônio de Jesus. Packs of cigarettes, coconut palms, walls, and memories taken from the streets, go into putting together a personal archeology for this young artist.",[201],99,1.2021,"\u002F7LG3B7hLFvHIEOEnbpAnIo1pCdq.jpg","2006-10-19","pt",{"id":207,"adult":6,"title":208,"video":198,"overview":209,"softcore":6,"genre_ids":210,"popularity":211,"vote_count":8,"poster_path":212,"release_date":213,"vote_average":8,"backdrop_path":63,"original_title":214,"original_language":205},1030649,"MAU WAL - Translated Encounters","Maurício Dias & Walter Riedweg often say the streets are their studio. From the observation of them and of those who populate them there arise installations about encounters, identity and territoriality. The Brazilian-born Dias met the Swiss Riedweg in 1993. Together they learned that they could boost one another’s ideas. “This marriage became Mau Wal,” says Dias. In this documentary, they present their works and the many characters behind them: people who make day-to-day living in the big cities. Street vendors at a Northeast Brazilian fair in São Paulo, illegal immigrants in their quest for the European dream, street kids and their memories. In stories or in the role it plays, the human element is always a centerpiece to the duo’s work.",[201],1.8304,"\u002FdX1gQjdNAepktHuHebmtIzHuGuY.jpg","2002-10-24","MAU WAL - Encontros Traduzidos",{"id":216,"adult":6,"title":217,"video":6,"overview":218,"softcore":6,"genre_ids":219,"popularity":222,"vote_count":8,"poster_path":223,"release_date":224,"vote_average":8,"backdrop_path":225,"original_title":217,"original_language":226},829290,"Mitterrand, président culturel","On the occasion of the fourty years anniversary of François Mitterand's election, a look back to the relationship between the President and artists, from admiration to manipulation.",[201,220,221],10770,36,0.8832,"\u002FqsPPjKjyJEFtQao7KTj5W88aBwO.jpg","2021-05-12","\u002F7eqN3ohKynrLzwqQoUpCQMA50pW.jpg","fr",{"id":228,"adult":6,"title":229,"video":6,"overview":230,"softcore":6,"genre_ids":231,"popularity":232,"vote_count":8,"poster_path":233,"release_date":234,"vote_average":8,"backdrop_path":63,"original_title":229,"original_language":161},1406983,"I Am Sitting in a Room","I am sitting in a room is a sound art piece by American composer and sound artist Alvin Lucier composed in 1969. The first performance of the work was in 1970 at the Guggenheim Museum in New York. In collaboration with his partner Mary Lucier. The piece features Lucier recording himself narrating a text, and then playing the tape recording back into the room while re-recording it. The new recording is then played back and re-recorded, and this process is repeated. Due to the room's particular size and geometry, certain resonant frequencies are emphasized while others are attenuated. Eventually the words become unintelligible, replaced by the characteristic resonance of the room.",[201],1.4262,"\u002F53Bp2pfTERNigN5cpvhzJFRbYCq.jpg","1970-10-12",{"id":236,"adult":6,"title":237,"video":6,"overview":238,"softcore":6,"genre_ids":239,"popularity":240,"vote_count":34,"poster_path":241,"release_date":242,"vote_average":42,"backdrop_path":243,"original_title":244,"original_language":245},267023,"BLACKland","The film is a stage play hybrid showcasing dark and absurd sketches based on contemporary Hungarian news of the 2000's with campy, senseless musical interludes in-between. Highly experimental in nature that - like Marmite - will split its' crowd into ones that'll love it and others that'll loathe it. There's no middle grounds here.  The topics included are: The Hungarian Olympians' doping scandal, political terrorism, the national elections... and more.",[176],3.3941,"\u002FKhMm634fiSrz0WpsDAztziX3UY.jpg","2006-01-01","\u002FlRY7k8kqKbsaarekeMhQpev3CDb.jpg","FEKETEország","hu",{"id":247,"adult":6,"title":248,"video":6,"overview":249,"softcore":6,"genre_ids":250,"popularity":252,"vote_count":8,"poster_path":253,"release_date":254,"vote_average":8,"backdrop_path":255,"original_title":256,"original_language":257},1030321,"Untitled","A painter in the throes of a creative block finds inspiration thanks to a fascinating and mysterious gallery owner, but he can't expect the shocking consequences of their encounter.",[251],18,1.3106,"\u002F3MV89057YQYCObmBRFUlluIMLkI.jpg","2022-10-07","\u002Fkavew4plSjOx2raczUmu4zxwAiI.jpg","Senza Titolo","it",{"id":259,"adult":6,"title":260,"video":6,"overview":261,"softcore":6,"genre_ids":262,"popularity":263,"vote_count":8,"poster_path":264,"release_date":265,"vote_average":8,"backdrop_path":266,"original_title":260,"original_language":267},445974,"Kutlug Ataman","This film documents Kutlug Ataman's artistic production in a retrospective approach and elucidates his works with his own words and with commentaries by curators, art institution directors, art historians and critics who are familiar with his production through close collaboration, to witness the construction of an impressive artistic production spanning 15 years. The film also includes the excerpts from the artworks and the installation footages of their realization.",[201],2.2076,"\u002F9MOjhMkdNAB1elX9Pg7Iet9F5hJ.jpg","2011-09-01","\u002FoCSExeh9zO4OagvG5vGWfYLdw2Y.jpg","tr",{"id":269,"adult":6,"title":270,"video":6,"overview":271,"softcore":6,"genre_ids":272,"popularity":273,"vote_count":8,"poster_path":274,"release_date":26,"vote_average":8,"backdrop_path":275,"original_title":270,"original_language":161},1418658,"Kentridge and Dumas in Conversation","William Kentridge and Marlene Dumas – two of the most celebrated names in international contemporary art – come face to face in a series of frank, witty and intense discussions about their work and practice. The film follows them from the gentle ambience of a dinner conversation, to their studios – where we are given insight into the way that each artist works – to some of their finished works and installations. What emerges is how very differently these two highly successful South African artists approach image making. Dumas’ method is deeply intuitive – she often works on the floor as though embracing her paintings, pouring and dabbing paint to produce her remarkable portraits. Kentridge is intensely systematic, alternating gestural mark making with the repetitive action of drawing-filming-erasing for his animated films.",[201],0.7124,"\u002FoCLeiEOfpRzQEB14ZypZVHBCilf.jpg","\u002FokjsmLFkGk28rw6fhnbxVlnOFiN.jpg",{"id":277,"adult":6,"title":278,"video":6,"overview":279,"softcore":6,"genre_ids":280,"popularity":281,"vote_count":282,"poster_path":283,"release_date":284,"vote_average":285,"backdrop_path":286,"original_title":287,"original_language":226},270151,"Solar Beats","Walking towards the fire. In a ceaseless stream of light, people, landscapes and objects lead us to mysterious regions. French filmmaker Patrick Bokanowski’s work is hard to classify - and all the richer for it. Together with his wife Michèle, whose musique concrète compositions form the basis of the sound design, Bokanowski offers a prolonged, dense and visually visceral experience of the kind that is rare in cinema today. Difficult to define and locate, its strangeness is quite unique.",[188],2.2745,7,"\u002F2KFym7sBD1r6DQ8c2WC9dmRCjfx.jpg","2008-10-10",8.4,"\u002F6A2SpgqMIfyGnJLskL6zS1IUccx.jpg","Battements solaires",{"id":289,"adult":6,"title":290,"video":6,"overview":291,"softcore":6,"genre_ids":292,"popularity":293,"vote_count":8,"poster_path":294,"release_date":295,"vote_average":8,"backdrop_path":63,"original_title":290,"original_language":161},1222058,"The Paradox of Norval Morrisseau","In this revealing study of Norval Morrisseau, filmed as he works among the lakes and woodlands of his ancestors, we see a remarkable Indigenous artist who emerged from a life of obscurity in the North American bush to become one of Canada's most renowned painters. Morrisseau the man is much like his paintings: vital and passionate, torn between his Ojibway heritage and the influences of the white man's world.",[201],0.7065,"\u002FtNSXiUI2CeVnGdMxJIFVrAcSCx2.jpg","1974-01-01",{"id":297,"adult":6,"title":298,"video":6,"overview":26,"softcore":6,"genre_ids":299,"popularity":300,"vote_count":8,"poster_path":301,"release_date":302,"vote_average":8,"backdrop_path":63,"original_title":298,"original_language":205},447667,"Rafael França: obra como testamento",[201],1.9915,"\u002F7UGXgiuZb9fi9gstAZ5ugAJf9lU.jpg","2001-11-24",{"id":304,"adult":6,"title":305,"video":6,"overview":306,"softcore":6,"genre_ids":307,"popularity":308,"vote_count":8,"poster_path":63,"release_date":309,"vote_average":8,"backdrop_path":63,"original_title":305,"original_language":161},1421015,"The Colours of Pride","Tom Hill, a Seneca artist and curator, explores the works of four contemporary Indigenous artists.",[201],0.8074,"1973-01-01",{"id":311,"adult":6,"title":312,"video":6,"overview":313,"softcore":6,"genre_ids":314,"popularity":317,"vote_count":318,"poster_path":319,"release_date":320,"vote_average":321,"backdrop_path":322,"original_title":312,"original_language":161},23985,"Cremaster 2","CREMASTER 2 is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney's abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1.",[178,315,316],27,37,1.987,28,"\u002F89Fohd57satfOatQ1REbS5Nutxq.jpg","1999-10-13",6.268,"\u002FmQNESp628BQuo9K9ZhwSZeOhorc.jpg",{"id":324,"adult":6,"title":325,"video":6,"overview":326,"softcore":6,"genre_ids":327,"popularity":328,"vote_count":176,"poster_path":329,"release_date":330,"vote_average":331,"backdrop_path":332,"original_title":325,"original_language":333},23986,"Cremaster 3","CREMASTER 3 is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect...",[251,178],1.0377,"\u002FAa4k3iHCFT0iwVENcfe3M3QAlen.jpg","2002-05-15",6.614,"\u002F3v9I1MzEWXjkwvRdjhQc38iPOQl.jpg","xx",{"id":335,"adult":6,"title":336,"video":6,"overview":337,"softcore":6,"genre_ids":338,"popularity":339,"vote_count":8,"poster_path":340,"release_date":341,"vote_average":8,"backdrop_path":63,"original_title":336,"original_language":161},1238604,"Freeze: But is it Art?","In 1988, art student Damien Hirst and a group of like-minded associates mounted an exhibition in a building in the East End of London. Entitled Freeze, it was a huge critical and commercial success, propelling Hirst and the group into the spotlight of the avant-garde.  More than five years later, Hirst exhibits to international acclaim and is regularly derided in the tabloid press.  This portrait of Hirst, which resumes the Omnibus season, is presented as a drug-induced nightmare after Hirst has been put to sleep by a sinister dentist, played by Donald Pleasence. In between interviews with fellow  Freeze artists including Angus Fairhurst , Sarah Lucas and Tracey Emin , Hirst is seen preparing Mother and Child Divided, his work for last year's Venice Blennale. The piece consists of a cow and a calf, each sawn in half, pickled in formaldehyde and exhibited in four tanks.",[201],1.1556,"\u002FcmlqlXc9xsBK0OCaSKBAi3hKtDH.jpg","1994-02-22",{"id":343,"adult":6,"title":344,"video":6,"overview":345,"softcore":6,"genre_ids":346,"popularity":347,"vote_count":8,"poster_path":348,"release_date":349,"vote_average":8,"backdrop_path":350,"original_title":344,"original_language":333},1442780,"Dissolution","This video takes a particular viewpoint, with the camera placed behind a zone of blur. Slowly, we experience the perception of an expanded time. An expectation is created and resolved in the observation of the passage of boats that dissolve into the nebulousness, disappearing from our sight like a mirage.",[201],0.6556,"\u002FnXRLcDsCUE0JKxWNBesHkAS7n7Y.jpg","2009-01-01","\u002FyFf6YlyaNOmGvAx2WCSLrNgH4DC.jpg",1001,20001,"In between performance, dance and cerémonies, \"The Ferryman” is a choreographic exploration of rituals and animistic roots, a luxurious visualisation of a bewitchment and an exorcism of a man-deer in the borders of the world.",1.4656,"\u002F9nSlHxXbcLa6G8Tr5uPQnWb307c.jpg","2016-04-28",7.5,"\u002FvqpmSlTvNb37HF0mrfe3yVl6H5H.jpg",[360],"FR","Le passeur des Lieux",{"results":363},{"FR":364},{"link":365,"rent":366,"flatrate":371},"https:\u002F\u002Fwww.themoviedb.org\u002Fmovie\u002F446490-le-passeur-des-lieux\u002Fwatch?locale=FR",[367],{"logo_path":368,"provider_id":369,"provider_name":370,"display_priority":318},"\u002Fy9ZT5IDneFzHfdx9Q5zumvZlr3.png",550,"Tenk",[372],{"logo_path":368,"provider_id":369,"provider_name":370,"display_priority":318},[374],{"name":375,"iso_639_1":226,"english_name":376},"Français","French",[378,382,385,389,393,396,399],{"id":379,"name":380,"logo_path":381,"origin_country":360},72654,"Lardux Films","\u002FqAGfpZE53RKgPWyiWYnIUdzpPrb.png",{"id":383,"name":384,"logo_path":63,"origin_country":26},144800,"TVM",{"id":386,"name":387,"logo_path":388,"origin_country":360},310,"CNC","\u002F4Gp5A4YdjPBfsHT47ngHMaXWmb9.png",{"id":390,"name":391,"logo_path":392,"origin_country":360},311,"PROCIREP","\u002FTNGvZ8zOklntjPP3EcsHtrR8Rc.png",{"id":394,"name":395,"logo_path":63,"origin_country":26},154921,"Staatstheater Darmstadt",{"id":397,"name":398,"logo_path":63,"origin_country":26},154922,"Institut français du japon",{"id":400,"name":401,"logo_path":402,"origin_country":360},135234,"Région Auvergne-Rhône-Alpes","\u002FqB39HrFJ596fL6IYwQVr0JMtjDN.png",[404],{"name":405,"iso_3166_1":360},"France",45,"A music story that tends to land well.",[409],{"logo_path":368,"provider_id":369,"provider_name":370,"display_priority":318,"status":410,"label":411},"paid","Subscription"]